• 한국조경학회지
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• 제23권4호
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• pp.81-96
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• 1996

The idea I set my thesis upon was to develop a methodology for the visually impaired to perceive an environment through their other senses. Since the Blind perceive spatial relationships by combined association of their other senses, it was essential to create a setting where their senses can be amplified. Thus this garden was designed to accommodate two or more of blind person's senses at once to provide more of '3-D' spatial relationship. The main goals of this thesis are, first, to create a place where the Blind can enjoy and nurture their own specific interests. Second, to reveal the nature in its allowing individual analysis and interpretation of a garden. Third, to move away from the prejudice of gardens for the Blind being made of only touching and smelling. To achieve these goals, the most important task was to establish a sense of space. In order to do so, five principles were used; Perspective, Enclosure, Light/Shade, Form, and Environment. After all, the garden for the Blind does not proclaim its purpose in loud terms nor in obvious manner. It should attempt to provide joy, serenity, and activity; a freedom to choose, recognize and analyze nuances of garden, the rhythm of enclosure and openness to experience variety, also to delight in subtle changes and to just imagine.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2006년도 추계 종합학술대회 논문집
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• pp.783-787
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• 2006

공간감각은 주위 환경과 그 환경에서의 물체에 대한 직관적 느낌으로, 유아기는 이러한 공간감각의 기초능력이 발달되는 매우 중요한 시기이다. 유아들은 공간에 대한 직접적이고 능동적인 탐색을 통해 공간감각을 발달시켜 나가므로, 신체적인 움직임을 통해 공간을 탐색하는 경험은 공간감각 향상에 필수적이다. 본 논문에서는 동작을 이용한 유아의 공간감각 계발을 위해 4가지 콘텐츠를 제안한다: 물방울게임, 골키퍼 게임, 웅덩이를 피하기, 도형 맞추기. 제안된 4가지 콘텐츠는 보다 넓은 공간을 활용한 활동을 제공하기 위해서 가상 학습 공간으로 구현되었다. 또한, 구현된 가상학습공간에는 유아의 행동을 인지하여 가상학습공간의 콘텐츠를 이용할 수 있는 실감형 인터페이스를 적용하고 있다. 유아들의 행동에 바탕을 둔 실감형 인터페이스를 사용하는 것은 유아들에게 공간감각 형성에 도움을 줄 뿐만 아니라, 학습에 대한 즐거움, 흥미를 제공하게 되는 매우 중요한 역할을 수행하게 된다.

• 한국조경학회지
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• 제40권5호
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• pp.63-72
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• 2012

현대 도시의 실내와 실외의 경계는 모호해짐과 동시에 서로 융합되고 있다. 이러한 공간이 점차 증가함에 따라 환경 설계가들에게는 실내와 실외공간에 대한 통합적 사고와 이에 따른 공간 설계의 기준이 요구되고 있다. 설계의 기준이 되는 공간에 대한 감각(공간감)을 정량화하기 위해 본 연구에서는 63명의 실험자들이 서울대학교 캠퍼스 내 실내 15곳, 실외 14곳을 평가하도록 하였다. 평가어휘는 크기감(좁은-넓은), 개방감(폐쇄적인-개방적인), 온도감(따뜻한-차가운), 밝기감(밝은-어두운), 경연감(부드러운-딱딱한), 공간친밀도, 방문빈도였으며, 이를 통해 실내 외 공간감의 차이를 파악할 수 있었다. 연구결과를 요약하면 실내 외 크기감의 차이는 약 2배로 나타났으며, 실내 외 친밀한 공간의 기준은 실내에서 W/H비가 약 5.71이면서 창문면적/입면적의 비율이 높은 공간으로, 실외에서 넓이 $3,800m^2$와 W/H비 5.57정도의 공간으로 정할 수 있었다. 실내 외 공간감의 차이는 심리적 감각에 의해 주도되는데, 실내에서는 규모가 커질수록 차갑고 어두우며, 딱딱하게 느낀 반면 실외에서는 따뜻하고 밝으며 부드럽게 인식하였다. 또한 실내의 심리적 감각은 공간의 규모와 지각에 크게 영향 받지 않았기 때문에 친밀한 공간을 파악하기 어려웠으나, 실외의 심리적 감각은 규모와 지각에 관계되었으므로 친밀한 공간의 크기와 비율을 알 수 있었다. 연구를 통해 실내와 실외의 공간감은 서로 상대적인 차이를 가지며, 물리적인 기준 또한 다르다는 것을 알 수 있었다. 이와 같은 연구결과는 향후 실내 혹은 실외공간 설계 시 환경설계가들에게 유용한 기준이 될 것으로 기대한다.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제13권3호
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• pp.47-55
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• 2007

