• 지역사회간호학회지
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• 제9권1호
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• pp.5-20
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• 1998

The purpose of this study was to develop health promotion programs for middle aged women and to identify the adaptability and the effectiveness of the program in order to provide a model for health promotion programs as a basis for nursing intervention. The research design was a quasi-experimental, nonequivalent control-group pretest -posttest design. The data were collected from October 30 to December 11, 1996. The study subjects were middle aged women residing in Chonju city, with ages from 40 to 59. The experimental group consisted of 42 subjects who were recruited through announcements of the local newspaper. The control group consisted of 49 subjects who were mothers of nursing college students. The health promotion program for middle aged women was based on the Bandura's self efficacy theory and Pender's heath promotion behavior theory consisting of exercise and heath diaries as performance accomplishments as well as education and group sessions as verbal persuasion and vicarious experiences. The study program was provided for 6 weeks, 3 hours a day per week. There was a pretest before the program and a posttest after the 6 week program. The instruments used for the study were a Self Efficacy Scale and a Health Promotion Behavior Scale developed by Park(1995). The data analysis was done by the use of a SPSS/PC. The study results were as follows: 1. In the analysis of the homogeneity between the experimental and control groups, there were significant differences in the socio-demographic characteristics, self efficacy and health promotion behavior. There were significant differences between the experimental and control groups in occupation, the number of children, and the status of involvement in social activities. 2. The first hypothesis, 'The level of self efficacy of the experimental group will be higher than that of the control group.' was supported(F=10.154, p=.002). The second hypothesis, 'The degree of health promotive behaviors in the experimental group will be higher than that of the control group.' was supported(F=17.349, p=.000). 3. There was a significant positive correlation between the self efficacy and the health promotion behaviors in pretest and posttests (pretest: r=.732, p=.000 ; posttest : r=.754, p=.000). 4. The significant variables for health promotion behaviors were religion(t= -1.97, p=.05), family income(F=4.85, p=.00), education level (F=6.38, p=.00) and involvement in social activities(t= -3.06, p=.00) in socio-demographic characteristics. In summary, a heath promotion program based on self efficacy theory has made an improvement on health promotion behaviors. Also, the results show that the higher the level of self efficacy, the better the health promotion is in middle aged women. The study has proved that nurses can provide nursing intervention for the improvement of health promotion in middle aged women through the adaptation of a program increasing the subject's self efficacy level.

• 복식문화연구
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• 제1권1호
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• pp.33-68
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• 1993

The purpose of this paper is to survey the influence of the culture change on the dress and personal adornments, and to survey the change of factors from the August 15. 1945 to 1960, in connection with the social and cultural background, applying B. Malinowski′s "Theory of Culture Change" which means an acculturation is the change′s elements of the dress and its ornaments. It is remarkable that the dress and personal adornments of Korean women after August 15, 1945 has great change from the traditional dress of the thousands years. Through the Liveration on August 15, 1945, American military government and the establishment of the Korean government, American democracy has brought many changes on Korean society. Advancement of education, an society with developed economic life, and introduction of scientific skill have influenced on the women′s way of thinking and a style of behavior and the view of value. The acculturation, the supply of mass communication, introduction of new institution and the reorganization of the old institution, the change of the economic situation, the change of the educational system, the change of the point of value, the development of scientific skill have greatly influenced on the dress and personal adornments. Modern dress and personal adornments of Korean women has the following developing procedure. The Liberation from Japan on the 15th, of August, 1945, the stationing of American Soldiers during hte Koran War, returning of the oversea′s brethern, and the mass communication have the direct and indirect contact with western civilization, and bring the occasion of development of the modern dress of Korean women. The increase of mass communication, such as radio, TV, newspaper, magazines and the frequent fashion shows showed fine design and practical western style dress to the women. This was the real beginning of the western style dress in Korea. By the increase of employment and the improvement of the economic situation, the consumption of clothing and the adornments was increased, so that a wide variety of fashions was set, and numerous kind and form of dress came in. As the increase of the number of women students, their practical and free dress life demanded western style dress. After the Liberation from Japan, the open-door policy of sex, public morals and traditional ethics became lax, and in this disordered society, indecent expose of the body was common. By the different kind of technological development, the form, fabrics, colors and patterns in clothes were much influenced and the hair style, make up, shoes and adornments were much influenced too. As shown above, the change of the dress has the same connection with that of society and culture. This shows that the dress and personal adornments represent clearly the cultural phenomenon of the society and cultural change of the society.

