• 제목/요약/키워드: Color Images

검색결과 2,680건 처리시간 0.027초

다중 파장 근적외선 LED조명에 의한 컬러영상 획득 (Color Image Acquired by the Multispectral Near-IR LED Lights)

  • 김아리;김홍석;박영식;박승옥
    • 조명전기설비학회논문지
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    • 제30권2호
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    • pp.1-10
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    • 2016
  • A system which provides multispectral near-IR and visible gray images of objects is constructed and an algorithm is derived to acquire a natural color image of objects from the gray images. A color image of 24 color patches is obtained by recovering their CIE (International Commission on Illumination) LAB color coordinates $L^*$, $a^*$, $b^*$ from their gray images using the algorithm based on polynomial regression. The system is composed of a custom-designed LED illuminator emitting multispectral near-IR illuminations, fluorescent lamps and a monochrome digital camera. Color reproducibility of the algorithm is estimated in CIELAB color difference ${\Delta}E^*_{ab}$. And as a result, if yellow and magenta color patches with around 10 ${\Delta}E^*_{ab}$ are disregarded, the average ${\Delta}E^*_{ab}$ is 2.9, and this value is within the acceptability tolerance for quality evaluation for digital color complex image.

공간정보와 색상변화율을 이용한 영상검색 (Image Retrieval using Spatial Information and Color Changing Ratio)

  • 강기현;박유신;윤용인;최종수;김동욱
    • 한국멀티미디어학회논문지
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    • 제11권1호
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    • pp.23-33
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    • 2008
  • 본 논문에서는 공간정보와 색상변화율을 이용한 영상검색방법을 제안한다. 제안된 방법은 공간정보를 추출하기 위하여 임계치 $\tau$에 의하여 영상으로부터 색상영역들을 추출한다. 이 과정에서 색상 영역의 수와 색상변화 횟수를 계산하며, 이 값들을 이용하여 색상변화율을 얻는다. 영상간의 유사도는 공간정보에 의해여 측정되며, 색상변화율은 유사한 색상변화율을 가진 이미지가 보다 높은 검색 순위가 갖도록 돕는다. 다양한 자연영상들을 이용한 실험을 통하여 제안된 방법이 색상정보를 이용한 다른 일반적인 방법들보다 뛰어난 성능을 보임을 확인하였다.

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한국 영화와 TV드라마 전통복식에 나타난 색 이미지와 상징성 (Color Images and Symbolism of Traditional Dress in Korean Films and TV Dramas Set)

  • 김영인;전여선
    • 복식
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    • 제58권2호
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    • pp.34-47
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    • 2008
  • Recently, as popular interest in costumes in Korean films and TV dramas has increased, traditional dress in works has re-evaluated with modern perspective of the Western color system. The results of this study can be summarized as follows. First, the traditional dress for women appeared in works after the 2000s has shown features similar in the use of red has appeared high. The high frequency of brown and pink, orange and purple used main colors in Western works. Also, what is the most prominent is the high frequency of use of achromatic colors. Second, the color harmonies of the East and the West have been done through color arrangement. The structure with more than 2-colors has been gradually changing into single or 2-colors, which give simple images to people. Third, in order to portray characters' diverse and psychological situations, Korean works have expressed the symbolisms of colors from the Western perspective. Though red symbolizes theory of Yin-Yang and Five-Elements, passion and authority since 2000 have used red to make main images. Also, pink is used as softness and pure images. Though works before the 2000s showed low frequency of the brown. The achromatic color that it has been applied to various parts. Recently black has been developing into a color symbolizing themes. Given the results from this study, it could be expected in future that the categories of color domains will be gradually extended as it is a trend for the traditional dress to escape from primary colors. On the other hand, achromatic colors that minimal and modern sensibility as well as basic color in fashion, especially the black, will increasingly extend ranges of utility or show a tendency of resolute changes.

Recovery of underwater images based on the attention mechanism and SOS mechanism

  • Li, Shiwen;Liu, Feng;Wei, Jian
    • KSII Transactions on Internet and Information Systems (TIIS)
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    • 제16권8호
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    • pp.2552-2570
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    • 2022
  • Underwater images usually have various problems, such as the color cast of underwater images due to the attenuation of different lights in water, the darkness of image caused by the lack of light underwater, and the haze effect of underwater images because of the scattering of light. To address the above problems, the channel attention mechanism, strengthen-operate-subtract (SOS) boosting mechanism and gated fusion module are introduced in our paper, based on which, an underwater image recovery network is proposed. First, for the color cast problem of underwater images, the channel attention mechanism is incorporated in our model, which can well alleviate the color cast of underwater images. Second, as for the darkness of underwater images, the similarity between the target underwater image after dehazing and color correcting, and the image output by our model is used as the loss function, so as to increase the brightness of the underwater image. Finally, we employ the SOS boosting module to eliminate the haze effect of underwater images. Moreover, experiments were carried out to evaluate the performance of our model. The qualitative analysis results show that our method can be applied to effectively recover the underwater images, which outperformed most methods for comparison according to various criteria in the quantitative analysis.

