• Cartoon and Animation Studies
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• s.14
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• pp.83-99
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• 2008

In general, the cut or dissolve or etc., collective changeover represents the change of scene in the film. Animation film makes scene's various parts to allow intended sensibility and narrative factors by special manufacturing skill generating frame image one by one and transfer it to the different symbolic dimensional expression. Nowadays sequential scene composition is not any more the unique special treatment for 2D animation according to image handling skill like morphing, metamorphosis, etc. becomes diverse and elaborate. But 2D manual animation makes spectator to be absorbed into different visual dimensions continuously and strongly beyond character and background, namely object and space. that is 2D manual animation's strong attractiveness. Finally these characteristics enable literary function which makes it possible to do delicate metaphorical through full scene composition basis and to communicate a implicative meaning system The analysis about scene broke boundary between symbolic perspective world and plane formative world and it became more diverse and complicated. Hereupon the analyzing the composition basis of formative element in the animation film scene and it's application effect make it helpful to analysis and application in the modern image scene having new absorbing methods

• The KIPS Transactions:PartB
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• v.8B no.5
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• pp.549-556
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• 2001

The general problems of recovering 3D for 2D imagery require the depth information for each picture element form focus. The manual creation of those 3D models is consuming time and cost expensive. The goal in this paper is to simplify the depth estimation algorithm that extracts the depth information of every region from monocular image sequence with camera translation to implement 3D video in realtime. The paper is based on the property that the motion of every point within image which taken from camera translation depends on the depth information. Full-search motion estimation based on block matching algorithm is exploited at first step and ten, motion vectors are compensated for the effect by camera rotation and zooming. We have introduced the algorithm that estimates motion of object by analysis of monocular motion picture and also calculates the averages of frame depth and relative depth of region to the average depth. Simulation results show that the depth of region belongs to a near object or a distant object is in accord with relative depth that human visual system recognizes.

• Journal of the Korean Society of Marine Environment & Safety
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• v.18 no.5
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• pp.475-480
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• 2012

This study on the methode is easied to distinguish with emotional visual lighting on AtoN facility using 3colors LED, and which is controlled to on-off switching of approach light in shore or harbor. The identification have easied to provide a differentiation between the AtoN facility of red and white light and surrounding light in harbor both sides. And the integrated controller have designed to left-right and serial sequential lighting system for harbor guidance using the GPS synchronous or timer. There is expectation effect that is prevent a confusion about distinguish of facility by ship's operator and to beautify a night scene of harbor, which is expressed to emotional identification lighting and variable color lighting on AtoN body by vertical layer color lighting using LED. In addition, the performance of AtoN is implemented to display with guidance light the harbor safety message by morse code lighting. Effectiveness of system is enhanced that age and power consumption reduce by candle alternated high light LED.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.48 no.2
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• pp.24-31
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• 2011

This paper proposes spatio-temporal denoising algorithm based on nonlocal means. Though the conventional denoising algorithms based on nonlocal means have good performance in noise removal, it is difficult to implement them into the hardware system due to much computational load and the need for several frame buffers. Therefore we adopted infinite impulse response temporal noise reduction algorithm in the proposed algorithm. Proposed algorithm shows less artificial denoised result in the motionless region. In the motion region, spatial filter based on efficiently improved nonlocal means algorithm conduct noise removal with less motion blur. Experimental results including comparisons with conventional algorithms for various noise levels and test images show the proposed algorithm has a good performance in both visual and quantitative criteria.

• Journal of the Korea Society of Computer and Information
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• v.16 no.4
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• pp.73-81
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• 2011

In this paper, an improved block-based background modeling technique using adaptive parameter estimation that judiciously adjusts the number of model histograms at each frame sequence is proposed. The conventional block-based background modeling method has a fixed number of background model histograms, resulting to false negatives when the image sequence has either rapid illumination changes or swiftly moving objects, and to false positives with motionless objects. In addition, the number of optimal model histogram that changes each type of input image must have found manually. We demonstrate the proposed method is promising through representative performance evaluations including the background modeling in an elevator environment that may have situations with rapid illumination changes, moving objects, and motionless objects.

• Journal of Broadcast Engineering
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• v.15 no.3
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• pp.321-331
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• 2010

Most of multimedia video coding algorithms are lossy schemes and several kinds of spatial and temporal artifacts are inevitable. Flickering, which is the most typical coding artifact in time domain, is mainly due to fact that the quality of coded sequence fluctuates as the quantization parameter is adjusted for rate control. In this paper, we analyzed the effect of quality variation according to the characteristics of video sequence when the I-frames are periodically inserted. And we proposed the FR(Full Reference)-based assessment algorithm to measure the amount of flickering artifacts in the coded video. It is discovered that the flickering becomes critical when the level of quality is intermediate and is affected by the amount of detail or movement, the size of object, and camera parameters. The proposed measurement algorithm shows is well consistent with HVS(Human Visual System).

