• Korean Institute of Interior Design Journal
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• v.13 no.4
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• pp.12-20
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• 2004

The purposes of this study were to identify styles of contemporary interior design, construct their images, and find out the relation of the identified styles to the structure images. Content analysis was used as the main method of this study, and the focus of the analysis was on a typological approach. Two hundred interior design photos were drawn from five different interior design magazines published in the past ten years, and ,they were analyzed by interior design professionals. Contemporary interior design was classified into ten styles: romantic, ethnic, classical, high tech, elegant, country, modern, minimal, natural, and causal. Given the ten styles, five images of interior design were identified - simple, comfortable, rustic, classical, and delightful. With regard to the relationships between 10 styles and 5 images of interior design, the this study found that the romantic style was related to the images of rustic and classical, the ethnic style to the images of comfortable, classical, and delightful, the classical style to the image of classical, the high tech style to the images of classical and rustic, the elegant style to the images of simple and classical, the country style to the images of comfortable and rustic, the modern style to the images of simple and delightful, the minimal style to the image of comfortable, the natural style to the images of comfortable and delightful, and the causal style to the images of comfortable and delightful.

• Kyungpook Mathematical Journal
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• v.56 no.4
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• pp.1085-1101
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• 2016

In this paper, all rings are commutative with nonzero identity. Let M be an R-module. A proper submodule N of M is called a classical prime submodule, if for each $m{\in}M$ and elements a, $b{\in}R$, $abm{\in}N$ implies that $am{\in}N$ or $bm{\in}N$. We introduce the concept of "weakly classical prime submodules" and we will show that this class of submodules enjoys many properties of weakly 2-absorbing ideals of commutative rings. A proper submodule N of M is a weakly classical prime submodule if whenever $a,b{\in}R$ and $m{\in}M$ with $0{\neq}abm{\in}N$, then $am{\in}N$ or $bm{\in}N$.

• Transactions of the Korean Society of Mechanical Engineers
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• v.19 no.7
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• pp.1657-1664
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• 1995

For dynamic analysis of flexible structures, classical linear modeling has been widely used due to its several good aspects. However, it was found that the modeling often lost its accuracy. So, it is important to know the valid range of the modeling before it is used. more complicated modelings are needed to obtain reliable results only outside the valid range of the classical linear modeling. In this study, some rigid body motions of flexible structures which lead to the failure of the classical linear modeling are investigated. Hybrid deformation variable modeling, which is proved to be accurate in previous studies, is used to figure out the valid range of the classical linear modeling through numerical examples.

• Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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• v.9 no.2
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• pp.109-114
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• 1998

Background and Objectives : Aerodynamic investigation is valuable information about the efficiency of the larynx in translating air pressure to acoustic signal. The normal data of the Korean has been reported, but there is no basic data of professional western classical singers who have learned how to control the flow of expiratory air for singing. The purpose of this study was to investigate the normal aerodynamic data of korean professional western classical singers and compare this with that of the Korean Materials and Methods : 50 Korean western classical singers were studied. Expiratory lung pressure combined with measurements of the mean air flow rate, voice frequency and intensity were measured with the aerodynamic test using airway interruption method. These data were compared with normal data of untrained normal adults. Results and Conclusions : The voice frequency and the voice intensity were increased in the western classic singers, but the mean air flow rate and the expiratory air pressure of the classical singers were within the same range of the untrained normal adults. This result means that western classical singers can change the loudness and pitch with a little increased or decreasing the mean air flow and the expiratory air pressure.

• Journal of architectural history
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• v.19 no.4
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• pp.21-34
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• 2010

Through investigating the effects that result from the form and preference of Ahnsan (案山) and Jusan(主山) symbolizing ground in the cases of 21 of the Korean Academics for classical learning which called Seowon(書院) located in South Korea of the whole 47, to layout the Korean Academics for classical learning, what factor Sarim(士林) preferred to and how they analyzed the form of circumjacent mountains by Fengshui. While the Jusan has intrinsic attribute due to connecting with the place, Hyuljang(穴場), the Ahnsan has public and extrovert. It can be explained that the Sarim who established the Korean Academics for classical learning had their internal hope and external justification. To put it concretely, because of their necessity of concentrating on their study within nature and their situation as hermits apart from government through long time, they made the Korean Academics for classical learning stable and satisfactory. Therefore, they had to choose Moogocksung(武曲星) as a Jusan. And their study was essential method to take their justification. And It was attractive for them to be a public officer by their study. So they preferred to Moonpilbong(文筆峯) symbolizing their achievements on their study. So the layout of the Korean Academics for classical learning tells us that the Sarim sought internal stability and external scholarship.

