• 대한간호학회지
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• 제29권3호
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• pp.605-613
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• 1999

The main purposes of this study were to determine the time interval between the onset of symptoms of myocardial infarction and treatment-seeking time and to identify the factors related to the interval time. This study used a retrospective design. The sample consisted of 45 patients aged over 30 who were diagnosed with an acute myocardial infarction at two large university affiliated medical center from September 1, 1997 to June 30, 1998. Data was collected by using questionnaries, which included demographic data, permonitory clinical signs and symtoms of myocardial infarction, and a measure of the severity of the signs and symptoms. Also semi-structured interviews and chart reviews were used to obtain information related to treatment-seeking time. The results of this study are summarized as follows ; 1. The most frequent premonitory clinical symptom was chest pain(92.9%), the second, was perspiration(81.0%), and the next were nausea(40.5%) and dyspnea(38.1%). Thirty two patients reported having more than four premonitory signs and symtoms. Patients described the characteristics of chest pain as “somethings very heavy pressing down”(26.2%), “felt like my chest would burst”(24.4%), or “sharp pain”(16.7%), Over 95% of the sample reported having chest pain. 2. Twenty two (52.4%) patients reported to have “very severe” premonitory pain. 3. The mean time interval between the onset of signs and symptoms and the arrival at the medical center was 6.39$\pm$10.80 hours in 42 samples, the mean time from the onset to arrival at a local hospital was 3.27$\pm$5.39 hours and for transfer from a local hospital to the medical center was 4.75$\pm$9.87 hours in patients who had arrived at medical center via local hospital. 4. The severity of premonitory signs and symptoms did not differ significantly according to existence of premonitory signs and symptoms. 5. There was no significant relationship between treatment-seeking time and age, gender, marital status, economic status, occupation, or residence. But education had significant relationship(r＝－0.51, p＝0.01). Analysis of difference of the time interval according to the premonitory signs and symptoms showed that the time was shorter in patients who experienced nausea or dyspnea(U＝115.50, p＝0.01, U＝132.00, p＝0.04), however the severity of premonitory signs and symptoms did not have statistical significance.

• 한국철도학회논문집
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• 제6권1호
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• pp.66-72
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• 2003

Railway sign(graphic sign, diagraphics) designs require good recognition with universality to transmit accurate and speedy information as they connect people around the station and other transport systems. An important point of signs is how to design and deliver the contents to the viewers as a communication service tools. It needs to establish design guidelines with standardization and unified system to show their contents and images clearly like common language with visuality, attractivity and generality. These requisites are important for both aesthetics legibility and unified standards to maximize the effectiveness of pictograms for the use of the general public, who require systematic suggestion and management.

• 한국철도학회:학술대회논문집
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• 한국철도학회 2003년도 춘계학술대회 논문집
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• pp.176-184
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• 2003

Railway sign(graphic sign, diagraphics) designs require good recognition with universality to transmit accurate and speedy information as they connect people around the station and other transport systems. An important point of signs is how to design and deliver the contents to the viewers as a communication service tools. It needs to establish design guidelines with standardization and unified system to show their contents and images clearly like common language with visuality, attractivity and generality. These requisites are important for both aesthetics legibility and unified standards to maximize the effectiveness of pictograms for the use of the general public, who require systematic suggestion and management.

• 한국실내디자인학회논문집
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• 제18권6호
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• pp.133-141
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• 2009

Since Adolf Loos' Ornament and Crime was released, ornament had been regarded as a vice in Modern architecture. In Post Modern architecture, the ornamental vocabularies extracted from the classical architecture have been symbolically expressed. As a result, the significance of existence of and the use value of architecture have increased with improved intimacy to the public. However, many studies that have analyzed architecture in terms of semantics and semiotics focusing on communication between architecture and the public have admitted instability in architectural meaning because of the fundamental difference between architecture and language. At the same time, the architectural representation has encountered a lot of limitations along with the deconstruction and non-presentation theory in Post-Structuralism. Even under these circumstances, the ornamental representation can be a critical factor which makes communication possible while expressing spatial identity in this pluralistic contemporary society. Hence, this paper has established logical grounds for research based on theoretical investigation on the concept of representation, semiotics, and ornamental representation, with regard to spatial communication through ornamental representation in commercial space. Based on Peirce's Semiotics which is the typical theoretical science in terms of representation, this paper has analyzed the three kinds of signs (Icon, Index and Symbol) that he proposed. Peirce's classification of signs becomes ideal when the factors are well balanced, with room for combination instead of strict classification. It appears that his theory of signs would be useful in understanding and analyzing ornamental representation. This study on representational ornament could offer a plan for ideal communication and abundant spatial experience in the interior design of commercial space in which the expression of creative space identity is required.

