• 건축역사연구
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• 제27권1호
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• pp.17-28
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• 2018

This study researches the relationship between the Folk houses in Heung Yang-islands and the Ulleung-island Folk Houses in Modern Age. Fork houses reflect cultural and geographical features synthetically and concretely. Fork houses contain the thoughts of residents and have been built rationally and economically, therefore studying fork houses is a very meaningful task. This study has a focus on the elements which influenced fork houses of Ulleungdo at the time when fork houses were constructed officially. There have been studies on fork houses of Ulleungdo limited in embrasive characteristics, space construction and arrangement. So, the purpose of this study is to investigate about the element and background of Ulleung-island Folk Houses in Modern Age.

• 복식문화연구
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• 제6권3호
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• pp.175-184
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• 1998

This study analyzes the symbolism of uniform in modern Korea, based on the symbolic interaction theory. I classify a representative symbol among many symbols in one uniform. I found the sex, age, occupation, situation, religious, group belogning,cleanlines,authority, superiority, and rank symbol in the modern Koran uniform.

• 복식
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• 제56권2호
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• pp.56-69
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• 2006

The purpose of this study was to analyze the characteristics of Korean costume colors according to the diachronic stages of culture(Chosun dynasty, Modern times, Present age) and to interpretate the meanings of costume colors as a cultural code. To examine the color characteristics according to the cultural change, the quantitative analysis and the qualitative analysis were used. For the quantitative analysis 1535 color samples were collected and for the qualitative analysis on the sensitive aspect of Korean costume color, 340 color names were collected. The results of this study as follows; 1.'Red' and 'Blue' were preferred throughout the periods. In Chosun dynasty, the higher saturation of 'Red' and 'Blue', its symbolic meanings were more emphasized. 2. In the Modern times, 'Pink' was more distinctive than 'Red'. 'Pink' meant that the ecdysis of the traditional view of color. 3.'Yellow' of the low Saturation was used frequently in Chosun dynasty but in the Modern times, the use of 'Yellow' increased and the high saturation were used. In the Present age, the frequency of 'Yellow' was reduced relating to the increasing use of 'Brown'. 4.'Neutral Color' has changed according to the diachronic stages of the culture. 'Black' was increased and had a big meaning in the cultural aspect of the Modern times. In the Present age, 'Gray' and 'grayish colors' were increased related to Technology, Metals and High rise buildings.

• 한국실내디자인학회논문집
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• 제20권3호
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• pp.98-109
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• 2011

To interpret a change of discourse can be a method to understand architectural space in progress. With this idea, features of modern age which motivated sense of the contemporary were considered in this study and subsequently characteristics of contemporary space differentiated from the modern were researched. First of all, features of subject which provided a base of modern thoughts were contemplated. The word 'modern' is used in wide and various terms but basically its core conception consists of reason and universal rationality. The subject of the modem age has vision-centric features just like an ideal representation principle of perspective. Given the fact, it was confirmed that a position to become a right subject, that is, a position controlled by reason existed and that it was to guarantee subject a truth. However, the contemporary subject keeps changing with a purpose of escaping from modern characteristics. It presents a tendency to escape from rationalism of the modern age and Platonism of the ancient Greece which established a basis of western ideology. The subject-centered ideas came to focus on the structure and relationship firmed fundamentally in deep inside of subject. The contemporary subject which escaped from the stiffen ideas bears a meaning through events taking place on immanence surface and serialization. Also, the contemporary architectural space is considered to go abreast with the change and trend. In conclusion, this study proved that features of event-oriented architectural space based on the changing contemporary subject appear as process-based space, user-participated space and individual-cognition space and the like.

