• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2002년도 봄 학술발표회 논문집
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• pp.36-37
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• 2002

• 대한간호학회지
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• 제34권5호
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• pp.881-890
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• 2004

Purpose: The purpose of this study was to explore women caregivers' lived experiences in caring at home for a family member with dementia and to identify conditions that oppress women in the context of family caregiving. Method: This study was conducted within the feminist perspectives using qualitative secondary data. Ten secondary data conveying self reflective contents were selected from the 25 original data obtained in 1999 to 2000. Result: Six themes that emerged from the qualitative thematic content analysis were; androcentric view of family caregiving, undervalued family caregiving by the family members, Self rationalization in the context of family caregiving, family-centric care mechanism, exemplary caring within the family context, and inter-familial relationships among women. Conclusion: The main focus of feminist research is to provide empowerment for the women, research participants and to bring about social change of oppressive constraint through some actions. On the basis of the research findings, therefore, action strategies from feminist perspectives were suggested in some aspects of health care delivery sectors, nursing education and research sectors, and administrative sectors.

• 패션비즈니스
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• 제24권6호
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• pp.18-45
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• 2020

Feminist artists are special in Chinese modern art. Sticking to their own artistic ideas, they constantly emphasize women's psychological characteristics and aesthetic values in their works under the background of modern society. Since feminism was introduced into China from western arts in the 1970s, it has greatly inspired Chinese female artists. This study used comparative analysis and correlation analysis to establish the connection between the works of local Chinese female artists and modern women's wear design, this connection is the common language form of Chinese female artists and modern fashion designers when expressing female psychology and aesthetics. This is a way for Chinese female artists to seek dialogue with Western and global female art, and the development characteristics of the localization of feminism in Chinese art and design. The significance of the research is to improve the international artistic atmosphere of Chinese feminist art and instill a new understanding of Chinese feminist art in the world.

• 한국사회복지학
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• 제62권2호
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• pp.349-373
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• 2010

본 연구는 사회복지 연구의 주요 경향을 비판적으로 고찰하면서 페미니스트 인식론과 사회복지 연구의 절합을 모색하고자 한다. 구체적으로는 "한국사회복지학"에 게재된 양적 질적 연구의 주요 경향과 여성에 관한 연구를 분석하고, 방법론 및 인식론적 쟁점을 논의하면서 페미니스트 인식론의 내용과 사회복지적 함의를 살펴보았다. 페미니스트 인식론으로부터 출발하는 연구는 실증주의적 전통에서 출발하는 객관성의 개념을 재고하고, 지식구축 과정에 작용하는 권력관계와 주체-타자와의 관계를 성찰하게 하여 연구자와 연구참여자와의 민주적이고 변증법적인 관계를 새롭게 정립시킨다는 점에서 사회복지 연구에 대안적 전망을 제시할 수 있다. 따라서 본 연구자들은 페미니스트 인식론과의 조우가 억압받는 사람들의 삶으로부터 사고를 시작하는 사회복지(학)의 비판적 이론과 실천적 전망을 회복시켜 줄 것이라 기대한다.

• 인간행동과 음악연구
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• 제15권1호
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• pp.69-94
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• 2018

