• MALSORI
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• no.47
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• pp.15-29
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• 2003

When intonation in French is analysed in terms of a multi-dimentional and hierarchical structure, each of the prosodic units such as accent phrases(having different combinations of the basic tonemes L and H), pre-sentencial and post-sentencial long pauses, intonation phrases(containing boundary intonation), as well as intermediate phrases can be considered being realized on a separate tier. Unlike on the tiers where accent phrases and intonation phrases occur, an intonation rhythm consisting of plateaus is realised on that of intermediate phrases. This intonation rhythm consisting of plateaus is one of the significant factors that lead a basic French metrical rhythm. This paper first shows the types of combinations of the basic tonemes L and H found in French accent phrases. Secondly, this paper examines the roles intermediate phrases and plateaus play in French. Finally, this paper argues that intermediate phrases are the metrical units actually adopted as real utterance units in French.

• Speech Sciences
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• v.12 no.4
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• pp.153-166
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• 2005

This paper attempts to examine the accent implementation and perception of noun phrases and compound nouns in English sentences, arguing that primary stress of noun phrase and compound noun is realized in relative prominence in intonation. The production test examines how the stress patterns of the noun phrases and compound nouns are realized in intonation of the English native speakers' utterances. The perception test investigates English and Korean listeners' comprehension of the intonation of the noun phrases and compound nouns. And the results of this experimental study show that speakers and listeners produce and perceive the primary stress as a relatively prominent accent even if in contrast of English listeners, Korean learners have difficulty in using the cue of pitch accent location and figuring out compound nouns and noun phrases.

• Proceedings of the KSPS conference
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• 2007.05a
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• pp.197-200
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• 2007

The purpose of this study is to analyze the prosodic characteristics of Korean news utterances. In this paper, prosodic phrases were described in terms of the K-ToBI labeling system. In addition, the change of intonation contour that occurs throughout the sentences was discussed in terms of types of media and gender. According to analyzing the tendency of resets, 331 out of 729 resets were observed at the boundary of the intonation phrases. This means that resets are of the speaker's own volition regardless of prosodic units of intonation phrases. The declination of the intonation contour of radio news showed a gentler slope than that of TV news, because when the sentence is getting longer, the declination of the intonation contour becomes slower.

• Speech Sciences
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• v.1
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• pp.27-38
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• 1997

The differences in French Intonation between French and Korean learners can be applied to French intonation education. One native French speaker and three native Korean speakers who learned French language at High school were selected for this study. The subjects spoke test phrases based on the different syntactic structures. High-Speed speech Analysis system(RILP) was used for this experiment. The different intonation curves were showed at the end of phrase and at the beginning of phrase between French and Korean learners. At the end of phrases, French intonation appeared to have increasing and decending pitch contours in the case of wh-question, exclamation and finality. However, Korean learner's intonation showed only increasing pitch contours. At the beginning of phrase, French intonation shows decending pitch contours in the case of minor continuation and command. In contrast, Korean learner's intonation appeared to have increasing pitch contours. The new intonation training system using PC can have great effect on education of French as a second language.

• Phonetics and Speech Sciences
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• v.14 no.3
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• pp.27-40
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• 2022

This study identifies distinguishing features and variability of intonation patterns in Korean phonological phrases. Syllable count and segmental content, which are phonological conditions, of the intonation of phonological phrases were examined. Based on the four syllables, the intonation of a phonological phrase can be set to LHLH as the basic form, and syllable count acts as a condition for making a variation. The "3 syllables or less condition" changes the intonation from a curved line to a straight line. Variation occurs in pitch bandwidth and fluctuation according to segmental content. The first segment affects the phonological phrase formation bandwidth, and the following segment affects the pitch fluctuation. If the first segment has [+aspirate], [+tense], [+continuant], the intonation is formed in the high band, otherwise, it is formed in the low band. If the second or after segment in the intonation realized in the high band has [-aspirate], [-tense], [-continuant], the pitch is lowered to the lowest level of the low bandwidth. In the intonation realized in the low band, [+aspirate], [+tense], [+continuant] is blocked by the second descent of LHLH.

• Phonetics and Speech Sciences
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• v.4 no.1
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• pp.49-54
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• 2012

Recent studies on acoustic correlates of stress in English compounds and English phrases have revealed the difference of changes in acoustic manifestation between English compounds and English phrases with different intonation patterns. However, little effort has been made to compare Korean compounds and Korean phrases in different intonational environments. Therefore, this study focuses on the analysis of acoustic characteristics of Korean compounds and Korean phrases produced in different intonational sentence patterns (Subject, Question, Clause-Final, and Statement-Final). Measurements of vowel duration, intensity (dB) and pitch (in semitones) were compared. The results of the experiment in which 30 native speakers of Korean pronounced Korean compounds and Korean phrases (obtained from $8{\times}30$ sentences) in controlled prosodic and intonational environments reveal clear patterns that distinguish Korean compounds from Korean phrases and support the evidence of acoustic salience for phrases. Duration differences turned out to be a significant cue to distinguish Korean compounds and Korean phrases in all but the Clause Final position. According to the size effect, duration ratio is the most reliable cue to distinguish Korean compounds and Korean phrases followed by the pitch differences between the first syllable and the second syllable and the intensity ratio. Implications for Korean and English intonation training were also discussed.

