• 제목/요약/키워드: clothes image

검색결과 320건 처리시간 0.019초

주니어 마켓 소비자의 의복행동에 대한 성격 유형적 접근 (A Study of Junior - Market Consumer Personality Types and their Effect on Clothing Behaviors)

  • 문영숙;김구자
    • 대한가정학회지
    • /
    • 제42권10호
    • /
    • pp.39-52
    • /
    • 2004
  • This study classified consumer personality types of the junior market and examined their clothing behaviors. The subjects were composed of 283 male and 276 female high-school-age consumers. Data were collected through questionnaires. Personality types were classified by the Myers-Briggs Type Indicator (MBTI). Data were analysed with the frequency, $X^2$, factor analysis, Cronbach's $\alpha$, ANOVA and Duncan tests using Windows SPSS 12. There was a significant difference (P<0.001) between fashion involvement and the 8 classified personality types. In fashion involvement, the extroverted feeling type was significantly higher than the other types. In brand image orientation, the extroverted thinking type was significantly higher than the other types (P<0.05). In fashion ad-orientation, the extroverted feeing type was also significantly higher than the other types. In active or passive complaining behaviors, there was no difference. In the selection criterion for clothes of color and design and style, the extroverted feeling type was also significantly higher than the other groups (P<0.05).

혼례용 규방공예의 보존 및 응용 방안 제안에 관한 연구 (A Study on Proposals of Preservation and Application Wedding Gyubang Crafts)

  • 이연순
    • 한국의상디자인학회지
    • /
    • 제14권3호
    • /
    • pp.205-216
    • /
    • 2012
  • Korean traditional wedding ceremony was conducted with some regular procedure and there were used special Gyubang crafts for wedding ceremony. Nowadays there is common the western style wedding ceremony and then the use of wedding Gyubang crafts have being decreased. Purposes of this study are to investigate characteristics of and to propose some idea of preservation and application them in the life of today. The results are as follows; Wedding Gyubang crafts can be classified Bojagj(wrapping clothes), Jumeony(cloth bags), ornaments, items related to sewing and others. They were apt to be traditionality, symbolism and shamanism, and were superior in aesthetic sense, the effect of decoration and technical skill. So there was needed preservation them. Some way of preservation and applications them were suggested ; alternation in keeping with modern needs, use of ornament, alteration in present-day life, application their image to Korean cultural products, textile design and so on. Several works were developed by ways suggested and exhibited in order to arouse new understanding Wedding Gyubang Crafts to public.

  • PDF

포토몽타주(Photo-montage)를 응용한 패션 일러스트레이션 연구 (Application of Photo-montage on Fashion Illustration)

  • 노윤선
    • 디자인학연구
    • /
    • 제16권3호
    • /
    • pp.291-298
    • /
    • 2003
  • 패션 일러스트레이션은 빠르게 변화하는 현대의 생활환경에서 예술과 산업의 여러 분야에 응용되어 폭이 넓어지고 있다. 실물이 없어서 사진으로 표현하기 어려운 분야, 특히 앞서가는 유행경향을 표현해야 하는 트랜드 북(trend book) 등에서 많이 활용되고 있다. 학계와 패션 업계에서는 점차 패션 일러스트레이션의 중요성을 인식하여 단순히 의복제작과 연결되는 설명도로서의 패션 일러스트레이션 뿐만 아니라 복식 전반의 이미지 전달을 위한 표현을 폭 넓게 연구하고 있다. 본 연구에서는 독특한 표면 재질 효과를 통하여 현대 패션의 복합적인 이미지 전달을 위하여 포토몽타주를 응용한 패션 일러스트레이션을 연구하였다. 연구의 내용 및 방법은 국내외 도서자료와 논문을 통해 패션 일러스트레이션과 포토몽타주에 대한 문헌조사를 하였으며, 패션의 복합적인 이미지 전달을 중심으로 총 5점의 실물을 제작하였다.

