• Journal of Science Education
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• v.38 no.1
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• pp.205-229
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• 2014

The purposes of this study were to explore what components of science communication and its level are contained in text panels of exhibitions in natural history museums and to propose its development direction of exhibition education in Korea. First, to find out the component and level of science communication contained in exhibition panels, the researcher team developed the analyzing tool which was called SEPAT (Science Exhibition Panel Analyzing Tool), then employed them to profile the component and level of science communication. Second, the researchers introduced the exemplary designed media of exhibitions to demonstrate how much science communication could be enhanced. The results were made as follows. First, the components of science communication was considerably weighted toward to 'concept' one. There were also a few 'awareness' and 'engagement', both of which were under 5% in each zone of exhibition and there was not 'NOSI' or 'opinion' embedded in the analyzed exhibitions. Second, the various type of designing exhibitions were found to promote or enhance the restrictedly represented components of science communication. It is suggestable for exhibitions to be designed through various type of 'media' to enhance science communication. Visitors are required to experience rich science communication to meet their educational needs, and exhibition developers in natural history museums and other museums are recommended to be professional in containing all components of science communication through various type of designing exhibitions.

• Journal of Elementary Mathematics Education in Korea
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• v.15 no.2
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• pp.463-485
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• 2011

This study was to investigate the effects of mathematical history-based mathematics teaching on mathematical communication and attitudes of elementary students, through selecting mathematical history content to apply to elementary mathematics and devising an instruction model to use effectively. For this purpose, while the experimental group received instruction using mathematical history and the comparative group lecture-based instruction using the common textbook, both quantitative and qualitative methods were employed to analyze gathered data. To conclusion, first, instructions using mathematical history were helpful for increasing the student's participation in communication, and secondly helped the students justify their opinions to others with mathematical logic.

• Korean journal of communication and information
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• v.73
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• pp.35-55
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• 2015

Act of journalism is act of social practice. Therefore, judgment on its rightness must be a prerequisite. That is why journalism requires philosophy. Barrenness of journalism philosophy promotes journalism to serve only as an instrument. No power and money should intrude the essential philosophy of journalism. Journalism must secure its own value. Remaining silent when its fundamental value is at risk is to negate one's own value of existence. It is self-denial. Social practice of journalism is assurance and realization of its essential value. Thus, it is historical. It is the juncture of journalism and history. Journalism without history leads to barrenness in philosophy. Without philosophy, journalism thus cannot uphold its historical mission. Journalism philosophy becomes a reality through the history. Concrete journalism philosophy shall come to light through historical reality. That is why conversation between journalism philosophy and journalism history is necessary. Thus, this research investigates how journalism philosophy formulates and reconstructs itself within journalism history. At the same time, this research thoroughly examines how journalism philosophy concretizes in journalism history, how historical subjects have practiced journalism and how all these have projected themselves in journalism history.

• International Journal of Internet, Broadcasting and Communication
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• v.8 no.2
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• pp.31-37
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• 2016

History documentaries in Korea have developed various forms of production techniques to overcome the limits of insufficient historical records and videos, and dramatic elements that make the viewers immersed. Through diverse production techniques, history documentaries can maximize the factuality, vividness, and informativeness, allowing the viewers to understand and share the historical events. This paper analyzed the "immersion and experience" techniques of the programs that have been the main turning points of the history documentary so far and produced and realized the virtual reality through utilizing "Uigwe", a 3D history documentary broadcasted on KBS which showed the possibility of applying the virtual reality technique as a new broadcasting contents format.

• The Journal of the Korea institute of electronic communication sciences
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• v.5 no.2
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• pp.109-118
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• 2010

Yeosu area from the old historical monuments and artifacts related communications signal station, directions display panels, lighthouse, Geomundo the first submarine cable installation, etc. The historical value of the communication is present. Therefore, tourism and culture industries in conjunction with the Communication Museum and Science Center was established to recognize the importance of communication and utilizing the Superintendent to allow residents and people contributing to the establishment to promote.

