• 제목/요약/키워드: world symbol

검색결과 200건 처리시간 0.024초

라이트 주택의 자연상징과 리얼리티에 관한 연구 (A Study on the Reality and Natural Symbols in the Wright's Houses)

  • 조승구
    • 한국주거학회논문집
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    • 제17권2호
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    • pp.1-10
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    • 2006
  • In the resultant period of architectural transition and a tendency towards unthinking formalism, it is all the more important for designers to question the meaning of their actions and their role in society. Modern architects were convinced that their visions were reality, their ideas truth. Yet this assumption is was the fundamental issue, for what reality and how is it perceived? Harries argues a rediscovery of a language of natural symbols, which might help create buildings that are experienced as necessary rather than arbitrary. These symbols are said to express the essential patterns of human existence in the world. In the Frank Lloyd Wright's works, the uniqueness of his architecture lies in its expression and interpretation of nature and people's existence in the world. This study is intended to be an investigation of the nature of physical expression and perception of the reality known, and to seek to present Wright's philosophy of house design in relation to nature and non-arbitrary architecture. Finally this paper concludes that the architectural expression of expressions of Wright's houses are timeless and full of lift, and these built qualities are necessary and could not readily be otherwise.

환경설계에서 경관드로잉의 의미와 방법론에 관한 연구 (A Study on the Meaning and Methodology of Landscape Drawings in the Environmental Design)

  • 변찬우
    • 한국조경학회지
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    • 제26권4호
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    • pp.95-104
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    • 1999
  • The Landscape Drawing is the main medium for constructing better environment which provides human beings with a place for dwelling well, even though it has some limitations. To provide places for people's daily lives, by what measure do we design\ulcorner, by what measure do we give dimension\ulcorner, and how can we appropriately measure the place with drawing\ulcorner On any given site, of course, much has already happened, i.e, there is history. Any adequate interpretation of such a site should poetically take into account the present effects of its absent past. The findings to reveal the meaning and methodology of landscape drawings in the environmental design with a case study are as follows: (1) The value of landscape drawings is the poetic, artistic interpretation which we sense and bodily experience through the simultaneous exposure of the site's temporal, spatial, and tactile conditions. (2) The landscape drawing should represent the invisible (imaginary) world as well as the visible (physical) world. (3) There can be classified as two methods in representing the rich experience of a place: expression and notation. Expression is the abstract representation and do not have a direct relationship to construction due to its ambiguous and connotative structure. But notation is constructional due to it's purely objective symbol system which is obviously denotative structure. (4) Collage is a medium of specific act that can represent the complex layered phenomena and the rich experience of given site. (5) The landscape drawings represent not only topographical space which can be measured objectively, but also topic which can be cognized culturally.

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영화 <부러진 화살>의 정서적 이중성 (Movie 's Emotional Ambivalence)

  • 김길훈
    • 한국콘텐츠학회논문지
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    • 제13권3호
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    • pp.65-75
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    • 2013
  • 영화는 색(色)과 음(音), 그리고 연상 작용에 의한 향(香)을 공감각화한 비쥬얼 스토리텔링이며, 관객이 감각적으로 영화적 사건을 체험하게 한다. 관객은 영화적 이야기에 몰입함으로써 현실세계에서 분리된 객석의 자아를 통해 영화적 세계, 즉 압축된 시 공간의 장(場)에서 억압되고 병치된 인간의 원형적 감정, 쾌락, 공포, 두려움을 재경험하게 된다. 본 연구는 영화 <부러진 화살>을 통해 관객의 쾌감과 두려움의 감정을 볼 것이다. 먼저 쾌감은 니체의 "힘에의 의지"의 관점에서 볼 것이다. 니체는 숨 쉬고, 움직이며, 의지가 있는 것이 살아있는 생명적 존재라고 정의하고, 그것의 동력은 힘에의 의지라고 주장한다. "인간은 힘을 요구하고, 얻고자 하고, 증대시키려 하며 소망한다. 이것이 인간행위와 현상의 원인이다. 또한 인간은 자기보존충동이 있고, 그것은 심적 동기인 쾌감추구로서 작동한다". 우리는 힘의 관점에서 일반적인 심적 동기로서의 쾌감을 <부러진 화살>의 관객의 기쁨과 연계시켜 볼 것이다. 관객은 개념적 약자로서 가난한 자, 여성, 성적 소수자 등등의 도전과 승리에서 자기 보존적 본능을, 즉 쾌감을 느낀다. 이어 관객의 불안, 공포, 두려움의 징후들을 라캉의 정신분석학에 나오는 '아버지의 이름 Name-of-the-Father'의 관점에서 분석할 것이다. 라캉은 프로이트의 이드, 자아, 초자아의 개념을 실재계, 상상계, 상징계로 확장하고, 이 계(界)들 가운데 상징계(질서세계)에서 '아버지의 이름'을 언급한다. 익히 알려진 것처럼 소쉬르가 "일반 언어학 강의"에서 언어의 기본적 구조로서 기표와 기의를 규명하였고, 이에 근거하여 라캉은 '아버지의 이름'을 사회화의 기본적 기표로, 그리고 연결장치로서 제시한다. 아버지의 이름은 법의 상징이자 은유로서, 그의 부재와 그에 대한 항거는 사회의 불안으로 직결된다. 마지막으로 자기 보존적 본능에서 촉발되는 저항의 쾌감과 법(질서)의 부재에서 오는 두려움, 이러한 본래적 감정이 진보와 보수의 가치관에 연계되어 있음도 함께 고찰하고자 한다.

