In Search of the Identity of Modern American Architecture through the Influence of Modern American Fine Arts - Focused on LA Avant-Garde, Post Modernism, Pop Architecture -

순수미술의 영향을 통한 현대 미국 건축의 정체성 연구 - 로스앤젤레스 아방가르드, 포스트 모더니즘, 팝 건축을 중심으로 -

  • 이영화 (서울여자대학교 디자인학부)
  • Published : 2005.02.01

Abstract

As the world becomes more globalized thanks to the fast development of the Internet, a national identity becomes more important than ever before. Based on this, the study searches for the identity of modern American architecture through exploring the influence of modem American fine arts on the contemporary architecture. It was found that the concepts and the attributes of modern American fine arts obviously transferred into the contemporary architecture. The main concept was elimination of any kind of illusion for maximization of reality, and it was rooted Into American culture, the way of life and thinking. With the concept, the attributes were divided into two extreme poles: materiality and morphology: the former was evolved from Abstract Expressionism and Post-Minimalism and transferred into Los Angeles Avant-Garde architecture; the latter was from Pop Art and transferred into Postmodern architecture and Pop Architecture.

Keywords

References

  1. Miller, R. Craig, US Design 1975-2000, Prestel Verlag, New York, 2001
  2. Gelernter, Mark, A History of American Architecture: Buildings in their Cultural and Technological Context, Manchester University Press, Manchester, England, 1999
  3. Hays, K. Michael, Architecture/Theory/Since 1968, The MIT Press, Cambridge, 1998
  4. Ragheb, J. Foina, Frank Gehry Architect, Guggenheim Museum Press, New Yrok, 2001
  5. Steele, James, Architecture Today, Phaidon Press Ltd., London, 1997
  6. Stungo, Naomi, Frank Gehry, Carton Book Ltd., London, 1999
  7. Wenstein. Richard et al., Morphosis: Building and Projects 1989 -1992 Rizzoli, New York, 1994
  8. Ruhrberg, Karl et al., Art of the 20th Century, Taschen, Cologne, 2000
  9. Collins, Bradford R., 'The metaphysical nose job: the remaking Warhola 1960-1968,' in Art Magazine 62, Feb. 1988
  10. Linton, Robert, The Story of Modern Art (20세기의 미술), 윤난지 역, 예경, 서울, 1993
  11. Ali, Tariq 외 1인 저, 안찬수 외 1인 역, 1968: 희망의 시절, 분노의 나날, 도서출판 삼인, 서울 2001
  12. 강태희, 현대미술의 문맥 읽기, 미진사, 서울, 1995
  13. 오광수, 추상미술의 이해, 일지사, 서울, 1988
  14. 태혜숙, 미국문화의 이해, 도서출판 중명, 서울, 1997
  15. Morphosis, c3a New World Architect 시리즈 no.3, 건축과 환경, 서울, 2001
  16. 진휘연, 미술과 일상성의 전치와 병합: 팝아트와 후기모더니즘의 시작 미국사연구 11집, 미국사학회, 2000
  17. 진휘연, When Attitude Becomes Form, 1969년 아방가르드 미술의 집결장, 서양미술사학회 논문집 vol.19, 서양미술사학회, 2003
  18. 진휘연, 추상표현주의와 후기식민주의 이론의 비판적 고찰: 모더니즘의 후기식민주의적 실천, 미술사학 vol. 12, 한국미술사교육학회, 1998