• 패션비즈니스
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• 제6권5호
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• pp.59-71
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• 2002

The purpose of this study was 1) to analyze the consumers' preference on the recent trend in men's wear according to their lifestyle and 2) to suggest a suitable direction for men's wear planning based on the lifestyle analysis. A survey was applied to obtain the data set responded from 310 male subjects who were aged between thirties and fourties. The main results of this study are summarized as follows: 1) Five types of recent fashion trends were identified through a qualitative analysis on the recent men's wear trend, which were 'Modern classic casual', 'Retro traditional casual', 'Authentic/Ethnic casual', 'Urban dandy street casual' and the 'Refined sportive casual'. 2) The three types of the respondents' lifestyle were identified in this research and named as 'pursuing sense', 'pursuing tradition' and 'conservative indifference'. Examining the preference on fashion trends according to subjects' lifestyle and etc., the preference level of the 'pursuing sense' group on trend was, in general, higher than that of the two other lifestyle groups. The most preferred trend style of 'pursuing sense' group was the 'Modern Classic'. Finally, a suitable direction for men's wear planning was suggested on the result of analysis in this research.

• 복식문화연구
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• 제17권6호
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• pp.1083-1098
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• 2009

The purpose of the study is to revaluate the new artistic values of Suprematism that immensely influenced the Russian culture in the beginning of the 20th century. Also through studying the relationship between people and costume within works of Malevich, who wanted to portray humanity through his art works, this study will research on how Suprematism not just stood as Russian Avant-garde art but significantly contributed to art and costume expression. The study methods are as follows. First, consider the formative background of Suprematism style of arts. Second, study of the development of Suprematism art through both Suprematism art and Non-objective art. Third, study how Suprematism style of arts is portrayed in art costume through works of Malevich. The results of the study are as follows. The Russian Suprematism art costume strictly originated from the Russian Suprematism style of arts. Suprematism simplified any reproductive element of fine art with a creative energy, which reflects the statement of Malevich that said, "The object does not exist, it only stands as a symbol." In other words, Suprematism abolished ordinary response to basic environment, and created a much more serious reality than the innate reality of the environment. When applied to art costume, such style sought after geometrical simplicity in shape and Neo-Premitivism trait in color. This trend is also expressed in 21st century fashion in new forms of Minimalism or Futurism. In this respect, Suprematism still holds an artistic value in a novel form even after a century since the beginning of 20th century when Malevich first presented Suprematism.

• 복식
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• 제65권2호
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• pp.157-175
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• 2015

The study was aimed to develop a torso-type dress form representing body features of the female fashion models in Korea. To fulfill this purpose, 5 female fashion models aged between 20 and 26 having the average body measurements of professional fashion models in Korea were selected and their 3-D whole body scanned data were analysed. The 3-D whole body scanning method enabled to generate a virtual female fashion model within the CAD system by measuring the subjects' body shapes and sizes. In addition, the virtual model's body data led the development of a standard female fashion model dress form for the efficient fashion show preparation. In order to manufacture the real dress form for female fashion models, 3-D printing technology was adopted. The consequent results are as follows: (1) the body measurements (unit: cm) of the developed dress form were: biacromion length, 36.0, bust point to bust point, 16.6, front/back interscye lengths, 32.0/33.0, neck point to breast point, 26.0, neck point to breast point to waist line, 41.5, waist front/back lengths, 34.5/38.5, waist to hip length, 24.0, bust circumference, 85.0, underbust circumference, 75.0, waist circumference, 65.0, hip circumference, 92.0. (2) the body measurements differences between the developed and existing dress forms were highlighted with the body measurements of neck point to breast point and waist to hip length. (3) the body shape features of the developed dress form showed that bust, shoulder blade, shoulder slope, abdomen and back waist line to hip line parts were more realistically manufactured.

• 복식
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• 제65권5호
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• pp.103-112
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• 2015

This study examines the fashion illustrations textbooks that have been published in the domestic market, and identifies its characteristics and problems in regards to its use in developing creative students. The purpose of the study is to propose ways to improve the development of the fashion illustration textbooks. The research method of this study are as follows: First, the teaching materials on fashion illustration in Korea were researched to examine the current state of publication. Second, its contents were analyzed to identify its characteristics. Third, an improvement plan of educational materials on fashion illustration in Korea were proposed. As for the scope of study, 18 volumes of fashion illustration teaching materials published in Korea during 2004-2014 were targeted. It should be noted that translated publications, digital fashion illustration materials and teaching materials for specialized and professional organizations were excluded. Conclusions of this study are as follows: First, examination of the textbooks revealed that additional content is needed regarding theoretical understanding of fashion illustration, as well as illustrations of men and children, as there was an insufficient amount of those topics. Second, the contents on the illustration application using current trends were lacking in the unit on illustration application. Accordingly, it is necessary to develop contents that reflect these trends. Lastly, the textbooks should be packaged with compact discs CDs containing video clips to assist students to get a better grasp of the material. The result of this study can be used to develop new teaching materials on fashion illustration, and be utilized as basic information in the curriculum design of fashion illustration.

