A Study of Make-up Artists and Character's Special Make-up Effects in the Twentieth Century's Films

20세기 영화 특수 분장사와 캐릭터 특수 분장 연구

  • Chang Mee-Sook (Dept. of Clothing & Textiles, Sookmyung Women's University) ;
  • Yang Sook-Hi (Dept. of Clothing & Textiles, Sookmyung Women's University)
  • Published : 2005.09.01

Abstract

This study was motivated not only by the important role of the special make-up effects in films, but also by the prominent contributions created by make-up artists. The first objective was to study of Jack Pierce, Dick Smith, Tom Savini, Rick flake., and Stan Winston's impact in the most challenging and creative field of all make-up artistry. The second objective was to examine both affinities and differences in artistic styles as well as in make-up techniques through a comparative study of special make-up effects of horror and sci-fi movies in the 20th century films produced by Hollywood studios. The sci-fi films were designed to thrill the audience through the potential of futuristic ideas by fantastic special effects of futuristic creatures such as an extra-terrestrial, a mutant, a robot and a cyborg. In contrast, the horror films were designed to frighten the audience with more reliance on horrifying special effects including a vampire, a werewolf, a zombie and a psycho killer. Their features were shown in a common thread (masquerade, otherness and surrealism) as well as a number of different themes between horror and sci-fi films (transformation vs. extension, satanism vs. monstrosity, and primitivism vs. futurism).

Keywords

References

  1. 이학재 (1994). 분장의 길. 서울: 자유문화사, pp. 28-29
  2. T. Morawetz (2001). Making faces playing god. Austin: Univ. of Texas Press, p. 6
  3. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 53
  4. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 6
  5. J. Belton, 이형식 역 (2003). 미국영화 미국문화, 서울: 경문사, pp. 134-138
  6. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 3-4
  7. T. G. Smith. 민병록 역 (1993). 특수 효과 기술. 서울: 영화진흥공사, pp. 52-53
  8. 권경숙 (1998). 영상 이미지 제작에 있어서 초현실주의 표현기법의 응용에 관한 연구-Morphing 기법을 중심으로-. 숙명여자대학교 대학원 석사학위논문. p. 11-20
  9. 한동수 (1995). 영화와 컴퓨터 그래픽스. 서울: 에프원, p. 259
  10. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 2
  11. 아카데미 어워드. http://www.oscar.com/legacy/statuette.html
  12. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 3
  13. M. Salisbury & A. Hedgcock (1994). Behind the mask. London: Titan Books. pp. 21-22
  14. P. Louie. 윤현옥 역 (1999). 고어영화: 피의 미학, 서울: 정주. pp. 8-11
  15. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 61-64
  16. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 63
  17. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 49-51
  18. P. Cook (1985). The cinema book, N.Y.: Pantheon Books. pp. 100-101
  19. 이경덕 (1999). (신화로 보는) 악과 악마. 서울: 동연출판사, p. 233
  20. T. Morawetz (2001). Making faces playing god. Austin: Univ. of Texas Press, p. 52
  21. 이경덕, (1999). (신화로 보는) 악과 악마. 서울: 동연출판사, p. 60-61
  22. 이경덕 (1999). (신화로 보는) 악과 악마. 서울: 동연출판사, p. 229
  23. M. Salisbury & A. Hedgcock (1994). Behind the mask. London: Titan Books. pp. 46-48
  24. 이경덕 (1999). (신화로 보는) 악과 악마. 서울: 동연출판사, p. 234-235
  25. 곽현자, op. cit., p. 18
  26. 곽현자 op. cit., p. 26-27
  27. A. Timpone (1996). Men. makeup and monsters. New York: St. Martin's Griffin. p. 114-117
  28. 백지숙 (1999). 사이보그(들), 전통과 현대 9. pp. 267-268
  29. R. Scholes & E. S. Rabkin, 김정수. 박오복 역 (1993). SF의 이해. 서울: 평민사. p. 237
  30. H. Joffe. 박종연 외 1인 역 (2002). 위험사회와 타자의 논리. 서울: 한울아카데미. pp. 5-7
  31. 장미숙, 양숙희 (2003). 공포영화에 나타난 악마의 유형과 특수분장 기법에 대한 연구. 복식, 53(8), p.23
  32. R. Westrum (1975). A note on monster. communication in popular culture. Ohio: Bowling Green, p. 865
  33. 신현숙 (1992). 초현실주의-예술 각 분야에 나타난 모험 정신과 그 한국적 수용. 서울: 동아출판사, p. 19
  34. J. B. Russell, 최은석 역 (1999). 악마의 문화사. 서울: 황금가지, pp. 26-27
  35. 이상진 (1997). 현대복식에 나타난 미래주의적 경향연구. 숙명여자대학교 대학원 석사학위논문, pp. 10-13