The theme of this study is holistic healing environment of children's library and it was researched on the basis of anthroposophy theory of Rudolf Steiner. According to Steiner's theory, human being consists of body, spirit, and soul. Especially, children are sensitive ones, and through synthetic function of 12 kinds of senses, they can be holistically healed (healing of body, spirit, and soul). As the sense independently functions or it is a element that cannot be described, it needs spatial plan to support synthetic function of it. We classified the healing space's meaning of children library by motion (including art and music), reading, & landscape healing activities and analyzed spatial characteristic to support each activity.

• 한국학교수학회논문집
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• 제13권2호
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• pp.303-322
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• 2010

본 연구의 목적은 기하학습 교구인 조립 교구인 4D Frame 활용 학습이 초등학생들의 공간 지각 능력 신장에 미치는 영향을 분석함으로써 수학 교수 학습 방법의 개선에 도움을 주기 위한 것이다. 서울시내 5학년 2개 반을 임의로 선정하여 한 학급은 기하 교구를 활용한 수업을 실시하는 실험 집단(31명)으로, 한 학급은 일반 수학 수업을 실시하는 비교 집단(32명)으로 선정하여 한 달간 10차시의 수업을 실시하였다. 본 연구에 사용한 실험 설계는 준 실험 설계(Qusai-Experimental-Design) 중 이질 통제 집단 전후 검사 설계(Nonequivalent control group pretest-posttest design)를 적용하였다. 실시한 검사 도구는 공간 감각 검사로 사전 사후 모두 동형 검사지를 사용하였다. 또한 수업 관찰 분석과 학생들의 학습지에 대한 반응을 분석하였다. 연구의 결과 첫째, 기하 교구의 활용 학습은 공간 지각 능력 신장에 있어서 효과적이었다. 둘째, 기하 교구의 활용 학습은 공간 감각에 있어서 지각의 일관성과 공간 관계의 지각력 신장에 있어서 효과적이었다. 그리고 후속 연구로 동일 교구의 보다 광범위한 적용 및 다양한 교구의 개발을 제언하였다.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제16권2호
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• pp.37-45
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• 2010

This study is the analysis of characteristics of hospital space for the holistic healing environment of children on the basis of the healing theory on emotion of Max L$\ddot{u}$scher and the healing theory on senses of Rudolf Steiner of the overseas children's hospitals. According to the theory of Rudolf Steiner, children make comprehensive advancement of physical, spirit and soul through the interaction of 12 senses. In addition, Max Luscher asserts that the psychological health can be maintained when the 4 emotional status in content, confidence, self-esteem and liberty make the balance. The 4 elements of Luscher have correspond with spatial expression elements for refuge, flow, prospect and void, and this is analyzed in conjunction with the eight kinds of behavior affordance of ying and yang (-, +) that helps our the advancement of 12 senses of Steiner. WORK & STUDY(+), REST(-), MOBILITY(+), VISUAL SEQUENCE(-), SOCIAL EXCHANGE(+), REFRESHMENT(-), COMMUNITY(+) and MEDITATION (-) would be the 8 kinds of behavioral affordances to make the healing environment as presented in this study and the case analysis for children's hospitals have been undertaken.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.229-239
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• 2015