• 패션비즈니스
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• 제7권1호
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• pp.84-100
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• 2003

The purpose of this study is to analyze the meanings of signs represented in contemporary fashion based on the Peirce's trisection theory in order to present various types of sign representation that satisfies aesthetic value and characteristics of the age of information and image. Types of signs represented in contemporary fashion can be summarized into letters, numbers, codes, pictures, logos, characters and emblems. The meanings of signs were analyzed based on the Peirce's trisection theory, resulting in representation of play, brandsymbol, eroticism and suggestion. The play was categorized into infantile and parodic. The former inspires unexpected interest and laughter from contemporary people in the age of disorder through humorous characters, cartoons and illustrations. The latter inspires laughter by parodying things and it's intention is to release the isolation of people and their relative poverty through pictures for which techniques of parody and surrealism were used. Most of the brandsymbols represented by logos, used for textile and clothing design as well as accessories are optimal signs that construct brand images. Eroticism means emotion, impulses, senses of value and sexual attraction. A desire to represent sexual attraction is an expression of eroticism and self-expression to adjust in a changing society. Suggestion tends to pursue the image of harmony with nature in a world which is pressed by material civilization. Humans represent illuminating messages through direct slogans by characters, natural objects and motives of social phenomenon in pursuit of the benefits of abundant material civilization in the structure of a highly advanced scientific civilization and industrial society.

• 한국산림과학회지
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• 제95권1호
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• pp.12-22
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• 2006

자기안내식 해설판의 정보전달 효과를 높이기 위해서는 해설판 글자의 가독성에 대한 이해가 필요하다. 본 연구에서는 해설판의 글자속성에 따른 가독성을 각각 비교하였다. 2004년도 9-11월중 무등산도립공원 내 너덜겅 지역에서 총 1391명의 응답자를 대상으로 설문조사를 실시하였다. 본 연구에서 선정된 5개 글자속성(글자체, 글자정렬, 글줄간격, 글자간격, 한 줄의 글자수)의 가독성 비교 결과, 글자크기 58포인트의 경우 글자체는 'Hy 견명조', 글자정렬은 '양단정렬', 글줄간격은 190%(한글 2002), 글자간격은 10(한글 2002), 한 줄의 글자수는 25자일 때 각 글자속성의 가독성이 최적으로 나타났다. 최적 가독성으로 나타난 각각의 글자속성을 조합하여 제작한 해설판의 글자를 예시하였으며, 가독성과 관련하여 해설판 글자디자인과 추후 연구 문제에 대하여 토의하였다.

• 기본간호학회지
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• 제6권3호
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• pp.382-396
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• 1999

This study was attempted to prove the effect of emotional stability and vital signs applying music therapy program to the children admitted in the PICU. Data were collected from July to September, 1997. The subjects were 30 patients admitted in the PICU of 'S' University Hospital which were divided into two groups of experimental and control. Each group had 15 subjects. Method was nonequivalent control group pretest-postteset repeated design, observing vital signs and activity of subjects prior, during, and after the music intervention. The study tools were cassette tapes of 'Mother's music whose babies want to listen' and Space-lab patient monitor. Data were analyzed using the $SPSS/PC+;x^2$ test and t-test to analyze of the general characteristics ; paired t-test to prove hypotheses. Result were as follows; 1. Infants lower than seven months showed changing into stable vital signs from applying the music therapy, however infants from eight months to three-year old showed no change in vital signs. 2. Vital signs changed to stabilized condition in infants lower than seven months were heart rate and respiration rate. 3. The stability of vital signs during music therapy turned back to the previous state while terminating music therapy. 4. The effect of music therapy in the state of activity had on both infants group of lower than seven months and from eight months to three-year old, particularly more effective in the later group. I recommend follows on the base of above results ; 1. As above results shows, listening to music is effective on infants and toddler, intervention with music therapy appropriate to chidlren's age is hot recommended. 2. Comparative study with noise blocking effect and music therapy effect within the ICU environment be recommended. 3. The repeated study on when the exact time is and how many repeat the music therapy to show the above mentioned effect be recommended. 4. We recommend this music therapy to be done in the recovery room, isolating room, operating room as well as ICU.

• 한국산림과학회지
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• 제94권6호
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• pp.362-369
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• 2005

글자의 읽기 쉬움의 정도를 나타내는 가독성은 자기안내식 해설판의 정보전달 수단으로서의 효과성을 결정할 수 있는 중요한 요소이다. 본 연구는 자기안내식 해설판의 글자디자인 구성요소들이 가독성에 미치는 영향을 조사함으로써 보다 효과적인 해설판 디자인을 위한 자료를 제공하기 위하여 시행되었다. 자료수집은 2003년 8-11월중 내장산 국립공원 내 자연탐방로 방문객 중에서 선정된 총 375명의 응답자에 대하여 탐방로 주변에 설치된 해설판의 글자디자인 구성요소에 대한 설문조사를 통하여 이루어졌다. 이 중 94.7%의 응답이 본 연구의 분석을 위하여 이용되었다. 본 연구결과에 따르면, 총 19개 속성 중 5개의 속성, 즉 글자수, 글자체의 수, 전 해설판에서 그림이 차지하는 면적율, 글자간격 및 글자크기가 가독성에 영향을 미치는 것으로 나타났으며, 이들 속성의 가독성에 대한 설명력은 글자수, 글자체의 수, 그림 면적율, 글자간격, 글자크기 순으로 크게 조사되었다. 이들 5개 속성이 해설판 가독성의 50.0%를 설명하였다. 해설판의 가독성에 미치는 주요 영향인자들에 대한 보다 큰 관심과 관리노력을 집중시킴으로써 해설판의 효과성을 효율적으로 증대시킬 수 있을 것으로 판단된다.