• 한국가정과교육학회지
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• 제19권1호
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• pp.81-97
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• 2007

기술 가정 교과를 위한 실험 실습실의 여건을 살펴보고, 기술 가정 교과 중 가정영역의 실험 실습에 대한 교사들의 인식을 파악하고, 교사의 전공에 따라 인식의 차이가 있는지 비교 분석하였다. 전국 중학교를 대상으로 기술 가정 교과 교사에게 메일을 발송하여 웹을 통한 설문조사를 실시하였으며, 교사 220명의 응답이 최종 분석에 사용되었다. 자료 분석은 SPSS 프로그램을 이용하여 빈도분석, 일원분산분석, t-test와 던컨의 사후 검증을 실시하였다. 연구의 결과는 다음과 같다. 첫째, 대부분의 중학교에 가정 실험 실습실이 있지만 그 시설 및 교구 설비 상태는 열악하며 특히 의생활과 주생활영역의 실험 실습실 시설 및 교구 설비는 실질적인 실험 실습을 위해 보완이 시급함을 알 수 있었다. 둘째, 교사가 가정영역 실험 실습 내용이 필요하다고 생각하는 정도는 높았으며 전반적으로 식생활 영역의 필요도를 가장 높게 인식했고, 주생활 영역의 필요도를 가장 낮게 인식하였다. 가정 전공 교사가 타 전공 교사보다 가정 영역 실험 실습을 더 필요하다고 생각하는 것을 알 수 있었다. 셋째, 기정영역 실험 실습 내용의 수준이 학생에게 적합하다고 생각하는 정도는 보통 이상으로 나왔으며 식생활 영역에 대한 실험 실습 내용 수준이 가장 적합하다고 인식한 반면 '주택의 유지와 보수'는 상대적으로 가장 적절하지 알은 것으로 나타났다. 넷째, 가정영역 실험 실습 내용 분량과 수업 시수에 대해 적절하다고 생각하는 정도는 낮게 나타났으며 '옷 만들기와 재활용'은 교사의 전공과 상관없이 수업 분량과 수업 시수의 적절성이 가장 낮게 나타나서 개선이 필요함을 알 수 있었다. 가정 전공교사가 타 전공교사에 비해 실험 실습 내용의 분량과 수업시수의 문제점을 크게 느끼는 것을 알 수 있었다. 다섯째, 가정영역 실험 실습에 대한 학생의 흥미와 관심정도는 보통보다 높다고 교사가 인식하고 있었으며 '조리의 기초와 실제'에 대해 가장 높은 흥미와 관심을 보인다고 생각하는 반면 '주택의 유지와 보수'에 대해서는 학생이 흥미와 관심을 가장 적게 보인다고 생각하였다. 여섯째, 가정영역 실험 실습 내용이 실생활에 도움을 준다고 생각하는 정도는 비교적 높게 나타났는데 식생활 영역이 가장 높게 주생활 영역이 가장 낮게 나타났다. 일곱째, 가정영역 실험 실습 시행정도는 보통으로 식생활 영역>의생활 영역>주생활 영역 순으로 실험 실습이 시행되고 있었다. 가정 전공교사는 비전공 교사 보다 실험 실습을 더 많이 시행하는 것으로 나타났다. 결론적으로 가정영역의 실험실습은 매우 중요한데 제대로 시행되기 위해서는 무엇보다도 시설 및 교구 설비 상태를 개선해야 한다. 또한 의생활과 주생활 영역의 실험 실습이 제대로 이뤄지기 위해서는 실험 실습 내용에 대한 전반적인 검토가 요구되며 이에 앞서 가정 영역 내에서의 교과과정 정비도 필요하다고 본다. 이를 통해서 실험실습 분량의 과다와 수업시수의 부족이라는 문제점도 해결할 수 있으리라 생각한다. 그리고 교사의 전공에 따라 실험실습에 대한 태도에 차이가 있으므로 가정영역은 가정전공교사가 가르치는 것이 바람직하다고 생각한다.

