• Title/Summary/Keyword: postmodern

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Pluralism in Duct Tape Fashion (덕트 테이프 패션에 표현된 다원주의)

  • Lee, Bong-Duk;Yang, Sook-Hi
    • Fashion & Textile Research Journal
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    • v.2 no.4
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    • pp.317-324
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    • 2000
  • Pluralistic and diverse values exist in the realm of post modernism society. In this context, one particular outlook does not have the same meaning across the whole society. The creation and sharing of a new meaning do not necessarily need the consent of every member of the society. There have been a few attempts to delve into the relationship between sociocultural phenomenon and fashion trends in the pluralistic cultures. However, there has been little research on the theoretical framework in order to analyze a pluralistic phenomenon itself. The purpose of this study is to provide the theoretical paradigms to analyze and interpret various pluralistic phenomena in postmodernism fashion. Theories developed by Gilles Deleuze have been utilized to analyze and interpret the duct tape fashion which is in vogue among the young generation in the USA. The analysis based on the paradigm of Gilles indicates that the duct tape fashion shows pluralistic features of as in the other postmodern cultural activities.

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A Study on the Meaning and Limitations of Architectural Phenomenology of Norberg-Schulz (노르베르크-슐츠의 건축 현상학이 갖는 의의와 한계)

  • Chung, Tae-Yong
    • Korean Institute of Interior Design Journal
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    • v.25 no.6
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    • pp.89-97
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    • 2016
  • The aim of this study is to review Norberg-Schulz's architectural phenomenology to find out its meaning and limitations in contemporary architecture. His phenomenological trilogy, 'Existence, Space and Architecture', 'Genius Loci' and 'The Concept of Dwelling' are main texts to examine background, characteristics, meaning and limitations of his theory in relation to Structuralism and Heidegger's thoughts. Heidegger's phenomenology, especially his dwelling concept, had great impacts on forming Norberg-Schulz's architectural phenomenology. However, since his architectural phenomenology was strongly influenced by Structuralism, his theories present unstable combination of phenomenology and semiotics. And this results in instrumentalization, and overlooking body movement and socio-economical elements in his theory. In spite of these limitations, his theory also shows possibility to go beyond the theory of Modern architecture and plays important role in suggesting direction for better environment through applicability from single building to city in Postmodern architecture. Another meaning of his theory lies in presenting theoretical background for new way to interpret regionalism and specific policy tool to make town planning in Finland.

A Study on Postmodern Phenomenon in Graphic Design (그래픽디자인에 나타난 포스트모던 현상에 관한 연구)

  • 류성현
    • Archives of design research
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    • v.5 no.1
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    • pp.45-56
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    • 1992
  • In the 1970s, the term Post - Modernism came into use to lable work of graphic design who broke up the Swiss style that had defined clarity and order. The characteristics of Post - Modernism graphic design include pluralistic and eclectic style. Those innovation of graphic design concerned with our social, political. cultural, and econonic changes. Deconstruction is one of the theory of Post-structualism. Deconstruction refers to the breaking down of metaphysics, rationalism, totality and so on. Deconstructive graphic design destroys traditional harmony even more than Marinetti's claim. Totality in graphic design seems to be ignored. Post - Modernism in architecture appears as historical revivalism and pluralism. The eclectic revivals and eccentric reinventions in graphic design are far too pluralistic and diverse to fit such as a simplistic system of style. Another innovation in graphic design occurs by electronic revolution. The impact of computer upon graphic design is becoming even more pronounced. Most importantly, Post-Modernism can consider the rediscovered freedom in graphic design. Graphic design is undergoing profound changes. But the essence of graphic design as com$$\mu$ication tools will remain unchanged.

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In Search of the Identity of Modern American Architecture through the Influence of Modern American Fine Arts - Focused on LA Avant-Garde, Post Modernism, Pop Architecture - (순수미술의 영향을 통한 현대 미국 건축의 정체성 연구 - 로스앤젤레스 아방가르드, 포스트 모더니즘, 팝 건축을 중심으로 -)

  • Lee Young-Wha
    • Korean Institute of Interior Design Journal
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    • v.14 no.1
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    • pp.11-19
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    • 2005
  • As the world becomes more globalized thanks to the fast development of the Internet, a national identity becomes more important than ever before. Based on this, the study searches for the identity of modern American architecture through exploring the influence of modem American fine arts on the contemporary architecture. It was found that the concepts and the attributes of modern American fine arts obviously transferred into the contemporary architecture. The main concept was elimination of any kind of illusion for maximization of reality, and it was rooted Into American culture, the way of life and thinking. With the concept, the attributes were divided into two extreme poles: materiality and morphology: the former was evolved from Abstract Expressionism and Post-Minimalism and transferred into Los Angeles Avant-Garde architecture; the latter was from Pop Art and transferred into Postmodern architecture and Pop Architecture.

A Study for Modern City Space in Korean Film - & (현대 도시공간 재현의 이데올로기적 변화에 관한 연구 - <살인의 추억>과 <극장전>을 중심으로 -)

  • Lee Seung-Hwan
    • The Journal of the Korea Contents Association
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    • v.6 no.8
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    • pp.49-56
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    • 2006
  • Urban cmmunity films have achieved the industrial modern society's idiosyncrasy Popular films have achieved the industrial growth through city as the completion of modernization. They also have represented the social meaning of urban space, and have expanded 'their political space' This filmic challenge showed diverse negative factors which were the poor's economical difficulties, the relative robbery of their education and job, and adhered class in city through developing the urban space with were hidden beyond modernity's splendor.