본 연구는 여성의 심리정서 지원을 목적으로 진행된 국내 음악중재 연구를 여성주의 관점 음악치료의 특성에 따라 분석하기 위해 실시되었으며, 2002년 이후 게재된 논문 34편을 최종 선정하여 연구의 일반적 특성, 중재 특성 및 여성주의 관점 음악치료의 특성에 따라 연구 대상과 중재 내용의 분석을 진행하였다. 분석 결과, 과거 연구 대상자가 정신질환 여성을 중심으로 이루어졌던 것에 반해 최근에는 현시대의 사회 문제를 반영하여 직장여성, 결혼이주여성, 유학생 등으로 그 범위가 다양해진 것을 볼 수 있다. 또한 여성주의 관점 음악치료의 특성에 따른 내용 분석 결과를 살펴보면 연구 대상은 사회 정치적 관점이 반영된 연구가 가장 많았으며 중재 내용은 여성의 내적 역량 강화를 중요하게 다룬 연구가 가장 많았다. 음악중재에서 여성들의 내적 역량 강화를 통해 심리 문제를 해결하고, 이를 바탕으로 하여 사회 변화를 이끌어 내는 것이 중요하다는 결과이다. 추후 국내 여성 대상 음악중재 연구에서는 사회 내 성차별 및 성역할에 대한 탐색과 치료 안팎의 협력을 통해 여성 개인의 변화에서 나아가 사회 변화를 이룰 수 있는 방향을 모색해야 할 것이다. 본 연구는 여성주의 관점 음악중재가 국내 여성 대상 음악중재 임상 및 연구에 적용되어야 하며, 관련 프로그램의 개발이 필요함을 제안하는 데 의의가 있다.

• 만화애니메이션 연구
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• 통권44호
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• pp.57-84
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• 2016

그동안 보수적 성향을 고수하던 디즈니가 애니메이션 <겨울왕국>에서 보여준 여성상은 파격이었다. <겨울왕국>의 두 공주는 전통적 성역할과 남성 의존에서 벗어난 주체적 여성으로 그려졌다. 이러한 이유로 <겨울왕국>을 페미니즘 작품으로 해석하는 경향이 있다. 주체적 여성상의 캐릭터는 페미니즘 작품을 규정하는 데에 중요한 지표가 될 수 있으나 이것만으로 작품 성향을 규정하는 것은 무리가 있다. 이에 본 연구는 <겨울왕국>이 페미니즘 작품으로서 타당한가를 검토하였다. 우선, <겨울왕국>의 주제의식인 '자매애'에는 자매간의 우정 이외에 '여성 연대'라는 페미니즘적 개념이 내포되어 있었다. 여성연대의 핵심 개념인 차이, 공감과 연대를 중심으로 <겨울왕국>을 분석했을 때, <겨울왕국>은 서사와 캐릭터, 이미지 등에서 '차이'를 반영하고 있었다. 그리고 진정한 사랑으로 오해와 갈등의 원인이 된 자매의 차이를 인정하자 공감과 연대가 형성되는 과정을 그리고 있었다. 공감과 희생으로 맺어진 엘사와 안나의 연대는 적대자를 물리치는 힘이 되었을 뿐 아니라, 다시 봄을 찾아 재 건립된 아델렌처럼 상생의 공동체를 이룬다는 페미니즘적 가치를 반영하고 있었다. 따라서 <겨울왕국>을 페미니즘 작품으로 해석하는 것이 가능함을 확인할 수 있었다.

• 여성건강간호학회지
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• 제18권2호
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• pp.135-148
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• 2012

Purpose: The purpose of this study was to explore the meanings of 'Natural childbirth' from experiences of Korean women who gave birth to a baby in the midwifery using a feminist approach. Methods: This paper is a qualitative research study and applies a feminist epistemology and methodology to the experiences of women who gave birth in midwifery. The data were collected by individual in-depth interviews with eleven participants. Results: Two main themes emerged from the feminist content analyses and each main theme had three sub themes. A. transformation of control and knowledge on childbirth and the body 1) refusing coercive medicalization and building a new normality, 2) specific expectations about biological health and maternity rather than a return to nature, 3) the subject of pregnancy and childbirth, B. 'natural childbirth' practice as a new embodied discipline 1) helpers to support mothers, midwives, 2) helping the body to do 'natural childbirth', 3) from isolated labor to cooperative reproduction. Conclusion: These results indicate that women desired to practice being a subject, consultation with professionals, self-discipline and named actors except for women as 'other subjects' in childbirth.

