• 한국사회복지학
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• 제68권1호
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• pp.141-168
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• 2016

본 연구의 목적은 재독 한인여성의 생애체험을 내부자적인 관점에서 분석함으로써, 이주여성의 고유성을 이해하는 것이다. 이에, 재독 한인여성 A씨의 생애사를 Rosenthal의 내러티브-생애사 연구방법에 따라 분석하였다. 그 결과, A씨의 생애는 자신을 "식민화" 하는 '다수자'의 표준적인 기준에 균열을 일으켜 '탈영토화' 하는 '노동자-되기', '이주자-되기', '여성-되기' 등의 '배치체'로 구성된 '노동이주여성-되기'의 과정으로, 이러한 '노동이주여성-되기'도 끊임없이 새롭게 또 다른 '배치체'로 구성된 '소수자-되기'의 유동적인 과정이며, '차이의 정치', '되기의 정치' 과정이기도 한 것으로 분석되었다. 이에, 이러한 연구결과에 의거해 사회복지실천에 시사하는 함의를 논의하였다.

• 비교문화연구
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• 제31권
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• pp.197-216
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• 2013

This thesis analyzes various becomings of female characters in Rose Gate written by Tie Ning. By this analyzation, we can pick out what identity the female characters eager to have decomposed, what identity they hope to create, and what do these procedures mean. Si Qiwen's 'becoming male' presents strong desire to shift from periphery to center. However, it is meaningless when her tragic life can not be justified by those same female people. Zuxi's 'becoming wanderer' shows that Tie Ning refuses usual reality of woman's life which vest in man. Sumei's 'becoming mother' is the exact point where torn female ego gets to consolidate, and it means Tie Ning takes 'mother-becoming' as ultimate truth of woman's life. Besides, Tie Ning finds women's becoming something new as escaping from the other and she denies equation of man with savior.

• 한국가정과학회지
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• 제8권4호
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• pp.57-69
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• 2005

An aging society in which the proportion of the aged of a society is growing faster than the of the young is becoming an worldwide phenomenon owing to low birth rate, the upgraded medical art and so on. Korea is one of the most rapidly aging societies in the world today. Since aging society is totally different from the traditional society in the many field, potential problems must be expected and countermeasure must be considered. One of the potential problems it may cause is the issue of supporting subject of the aged. Parent-supporting and welfare for the aged become important social issues. Especially the supporting of the aged woman is more important issue because of their longer average life than man and their exposure to sexual discrimination and their welfare is very important issue of social welfare system. Accordingly the purpose of this study is to present the practical counter measure to the supporting of the aged woman. These studies can be divided into traditional approach which insists on the family supporting and modern approach which asserts government(or social) supporting. Comprehensive literature study reveals that both of government and family are responsible for the supporting of the aged woman.

• 한국언론정보학보
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• 제70권
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• pp.277-305
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• 2015

후기구조주의 프랑스 철학자 질 들뢰즈와 펠릭스 가타리는 소수성과 소수자에 관한 논의를 통해 현대사회는 이미 소수자의 시대가 도래하고 있음을 강조한다. 즉, 노인과 같은 사회적 약자이자 특이성을 지닌 소수자들의 '- 되기'를 제시하고 있다. '- 되기'는 어떻게 하면 기존의 동일성에서 분열하여 다른 삶, 다른 주체로 살아갈 것인가에 대한 실천적 방법론이다. 연구 목적은 '여성 - 되기'를 위한 노인 미디어 교육을 탐색하여 노인여성들이 주체적으로 참여할 수 있는 노인 미디어 교육의 실천 방안을 모색하고자 한다. 이론적 논의는 들뢰즈와 가타리의 주요 개념과 사유들을 검토하고자 한다. 이러한 사유를 전제하는 이유는 기존의 양적 기준으로 정의되었던 소수자와 소수성에 대한 재해석을 통해 소수자로서 노인여성들의 욕망을 '- 되기'라는 생성의 차원으로 재조명하고자 함이다. 이를 통해 구체적이고 긍정적인 효과를 낼 수 있는 노인 미디어 교육의 방향을 제시하고자 한다.