현대 의상 디자인에 나타난 미래 이미지 (Future Image Expressed in Contemporary Fashion Design)

  • 이유경
    • 복식문화연구
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    • 제6권4호
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    • pp.188-202
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    • 1998
  • The purpose of this study is to analyze how future images are embodied in contemporary fashion design. To find out future images expressed in contemporary fashion design, this paper characterized the future society as information society, network society, pluralistic society, and global village. Cyber design and techno-style expressed through metal or lustrous material which is influenced by information symbolize future image. Also, minimalism which is characterized as simplicity and purity affects the contemporary fashion design. The network society which affets t the horizontal and functional social system diminishes the meaning of socio-economic status. Therefore, street fashion has diffused to high fashion, and the formal wear has tendency to be changed into casual wear. In addition, the meaning of status symbol in contemporary fashion design become decreased. The pluralistic society affects to search for one's own personality and identity. Also, contemporary fashion design is influenced by post-modernism and deconstructionism. In order words, genderless, ageles, seasonless, and infra fashion appeared. The global village emphasizes extension of universality in life style and search for world quality. so, ethnic fashions appear frequently in contemporary fashion design. Also, the effects of Korean traditional costume to contemporary fashion design has increased.

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도나 카란의 디자인 특성에 관한 연구 (A Study on the Donna Karan Fashion)

  • 정은숙
    • 복식
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    • 제26권
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    • pp.265-278
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    • 1995
  • The purpose of this study was that the real clothes is based on the cultural characteristic of the nation and is influenced by the consumers' psychology and desire in their daily lives. At this point, I investigated what was the most desirable clothes for the women in their home and at their office and found out how this aspect was expressed by Donna Karan design. Donna Karan noticed that executive women didn't want to wear such a masculine clothes, so she designed sensual and womanly clothes. She choosed active and comfortable fabric and made silhouette to cover woman's imperfect body. The colors of clothes and accessories were made to coordinate easily. Especially in advertisement she presented a executive New Yorker woman in trust as a symbol of American culture. Now, Donna Karan is one of the most successful fe-male designers and her influence is all over the world.

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서양복식사에 나타난 금제고찰 (A Review on the Sumptuary Laws of Western Costume)

  • 김인숙
    • 대한가정학회지
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    • 제19권3호
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    • pp.1-9
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    • 1981
  • The object of this study lies in reviewing of the western costume history in the light of the negative regulations concerning costumes and adornments. Readings related with the subject lead to the following findings; 1. the principal purpose of the sumptuary laws has relationship with the social stratification of the feudalism and the frequency of their occurrence is related with the formation of feudal system, its decline, the appearance of imperial regimes and the start of civil revolutions. 2. Sumptuary regulations spread westward with the flow of civilization, eg., in the sequence of Italy, swiss, France, Britain and new world. 3. Sumptuary laws are also found in abundance in the english colonies of America, and their object seems to be rather of the moral concern than class distinction of economical restriction.4. The reviewed sumptuary regulations are concerned with : A. Material gold or silver clothes, silks, ermine, marten or miniver furs, velvets, laces and embroies. B. Colors-Purple, scarlet and red. Other colors do not show consistent pattern of color-status symbol; C. Form-Length and width of headdresses, shoes, collars, trains or hoops. E. numbers of dresses allowed to be worn.