• Acta Via Serica
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• 제4권1호
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• pp.71-86
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• 2019

Transnational exchange has been an inseparable part of both the ancient and modern Silk Road. This paper shows how Rumi (1207-1273), a famous Persian Sufi poet, travels along the Silk Road in the $21^{st}$ century. With the birth of a Rumi phenomenon in the West, Silk Road artists have rediscovered and adapted him for different purposes. Elif Shafak, the Turkish-British novelist and women's rights activist, espouses feminist beliefs in her bestseller, The Forty Rules of Love (2010). Benefiting from the views of feminist theorists like Woolf, de Beauvoir and Friedan, this paper reveals how Shafak appropriates Rumi for her feminist purposes. Forty Rules of Love's protagonist, Ella Rubinstein is analyzed, compared and contrasted with her former literary counterparts Pinhan and Zeliha, heroines of Shafak's previous novels. By adapting Rumi's definition of equality, Shafak shows how egalitarianism must pervade the relationship between women and men. The adaptation of Rumi's ideas regarding the equality of sexes finds a different dimension when Shafak reveals that all humanity possesses femininity and masculinity at the same time. By means of ideas prevalent in the ancient Silk Road, the five classical elements theory, and the yin and yang principle, Shafak portrays unity within contradictions. It is concluded that although individuals might belong to different typologies of the five symbolic elements of nature, they can at the same time complement one another's inharmonious personalities peacefully. The process of integration of female and male sexes can be expedited by opening up one's heart to a universal love.

• 수완나부미
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• 제16권2호
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• pp.147-184
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• 2024

At the dawn of the 20^th century, Southeast Asian female poets increasingly delved into introspective reflections on gender, giving rise to a heightened self-awareness in their artistic contemplations. This shift in perspective brought forth numerous crucial topics for discussion, such as the historical role of female poets, women's experiences, feminine language, female voices, and female identity. The exploration of language has empowered female poets to discover a "third space" that allows them to exist and eliminate the pervasive gaps of women in Southeast Asia, creating social changes, fostering concepts of feminine culture, and establishing progressive social institutions. Marjorie Evasco (1953-) and Dư Thị Hoàn (1947 - ) are exemplary representatives of contemporary Southeast Asian women's poetry due to their significant artistic contributions and pivotal roles in promoting feminist literature in their respective countries. This study compares their poetic works, focusing on three crucial aspects: self-awareness of femininity and feminism as an identity autonomy, writing between two languages to express their identities, and constructing the image of mother and motherhood from personal and historical perspectives. Hence, the article highlights that Southeast Asian female poets, throughout different historical contexts, persistently forge their identities and strive for equal footing with men in society. Also, their invaluable contributions have significantly enriched the feminist literary tradition in Asia.

• 비교문화연구
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• 제25권
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• pp.363-389
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• 2011

Modern Chinese Literature, the so-called 'feminist' is a very modern and the traditional criticism and took an important position in the double action. Because a woman's freedom from the bondage of traditional ethics of restoring the social status equal to men but to women does not give, that compared to men and women just the dimension of the problem of isolation is not just. It is dominated by yugajeok worldview by streamlining the whole Chinese society to build a modern society and the country was a critical task. However, multi-cultural life of Lin, Hui-yin and Ling, Shu-hua in the history of the world's attention to the shrine was worried attention to soils, rather than East-West dualism law by taking a mixture of both women in modern Chinese literature and Western literature from the center of efforts to overcome the traditional point hayeotdaneun feminist literature that may be different. Lin, Hui-yin and Ling, Shu-hua to overcome the Western-oriented culture really the true dream of China's globalization and localization could be regarded. She naesewotdeon the banner of feminist literature in the traditional 'anti feudal', 'free personality' silcheondoen under such slogans as well as women's liberation from traditional, male-oriented perspective away from the women's unique experiences and new understanding of the value of the superiority the concept of a woman, and was to create. In particular, the femininity of these women who traditionally associated with women and the unique culture - the creation of a new consciousness, a re-evaluation of traditional feminine skills and talents was to try to.