• 한국지리정보학회지
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• 제10권3호
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• pp.93-103
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• 2007

일제가 한반도를 본격적으로 수탈할 목적으로 조선총독부를 통하여 1914년에서 1918년까지 5년간 제작한 축척 1:50,000의 '근세한국 오만분지일 지형도'는 근대적인 토목공사에 의한 개발이 본격적으로 진행되기 이전인 구한말 한반도의 삶의 모습을 그대로 담고 있는 자료이다. 이 연구에서는 1910년대의 경관을 담고 있는 근세한국 오만분지일 지형도 이미지에 좌표를 부여한 후, GIS 환경에서 오늘날의 지도와 중첩하여 토지이용변화를 분석하였다. 연구 결과 근대적인 토목공사가 시작되기 이전에는 개발이 어려웠던 구릉지역과 잦은 침수로 인하여 방치되고 있던 하천부지, 산업구조의 변화로 인하여 경쟁력을 상실한 농경지 등이 오늘날에는 도시지역으로 개발되었다.

• 한국의류학회지
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• 제24권2호
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• pp.173-184
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• 2000

The purposes of this study is for consideration of the flapper image through the culture and novels in Jazz Age(1919∼1929) of America. The back ground of flapper fashion was Jazz. Jazz was one of the cultural languages which expressed liveness, noise, salacity, harmony of primitivity, modernity, innocence and freedom. In processing American had gotten economic power, the Jazz Age had new mood which was combined materialism and realitism. Environmental changes of life styles and development of mass culture of modern big cities could aid the birth of modern girls, flappers. They became the main group of new consumer and mass culture in new consciousness and freedom with independence. Their characteristics are confirmed from Fitzgerald's novels, This Side of Paradise and The Great Gatsby. As the results of above, the consciousness of flapper were rebellious attitude, liberalism and actualism. The designs of flapper fashion were expressed by simplicity, functionality, nudity and rhythm. The flapper images are as follows: First, they expressed modern image as a rebellious attitude. Second, flapper had a sensual image of freedom through rhythmical and speedy expression. Third, premature image for pursuing youth could be found. Therefore the changes of culture and women's life styles are very important points for fashion studies and the connecting fashion and other fields like novels is needed also for it.

• 의정연구
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• 제27권1호
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• pp.5-40
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• 2021

본 연구는 여성의 투표 참여의 중요성에 주목하여 2017년 이후 치러진 세 개의 다른 선거에 대해 중앙선거관리위원회가 제공한 투표율 자료를 사용해 투표율에서의 성차에 관해 집합 수준 분석을 시도하였다. 그 결과는 다음과 같다. 첫째, 집합 수준에서 볼 때 한국에서도 투표율과 관련해 현대적 성차는 선거의 종류와 상관없이 대다수 지역에서 확인되었다. 둘째, 투표율에서의 성차가 나이에 따라 달라지는 현상이 확인되었다. 고령층에서 투표율이 감소하는 이른바 '과부 효과'에서의 성차, 그리고 새롭게 유권자가 된 집단에서 현대적 성차는 몇몇 지역을 제외한 대부분 지역에서 나타났다. 나아가 한국 사회의 특성을 반영하는 20대 후반에서 발생하는 투표율의 역전된 성차 현상은 모든 선거에서 지역을 불문하고 뚜렷하게 확인되었다. 셋째, 경제적으로 발전된 곳에서 투표율의 역전된 성차가 더 뚜렷해지는지 여부는 명확하게 밝혀지지 않았다. 도시화가 진전될수록 연령대별로 현대적 성차 경향은 확인할 수 있었다. 그러나 한국에서 가장 근대화한 서울시 자치구 투표율을 분석한 결과, 서울시 내에서 가장 근대적인 강남구와 서초구는 다른 구와 비교할 때 현대적 성차 경향이 오히려 약하고, 이른 연령대에서 전통적 성차로 전환하는 모습을 보인다. 위의 결과는 투표율에서의 현대적 성차는 이제 한국정치에서 보편적인 현상이고, 새롭게 충원된 현대적 성차가 계속될수록 더욱 강화될 수 있어 여성 유권자의 정치행태에 더욱 주목해야 하지만, 이를 더욱 근본적으로 이해하기 위해서는 근대화가 진전될수록 자연스럽게 투표율에서 현대적 성차 경향이 강화될 것이라는 발전론(developmental theory)적 접근을 넘는 새로운 접근이 필요하다는 함의를 준다.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.58-67
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• 2015