녹색을 중심으로한 복식의 색채계획 (Green Color for Color Planning in Apparel Fashion Design)

  • 김영인
    • 복식
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    • 제31권
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    • pp.33-46
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    • 1997
  • The purpose of this study was to investigate color planning method for apparel fashion de-sign and to present the method of analysis of green color. Theoretical backgrouds of color planning for fashion design were scrutinized by documentary studies Fashion color planning has been developed through 4 steps: analysis of color environment analysis of color psy-chology presentation of coordination appli-cation to fashion design. Green color environment consisted of mar-ket informations and forecast informations The former were collected by color samples which were used for women's apparel of national brands from '93 spring/summer to '96 spring/summer and the latter were analyzed by fashion forecasting books. Green color psy-chology was investigated through the docu-mentary studiess. image of green color and these expressed in fashion were revealed through documentary studies. The results of this study were as follow: 1. 117 green color samples were collected from domestic womens brand. The character-istic of samples were the yellow green in hue and pale light bright in tone. forecast infor-mation was collected through fashion forecasting books from abroad and adaption of forecast information was investigated by mak-ing a comparison forecasting information be-tween market information. In consequence national market colors reflected the forecast information in concurrence with the character-istic colors of national women's apparel. 2. Affirmative images of green were nature youth health and abundance and negative images were extraordinary misfortune wind-fall. in these images nature youth and health were mostly used in fashion.

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20세기 전반 동.서양의 시대색에 관한 비교 연구 -시대 복식과 현대 영화 의상에서의 재현비교를 통해- (The Study of Color Images in the Eastern and the Western Culture -A Comparison between Early 20th Century Clothes and the Reinterpretation in Modern Film Costumes-)

  • 윤지영;노주현
    • 복식
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    • 제56권4호
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    • pp.108-123
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    • 2006
  • This Study is about the color images oi clothes in the early 20th century in the Eastern and Western culture and the recreation of this color images through modern costume design in film. The aim of this study is to show how early 20th century color has born reinterpreted through present film costumes and how different cultural perspectives can influence color images. For the purposes of this study, 30 pictures of clothing, representative of the early 20th century, as well as films which have been internationally recognized for their costume design and strong cultural identity('Farewell M) 'Concubine', 'Raise the Red Lantern', 'Chicago' and 'The English Patient') were chosen and analyzed. The color image of these photographs and scenes from the movies were divided by Pantone Solid Chips and categorized by color groups such as red, orange, yellow, green, blue, violet, neutral and metallic. The analysis results of the color images in the early 20th century showed that the red group was used a lot in both cultures and the orange group was more often used in the West. In regards to the yellow group, goldish yellow were commonly used in the West but pale yellow was preferred in the East. The green group more used In the West but the blue group appears more in the East. Also, there were differences in color combination, texture and technique which demonstrates different cultural color recognition and association. In the case of film color image, present color image was added to past color image. In the West, color was used as a tool for visualizing the state of characters' mind and the mood of movies' story but in the East color image was intended to make the character stand out by changing the value and chroma. By comparing the color image of clothes from the early 20th century and color image from film in the West and the East, it is possible to analyze the cultural symbolic image of color. This study is one of first trials to analyze the cultural differences in rotor images and their symbolic meaning. Thus, further studies should persue to find out the influence of culture on the rotor image in terms of specific quantity and quality.

Photographic Color Reproduction Based on Color Variation Characteristics of Digital Camera

  • Kim, Ui-Seong;Lee, Jong-Min;Kim, Yong-Min;Park, Ki-Tae;Moon, Young-Shik
    • KSII Transactions on Internet and Information Systems (TIIS)
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    • 제5권11호
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    • pp.2160-2174
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    • 2011
  • In this paper, a new technique for color reproduction based on color variation characteristics of digital camera under a dim light condition is proposed. Generally, photographers should adjust a camera exposure properly for obtaining an image with real color tone of subjects. Thus, in case of taking a picture under a dim light condition, the exposure time of a camera has to be relatively longer than the one under a bright light condition. Although images with real color tone of the subject are obtained, the images may get blurred due to the shaky hands of photographer holding the camera. In order to avoid the blur effect, an input image is captured from a camera set as a short exposure time under a dim light condition. Then we propose a method to reproduce color tone of the dim input image. To this end, color variation characteristics which represent color variations of a digital camera are first extracted by analyzing the Macbeth color checker images taken under various exposure values. Then, a color reproduction is performed by an estimation based on the color variation characteristics. Experimental results have shown that the proposed method has achieved better performance of color reproduction, compared with existing methods.