• 전자공학회논문지CI
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• 제45권4호
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• pp.64-72
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• 2008

현재 많은 연구자들이 저비용, 저 전력을 필요로 하는 센서 네트워크를 활용하여 사람의 건강 상태를 실시간으로 모니터링 할 수 있는 u-Healthcare(ubiquitous Healthcare) 시스템을 구축하는데 심혈을 기울이고 있다. u-Healthcare 시스템은 센서 네트워크로부터 수집된 대량의 생체신호를 신속히 처리 분석하여 의료진에게 전달함으로써 시간과 장소에 관계없이 환자에게 적절한 의료 서비스를 제공할 수 있다. 기존의 u-Healthcare 시스템을 통해 환자의 건강상태 모니터링이 가능하지만 수집된 생체 신호를 신속히 분석하여 의학적으로 의미 있는 결과를 도출하는 것은 아직 어려운 상황이다. 본 논문에서는 대량의 생체신호를 고속으로 연산할 수 있는 그리드 컴퓨팅 기술을 센서 네트워크와 결합하여 환자의 생체신호를 측정하여 의학적으로 의미 있는 결과를 도출하고자 한다. 서로 다른 프로토콜을 사용하는 두 네트워크의 연동을 위해 게이트웨이가 필요하며, 게이트웨이에는 효과적인 u-Healthcare서비스 제공을 위해 센서 네트워크의 효율적 관리 및 제어, 생체신호 실시간 모니터링, 그리드 네트워크와 연계된 통신 서비스 등의 기능이 포함되어야 한다. 본 논문에서는 진보된 u-Healthcare 시스템을 구축하기 위하여 센서 네트워크와 그리드 네트워크를 유연하게 연동할 수 있는 센서그리드 게이트웨이를 설계하고 구현된 결과를 제시한다.

• 디자인학연구
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• 제17권1호
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• pp.319-328
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• 2004

디지털 기술에 의한 커뮤니케이션 환경은 시간과 공간을 초월한 가상의 공간에서 다양한 사람과 빠르고 쉽게 정보교환과 의사전달을 가능하게 하였다. 그리고 이러한 가상의 공간에 익숙해진 Net 세대들은 선형적인 텍스트 중심의 문자언어에 만족하지 못하고 자기구별과 드러내기 욕구를 표출하기 위하여 컴퓨터를 도구로 한 기호를 만들어 사용하기 시작했다. 그 중에서도 이모티콘은 젊은 세대를 중심으로 대중문화와 디지털 커뮤니케이션 환경이 접목되어 만들어진 새로운 형태의 시각기호인 동시에 메시지에 포함되어 있는 발신자의 감정을 전달할 수 있는 감성기호로서 의미작용과 역할을 하고 있다. 본 연구는 미디어의 발달 및 커뮤니케이션 환경의 변화와 대중문화 현상에 대한 문헌조사를 통해 사회현상과 이모티콘에 대한 상호 연관성 및 생성배경을 알아보고, 기존 활용되고 있는 이모티콘에 대한 조사 및 분석을 통해 기호학적 측면에서 이모티콘의 기호로서 의미작용과 역할 등을 비교 분석하여 새로운 감성기호로서 이모티콘에 대한 활용 가능성을 파악하였다. 연구 결과 Net세대들의 언어로서 이모티콘은 일반적인 기호의 역할처럼 의미작용을 통해 상호교류가 이루어지는 비언어적 기호로서 역할을 가능하게 하는 기호로 활용할 될 수 있음을 알 수 있었고, 가상의 공간에서뿐만 아니라 광고, 포스터, 잡지 및 기업이미지를 전달하는 CI 등 각종 다양한 매체에서 감성을 전달하는 기호로서 효과적으로 메시지 전달할 수 있는 기호로서 폭넓게 활용될 수 있음을 알 수 있었다. 다만 아직까지 이모티콘은 다른 문자기호나 시각기호에 비하여 감성표현의 측면에서 강하지만, 보편적이고 대중적인 기호로 자리 잡기 위해서는 감정표현의 명확성, 메시지 이해의 편차, 메시지 내용전달의 효율성 등 보완점이 필요하다.