• 한국주거학회논문집
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• 제8권1호
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• pp.77-85
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• 1997

The purpose of this study was to estimate the quality if New Town housing environment, and to present the direction of design policy to elevate it. For this study questionnaires were administrated to 272 homemakers living in apartment in Bundang. From 1st of May to 31st of May in 1995. Used statistical method was Frequency. Percentage. Mean, Factor Analysis, Correlation, Multiple Regression. The major finding is as follows : 1) Housing values were classified into five types : convenience, beauty, sociality, education, and economy, Resident ranked first economy among housing values the second is convenience, the third beauty, the forth education, while the most unimportant value is sociality. 2) House satisfaction was classified into four types : house size and plane structure, environment and facilities, interior decoration materials and facilities and building design. Residents were found to show the middle degree satisfaction on their house. 3) Housing complex satisfaction was ciassified four types : community facilities, management stage, neighborhood connection and complex facilities. Resident showed dissatisfaction on their apartment complex relatively. 4) Residents showed dissatisfaction on the interior decoration materials and facilities, local facilities and management attitude relatively.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2005년도 International Meeting on Information Displayvol.II
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• pp.985-987
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• 2005

Many applications, such as the lenses of mobile phones, involve complex 3D shapes. Delivering effective AR/AG surfaces in 3D is becoming an important challenge to the display industry. This paper shows how the combination of motheye structured AR hardcoats and In-Mold Decoration techniques can deliver this desirable functionality.

• 복식
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• 제56권1호
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• pp.70-80
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• 2006

The purpose of this study is to investigate types and formative characteristics of 'Seon' represented of costume in Water-moon Avalokitesvara of the late Koryo Dynasty. The results were as follows; 'Seon' has two main types, Standard and Decoration types. In the former type, Seon has not any decoration. While, in the latter, Seon is added with decorations. Here, Seon of decoration type can be reclassified into two types, same color and pattern and different color and pattern. Seon most appeared in the Water-moon Avalokitesvara had the type of Decoration, especially different color and pattern. Patterns used for Seon were complex in its composition type and filling in its arrangement style. Seon was mainly used to Guneui(裙衣) and Samkaksika(僧脚崎). For the color combination of Seon, the combination of similar colors was most often used and that of same color was somewhat frequently done. Regarding costumes aesthetic characteristics in accordance with the type of Seon, those costumes appeared natural and elegant when their Seon was Standard in type, natural and brilliant when same color and pattern in type and artificial and brilliant when different color and pattern.

• 한국생활과학회지
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• 제10권2호
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• pp.189-203
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• 2001

The pulpous of this study is to investigated the kind and feature of the knots used in four categories, "living, clothing, ceremony, and decoration", after analysing and examining 42 knot remains of the folklore museum of On yang. The method were by old books and various kind's related books, history of knots and kind of knots investigated and analyze relics were actual proof investigation of real things and supplementary materials were photos, drawings, and museum's explanation used. The results are as is following ; First, a knot is twisted by two threads, formed in the process of twisting, become in equal shape, and made in symmetry. Second, In knot's names, there are sangkang, karakge, ankyongchip, jamjary, kukhwa, bol, byongary, memi, kkondiki, kong, yonbong which are easily seen in nature. Third, a knot was used in as living things in the era of the three Kingdoms, as a decoration such as Buddhism goods in Koryo. In the era of Cho sun, Because of the development of knot's kind and the variety of service, it was the target of restriction as a luxury. Fourth, as a result of investigating museum's relics, a knot was smaller than the chief object because that is a decoration. Fifth, there are 8 kinds for living and clothing which are simple knots "doramaetup, karakgemaetup, and sangtchokmaetup". Sixth, the complex knots such as kukhwamaetup, byongarymaetup, and 3bolkamkae emaetup are used on pangchang, chokja, nambawi, and chobawi. Seventh, there are 10 kinds for ceremony, the simple knots are twisted and the complex knots such as kukhwamaetp, maehwamaetup, nabimaetup, and sasaekgupoki are used. Eighth, there are 14 kinds for decoration, the simple knots such as doraemaetup, kakagemaetup, santchokmaetup, and ankyongchipmaetup and the applied knots such as kukhwamaetup, byongarymaemaetup, changkumaetup, nabimaetup, and seokssima etup are used. There are 42 knot remains in the folklore museum of On yang. Of them, there are 33 kinds in the present, 17 used. that is because only several knots have been used. Finally, to forget the knot's way, we will set up a plan to keep with it.