The Characteristics of Oriental Color in Contemporary Fashion Design

  • Geum, Key-Sook;Kim, Joo-Hee
    • International Journal of Costume and Fashion
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    • 제7권1호
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    • pp.62-71
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    • 2007
  • The color is one of the important key words in Fashion arena today. In fashion, the image and concept changes by use of color or color combinations. The purpose of this research is to pursue the characteristics of color and color combinations through analyzing the colors utilized in oriental fashion design. It is necessary to define the oriental fashion design to build a criteria for collecting law materials for analysis of the research. As a conclusion, traditional oriental colors already used in various traditional artifacts were popular in use by many fashion designers with volatile attitudes towards its original symbolic meanings or philosophy. For example, yellow and red stands for gorgeous or sexy images through fashion design instead of express its original symbols of power and prosperity. The Complimentary Color Combination in hue, value and intensity of colors were also found in fashion design impling oriental images. While Contemporary Fashion Trend Color were also used in expressing Oriental images with oriental details considering fashion market. In using Oriental colors The characteristics of oriental colors and its combinations used in fashion designs are significant and their influences are meaningful not only in fashion design but also adjacent design areas.

RGB와 HSV 칼라 형태를 조합하여 사용한 칼라 코렐로그램 영상 검색 (Color Correlogram using Combined RGB and HSV Color Spaces for Image Retrieval)

  • 안영은;박종안
    • 한국통신학회논문지
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    • 제32권5C호
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    • pp.513-519
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    • 2007
  • 칼라 코렐로그램은 칼라 히스토그램처럼 픽셀의 칼라 정보만을 고려하지 않고 영상의 픽셀의 공간 정보까지 고려하기 때문에 콘텐츠 기반 영상 검색(CBIR)에서 널리 사용되어 왔다. 칼라 코렐로그램은 하나의 칼라 형태를 사용한다. 그래서 칼라 코렐로그램은 영상 검색 시 같은 영상이라도 크기가 다를 경우 다른 영상으로 인식하는 등 영상의 특징을 구별해내는데 강건하지 않다. 본 논문에서는 RGB와 HSV의 두 가지 칼라 형태를 사용하여 코렐로그램을 함으로써 기존의 알고리즘보다 영상의 특징을 더 잘 구별해내는 알고리즘을 제안하였다. 이 제안된 알고리즘은 대규모 영상 데이터베이스에서 테스트하였고 그 결과 하나의 칼라 형태를 사용한 코렐로그램 알고리즘과 비교하여 검색된 영상의 평균 순위가 5.63 낮아져 제안한 알고리즘이 더 나은 검색 성능을 나타낸다는 것을 보여준다.

광원에 독립적인 피부색 복원을 위한 색 항등성 기법 분석 (Analysis of Color Constancy Methods for Recovering Skin Color Independent of Illuminants)

  • 이우람;황동국;전병민
    • 한국통신학회논문지
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    • 제36권10C호
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    • pp.621-628
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    • 2011
  • 영상에서 피부색은 얼굴 영상 기반의 검출 및 인식 시스템에서 중요한 단서로 사용되지만 영상 획득시의 광원에 따라 상이하게 표현되기 때문에 사용의 어려움이 있다. 이러한 문제를 위해 본 논문에서는 Retinex, Gray World, White Patch, Simplified Horn, Shades of grey, 그리고 Edge-Based color constancy 색 항등성 기법을 대상으로 피부색 복원에 관한 성능을 비교하고, 자연 영상을 이용하여 피부색 검출 성능을 평가한다. 이를 위해 Caltech Face Database의 영상들에 유색 광원의 효과를 부가하여 생성된 실험 영상을 생성했다. 이후 각 기법에 따른 피부색 복원의 일관성을 수치적으로 평가하기 위하여 Cb-Cr 히스토그램을 기반으로 결과 영상들의 표준편차를 계산하였으며, 피부색 검출 성능 실험을 위해서 YCbCr과 RGB 기반의 경출 기법을 사용하였다. 실험 결과 Gray World 기법은 타 기법에 비해 높은 성능을 나타냈으며, 색 항등성 기법의 적용을 통해 광원의 영향을 받은 피부색을 색 공간내의 일정한 범위로 복원하는 것이 가능하였다.