• Human Ecology Research
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• 제55권3호
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• pp.303-319
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• 2017

This study explored the sandplay therapy case of a middle-aged woman having difficulty with interpersonal relationships and wanting to increase her self-identity. The goal of the therapy was to change her relationships with others by self-examination and becoming conscious of her negative animus and femininity in a free and protected space provided by sandplay therapy. Forty-five therapy sessions were held. The client exhibited her lonesomeness and fantasies by making sandtrays of a house she would like to live in, a park she would like to relax at and dreams she would like to fulfill in the initial phase of therapy (1~8, Who am I?). In the intermediate phase of therapy (9~33, Meeting myself), she displayed scenes of her negative self and breaking away from her negative self by making sandtrays of shadows, deaths, creations, a soaring scene and a disappearing alligator. In the final phase of therapy (34~45, Discovery of the real Self), she showed scenes of her meeting a positive self by making sandtrays of hope, coexistence, start, harmony and community. This study showed the effectiveness of sandplay therapy since the client' relationships with others were improved through her self-awareness by sandplay therapy in the free and protected space.

• 한국사회복지학
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• 제59권4호
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• pp.191-216
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• 2007

본 연구는 가족과의 관계 속에서 형성되는 여성 빈곤의 문제, 특히 남성 생계부양자 규범에 의해 여성들이 어떻게 자원배분과 자원통제에서 배제되어 빈곤에 취약해지게 되었는지 살펴보고자 하였다. 이를 위해 이혼경험이 있는 저소득 여성가구주 10명의 생애사를 분석하였다. 저소득 여성가구주들이 빈곤층에 이르게 되기까지 빈곤경로에 있어서 차이가 있는 것으로 나타났다. 여성가구주들이 빈곤에 이르게 되는 경로에 따라서 빈곤의 지속유형과 빈곤으로의 유입유형으로 분류하였다. 여성가구주의 빈곤은 출생 가족과 결혼 후 가족에서 자원형성과 자원배분, 자원통제에서의 차별을 통해서 빈곤에 취약해졌다. 남성 생계부양자 규범은 차별기제로 작동되었으나 빈곤화 경로 유형에 따라서 그것이 작동되는 방식에서 차이가 있음을 드러내었다. 빈곤의 지속 유형 사례 여성들에게 남성 생계부양자 규범은 상징적인 힘으로 작동되면서 이 여성들의 경제활동은 가족을 보살펴야 하는 아내 역할의 차원에서 수행되었다. 반면 빈곤으로의 유입 유형 사례 여성들에게 남성 생계부양자 규범은 피부양자의 위치로 자신을 인식함으로서 직업경력 단절 및 자원통제권을 상실하게 되면서 빈곤에 취약해졌다. 이러한 연구결과는 지금까지 여성가구주로 빈곤 논의에서 전제되고 있는 통념이 허구임을 밝힘으로써, 가족(The Family)만 유지된다면 여성은 빈곤하지 않을 것이라는 기존 시각을 문제화하고 관점 전환의 필요성을 제안하고 있다는 점에서 연구의 의의를 찾을 수 있다.

• 한국연극학
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• 제48호
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• pp.5-50
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• 2012

In these days, we come across a growing interest in animals from various perspectives. Considering that the posthumanistic point of view forms the major stream of postmodern humanities, ethics and philosophies, this paper tries to study the liminality between human beings and animal as appear in postmodern plays. The cases of a middle-aged architect falling in love with a goat (The Goat, or Who is Sylvia? by Edward Albee); An abandoned (human-)dog that encounters his old mistress under the moonlight (A leaseholder by Yoon Young-sun); Coexistence of men, dog, plants in a Country life (White Cherry by Bae Sam-sik); A Mutual sympathy between a swarm of bees and a woman dying of cancer(Bee by Bae Sam-sik) were discussed referring such concepts as 'Otherness' of Derrida, 'Becoming'of Deleuze, 'a bare life' of Agamben and ecological co-existence. In The Goat, the moment of Martin who happened to meet a goat's eyes in a suburbs can be paralleled with that of Derrida who one day found himself caught up with the gaze of a cat in the bathroom while he was naked. They shared the common experience in that they went through the ontological and mysterious abyss that rendered them to raise the question of "Who am I ?" In A leaseholder, a young woman returns to her hometown exhausted by the calculating human society and meet her old time (human-dog). This story reminds us of Agamben's werewolf, Levinas's dog Bobby and Derrida's Zootobiography. He, an abandoned pet, both excluded and included from human society, now appearing as a mysterious human-dog, welcomes, embraces, and comprehends his old mistress and exposes his individual remorses and passions as an animal-subject. In White Cherry, the author describes the coexistence of all the life-beings such as an old dog, a golden bell tree, the deceased daughter and even a fossil remains in a country life. Bee is a story of a beekeeping village where bees were leaving and disappearing. A swam of bees fly down on a woman who was dying of cancer. With physical and spiritual empathy the dying woman helps the swarm of bee to conduct a new birth and a new life.