  • PDF

유비쿼터스 환경에서 디지털 패션을 위한 가상 피팅 서비스 솔루션 (Virtual Fitting Solutions for Digital Fashion in the Ubiquitous Environment)

  • 최자령;임순범
    • 디지털콘텐츠학회 논문지
    • /
    • 제11권3호
    • /
    • pp.299-306
    • /
    • 2010
  • 인터넷과 컴퓨터 그래픽 기술의 발전으로 최근 디지털 패션 기술 분야에서는 의상을 3D로 재현한 가상 피팅 서비스를 가능하게 되었다. 본 논문에서는 매장, 인터넷 쇼핑몰, 광고 등 여러 상황에서 가상거울, PC, 모바일 등 다양한 장치에서 가상 피팅 서비스를 이용할 수 있는 통합 솔루션을 제안한다. 제안하는 통합 솔루션은 총 3가지 방법으로 다음과 같다. 첫 번째 방법은 매장에 비치된 가상 거울을 통해 터치를 통한 입력으로 가상 피팅을 이용한다. 두 번째 방법은 인터넷 쇼핑몰에 접속하여 의상 상품과 아바타를 이용한 가상 피팅을 체험한다. 마지막 방법은 모바일 어플리케이션에서 2차원 바코드로 의상 정보를 입력하여 디지털 패션을 위한 3D 가상 피팅 서비스를 체험할 수 있다. 또한 체험한 가상 피팅 결과를 이미지 파일 형태의 멀티미디어 메시지 서비스(MMS)로 다른 사람에게 전송할 수 있는 솔루션을 구축하였다.

중년비만 여성용 재킷패턴의 여유량 분포에 따른 착시효과 (The Visual Illusion Using the Adequate Ease Distribution of Jacket Pattern for the Middle Aged Women of Obese Figure)

  • 손부현
    • 한국생활과학회지
    • /
    • 제17권3호
    • /
    • pp.469-483
    • /
    • 2008
  • Body image is important as it is related to self-esteem and can be enhanced by clothing and the degree of enhancement is related to clothing fit. The purpose of the paper is to find the adequate ease distribution of jacket pattern for the obese women who want to slenderize their shape by optical illusion. Subjective evaluation of the visual appearance we collected and, at the same time, 3D clothing air volume was observed for the nine types of experimental jackets with different ease distribution. As results it was found that jacket pattern for the obese women is that the front width of pattern is wider than what of back width in waist and abdomen. It was also noted that there was distance between clothing and skin in the girth around hip of jacket. 3D scanner clearly demonstrated the distribution of ease is useful to find the pattern variables responsible for the slender appearance of the obese women. The ready-to-made clothes for the obese women's clothing should be manufactured systematically in due consideration of the diversity and scarcity of the obese women's body shape.

구스타브 클림트[Gustav Klimt]의 개혁의상에 관한 연구 (The Study on the Reformative Costume of Gustav Klimt)

  • 김선영
    • 복식
    • /
    • 제56권4호
    • /
    • pp.1-14
    • /
    • 2006
  • This paper is a perspectiveon the reformative costume expressed by Gustav Klimt who led the Secession Movement as a great master in Vienna. Klimt actively expressed a new costume style in his paintings, which influenced heavily on the modern costume design. This paper may contribute to reestablish the constructive direction for the 21st century fashion design based on Klimt's pursuing holistic art concept. The reformative costume in Klimt's paintings has two characteristics; ornamentism, eroticism, and reformativeness. Ornamentism is expressed with fantastic colors, various motives, exotic features, simple style clothes, and so on. Klimt used independent ornaments to express carnal desires metaphorically, which set ornaments free to lead spectators to the dreamy or elusive state and even have spectators indulged in ecstasy. As the Secession Movement focused on reforming all areas of life artistically, the costumes of Klimt's paintings symbolically express the reformativeness; he portrayed the woman in the early 20th century and sought to reform its contemporary value as a visual sensuality. Klimt tried to disrupt from the former era by over-emphasizing eroticism. The erotic expression with the colors and the style of ornaments substitute naturally for suggestive eroticism of the feminine body. With has creativity, Klimt has spectators extract the various senses from the female image in his paintings. Klimt's creative spirit on the holistic art concept could be helpful to develop a unique design as a catalyst foreseeing over the present.

줄무늬 문양 복식의 미적 가치에 관한 역사적 고찰 -중세부터 19C 말을 중심으로 - (A Study on the Aesthetic Value of the Clothes of the Stripe Pattern in a Historical Point of View - From Medieval Age to the Late Nineteenth Century -)

  • 박선경
    • 복식문화연구
    • /
    • 제13권3호
    • /
    • pp.391-405
    • /
    • 2005
  • This study puts emphasis on showing the change of Stripe Pattern, which has been popular for a long period of time in many societies, with change in time, assessing its value as an art. During medieval period, Strife Pattern had a strong negative meaning as a sign of disgrace or inferiority, or had been used as discrimination against a mental or a sinner, who had been rejected or banished from the society. Through French Revolution, Stripe Pattern has become a symbol of liberty and equality, furthermore, the notion of society as well as countries. This event had positively affected on reevaluating its image, from inferior, negative to significant, artistic. Eventually the variety of aesthetic values of Stripe Pattern led its way to the variation of its functional value expanding its use other than fashion industry. It is anticipated that our fashion industry will flourish in creating new, creative design by understanding design and appreciating their aesthetic values with their applications to human sensibility.