• 복식
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• 제60권2호
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• pp.20-34
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• 2010

This study is intended to suggest the characteristic of dress and its ornament introduced in terms of naturalized words on Korean newspapers and magazines published from the age of enlightenment to the Independence(1876-1945). First of all, naturalized words in that period(1876-1945) can be classified into words originated in Japanese, words originated in western countries and borrowed words came from Japan. Borrowed words which came from Japan are almost related to Japan's traditional dress like Gudu, Gabang, Kimono, Nemaki, Ebijahagama, Hagama, Sirusibanden, Doriachi, Dombi, Sarumada, Sseumeeri, Doriachi, and Mombbe. Borrowed words originated in western countries are like Frock coat, Bonnet, Necktie, Chapeau, Scotch, Homespun, Chamois, Skirt, Spring Coat, Ribbon, Silk hat, Panama hat, Handbag, Pajama, Shawl, Apron, Cuffs, Pocket, Handkerchief, Morning coat, Combination-one piece, Rain Coat, Burberry, and Permanent, etc. Borrowed words came from Japan is Lasa[raxa], jokki[jaket], Les[lace], Veludo[velvet], Bbanss[pants], Oba[overcoat], Meliyas[medias], Shass[shirt], Manto[manteau], and Sebiro[civil clothes]. As we can see from the result of research, borrowed words from the age of enlightenment to the Independence was because of its special social situation, Japanese imperialism, they are divided into real western words and words came from Japan or Japanese. In terms of items, a lot of words related to men's suit and women's dress, accessory, etc. It confirms that men's dress was westernized in the whole part compared to partially westernized women's one. A lot of words used at that period are now adapted to Korean language and became the foundation of words used in the current dress and its ornament area.

• 영어영문학
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• 제55권4호
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• pp.567-596
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• 2009

A staple of feminist literary anthologies which was instrumental in reevaluating the writer Susan Glaspell, Trifles(1916) has received numerous comments from feminist scholars so far. Most of them tend to concentrate on the themes of female solidarity and justice challenging the androcentric system of law and order. Lacking in the plethora of thematic approaches to the play's feminist subject, however, are formal analyses considering the way in which the play's generic form assists in communicating such thematic concerns of feminism. An alternative to the typical scenario at the courtroom whose mistreatment of women must have loomed large to the young Glaspell as she revisited the old trial of a midwestern murderess which she had covered as a journalist for a local newspaper in Iowa, Trifles serves as a corrective to the courtroom dynamics offering a 'dramatic justice' as opposed to a strictly legal procedure. What this article discovers at the heart of this dramatic justice is the celebration of the unsayable, or what Wolfgang Iser termed negativity, of women's experience which has no room for reflection in the legal discourse at the courtroom tyrannized by the sayable and the evident. Examining how the dramatic form of Trifles gives a voice to the unsayable of woman's experience, which can not be properly represented at the courtroom governed by the straightforward and definitive male rhetoric, the article argues that the play is a better form than its fictional adaptation "A Jury of Her Peers"(1917) in that it syntactically suppresses the monopolizing operation of the verbal by giving precedence to the scenic and non-verbal which is constituted of setting, props, gesture and eye contacts. As a theoretical frame of reference with which to examine the modes of the unsayable in the play the article brings the concept of 'negativity,' defined by Iser as textual effects or modes of the unspeakable and unsaid, into the discussion of the taciturnity of the absent heroine and the non-verbal representation of drama.