• The Journal of Korean Institute of Communications and Information Sciences
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• v.31 no.1B
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• pp.26-38
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• 2006

To construct seamless collaborative environments, what all participants intent should be delivered, and visual elements such gesture, facial expression, and ambiance should be shared with all participants. In this paper, we propose high-quality video service to support DV(digital video) and HDV(high-definition DV) based on Access Grid(AG) which is a prevalent collaborative system. The proposed service is designed for employing versatile media tools and codecs with SDP(session description protocol) and SAP(session announcement protocol). We also design network-adaptive video transmission module to mitigate the impact of network fluctuation. This periodically monitors multicast performance and controls frame rate on sender side considering network condition. The experimental results over the test bed show that proposed service enhances quality of AG video service and provides seamless high-quality video transport by mitigating the impact of network fluctuation.

• Journal of KIISE:Software and Applications
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• v.34 no.5
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• pp.476-486
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• 2007

This paper proposes a resolution enhancement method which can reconstruct high-resolution facial images from single-frame, low-resolution facial images. The proposed method is derived from example-based reconstruction methods and the morphable face model. In order to improve the performance of the example-based reconstruction, we propose the region-based reconstruction method which can maintain the characteristics of local facial regions. Also, in order to use the capability of the morphable face model to face resolution enhancement problems, we define the extended morphable face model in which an extended face is composed of a low-resolution face, its interpolated high-resolution face, and the high-resolution equivalent, and then an extended face is separated by an extended shape vector and an extended texture vector. The encouraging results show that the proposed methods can be used to improve the performance of face recognition systems, particularly to enhance the resolution of facial images captured from visual surveillance systems.

• Journal of Science of Art and Design
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• v.8
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• pp.185-210
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• 2005

Closely connecting Well-Being culture with our traditional eating culture. we can predict next generation Kimchi refrigerator trend with this research. In the highly developing industrial society, design has been playing the central role in the managerial strategy of a company and has been one of the central agendas in determining the economical competence of a country, and has also been regarded as a means to acquire sustainable superior competence. Thus, these trends suggest that the aesthetic value of product has become more important than its technological function. In this study we reviewed theoretically esthetic factors influencing the preference and the evaluation of a product and made a list of eight esthetic factors based on various referential studies which include simplicity, balance, unity, rhythm, style, novelty, typicality, and proportion. Also on the point of view of design, it is necessary to find out definitely the consumer preference frame the relationship among design preference design image design attribute. Will give you guidelines on which designers can select and design some more objective and reliable design factors, finding out the relation of cause and effect by which they can know what kind of product designs their consumers like and how the popular image which that product offer is composed of. We investigated the esthetic factors affecting consumers preferences and the basis for evaluating a product. Aimed at providing materials for developing product design by presenting an ,esthetic guideline product design by presenting an esthetic guideline and to put these materials to practical use. Investigated other considered elements classified by manufactures and importance of esthetic factors and its influence on consumer tastes . All of these result, It could not conclude all of the adjective design image and design factors of every consumer, but through consumer reaction framework consumer are response and prefer the products which design image have. and then understand prefered design image are influenced to design factor's and could be apply to new design development.

• Journal of Science of Art and Design
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• v.8
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• pp.211-239
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• 2005

The purpose of this thesis is to explore a common characteristic of the diverse oriental images mainly from the figurative point of view, and apply it to the contemporary expressions and methods of painting. To do that, I separated the concept of figure into two factors - form and image - and then approached and solved the problems of figure by explaining the two factors respectively. Separating form from image is neither to set two factors against each other nor to isolate any of those values. It is worth dividing the form and the image not only because the image of the oriental painting has a figurative value constituted from an external frame of the form, but also because it has a close connection with the meaning that the form holds inside. These are the reasons why I conceptualize the individual language of form and image. Furthermore, I attempted to investigate how those two factors and mutual relations between them make real figurative images under the principle of harmony and coexistence. The theme of this thesis - the figurative aesthetics and its contemporaneity in the oriental paintings is analyzed based on the understanding of 'figure' within the framework of oriental paintings. A research of image from the figurative point of view is valuable in that it criticizes the past method of thinking, and proposes an alternative formula for new way of thinking. In this regard, I indicated the limit of the theory of form-and-spirit that has been one of the most important conceptual theories . Instead, I' accessed to various aesthetic concepts - that are created in the course of image formulation - from the actual figurative point of view, and then even interpreted it as a figurative value of the oriental paintings and it's application within the specific and practical scope. During the course of research, I explored the conceptual elements of the tradition and the principle of figuration. I expect this study to make a footstone for bringing traditional aesthetics to the contemporary context of oriental painting.