• 영어영문학
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• 제59권4호
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• pp.545-567
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• 2013

Keeping in mind the hybridity and plurality of Southern Literature, this paper discusses the traits of Southern literature in Jayne Ann Phillips's first novel, Machine Dream. The novel's frequent use of memory and oral reconstruction of a family history accompanied by the feeling of loss in the process of depicting the South's past typically signifies "The Southern" which reminds us of the works of William Faulkner, Katherine Ann Porter, and Eudora Welty. Nevertheless, Phillips's South is more fragmented and her narrative is more evasive and varied than any of her Southern predecessors. The South of the twentieth century from the period of Depression until 1972 is reconstructed differently depending on memories and desires of the four members of Hampson family in this novel, either as a place of nostalgia or as the place of trauma or as the place to survive only in memory. The oxymoronic title of the novel, "machine dreams" signifies that dream and memory of the South cannot remain independent in its epistemological entity but exist as a mixture of materiality of every day life in the modern South. The hybridity of this dream and of the South is what defines itself as Southern. Yet Phillips retains feeling of loss and lament enough to create a modern Southern novel rooted in Southern Literature. Thus, the title itself works an antinomic signifier of both the presence and absence of the dream of the South and of Southern Literature.

• 영어영문학
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• 제58권6호
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• pp.1023-1039
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• 2012

The rising urban space in the United States at the turn of the twentieth century was an exemplary site of struggles between the dominant white population and those who migrated from the imperial peripheries. By setting up the space of Chinatown as a segregated sphere within the urban space, the dominant white American society attempted to recreate the sense of distance between themselves and the racial "others." Accordingly, the dominant narrative representations of San Francisco Chinatown at the turn of the century endeavored to produce and maintain the spatial dichotomies between the orderly spaces of natives and the disruptive immigrant communities within the larger boundary of modern American city space. As a Eurasian woman writer, Sui Sin Far attempted to provide distinctive portrayals of the space of Chinatown and its inhabitants that were far different from those of her contemporaries. Through her portrayals of San Francisco Chinatown in her collection of short-stories, Mrs. Spring Fragrance and Other Writings (1912), Far challenges against the false stereotypes and misreading of this unique immigrant space within and efforts to present the Chinatown as a heterotopic diaspora space where the "insiders" and the "outsiders" of the American urban space intermingle and influence each other.

• 한국농촌건축학회논문집
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• 제15권1호
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• pp.39-46
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• 2013

There have been numerous researches on Nak-An village in Jeollanamdo, one of the most representative traditional castle village in Korea. Most of them have dealt with general and physical architectural scale and features separately. Therefore this study aims to understand the compositional characteristics of building layout and exterior space and the relations between street system and dwelling unit of folk houses in Nak-An village. The study examined houses of ordinary people in Nak-An village constructed before the village was not affected by foreign influences. 36 folk houses in Nak-An built from nineteenth century to early twentieth century and believed to have few physical changes from the original floor plans and architectural forms were the subjects to be analyzed. The most popular types in building layout are "Open L"and "Open U". The most typical orientation of main building is Southwest. The favorable entry into the dwelling lot is from the side. The street system in the village consists of main streets of South-North, resulting in dwelling lots with North-South axis most general. This site condition forces the entry into the lot from North main street and the side access to the main building. From these findings, the building layout and the entry into the dwelling lot of folk houses in Nak-An are strongly related with street system and conditions of dwelling lot.

• 복식
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• 제48권
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• pp.197-216
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• 1999

This study reflects the aim of analyzing the formality and symbolism of the Chanel suit. Chanel had designed jersey and tweed cardigan suits in the 1910s and 1920s while her suits of the 1930s were crisply fitted. The suits of the 1950s and 960s while were comfortable and slightly boxy marked a significant step forword. Lagerfeld's mission at Chanel was to tranmute the basic elements of the Chanel style and make them contemporary. He has also introduced the contemporay wide shoulders and short tihht skirt In place of sensible knee-length skirts he offered hemlines that either grazed the ankles or exposed most of the thighs. Besides her very influential jersey and tweed cardigan suit Chanel continued to assert her considerable strength with materials often making her suits in very delicate feminizing fabrics. in place of the classic boxy tweed jacket Lagerfeld introduced jackets made of terrycloth denim and stretch fabric Many of Chanel's suits show a stylish sense of colour that would have made artist envious. Chanel and Lagerfeld chose variety of colours from beige and grey and black to blue green cerisen and red for her suits. They was completely in tune with the twentieth century understanding the changes in lifestyles of woman and also understanding how her clothes should cater to them Thus the Chanel suit is more a way of life than just a fashion and is synonymous with wealth and aritocracy. It is one of the most popular status-symbol styles of the 20th century.

• 복식
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• 제55권6호
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• pp.141-158
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• 2005

This study was motivated not only by the important role of the special make-up effects in films, but also by the prominent contributions created by make-up artists. The first objective was to study of Jack Pierce, Dick Smith, Tom Savini, Rick flake., and Stan Winston's impact in the most challenging and creative field of all make-up artistry. The second objective was to examine both affinities and differences in artistic styles as well as in make-up techniques through a comparative study of special make-up effects of horror and sci-fi movies in the 20th century films produced by Hollywood studios. The sci-fi films were designed to thrill the audience through the potential of futuristic ideas by fantastic special effects of futuristic creatures such as an extra-terrestrial, a mutant, a robot and a cyborg. In contrast, the horror films were designed to frighten the audience with more reliance on horrifying special effects including a vampire, a werewolf, a zombie and a psycho killer. Their features were shown in a common thread (masquerade, otherness and surrealism) as well as a number of different themes between horror and sci-fi films (transformation vs. extension, satanism vs. monstrosity, and primitivism vs. futurism).