• 복식
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• 제55권2호
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• pp.58-69
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• 2005

The purpose of this study is to investigate types and formative characteristics of 'Seon' represented of costume in Amitabha of the late Koryo Dynasty. The results were as follows; The type of 'Seon' is classified into Standard, Decoration and Application types. According to three types, the types of the standard are subdivided into same rotor and no pattern and different color and no pattern, the types of the decoration are subdivided into same color and pattern and different color and pattern, And the types of the application are subdivided into wrinkle and beads-decorated wrinkle according to whether decorative beads exist or not. In the Standard type of Seon, same color and no pattern in the Decoration type of Seon, different color and pattern was most often used as its type while, in the applied type of Seon had its main type of beads-decorated wrinkle. Patterns used for Seon were complex in its composition type and filing in its arrangement style. Seon was used mainly for guneui(裙衣) and daeeui(大衣). The color arrangement of Seon, in most cases, used complementary colors, followed by same ones. Regarding costumes aesthetic characteristics in accordance with the type of Seon, those costumes appeared natural and plain when their Seon was same color and no pattern in type, artificial and plain when their Seon was different color and no pattern in type, natural and brilliant when same color and pattern in type and artificial and brilliant when different color and pattern. In regard to the applied type of Seon, such costumes looked sophisticated and delicate when their Seon was wrinkle in type and dynamic and decorative when beads-decorated wrinkle.

• 한국실내디자인학회논문집
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• 제27호
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• pp.152-161
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• 2001

At the multi-cultural society, research is needed to encourage a social atmosphere for enhanced understanding and respect for different cultures & countries. The purpose was to analyze the characteristics of spatial arrangement, space connection, Interior decoration and the relationship among these three features, which showed each country's unique housing form tradition. Three representative cases of historic residences from each country were selected on the basis of a recognized historic architecture directory. Total 18 residences from 6 countries - Korea, China, Japan, Rome, Egypt, and Italy - were comparatively analyzed. As results, aspects generally found in Eastern countries, were the fence as the semi-open boundary between the inside and the outside of the house, the flexibility of spatial opening and partitions between rooms, and finally simple and movable decoration features. On the other hands, aspects appeared in Western countries, were the outer wall of the building as the boundary to the outside, the closed and fixed properties of the room partitions, and finally complex and fixed decoration features. The research also showed that even within the same culture, the degree of openness varied. Each feature of space was related and could be explained within the same context. Housing, regardless of country and culture, tried to accommodate the exterior space inside the building as much as possible. The common pursuit was transformed to various visible forms and its reason might be due to different socio-cultural and environmental backgrounds that need to be continuously explored in academic area.

• 박물관보존과학
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• 제24권
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• pp.1-16
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• 2020

대구 달성 고분군 중 하나인 55호분에서 발견된 부장품 중 삼엽문이자태도의 재보존처리와 제작 기법에 관한 연구이다. 이자태도는 모도가 2점, 자도가 4점이 부착된 이합도이고 출토된 완형으로는 유일하다. 과거 2회의 보존처리가 실시된 기록이 있으며 이번에 균열부 보강제 교체를 위한 재보존처리와 함께 컴퓨터 단층촬영(CT), XRF분석, 실체현미경 관찰을 통해 유물의 재질, 성분, 제작 기법을 조사하였다. 주성분은 구리(Cu)이고 금색 부분에서는 금(Au)과 수은(Hg)이 함께 검출된 것으로 보아 구리에 수은 아말감 금도금을 한 금동으로 추정된다. 제작 기법을 조사한 결과 둥근 삼엽문의 환두부와 병부의 연결은 슴베 부분을 만들어 끼웠고 병판만 금속판으로 제작되어 있는 것을 보아 장식으로서의 기능이 높다고 판단할 수 있다. 상부 자도의 결합 방식은 모도와 같고, 하부 자도는 하나의 금속판을 재단하여 만들었다. 검초는 총 2개의 판을 재단하여 만들었고 상부 자도를 검초에 고정하기 위해 자도 도신부의 아래쪽에 지지대를 넣었으며 하부 자도는 검초 일부를 재단하여 안으로 꽂아 넣었다. 표현된 문양은, 환두부는 삼엽문, 병판은 횡주 연호문, 초구금구와 초미금구는 파상형 점열문, 어미형 초미금구는 점열문을 시문하여 제작되었다.