• 한국언론정보학보
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• 제37권
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• pp.237-269
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• 2007

본 연구는 한 중 일 3국 신문의 2005년 8 15 60주년 보도를 비교함으로써 3국간 과거사 인식의 차이를 분석하였다. 신문별, 국가별 그리고 신문사의 이념적 성향별로 기사량, 기사 유형, 정보원, 강조하는 측면에서 차이를 보이는지에 초점을 맞추었다. 2005년 8월 한달간 한겨레신문, 조선일보, 아사히신문, 산케이신문, 인민일보의 기사를 분석한 결과, 보도량에 있어 한국과 중국에 비해 일본 신문의 기사량이 현저히 적었다. 기사 유형의 경우 한국과 중국 신문들은 스트레이트 기사가 많은 반면 일본 신문들은 의견 기사에 치중하였다. 정보원의 이용에 있어서 한국과 중국은 정부기관에, 일본은 일반인에 의존하였다. 이러한 결과는 한국과 중국이 보다 공식적인 입장에서 8 15를 바라보고 있고, 특히 중국은 적극적으로 일본과의 전쟁에서 승리했음을 부각하고 있는 것으로 분석된다. 반면 일본은 보도량을 줄여 8 15를 회피하면서, 정부 측의 공식입장을 전달하기보다는 민간인들의 이야기를 재구성하는 방식으로 국민의식에 영향을 미치고자 함을 알 수 있었다. 강조한 내용 역시 한국과 중국은 자국동향을 주로 보도하면서 8 15의 의의를 평가하는 반면, 일본은 과거를 회고하며 민간인의 입장에서 전쟁의 피해를 전달하는 내용이 주를 이루었다. 결과적으로 한 중 일 삼국 신문의 8 15에 대한 인식은 분명한 차이를 보였는데 이러한 차이는 신문사 자체의 정치적 성향보다는 국익에 바탕을 둔 것으로 분석된다.

• 보건교육건강증진학회지
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• 제12권2호
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• pp.120-138
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• 1995

In order to find smoking status and its related factors for female students, a survey was conducted for 1,045 female students of a women's university in Seoul from 22nd of May to 18th of June, 1995. The results were as follows: 1. Of the 1,045 respondents, 7.4% of them were current smokers and 20.6% of them were ex-smokers. The rate of smoking by the major field of study was 18.5% in art and physical education, 10.6% in liberal art and social science, 1.9% in natural science, and 1.2% in medical science. The rate of smoking by the grade was 4.1% in the freshman, 5.9% in the sophomore, 10.9% in the junior, and 10.0% in the senior grade. 2. 7.2% of respondents experienced first smoking at junior high school, 16.8% at senior high school, 4.1% after high school, and 69.2% at college. 3. The major motivation to start smoking was 'curiosity'(57.9%), 'releasing stress'(21.6%), and 'temptation from friend or senior'(12.0%). 4. The first smoking place was 'entertainment place'(49.6%), 'own room'(20.5%), and 'school '(11.3%). And the first smoking companion was 'friend'(62.3%), 'alone'(19.9%), and 'senior or junior'(5.1%). 5. The average quantity of a daily smoking was 6.16±5.29 cigarettes in current smokers and 31.2% of them had experience to quit smoking at least one or more time. 6. Most of the reasons to quit smoking in ex-smoker were due to 'bad taste '(60.5%), 'health concern'(27.4%) and 'religion'(2.3%). 7. Current smoker and ex-smoker had more positive attitude for the female smoking than nonsmoker. And 76.7% of nonsmokers answered that they would not smoke in the future. 8. Most correspondents(89.8% of nonsmoker, 83.7% of ex-smoker, 80.5% of current smoker) strongly supported the antismoking movement. 9. The major information source in smoking were from 'radio, TV'(51.0%), 'newspaper, magazine'(38.8%) and 'school'(7.7%). 10. The multiple logistic regression analysis showed that the related factors for smoking status were satisfaction of home life, coffee intake, alcohol drinking, sister's smoking, girl friend's smoking, and knowledge about smoking.