• Proceedings of the KSPS conference
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• 1997.07a
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• pp.228-229
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• 1997

1 Intonation is important. It cannot be ignored. To convince students of the importance of intonation, we can use sentences with two very different interpretations according to intonation. Example: "I thought it would rain" with a fallon "rain" means it did not rain, but with a fall on "thought" and a rise on "rain" it means that it did rain. 2 Although complex, intonation is structured. For both teacher and student, the big job of tackling intonation is made simpler by remembering that intonation can be analysed into systems and units. There are three main systems in English intonation: Tonality (division into phrases) Tonicity (selection of accented syllables) Tone (the choice of pitch movements) Examples: Tonality: My brother who lives in London is a doctor. Tonicity: Hello. How ARE you. Hello. How are YOU. Tone: Ways to say "Thank you" 3 In deciding what to teach, we must distinguish what is universal from what is specifically English. This is where contrastive studies of intonation are very valuable. Usually, for instance, division into phrases (tonality) works in broadly similar ways across languages. Some uses of pitch are also similar across languages - for example, very high pitch may signal excitement or urgency. 4 Although most people think that intonation is mainly about pitch (the tone system), actually accent placement (tonicity) is probably the single most important aspect of English intonation. This is because it is connected with information focus, and the effects on interpretation are very clear-cut. Example: They asked for coffee, so I made them coffee. (The second occurrence of "coffee" must not be accented). 5 Ear-training is the beginning of intonation training in the VeL approach. First, students learn to identify fall vs rise vs fall-rise. To begin with, single words are used, then phrases and sentences. When learning tones, the fIrst words used should have unstressed syllables after the stressed syllable (Saturday) to make the pitch movement clearer. 6 In production drills, the fIrst thing is to establish simple neutral patterns. There should be no drama or really special meanings. Simple drills can be used to teach important patterns: Example: A: Peter likes football B: Yes JOHN likes football TOO A: Mary rides a bike B: Yes JENny rides a bike TOO 7 The teacher must be systematic and let learners KNOW what they are learning. It is no good using new patterns and hoping that students will "pick them up" without noticing. 8 Visual feedback of fundamental frequency with a computer display can help students learn correct patterns. The teacher can use the display to demonstrate patterns, or students can practise by themselves, imitating recorded models.

• Phonetics and Speech Sciences
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• v.5 no.2
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• pp.59-69
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• 2013

The purpose of this study is to examine the variation of pitch contour observed in the reading of Korean sentences produced by Chinese Korean-learners. In the reading context, Korean sentence intonation can be described by considering accentual phrases' pitch pattern and intonational phrases' boundary tone. But when APs and IPs connect to each other to form sentences, another aspect of speech production must be considered, that is declination of pitch contour. So, in order to examine how Chinese speakers produce Korean sentence intonation, we have analysed the sentences' pitch contours produced by fourteen Chinese speakers differing in proficiency, and compared them to pitch contours produced by six Korean native speakers. The results show that Chinese speakers tend to decline the pitch contour in shorter sentences, but for longer sentences, the declination was not observed. Moreover, even though Chinese speakers produced sentences with declination, internal tonal modulation differs from native speakers.

• Proceedings of the KSPS conference
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• 2003.05a
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• pp.163-167
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• 2003

Intonation as suprasegmental phonetic features conveys meanings on the postlexical or utterance level in a linguistically structured way. It includes three aspects: tunes, relative prominence, and intonational phrasing. In this article, I will treat how prosodic phrasing is functionally related to the listening comprehension of English by analysing the students' errors of listening comprehension. When utterance meaning is conveyed, it is realized to be divided into intonational phrases. The small intonational phrase is regarded as an intermediate phrase which has a primary accent and a phrase tone or audible break. Most students' errors of listening occurred with linking pronunciation in the intermediate phrases of the fast speech. Thus through the smallest unit with tune we can help students improve their pronunciation and listening ability of English.

• The Journal of the Acoustical Society of Korea
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• v.23 no.1E
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• pp.10-15
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• 2004

In performing speech conversion from a source speaker to a target speaker, it is important that the pitch contour of the source speakers utterance be converted into that of the target speaker, because pitch contour of a speech utterance plays an important role in expressing speaker's individuality and meaning of the utterance. This paper describes statistical algorithms of pitch contour conversion for Korean language. Pitch contour conversions are investigated at two 1 evels of prosodic phrases: intonational phrase and accentual phrase. The basic algorithm is a Gaussian normalization [7] in intonational phrase. The first presented algorithm is combined with a declination-line of pitch contour in an intonational phrase. The second one is Gaussian normalization within accentual phrases to compensate for local pitch variations. Experimental results show that the algorithm of Gaussian normalization within accentual phrases is significantly more accurate than the other two algorithms in intonational phrase.