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스포츠웨어 브랜드 로고의 기호학적 분석 (A Study on the Semiotic Approach of Logo in Sportswear Brand)

  • 이민경
    • 복식문화연구
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    • 제14권2호
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    • pp.177-191
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    • 2006
  • The purpose of this study was to analyze the signification system between logo and brand concept systematically in sportswear brands. For this purpose, 37 apparel brands focused on sportswear brand were selected and the results of the study were following : First, the sportswear brands that symbolize a specific sports used a related supplies such as a golf ball or tennis ball, etc to express sports or concept that pursuit each brand. Second, the sportswear brands used the brand logo that represent or symbolize a specific animal, plant and natural world to express a strong spirit of sports and active energy. Third, the sportswear brands used the word mark or symbol that design a brand name in dynamic or speedy typeface to represent a speed and progressive spirit of sports. Fourth, the sportswear brands used the symbols that represent a concrete object, person such as a mast, shield, etc to emphasize the brand concept. Fifth, the sportswear brands used the symbols of a graphic or geometric style to represent the special quality of brand in type.

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CHEMOPREVENTIVE STRATEGY IN POMEGRANATE(PUNICA GRANATUM): IMPLICATIONS FOR EVOLUTION AND TREATMENT

  • Mo, Huanbiao;Jiang, Wen;Lansky, Ephraim;Campbell, Moray
    • 한국독성학회:학술대회논문집
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    • 한국독성학회 2001년도 International Symposium on Dietary and Medicinal Antimutgens and Anticarcinogens
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    • pp.19-19
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    • 2001
  • Pomegranate (Punica granatum) is one of the worlds most ancient fruits, and also one of the most botanically isolated, comprising a single family (Punicae) with its rare relative, Punica protopunica, a species limited in occurrence to the island of Socotra off the coast of Yemen. Pomegranate, though, is extremely well known, flourishes in many parts of the world, is traditionally prized for its medicinal properties and widely regarded as Symbol: of fecundity, longevity, spirituality and Medicine.(omitted)

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재귀적 패턴과 거북 마이크로월드 설계 (Designing a Microworld for Recursive Pasterns and Algebra)

  • 김화경
    • 한국수학교육학회지시리즈A:수학교육
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    • 제45권2호
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    • pp.165-176
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    • 2006
  • In this paper, we consider changes of algebra strands around the world. And we suggest needs of designing new computer environment where we make and manipulate geometric recursive patterns. For this purpose, we first consider relations among symbols, meanings and patterns. And we also consider Logo environment and characterize algebraic features. Then we introduce L-system which is considered as action letters and subgroup of turtle group. There are needs to be improved since there exists some ambiguity between sign and action. Based on needs of improving the previous L-system, we suggest new commands in JavaMAL microworld. So we design a microworld for recursive patterns and consider meanings of letters in new environments. Finally, we consider the method to integrate L-system and other existing microworlds, such as Logo and DGS. Specially, combining Logo and DGS, we consider the movement of such tiles and folding nets by L-system commands. And we discuss possible benefits in this environment.

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중국 상해 한국 레스토랑 실내디자인 기본계획 (Shanghai Korean Restaurant Interior Planning, CHINA)

  • 서승하
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2004년도 추계학술발표대회 논문집
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    • pp.187-190
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    • 2004
  • The world has been transfiguring so rapidly thesedays. Especially, Shanghai, the symbol of the modernization of China, its speed is now so transcendental, indeed. A lot of Korean companies have made inroads into the China market so actively. There a building called PosPlaza was investigated by PohangJechul(POSCO) in the financial business trade area of Pudong, Shanghai. It has a main building of thirty-four stories with an industrial of four stories as an office area, which is now perceived as a symbolic architecture of Pudong. As for many employers who needed a large-scale restaurant, it was planned to pursue the convenience, to feel the Korean traditions and the cozy of the sunshine through the large flat window with the simplicity as the people enter the main hall.

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