• Structural Engineering and Mechanics
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• v.58 no.5
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• pp.905-929
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• 2016

This paper assesses efficiency of the continuum method as the idealized system of building structures. A modified Coupled Two-Beam (CTB) model equipped with classical and non-classical damping has been proposed and solved analytically. In this system, complementary (non-classical) damping models composed of bending and shear mechanisms have been defined. A spatial shear damping model which is non-homogeneously distributed has been adopted in the CTB formulation and used to equivalently model passive dampers, viscous and viscoelastic devices, embedded in building systems. The application of continuum-based models for the dynamic analysis of shear wall systems has been further discussed. A reference example has been numerically analyzed to evaluate the efficiency of the presented CTB, and the optimization problems of the shear damping have been finally ascertained using local and global performance indices. The results reveal the superior performance of non-classical damping models against the classical damping. They show that the critical position of the first modal rotation in the CTB is reliable as the optimum placement of the shear damping. The results also prove the good efficiency of such a continuum model, in addition to its simplicity, for the fast estimation of dynamic responses and damping optimization issues in building systems.

• (The)Study of the Eastern Classic
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• no.73
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• pp.445-473
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• 2018

This article deals with the reason for translating Korean Chinese written classics and the image of the person performing the translation. The scope of the research was restricted to South Korea and the translation value of translating the Korean classical texts from the 1960s to the 2018. In the 1960s and 1970s, the discourse of national culture and the Classical Sinology(漢學) discourse centered around the Minjokmunwhachujinhwe(民族文化推進會, National Culture Promotion Association). The discourse of the national culture was paired with the modernization, and the discourse of Classical Sinology(漢學) discourse was a certain antagonism to the discourse of modernization. The translator stereotype in this periods was close to a Classical Sinology(漢學) who could wright Korean letters. The discourse of the national culture led to the establishment of The Academy of Korean Studies by pairing with the discourse of the spiritual culture, and then changed into Korean study discourse in the 1980s. Since the mid 80s, the theory of translation has been introduced byo Kim Yong-ok. The translation of the Chosun dynasty annals, which started in the 70s, made the classical translation discourse in the classical translation field into the national project efficiency discourse. To the Early achievement of state-led gigantic project through group translation, they emphasized coherence and efficiency. On the contrary, the individuality of the translators and aspects of in-depth research have weakened. This discourse also influenced until the early 2000s. These large translation projects were produced by professional translator group. With the establishment of the Institute for the Translation of Korean Classics(Hankuk Kojon Bunyukwon) in 2007, he foundation for the stability of the classical translation business was established, and the classical translation discourse was shifted to the academic discourse centered on classical translation sudies. This discussion was expanded to the request of the establishment of an academic institution called the Classical Translation Graduate School, with a discussion on the academic identities of classical translation studies. The imagies of translators, paired with the academic discourse of this period, and that the classical translators must be classical scholars and translators, are begun to be requested. Thus, the classical translation value discourse changed with the passage of time, and the imagies of classical translators have been changed accordingly.

• Structural Engineering and Mechanics
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• v.61 no.4
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• pp.437-440
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• 2017

This study investigates the bending of an isotropic thin rectangular plate in finite deformation. Employing hyperelastic material of John's type, a non-classical model which generalizes the famous Kirchhoff's plate equation is obtained. Exact solution for deflection of the plate under sinusoidal loads is obtained. Finally, it is shown that the non-classical plate under consideration can be used as a replacement for Kirchhoff's plate on an elastic foundation.

• Bulletin of the Korean Mathematical Society
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• v.55 no.5
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• pp.1599-1619
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• 2018

In this paper we study the initial value problem of the non-relativistic Vlasov-Darwin system with generalized variables (VDG). We first prove local existence and uniqueness of a nonnegative classical solution to VDG in three space variables, and establish the blow-up criterion. Then we show that it converges to the well-known Vlasov-Poisson system when the light velocity c tends to infinity in a pointwise sense.

• Journal of Korea Entertainment Industry Association
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• v.14 no.6
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• pp.151-160
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• 2020

In the past, musicians followed strict patterns written by composers when playing classical music. However, since the development of postmodernism, which puts an emphasis on unique individualities and various ways of thinking, following the strict patterns of classical music unquestioningly became less significant. Classical music was thought to be difficult to follow and enjoy for most people. Thus, musicians have found ways to keep the dignity of classical music but added familiarity in order to popularize arias in operas. They created classical crossover music and this type of music enabled people to enjoy easy access to classical music. However, not many studies focus on arrangement methods of changing classical music into crossover music. The goal of this study is to research on arrangement methods of crossover music based on the findings from precedent researches on operas. This study focused on analyzing musical structure including chords, rhythms and compositions of musical instruments. According to the analysis, original classical songs and popera, which is a type of crossover music, share similarities in terms of rhythms and chords. However, there are differences when it comes to compositions of musical instruments. In case of a jazz version, it uses AfroCuban rhythm as well as Bolero rhythm which is a part of ballad and jazz acoustic instruments are mainly used. Also, in order to reduce the feeling of classical music and to differentiate the jazz version from the original version, a lot of tension is used in voicing. This study can be helpful for any researches related to arrangements of classical crossover music.