  • PDF

고려 아미타불 및 관세음보살도에 나타난 문양을 응용한 아동 생활한복 디자인 (Children's daily Hanbok design using the patterns in the Armita Buddhist paintings and Avalokitesvara of the Goryeo period of Korea)

  • 장현주;고순희
    • 한국의상디자인학회지
    • /
    • 제22권2호
    • /
    • pp.151-165
    • /
    • 2020
  • In this study, the pattern of texture was developed by applying the pattern shown in the Amita Yeoraebul and the Avalokitesvara with symbolism suitable for children's clothing. In addition, the design and the manufacturing of a children's wearable Hanbok were attempted, and the results are as follows: Amitha Yeoraebul is a Buddha who oversees paradise in Buddhism, and Avalokitesvara controls both paradise and the real world and provides mercy. Applying the various patterns in the Buddhist paintings, four daily hanboks for children were produced using patterns featuring symbolic the meanings of large round original patterns chrysanthemums, turtles, and lotus patterns. The lotus symbol represents love, nobility, and wealth, while the turtle symbol represents longevity, the chrysanthemum pattern symbolizes auspiciousness, and the large round original pattern means a constant continuation. To maintain the traditional hanbok form but allow convenient wear it in daily life, it is made in the jeogori + shorts, vest + long pants, and one-piece + jacket style. Currently, the daily dress of Hanbok and the modernization of traditional Korean clothes are being promoted. At this point, the study developed Hanbok fashion products that contain symbolic stories suitable for children are trying to maintain the image of traditional culture as much as possible.

현대패션에서의 홀치기염에 관한 연구 (A Study on the Tie dying in Modern Fashion)

  • 박민여
    • 대한가정학회지
    • /
    • 제32권5호
    • /
    • pp.201-216
    • /
    • 1994
  • The materialism prevalent in the modern industrial society and concern for the destruction of nature have led people to long for the returning to nature and excite their nostalgia for old. These phenomena induced in modern fashion naturalism retrospectivism ethnicism and primitivism. In the following we present our findings in regard the roles and relationships of the tie dying with the modern fashion design. in regard the roles and relationships of the tie dying with the modern fashion design. The common basic themes are founded as follows; 1. Naturalism: The tie dying is from very old times and has evolved in many parts of the world producing their own natural designs and color. They bear the characteristic of nature; the pleasantness smoothness and complexity. 2. Individualism and hand made: No two items produced by the tie dying technique are identical even though they are similar by design and their individuality is to some extent determined by chance. The retrospetivism and individualism are themes relating to the modern fashion. 3. Ethnicism and primitivism: The tie dying brings up the 'ethnic and traditional' to us and their designs and colors present the new images of the ethnic and primitive influences to the modern designs. 4. Ecology recyle and grunge look: The tie dying represent the recycle of the used natural resources such as making the old cloths useful again in new forms by tie dying them. The old clothes thus restored show wrinkled untidy and somewhat loosely fit form. This image of 'grunge look' is one of the central theme of the modern fashion.

  • PDF

현대패션에 반영된 퓨젼이미지에 관한 연구 (A Study on Fusion Image Reflected upon Modern Fashions)

  • 곽대기;신재룡
    • 복식
    • /
    • 제55권5호
    • /
    • pp.14-27
    • /
    • 2005
  • These new Phenomenon influences with the new terminology 'fusion' on the way of our life in all areas of our society including the clothes and foods. Along with post-structuralism, which aims at diversification and senses deconstructionalism is a characteristic of this time post-structuralism is based upon the deconstructionalism. Especially the arts in the modern society which is called an information-oriented society lack the totality of a text and become fragmentary, and therefore it follows that traditional values are destroyed and at last a new code such as fusion which is incomprehensible if we would be in mono-linear perspective. Dislikes toward excessively formative and orthodox elements of modern pictures and constructs ; features of kitschs and subcultures against materialism are revealed in diverse objects and materialism. In such a situation of mingling of diversifications with no time to evaluate an object, another diverse forms come into the world and there is no room for evaluating. Therefore, this study will make a light on what are tendencies in the fashion design from the end of 20C to the beginning of 21C, and foreground the concept of fusion in modern fashion which is relevant with digitals and its generative background.