• 여성건강간호학회지
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• 제20권1호
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• pp.48-61
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• 2014

Purpose: This study was done to explore the essence and meaning of the experience of 'aging', as a process of 40's and 50's women in Korea by applying the Parse's Human Becoming theory (2002). Methods: Data was collected from February to April, 2013, using the phenomenological research method. Data was collected through in-depth informal interview and analyzed following Colaizzi method. After IRB permission and informed consent from the participants, all interviews were recorded with MP3 recorder and transcribed for analysis. Results: Data analysis revealed 112 of meanings, 33 key subject words, 8 subject phrases, and 4 categories. The main themes were elaborated as 'going down' ('Being changed of body and mind', 'Being considered on my identity'), 'going up' ('Being expanded of productive role', 'Being transcendent multi-dimensionally'), 'pausing' ('Becoming more thoughtful about family', 'Looking back'), 'going forward again' ('Age is just a number, 'Contemplating of life and death'). Experiences in aging among women in 40's and 50's enlightened with Parse's theory of Human Becoming in terms of 'going down', 'going up', 'pausing', 'going forward again' appeared simultaneously, rather than consecutively. Conclusion: Women in 40's and 50's require holistic nursing intervention with physical, psychological, socio-economical, and spiritual aspects, rather than focusing on problematic physical symptom relief and prevention of further conditions. It is recommended to develop various nursing intervention considering on different environment, type of experience, and level of human becoming, individually.

• 영어영문학
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• 제55권6호
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• pp.1221-1244
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• 2009

The death scenes are the culmination of both Doris Lessing's "To Room Nineteen" and Toni Morrison's Sula. Lessing's Susan, an intelligent white English woman, gradually loses the meaning of life as awealthy housewife in the patriarchal society and commits suicide as her solution in Room Nineteen of Fred's Hotel. Morrison's Sula, an African-American woman, grows up without having the normal ego under Eva's matriarchy in a black community named the Bottom. Sula, after Nel's marriage, becomes a symbol of evil to her community and drifts down to death in Eva's bed. Reading these two death stories from the perspective of Jung's archetypal psychology, Susan is not able to continue to live a meaningful life because her life energy is cut off from its source which is in the unconscious. According to Jung, the symbol is the medium of the psychic energy from the unconscious to consciousness. In modern society which is represented by intelligence, the religious and mythical symbols are removed by rationalism, which means disconnection of the flow of life energy from the unconscious. Susan's death can be read as a kind of creating symbol to connect the modern people to the source of life energy. Sula's case is the opposite of Susan's. She remains in the unconscious world without having the proper ego in the absurd reality of racial and sexual problems. Sula finally rises again in Nel's awareness, becoming a symbol of the feminine goddess like goddess Inanna.

• 한국언론정보학보
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• 제62권
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• pp.30-50
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• 2013

이 연구는 젠더연구에서 몸과 테크놀로지가 가지는 의미를 고찰함으로써, '여성'이라는 범주가 고정된 것이 아니라 '여성되기'의 진행적인 과정임을 제시한다. 신자유주의 시대에 젠더 정체성은 여성과 테크놀로지의 관계를 재설정해야 할 여러 가지 문제들을 제시하고 있으며, 이 관계의 역동성을 이해하기 위해서는 '몸'의 문제를 살펴볼 필요가 있다. 이를 위해서 본 연구는 먼저 페미니즘 연구와 젠더 연구 전반에서 몸에 대한 담론이 진행되어온 과정과 의미를 탐색했다. 이어서 몸과 젠더의 관계에서 테크놀로지가 갖는 위치를 살펴보고, 몸이 젠더 정체성을 주체적으로 수행하는 동시에 정체성이 구성되기도 하는 담론의 장이자 물질적 장소임을 주장했다. 마지막으로는 몸과 젠더와 테크놀로지의 삼자관계에 집중한 사이버페미니즘의 논의를 구체적으로 살펴봄으로써, '여성되기'에서 테크놀로지가 갖는 역할과 의미를 재고해야 할 필요성에 대해 논의했다. 결국 여성되기에 있어서 테크놀로지가 갖는 의미를 살펴보는 일은, 일상의 경험 세계에서 몸이 지니는 담론적이고 실천적인 의미에 대한 숙고를 통해 이루어져야 함을 제시했다. '여성되기'의 가능성은, 몸-젠더-테크놀로지의 접합방식과 과정에 대한 탐구를 통해 젠더의 (재)구성을 살펴볼 때만 상상될 수 있을 것이다.