• 한국의류학회지
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• 제3권1호
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• pp.1-11
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• 1979

This is a study on angels' costumes in religious paintings, especially as this relates to the questions of concepts and theological symbolism. Angels, as spiritual creatures in Christian thought, play the role of praising God's glory, as messengers of God, the role of guarding Israel and the Church, and protecting or punishing human beings. Sometimes the angels appear in incarnate form. They display no sexual differences and are not able to procreate. The angels' funtional classification being thus; nevertheless, they are pictured in various costumes and appearances according to characteristics of the paintings. The angel Michael appears as a man of dignity when pictured as a guard; the angel Gabriel in the annunciation is often portrayed as a woman of mystical beauty. Under the Renaissance, the mighty cherubim and seraphim at Yahweh's throne are degraded as plump child-angels, or winged child-heads looking alike Eros or Cupid. They have become playful and all too obviously non-heavenly chrubs, accepted features of the Temple decorations. However, cherubim are often depicted as naked or wrapped around with a piece of cloth and accompanied with wind, which symbolizes the Glory of God. The angels, costumes without seam are hung over or wrapped around the body, and when sewn they are simple and ample enough that they fall in a great many folds. However, by the 14C. angels are mostly dressed in costumes common to all Europe, and after that angels gradually appear in folk costumes; for example Italian, Flemish, etc. Dalmatic, the typical costume of Byzantine often shows up as angels' dresses even after the period. Originally the dalmatic was the Roman tunic to which Eastern influences added. The Roman clavus on the tunic had gradually lost distinction until, by the Imperial epoch, it was worn by the lowest servants. It was proudly therefore, as 'The servants of God', that the early Christians are shown wearing the clavus on their wide, ungirdled, sleeved dalmatics. In addition to their costume, angels have some other distinct charateristics. First, angels have a halo around their head; this symbolizes their holiness. Second, angels wear a narrow diadem or a queen's crown that seems to denote their glorious status close to God's throne. Third, the cloth band across the breast resembles a priest's stole, which suggests the sacred role of a priest and symbolizes the grace santified. Fourth, lilies in the annunciations are symbols of Mary's virginity. chastity, innocence and heavenly bliss. Angels hold palms or olives in their hands. The former denote prosperity. beauty and the Christians' reward after death; the latter represent peace and amity. the imperial crown made of olives means victory. Fifth, angels in paintings always have a pair of wings, which can be traced to scripture where cherubim and seraphim are described as having pairs of wings. Angels' wings often have colors of the rainbow, and the rainbow is compared to God's glory. Sixth, generally artists paint angels' costumes as white, blue, green, gold and purple. Other colors such as red rarely appear. According, to scriptures it is believed that angels should be depicted 'as white as snow'. According to the biblical expressions of angels as lightning, sun or a pillar of fire, angels should be described as creatures of light. Nevertheless being a form of art, religious paintings may differ in their presentation according to an artist's inspiration and intention. Since religious paintings illustrated above were almost all done before the Reformation, symbols of colors used in the Catholic Church will also be mentioned. The white color symbolizes chastity, purity, brightness, delight and divinity. Green represents new birth, eternal life, spiritual revival and the expectance of the grace of God. Blue, the color of sapphires, denotes chastity and truth. Red, the color of rubies, represents divinity, love and religious passion. Violet is the color of dignity, indicating the sovereign, royal or imperial power and the great Sacrifice of Christ. As mentionad above, angels' costumes were expressed in accordance with contemporary patterns or as indicated in the Bible, and accesories and colors correspond with Christian symbols. Therefore these facts should be taken into consideration when it comes to the study of costume history.

• 한국의상디자인학회지
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• 제7권3호
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• pp.113-127
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• 2005

From the ancient times, incense was used for various usages including a means of beauty expression with flavor, a medicine for disease treatment and a device for religious event or ritual. The period of T'ang was the times when cultural and material exchanges with foreign countries were very actively made under the political openness of the Chinese nation. Here the exchanges were made mainly through inland trade, called Silk Road(絲綢之路) and marine trade routes, Incense Road(香料之路). This indicates that incense was one of the main items actively traded at that time. In addition, literatures of the T'ang period show that in the Chinese nation, a wide range of classes from the imperial family to the public used incense for many different purposes. This suggests that the culture of incense was deeply prevailed and very socially significant in T'ang. This study investigated social factors that promoted the incense culture of T'ang and the applications and types of incense widely used in the period of T'ang. First, influential religions and the openness of sex culture were main social factors that made incense culture flourish in the period of T'ang. Above all, two main religions of the Chinese nation, Buddhism and Taoism became secularized under political protection by the imperial family. As Buddhism was popularized, the Buddhist ritual of incense burning made a contribution to making public incense culture. Providing its doctrines of eternal youth and eternal life, Taoism necessarily used incense to form a Taoistic climate. The flourishment of the foresaid religion in T'ang added more fuel to that of incense culture in the Chinese nation. The openness of sex culture brought about the Inauguration of the empress, improvement in female position and free relationships between man and woman. It was accelerated by sexology as a method of eternal youth provided by Taoism. The opened culture also developed the culture of kibang where female entertainers called kinyeo consumed lots of incense for decoration and sexual desire stimulation. These open climates of T'ang society made a great contribution to making incense culture, especially for decoration, prevailed throughout the Chinese nation. Second, types of incense prevailed and widely used in the period of T'ang included olive incense, germander(廣藿香), olibnum(乳香), myrrh Resinoid(沒藥), jia Xiang(甲香), clove(丁香) and Shen xian(沈香), all of which were imported from foreign nations and had various applications. Specifically, olive incense, germander(廣藿香), olibnum(乳香) and myrrh Resinoid(沒藥) were used for religious purposes while, jia Xiang(甲香), clove(丁香) and Shen xian(沈香) for the purposes of religion and decoration. In conclusion, a number of social factors including political, religious and medical purposes and the openness of sex culture set fundamentals on which the culture of incense was extensively developed and established as a social trend in T'ang. In the Chinese nation, incense culture was not just an option for taste, but a part of life style social members needed to know. People of T'ang not only enjoyed incense mainly for purposes of religion, pleasure and make-up, but also had the wisdom to know various effects of incense, curiosity about such new things and the will to imitate and pursue alien culture, resultantly flourishing incense culture. Thus the culture of incense represented many social aspects of T'ang.