• 한국실내디자인학회논문집
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• 제32호
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• pp.64-71
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• 2002

Today, term of ‘industrial society’means the totally changing society by new technical innovation through the Industrial Revolution begun in England at the mid-nineteenth century and it made social structure centering agricultural culture change with industrial culture with expansion of goods by the massive production. Information working area has to bo a space not just for improving business efficiency in industrial society but for developing efficiency in working in harmony with the information and structural aspects based on computer and communication technology. There are two kinds of environmental elements of working space : the tangible ones are the area and the structure of working space, lights, network, layout and information machines in office, the intangible ones are a feeling of satisfaction of management and arrangement of office information machines capability of information delivery, common ownership of documents and their files, the security and connection between office workers, and harmony. According to the wave of information begun from the late twentieth century, structural layout of working area has become various by the working type through network of new developed information communication machines. But it is hard to apply them in actually.

• 한국수학사학회지
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• 제30권1호
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• pp.17-29
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• 2017

This paper is concerned with the $Ces{\grave{a}}ro$ summability of Fourier series. Many authors have studied on the summability of Fourier series up to now. Also, G. H. Hardy and J. E. Littlewood [5], Gaylord M. Merriman [18], L. S. Bosanquet [1], Fu Traing Wang [24] and others had studied the $Ces{\grave{a}}ro$ summability of Fourier series until the first half of the 20th century. In the section 2, we reintroduce Ernesto $Ces{\grave{a}}ro^{\prime}s$ life and the meaning of mathematical history for $Ces{\grave{a}}ro^{\prime}s$ work. In the section 3, we investigate the classical results of summability for Fourier series from 1897 to the mid-twentieth century. In conclusion, we restate the important classical results of several theorems of $Ces{\grave{a}}ro$ summability for Fourier series. Also, we present the research minor lineage of $Ces{\grave{a}}ro$ summability for Fourier series.

• 한국제4기학회:학술대회논문집
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• 한국제4기학회 2004년도 하계학술대회
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• pp.29-29
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• 2004

Long term observational analysis by climatologists has confirmedthat the global warming is no longer a topic of debate among scientists andpolicy makers. According to the report of IPCC-2001 (Intergovernmental Panelon Climate Change), the global mean surface air temperature is increasinggradually. The reported increase of mean temperature is by 0.6 degree in the end of twentieth century. This could represent severe threat for propertylosses especially due to increase in the number of extreme weather arising out of global warming. period of model integration from 2001 to 2100 using output of ECHAM4/HOPE-G of Max Planet Institute of Meteorology (MPI) for IPCC SRES (Special Report on Emission Scenarios). The main results of this study indicate increase of surface air temperature by 6.20C and precipitation by 2.6% over Korea in the end of 21st century. Simulation results also show that there is increase in daily maximum and minimum temperatures while decrease in diurnal temperature range (DTR). DTR changes are diminished mainly due to relatively rapid increase of daily minimum temperature than that of daily maximumtemperature. It has been observed that increase in precipitation amount anddecrease in the number of rainy days lead to increase of pre precipitationintensity.

• 한국실내디자인학회논문집
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• 제29호
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• pp.35-42
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• 2001

As a part of Avant-Garde movement centered in Russia before and after the Revolution in 1917, Russian Constructivism was born as most experimental and avant-garde modernity artistic movement. Russian Constructivism played a significant part in relative to Avant-Garde in the beginning of twentieth century and has contributed to a series of artistic movement, it deserves a status befitting its contribution to modem abstract art. Noticing the fact that Constructivist approaches are being attempted in modern architecture with the new rise of Constructivist design theory and increased interest in Constructivism, this thesis explores the design elements characterizing Constructivism in art and architecture To be specific, it suggests the relation of Plastic paradigm in formalistic, elemental and technical aspects and categories into Plastic characteristics. Thereby, the thesis aims to categorize the elements in terms of contradicting two trends of pure plastic and scientific expressions, and to analyze comparatively the related Plastic trends represented in modern space design. The thesis recolonizes that attempts to break out from stereotypes of Constructivism to reinvent itself constantly have contributed to an unconventional forms and new aesthetic standards and have a great impact on idealistic forms in many genres.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.55-56
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• 2007

Since the twentieth century, Business exhibition have experienced display replacement sand apace alterations. As a result, not only the visual space background of the spectators but the structure systems and positions of the construction space have also been changed. The aim of this study is to establish the actual conditions of the exhibition's facilities, especially on the focus of the Business exhibition. We will can grope contents and method for successful exhibit through Business Exhibition that is connected form and position of exhibit between exhibit space of such Business Exhibition and we may achieve purpose of Business Exhibition. The purpose of this research is to seek the countermeasures that can be used in the stage of planning for the Business exhibition constructions and exhibition space by suggesting, based on the above mentioned points, the development of the indicators and analyzing methods to understand the structural attributes of the Business exhibition space through exhibition method and design.