The 21st century is a multiplication age and social and cultural phenomena have become diverse and peoples' desires and individuality have become important. Accordingly, the sensibility that reflects human taste is also required in the exhibition space. The exhibitions in this age induce the direct cognition of senses or take interactive forms that contact diverse media and react. The purpose of this research is to define the concept of haptic presentation method in which the audience perceive in the exhibition space by themselves and the visual elements spread into other senses and perceive complexly, and to present the directional nature. To conduct this research, first, this researcher recognized that haptic sensory experiential research by analyzing the roles and transition history of exhibition space is needed for the present age Second, based on philosophical theories, four haptic sensory expression characteristics (medium nature, experiential nature, attractiveness, sensitiveness) were derived by substituting Giles Deleuze's four haptic spatial characteristics (grasping short distance, dispersed gaze, cognition of bodily movement, formation of synesthesia through complex senses) and six formative factors of exhibition space (space, form, size, light, quality of materials, and color). And the effective exhibition presentation methods were analyzed through six cases of experiential exhibition spaces. Accordingly, what matters in the experiential exhibition space is to produce the four characteristics: medium nature, experientiality, attractiveness, and sensitiveness in equilibrium. It is necessary for the designers to reflect it appropriately in producing so that the audience can think and experience by themselves. Accordingly, in this thesis, it could be seen that to produce the haptic production characteristics in the experiential exhibition space in equilibrium is the important factor in the experiential exhibition space. In conclusion, experiences in the exhibition space should be approached with the transcendental haptic presentation method by which even the space of actually unexperienced cognition can be expanded and experienced through the metastasis and tension of various senses. Also, researches on such senses should be developed continuously, and this researcher expects that this will become a stimulant to present a new directivity.

• 한국실내디자인학회논문집
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• 제25권5호
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• pp.3-15
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• 2016

Between various ideological experiences, such as spatial, artistic and religious experiences, a consistent and transcendental sense exists, which is difficult to systemize or establish, in all the senses human beings experience. It shows that the depth of essence may be much deeper than that of religion or science in limits of humans' thinking and experiences. On the premise that we need to rationally understand and systemize such a sublime experience, it is thought that we will be able to expand the system of our senses through a new approach breaking away from the previous concepts used to interpret a spatial experience. Rudolf Otto, a German philosopher and comparative religion scholar, explains such an essential sense through Numinose Theory. As his theoretical analysis and approach are used to explore the mechanism of such a transcendental emotion, which is impossible to express with such words as 'sanctity', 'sublimity' and 'reverence', from various perspectives, but intend to exclude dogmatic logic. Therefore, they seem to become new and useful tools in aesthetically understanding space design and objects of arts. Thus, this study aims to examine what value Numinose Theory has in the aspect of understanding space design, based on which this study intends to use the Numinose concept as a concept of interpreting 'Jongmyo Jeongjeon'.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.67-76
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• 2010

Recently the trend that human emotions become central is strongly on the rise beyond functions in the area of space. In the present situation, the current study is to examine the characteristics of experiential space of emotions through an approach to space appearing in kinetic art paying attention to the fact that the new spatial expressions and forms of Kineticism lie in introduction of 'movement' as a phenomenon that humans who are main agents of experiences can perceive. For research methods, spatial expressions were proposed according to each characteristic extracting characteristics to create space through 'movement' of Kineticism, and the features of experiential space of emotion were elicited by analyzing sensible elements and perceptual characteristics which stimulate human sensitivity through expressive aspects of 'movement' appearing in the case. As a result, it was found that characteristics appeared including immersion through non-daily stimulation, empathy through visual·perceptual stimulation, syn-aesthetic experiences through stimulation of thinking senses, and perceptual activation through physical movement etc. Namely, the present study has its meanings in seeking another directions and possibilities as emotional space to activate experiencers' diverse perceptions and senses by analyzing the characteristics of experiential emotional space through 'movement' of Kineticism which is one of modern plastic arts.

• 한국실내디자인학회논문집
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• 제20권4호
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• pp.83-91
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• 2011

The purpose of this study is to set a relationship between intentional system and spatial orientation, and with space model in the human world to orient yourself is to present the basic spatial concepts. This is composed of parts of intentional system and spatial orientation on the research. Through the study of intentional system which is based on the orientation with Daniel Dennett's, it suggests the space-model that composed with aspects of intentionality and spatial elements. With space-model and judgement of spatial types, it makes relationship confirm between them. Through this process, following the results of this study were derived. First, intentional stance of space is the key for building knowledge and memories about space, and for identifying external environment images which are experienced in the senses of human. Second, changing the meaning from space to place makes horizons of space broader and creates a new sense of space with put the intentional orientation into the space. Third, this study can make confirm what the aspect of the space-schema-elements for orientation in space, serves as the presentation elements. This study leaps an old-view of the architectural customs about spatial orientation, and creates an opportunity to refine the newer concept of space. This concept of space is a basic essential for 'site-selection' and 'spot-catching' as an intentional system for spatial orientation and to establish a relationship with human beings in the world of his own orientation to the concept of space.