• 미술이론과 현장
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• 제14호
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• pp.33-51
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• 2012

Joseph Mallord William Turner (1775-1851) has been widely regarded as the most original and brilliant English landscape painter in the 19th century. Admitted to the Royal Academy Schools in 1789, Turner was a precocious artist and gained the full membership of the prestigious Royal Academy in 1802 at the age of 27. Already in the 1800s he was recognised as a pioneer in taking a new and revolutionary approach to the art of landscape painting. Among his early works made in this period, The Shipwreck, painted in 1805, epitomizes the sense of sublime Romanticism in terms of its dramatic subject-matter and the masterly display of technical innovations. Of course, the subject of shipwreck has a long standing history. Ever since human beings first began seafaring, they have been fascinated as much as haunted by shipwrecks. For maritime societies, such as England, shipwreck has been the source of endless nightmares, representing a constant threat not only to individual sailors but also to the nation as a whole. Unsurprisingly, therefore, shipwreck is one of the most popular motifs in art and literature, particularly during the 18th and 19th centuries. Yet accounts, images and metaphors of shipwreck have taken diverse forms and served different purposes, varying significantly across time and between authors. As such, Turner's painting registers a panoply of diverse but interconnected contemporary discourses. First of all, since shipwreck was an everyday occurrence in this period, it is more than likely that Turner's painting depicted the actual sinking in 1805 of the East India Company's ship 'The Earl of Abergavenny' off the coast of Weymouth. 263 souls were lost and the news of the wreck made headlines in major English newspapers at the time. Turner's painting may well have been his visual response to this tragedy, eyewitness accounts of which were given in great quantity in every contemporary newspaper. But the painting is not a documentary visual record of the incident as Turner was not present at the site and newspaper reports were not detailed enough for him to pictorially reconstruct the entire scene. Rather, Turner's painting is indebted to the iconographical tradition of depicting tempest and shipwreck, bearing a strong visual resemblance to some 17th-century Dutch marine paintings with which he was familiar through gallery visits and engravings. Lastly, Turner's Shipwreck is to be located in the contexts of burgeoning contemporary travel literature, especially shipwreck narratives. The late 18th and early 19th century saw a drastic increase in the publication of shipwreck narratives and Turner's painting was inspired by the re-publication in 1804 of William Falconer's enormously successful epic poem of the same title. Thus, in the final analysis, Turner's painting is a splendid signifier leading the beholder to the heart of Romantic abyss conjoing nightmarish everyday experience, high art, and popular literature.

• 한국의류학회지
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• 제29권1호
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• pp.23-34
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• 2005

The purpose of this study is to spread the public recognition for the style of Islamic dress has been ignorantly left and provide this as the basic data for Islamic fashion design. This treatise restricts the Islamic scope into the southeast Asia and confuted the study referring to Islam related books, treatise, domestic and foreign fashion magazines as well as newspaper articles, Internet and screen materials. The study results are as follows: Commonly Islam as a term of religious scope means complex cultural body based on Islam. 1. The Islamic social and cultural images were categorized as (1) conservative and sexual (2) simple, static, decorative and rhythmical (3) dark, violent, bright and amusing image. 2. Islamic nations' style of dress was characterized (1) surface decorative dress (2) practical outer garment (3) trousers style. 3. Both men and women basically put on trousers in children's stories and animations. In case of women, they wear skirts and according a social standing, tunic and caftan style jackets. As for men and women, Dey both wear turbans or chadors but in particular, wealthy classes put on a distinguishable turbans and chadors with splendid accessories. 4. The characteristics of Islamic fashion are lace decoration around a sleeve and the waist or blouse and harem pants with a elastic cord. In addition, they are splendid necklace and ring earings looking old, accessories with big pendants and dragging belts. These examples are shown in collections and streets.