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A Phenomenological Study on the concept of Daniel Libeskind's Architectural Space (다니엘 리베스킨트의 건축 공간 개념에 관한 현상학적 연구)

  • Jung, In-Ha;Kim, Hong-Soo
    • Journal of architectural history
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    • v.11 no.1 s.29
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    • pp.33-48
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    • 2002
  • The purpose of this study is to analyze the Daniel Libeskind' spatial concept in view of the Merleau-Ponty's Phenomenology. After the coming of postmodern architecture, the concept of space ceased to be discussed between architects. Instead a sign and a form were supposed as much more important subject to define architectural discipline. But after 1980, the new concept of architectural space was experimented by the architects like Frank Gehry, Peter Eisenman, Steven Hall, and Bernard Tschumi, which was clearly distinguished from modern spatial concept. By the Daniel Libeskind' architecture, this study are to make clear this tendency. For this, we accept as an important instrument Meleau-Ponty's phenomenology and the spatial concept of Minimalism, which stress the relationship of inter-subjectivity between space and human body. Consequently, Daniel Libeskind' spatial concept is characterized by fragmental, accidental, heterogeneous space by accidental events which is occurred by movement of human, which was indentified with Merleau-Ponty's spatial concept.

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Linguistics in Postmodern Science Fiction: Delany's Babel 17 and Stephenson's Snow Crash

  • Kim, Il-Gu
    • English Language & Literature Teaching
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    • v.12 no.2
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    • pp.41-59
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    • 2006
  • As the late partner to science fiction, various experimental languages such as animal language, telepathic language, newly invented language, alien language often appear as "unexpected and frightened situations" in SF. Like generative semanticists, some SF writers daringly delve into the sacred mystery of semantics in language whereas others avoid the dream of a universal language by holding themselves to manageable data. Samuel Delany's description of the ideal telepathic universal language in Babel 17 shows us humans' dream to be like God by showing to us the new process of communication in the factual interplanetary environment. Similar to the mystery of alien language in SF, the baby's babbling reveals how language is both simple and complicated. Children's language shows us the changing process of a soul revealed by language use and it is no wonder that many languages of AIs in SF often borrow their source from children's language acquisition processes. In short, science fiction as the repository of tropes illuminates other literary language studies and other literary genres. Especially in terms of the futuristic study of linguistics, the relationship between science fiction and linguistics is much closer than we thought.

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Special Character of the Korean Costume & Changing Process Aesthetic (한국인의 미의식 변천과정과 복식미의 특질에 관한 연구)

  • 임영자;유순례
    • Journal of the Korean Society of Costume
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    • v.50 no.8
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    • pp.57-66
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    • 2000
  • The purpose of this study describe about aesthetic of korean art and costume. Therefore we understand the beauty of korean style well. Methods of this study are the analyst of the paper before published on the aesthetic and costume aesthetic. Especially in the global postmodern age. the understanding of the value of korean beauty and costume are very Important. This study define of the special character. That is as follows. 1) Beauty of form a. Harmony of line different character b. Composition of plane make super space aesthetic c. Beauty of asymmetric, non formal, freedom of dressed man d. Beauty of symbolic color 2) Beauty of mend a. Aesthetic of the north nomads feeling b. View of the naturalism c. Ceremony of confucianism d. Preservation of original form, koreanization from heterogeneity

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Role of the Ornament in Contemporary Furniture - From Craftsmanship - (현대가구에 내재된 장식의 역할 - 장인의 솜씨/기술 -)

  • 김종만;문선옥
    • Journal of the Korea Furniture Society
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    • v.14 no.2
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    • pp.63-74
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    • 2003
  • This study explored roles of the ornament in contemporary furniture that contemporary furniture designers make their furniture different, convey a metaphorical message, and competitive. Contemporary furniture involved in the ornament is decorative, beautiful, and characterized by craftsmanship through eclecticism and pluralism reestablished in furniture design in the postmodern era. Also, the ornament has been presented in the context of the blurring of art/craft distinctions. Thus, the contemporary furniture is called as art furniture/craft furniture which is diverse from minimal decoration to maximal decoration. Hence, by using all of the ornamental context, the furniture designers try to satisfy and communicate with the largest possible number of people, and have numerous opportunities to select according to their characteristics or taste. Finally, their furniture in the futuristic mode may be cross-cultural work that everybody in the earth can understand, enjoy, and appreciate in his/her daily space through his/her everyday use.

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Value Complexity of Virtual Communities and Information Security in the Postmodern World: Semantic Focus and Language Innovations

  • Khrypko, Svitlana;ALEKSANDROVA, Olena;Stoliarchuk, lesia;Ishchuk, Olena;OBLOVA, Liudmyla;Pavlovska, Olena;Andrii, Bezuhlyi
    • International Journal of Computer Science & Network Security
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    • v.21 no.12spc
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    • pp.712-718
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    • 2021
  • Virtual communities are studied to analyze their characteristic features, types, and tole to modern society. The article is aimed at creating a classification of virtual communities according to specific characteristics, which can be used to model the interaction, and necessity of components that are important for the community. The classification of virtual communities will contribute to their better performance and satisfy the users' needs in information. The study reveals the value structure of virtual communities, educational and communicative influence, and the possible threats these communities may bring to society and security.