• 폴리머
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• 제25권5호
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• pp.635-641
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• 2001

포접 기능을 가져 악취의 분리제거에 사용될 수 있을 것으로 보이는 $\beta$-시클로덱스트린 및 $\beta$-시클로덱스트린에 벤조산을 포접시킨 물질($\beta$-시클로덱스트린/벤조산 포접체)에 시아누르산 염화물을 반응시켜 클로로트리아진 유도체를 제조하고, 이를 면섬유와 반응시켜 새로운 소취 기능성 섬유를 제조하였다. 포접체의 형성은 적외선 분광분석 및 가시-자외선 분광분석기를 사용하여 확인하였으며, 반응기의 도입은 EDX로 확인하였다. 소취성능은 제조한 소취기능성 섬유를 컬럼에 채우고, 암모니아 기체를 흘려 보냈을 때 빠져나온 암모니아를 물에 용해시킨 용액의 농도를 0.1N 염산으로 적정하여 평가하였다. 섬유에 부착된 $\beta$-시클로덱스트린 단위가 증가할수록 소취성이 증가하였으며, $\beta$-시클로덱스트린에 벤조산을 포접한 경우에 소취성이 보다 증가하였다. 이는 포접체에 존재하는 벤조산과 암모니아의 결합때문이라고 생각되었다.

• 복식
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• 제56권4호
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• pp.48-64
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• 2006

The purpose of the study was to demonstrate how to recreate spencer jacket in the empire style in an attempt to apply this historic style to theatrical costumes and other high fashion items in modern times. The study was carried out through 2 steps. (1)Block patterns of spencer jacket of its basic design were developed through draping based on the design characteristics mentioned above. (2)Spencer jackets of three designs, which were the typical designs of each category have been made of velvet to find out more specific structural characteristics. The structural characteristics of Spencer jacket in draping were as follows: (1)Jacket length position was suitable 9cm below body's bust line and neckline should be enlarged front & side neck point 2cm, back neck point 1.5cm. (2)Cut out the front bodice after CF line moved 1cm outwards and bust dart amount should not exceed 2-3cm. Shoulder point moved inwards. (3)Side back grain line was parallel to princess line of the back bodice. Add 0.5cm ease to the under arm of the front and side bark bodice, it was good for the activity of arm. (4)Armhole line was trued as maintaining to across back width 14-15cm at least. Shoulder line was to connect from the point 2cm depart shoulder point along armhole line to point 2cm side neck point along neck line. (5)Sleeve length was suitable 70cm, cut out the bias direction to move forwards the grain line from shoulder point. Puff position was good from the 2cm depart shoulder point to shoulder line.

• 한국산학기술학회논문지
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• 제13권12호
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• pp.6105-6110
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• 2012

스마트기기는 우리의 삶을 더욱 지능화시키며 편리함을 더해준다. 고수준 인터페이스와 LTE와 같은 네크워크 고속화는 체험 가능한 App을 창출하고 있다. 본 연구에서는 Hair Style App 'Hair Style Magic Mirror App'을 경험한 사용자의 비정형데이터와 감성정보의 정보를 토대로 분석하고 평가한 후, 향후 체험형 앱이 갖추어야 할 바람직한 개선방향을 제안하였다. Chi-Square 분석결과 App버전은 사용자 만족도에 영향을 주지 못하였고 기술통계 분석결과 무료버전 보다 유료버전의 사용자 만족도가 높음을 확인할 수 있었다. 감성정보 분석결과 사용자는 App의 현실성을 중요하게 생각하고 있었다. 향후 App 개발자는 현실성과 감성에 초점을 맞춰 App 개발을 해야 할 것이다.