• 공연문화연구
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• 제32호
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• pp.209-241
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• 2016

'낭자군(娘子軍')과 더불어 '여성농악'이 탄생했다. 본고에서는 남성들의 전유물이나 다름없던 농악의 주체로서 여성이 등장한 내력, 특히 국극단 출신 여성농악예인의 출현이 주목된다. 이 연구에서는 낭자농악대와 소녀농악대의 활동 내력에 대하여, 새로이 발굴한 기사자료들을 전면에 제시하고 실증적으로 다루었다. 본고에 소개하는 '여성 농악예인'들은 기존에 알려진 남원여성농악단 성립 이전의 여성 농악인들과, 그 이후의 세대들을 아우른다. 여성 특유의 매력을 발산하며 인기를 누린 예인들은 각종 농악경연에 참가하고 포장걸립을 전전했다. 여성농악인들은 우도농악 명인들로부터 전수를 받아 기량을 갖추고, 화려한 복색으로 이목을 끌었다. 농악계의 여성들은 특히 시대의 흐름을 간파하여 활동무대를 넓히고, 다양한 장르와 융합하면서 융통성과 순발력을 발휘했다. 여성 농악인들은 세대와 성별, 지역과 국가의 경계를 넘나들며 활동했다. 소녀부터 기혼녀에 이르기까지 팀원으로 편성될 수 있었고, 때로는 어린 소년들을 영입하거나, 원로 남성농악인들과 연대하기도 했다. 또한 이들은 지역을 넘어, 국내외의 무대를 누비면서, 해외 순방에도 박차를 가했다. 특히 어린 소녀농악인들은 한국문화의 상품성을 선보이고, '순결한 농악예술무대'를 장식하는 문화적 매개자로 동원되기도 했다. 이들은 스스로의 활동에 대한 실리와 경제적 이윤을 추구하거나, 정치적 선동을 할 수 없는 '천사 같이 춤추는 예쁜 인형'이나 다름없었고, 그 후원자는 국내외 정계 인사들이었다. 여성농악인들은 국내외 전반에 걸쳐 각계각층의 인사들과 교류하면서 농악의 저변 확대에 기여했다. 해외로 파견된 소녀들의 농악공연이 대개 어린이들이나 학생들 위주였던 반면, 국내에서 기성세대와 연합하여 공연활동을 하던 소녀들은 그저 농악이 좋아서 여성농악단에 입단하여 기예를 습득하고, 공연하며 실전 경험을 쌓으면서 스스로 입지를 다져갔다. 해방 이후 낭자농악, 소녀농악이라는 이름을 걸고 농악의 무대화를 선도한 여성예인들은 대중적 인지도를 얻어 농악의 저변 확대에 기여했다. 사당패, 협률사, 낭자농악대, 소녀농악대, 여성농악단 등 한 세기를 풍미한 여성 농악예인들은, 농악판에 팽배하던 '남존여비(男尊女卑)'의 관습을 뒤틀고 농악문화의 새 전통을 일군 주인공들이다.

• 디지털융복합연구
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• 제20권3호
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• pp.131-143
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• 2022

본 연구는 핀테크를 중심으로 국내 디지털 금융 서비스 시장의 트렌드를 파악하고자 신문기사와 트위터 데이터를 대상으로 텍스트마이닝 기법을 사용하여 분석을 진행하였다. 핀테크 시장의 성장 과정에 있어서 간편결제 서비스 도입, 인터넷전문은행 출범, 데이터 3법 개정안 통과, 마이데이터 사업 신청 등 중요하게 작용을 한 4가지 시점을 기준으로 빈도분석을 수행하여 핵심 키워드 간의 차이를 살펴보았다. 또한 핀테크 선도 국가인 중국·미국과 미래 키워드를 핀테크 키워드와 결합한 빈도분석 결과를 통해 세계 시장 속에서 국내 핀테크 산업의 현 위치와 미래 시장 전망을 예측하였다. 마지막으로 트위터 트윗을 대상으로 감성분석을 진행하여 핀테크 서비스에 대한 소비자의 기대와 우려를 정량화하였다. 따라서 본 연구는 금융 생태계 변화 과정을 살펴보고, 분석 결과를 종합함으로써 정부와 기업이 향후 핀테크 시장 발전에 있어서 활용할 수 있는 전략적 방향성 및 대응 전략을 제시한 점에서 의의가 있다.