• Journal for History of Mathematics
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• v.21 no.1
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• pp.157-166
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• 2008

Mathematical communication is an important goal of recent educational reform. The NCTM's Principle and Standards for School Mathematics, consulting an emphasis on mathematical discourse from 1991 Professional Standards for Teaching Mathematics, has a Communication Standard at each grade level. This paper examines Socrates's educational philosophy and the mathematical dialogue in Plato's. Further it examines mathematical dialogues between teachers and students from antiquity through the nineteenth century.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.8 no.5
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• pp.13-19
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• 2008

A mobile ad-hoc network routing protocols for transmission of multimedia contents need to have low delay time and to maintain the established route because it should secure quality of service(QoS) of the network. In this paper, the proposed protocol, termed HODMRP (History-based On-Demand Multicast Routing Protocol), is enhanced On-Demand Multicast Routing Protocol (ODMRP) by adding the criterion which is the session history for establishing route. The characteristic of this protocol is that data can be transmitted using the redundant route which is already selected by session history, if it occurs that the route is broken, HODMRP have better Packet Delivery Ratio (PDR) value and lower delay time than ODMRP by the simulation results.

• Journal of the Korean Home Economics Association
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• v.29 no.2
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• pp.199-215
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• 1991

The purpose of the study is to investigate the relation between marital communication types and self-esteem demographic-socioligical variables to eliminate the methodlogical contradiction of previous studies, this study aimed as follows: (1) correlation between marital communication types and all the independent variables, such as self-esteem, sex, age, academic history, mate selection type, family type, duration of marriage, religion, etc. and marital communication types. (2) discriminating powers of marital communication types by way of the variables mentioned above. In this study questionaire was used on 392 married Seoulites, which consists of two scales and 9 items. In order to verify the hypotheses, the following two methods were used: (1) LOGIT program to the correlation between norminal scale and /or interval scale. (2) discriminating analysis of marital communication types by way of the variables. The results of the study are as follows: (1) Only 4 variables, such as self-esteem, sex, duration of marriage and academic history, correlate with marital communication types in level P<0.05 (2) According to the discriminating analysis of the variables mentioned above, marital communication types cannot be predicted as the predictive power is only 32.2%. (3) Correlation coefficent of authoritic communication type is higher males than females and higher low degree group of self-esteem than high degree group. (4) In the some communication types, direction of correlation coefficent is different in the some variables.

• Korean journal of communication and information
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• v.48
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• pp.153-169
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• 2009

This study explored the official memory of Korean War through the photographs of pictorial history books. The object of this study was two books of pictorial history that were published in America and China. Two books are Pictorial History of Korean War and The Glories of the People's Army of China. This study investigated symbolic meanings of the Korean War photographs through content analysis and visual analysis. This study analyzed the difference of official memory of Korean War in America and China. In Pictorial History of Korean War, the superiority of military strength was the memory of Korean War. While in The Glories of the People's Army of China, the superiority of socialism was the memory of Korean War. The Korean War photography actualized particular interpretations on Korean War.

• Journal of architectural history
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• v.15 no.1 s.45
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• pp.61-76
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• 2006

The stage is ceremonial and legendary space unlike the ordinary world. Performance is not simply scrip-staged, but spatial art based on tempo that transmits extreme condition. The stage art is a visual art combined with stage settings, lighting, customs and the like. I exemplify the stage of Middle Age and Renaissance in the history of the art of public performance and so I review that what meditative functions each stage perform and that as what pattern of media it can be conceptualized. In this thesis, I divide the places of public performance Into the spaces of proscenium and polygon and also set up the concepts of hot and cool that McLuhan presents for each space. So, the degree of participation could be different according to the distinction of quantity of information, which is communication following the patterns of spaces. The basis of public performance might be the communication between co-actors and audiences. Since the sense of the art of public performance is the art in the process of establishing the meaning based on the communication with co-actors, it is not a confirmed and fixed one, but rather a reflexive one that can be created and changed continuously. Therefore, audiences should be regarded as the subjects, who are making the art of public performance with co-actors.