• 한국실내디자인학회논문집
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• 제21권6호
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• pp.158-167
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• 2012

This research began by considering that, although architecture and architectural culture of the last two decades seem to have rediscovered ornament and some recent studies have reconsidered the ornamental issues of contemporary buildings, there is currently some difficulty in providing a synthetic investigation of this topic, because of the complex nature of the contemporary architectural situation. Following this premise, this research provides some reference points for further studies that will aim to expand the understanding, and attempt to classify and hypothesize the future of contemporary ornamental phenomena. Based on the assumption of the historical continuity of ornamental problems, and adopting the relation - both technical and aesthetic - between ornament and structure as one of the crucial issues to link past and present problems, the study firstly defines two categories and two sub-categories concerning the relation between ornament and structure, namely: a) ornament integral with the structure and b) ornament applied to the structure; a1) ornament visually expressing the structure and a2) ornament not visually expressing the structure. The study then reviews the historical development of ornament from ancient times to the present in the light of the above mentioned categories, and finally discusses the principles of traditional and modern ornament thus analyzed in relation to contemporary ornamental trends, as identified in selected case studies. Some common points between past and contemporary experiences are revealed in order to facilitate further investigations. In particular, the analysis shows a certain trend in contemporary architecture for a strong link between ornamental treatment and the structure of the building and a current tendency among contemporary designers to keep the exterior appearance of the building project separate from the design of the rest of the construction.

• 복식문화연구
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• 제5권4호
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• pp.54-67
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• 1997

Now, this time we regarde as daylife is a part of culture in novelty view of modern culture study. Specially, we can see terms about style surfing supermarket style through visulization process for critic, combination, reconstruction, of modernism, that is post modernism. Not new style show up any more but displayed union of past style history complex, slices of decoration series. A designer group called as memphis, they designed such like that. Our view for fashion could be new in the technology, mixed media, cyber situation is stimulated us and accepted in extened concept of culture. In this study, I approched as a view of streetism cyber punkism haute couture Romanticism linked extension concept of culture. Haute couture fashion has the most historical, and constructive and decorative aspects, and regarded as principle of construction of deconstruction. And this season trend is romantic & emotional image are complexed.

• 복식
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• 제50권6호
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• pp.155-162
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• 2000

Classifying the diverse and complex clothing category of nationality subcultures in China is not a simple task. However, summing up, it can be largely classified that clothing of the northern area is long trousers and short skirt. Among the clothing of Nationality in China, especially, Pao(robe: 袍) has its diversity and colorfulness. whose elements forming its each characteristic feature has enough value to be investigated fully in the historical point of view. The conclusions of this study reveals that Pao in nationality subculture in China can possibly be divided into the four types as Qipao(旗袍) in Dongpei area, Mongopao(蒙古袍) in Inner Mongolia, Qiapan in Xinjiang area, and Zangpao in Tibet area. The modes of Qipao and Mongopao are mainly similar in that they have diagonally on the right, stand collar in composition, but Qipao shows its diversity in collar and slashes, and Mongopao also shows diversity in its colare and waistband. Since western culture flowed into China along with its open door and reform policy, the splendid color and distinctive pattern, decoration, diversified method of compositions and clothing categories of Nationality cultures are disappearing in its their originality and nationality.