Expressionism is an art trend that prospered in the early 20th century and was represented in art activities in the diverse fields. As capitalism spread and people underwent wars, people's consciousness became impoverished, and it was created by the artists as a reaction against this, and notable achievements were made in film art and this is called expressive film which still inspires many artists. The modern age is a multicultural age and art is not limited to one area but influences many fields and interchanges and communicates with one another. This study attempts to analyze how an art trend has been passed down and developed and has influenced modern space. The purpose of this study is to derive the keywords of their characteristics through expressive films and to study how expressionism has been transformed and represented by putting them into modern space and to explore new perspectives and directions. First, the theoretical backgrounds of expressionism and expressive films were examined through the analysis of the existing researches, and the types of the characteristics of the space represented in the films were classified. Based on this, the representative expressive films were selected and the keywords of the characteristics of the expressive films were derived. A museum among modern spaces is a space that reflects the art trends and culture of the times and modern spaces are represented best in it. Also, recently the construction of museums has been vitalized and has explosively grown quantitatively and qualitatively, and shows diverse designs to the point that they are called the laboratory of modern architecture, so by analyzing the cases focusing on museums among modern spaces, the conclusion was derived. As a result, it could be seen that the expressive film space is represented diversely in the museums by the architects' inner desire of expression, centering on nonlinear expression, nonobjective form, and representational perception.

• 한국조경학회지
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• 제29권4호
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• pp.53-66
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• 2001

Modern art has had a great impact on the concepts and the formal attributes of modern landscape design. This study aimed at examining the origins of modern landscape design languages especially in relation to the influence of find art during the modernist age. The formal reductionism of Cubistic paintings finally lead to the formulation of Geometrical Abstractionism which became the basic formal model for ˝Regular Style˝; one of the representative modern landscape style. This Regular Style is mostly based on the formal structure of ´Grids´, which was developed by many landscape designer like Eckbo, Kley and Halprin. On the other hand, the ´Bio-morphic Form´ originally used in Surrealistic Art became the formal model for ˝Organic Style˝; the other representative modern landscape style, developed mostly by the landscape designers like Church, Burle-Mark and Bye. Thus, ´Grids´ and ´Bio-morphic Form´ became the dual icons of modern art and modern landscape design. Although these modern landscape design styles were ground breaking departure from the conventional formal/informal tradition and expanded possibilities in formal experimentations, They also produced several crucial limitations originated from the scientific reductionism and autonomous aesthetics of modern art, like the physical and cultural discontinuation from surrounding environments and the formal alienation from the real life world, which gave rise to the emergence of post-modern thinking of landscape design.

• 한국의상디자인학회지
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• 제15권1호
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• pp.155-173
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• 2013

Recently, social problem of teens becomes one of the important social issues. Adolescence is the intermediate stages of childhood and adulthood. Teens have not find their identity at this time. That reason is why teens and the old generation are disconnect. That arise from the development of industry and the nuclear family, entrance examination-oriented education system. So they are wandering in the popular culture and the cyber-space. Therefore, families, schools and state should have interesting and understanding for teens, and should strive that teens establish a self established identity. Specially, ethics education using traditional culture will help to establish their identity, and that provide self-esteem and pride about korean traditional culture. This is the reason why culture contents that is based on Korean traditional culture have to make for teens. The purpose of this study is to provide the basic data that will help in the development Korean traditional cultural contents for teens. In this study, this researchers will search the following matters; first, what is ritual for Coming-of-age, second, various forms of ritual for Coming-of-age and Korean modern ritual in order to grasp the meaning of the ritual for Coming-of-age, third, costume and meaning of costume which has in both Kwan-Ryea as Korean traditional ritual for Coming-of-age and Korean modern ritual. This study will compare Kwan-Ryea with traditional ritual of modern.