• 복식
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• 제37권
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• pp.71-88
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• 1998

This study will analyze the aesthetic qual-ities revealed in the work of Vivienne Wes-twood in order to gain an understanding of the development process and uniqueness of modern avant-garde fashion. Westwood gained worldwide recognition in the 1970s as the Punk movement emerged in London. Although her works have often been described as decadent and anti-establishment, her anarchic view of fashion has had a considerable influence on other designers, both in England and around the world. Vivienne Westwood's works can be divided into three periods. In the first period(1971∼78). Westwood design demonstrated elements which were variations of the subcultural Punk style. The noteworthy designs of this period included ripped T-shirts, bondage clothes, and fetishist accoutrements. In the second period(1979∼83), her designs expressed elements from ethnic and primitive tribal societies through the 'Pirate', 'Savages', 'Buffalo Girls', 'Witches' collections, which inspired New Romanticism movement. In the third period (1985∼ ), through works such as 'Mini-Crini'collection, her works identified elements from the old west and used materials such as crinoline and Harris tweed and contemporized them by rearranging the innovative technique. In the end the news synthesis helped formulate new ideas. The aesthetic qualities in Vivienne Wes-twood's works can bed identified with the following themes : Punkature, Erotic Intelligent-sia, Anarchic Collage. First, within Punkature, Westwood's ideas are at the forefront as her impact on the cut of clothes and creative detailing have been considerable. Also, while her ideas can be extreme, her clothes are wear-able, resulting in the synthesis of Punk and couture. Second, as Erotic Intelligentsia, Vivienne Westwood does not present sexuality as a straight forward attribute that fashion so often tends to do, but instead as a matter for inquiry, exploration and debate. She asserts that sexuality is always an interplay between the polarities of masculine and feminine, of dress and undress. Third, as Anarchic Collage, she has taken, juxtaposed, and transformed objects and symbols from dominant culture, like every modern subversive movement from Dada to Punk. She has continued this form of anarchic collage, mixing styles from various times and places, taking them out of their traditional context. From thiss viewpoint, Vivienne Westwood's works can be considered to be made up of past themes merged with is contemporary. The usage of contrasting elements such as Punk and couture to communicate her ideas visually or technically.

• 한국의류학회지
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• 제28권8호
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• pp.1076-1087
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• 2004

The purpose of the study is to give new aesthetic values of black dress one of the important items in contemporary women＇s fashion. Through the work, to give the new aesthetic characteristics that women really needed can be found. This study was processed by fashion books and articles, literal material with fashion photos which were related fashion trend from 1920 to the present. The results are as follows: In early 20th century, the black dress, which had simple form pursuing function like little black dress. In the middle of the 20th century, elegance and minimalism was represented by black dress, expressed erotic images together with see-through fabrics. In the end of the 20th century, body conscious style of black dress expressed sensual images of women. Modem black dress has design characteristics of the form: simple, close, exposure type and of the materials: matte, transparent and dazzling etc. Simple type emphasizes feminine elegance, while close type and exposure type disclose woman body curve to express erotic images. Matte materials made black dress express feminine elegance while transparent materials and dazzling materials made black dress express erotic and sensual beauty. The aesthetic characteristics of black dress were as followings: Sensualism expresses sexual attractiveness of women-close type and exposure type black dress and see-through materials and dazzling materials made black dress. Simplicity of extreme decoration effects are expressed through black dress having temperate and simple form. Femineity expresses traditional femineity to emphasize chaste, modest and elegant women images-the black dress, which is made of simple form, velvet and satin materials. Modernism combines black colour, which is called modem colour, with simplicity and function factors and pursues simple form. Ascetic practice controls mental and physical desire of the individuals, simple form without decoration covering up woman body and box type silhouette of black dress. Therefore, the study on image of the black dress, which have made appearance at modern fashion, is thought to help develop fashion trends and design, through which modern women express themselves and their beauty.

• 한국산학기술학회논문지
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• 제19권7호
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• pp.283-304
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• 2018

인류는 백만 년 전부터 줄곧 서서 직립을 향하여 진화 되어왔다. 그러나 산업사회에 접어들며, 불과 몇 십 년 전부터 앉아서 일하는 시간이 비정상적으로 많아짐에 따라 인류의 신체는 좋지 않은 영향을 받았다. 선행된 의학 연구들을 살펴보면 장시간 앉아 일하는 환경이 그 동안 우리가 알고 있었던 성인병의 원인에 상당 부분 악영향을 끼쳤다고 밝혀왔다. 인류는 움직이는 방향으로 진화되어왔다. 그렇기에 현대 사회처럼 한 공간에서 앉거나 서서 움직임 없이 장기간 있는 것은 인체에 여러 부작용을 가져온다. 이러한 배경을 반영하여 본 연구에서는 스탠딩 책상을 이용한 기존의 서서 일하는 업무환경에서 진화생물학적 관점으로 한 발 더 나아가 걷는 환경에서의 업무에 대해 생각하게 되었다. 또한 스마트워크의 한 종류이자 스마트폰을 현장에서 직접 사용하는 모바일오피스 환경의 확장을 기대하며 스마트폰으로 작업을 처리하는 실험을 실행하고자 한다. 이 연구는 스마트워크의 한 종류인 모바일오피스 환경이 구축되고 정착하는데 기여를 할 수 있다. 또한 스마트폰을 이용하는 업무 뿐 아니라 돌아다니면서 일을 하는 업무환경 역시 개발 될 수 있다. 더 나아가 기업의 업무 환경, 학생들의 공부환경의 패러다임이 바뀔 수 있을 것이다.

• 한국전통조경학회지
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• 제39권4호
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• pp.24-37
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• 2021

본 연구는 대한제국과 그 전후의 시기를 중심으로 창덕궁 부용정과 주합루 권역의 원형 경관을 새롭게 조명하고, 향후 복원정비에 유용한 연구성과를 도출하기 위해 수행되었다. 연구 결과는 다음과 같이 요약할 수 있다. 첫째, 부용지 인공섬의 석축은 본래 정연하게 가공된 석재를 활용해 바른층쌓기로 조성되어 있었다. 하지만 1960~1970년대의 정비공사 과정에서 부용지 인공섬은 자연석과 가공석이 혼합된 형태로 변형되었다. 부용지 인공섬의 상부에 설치된 난간은 유사사례를 찾아보기 어려운 독특한 시설로 대한제국기에도 실존했지만, 일제강점기에 완전히 멸실되었다. 둘째, 오늘날 어수문 좌우에 남아 있는 취병은 2008년 조릿대를 기반으로 재현된 결과물이다. 어수문 취병의 식물 소재를 주목으로 보는 시각도 존재하지만, 구체적인 수종은 여전히 밝혀지지 않은 상태이다. 관련 자료와 정황을 다각적으로 고려하면 적어도 근대기의 어수문 취병은 동관왕묘와 경복궁 건청궁처럼 '향나무'로 제작되어 있었을 가능성이 높다. 셋째, 주합루 후원은 석계 형태의 구조물 위에 수목이 밀생하지 않은 공간이었다. 주합루 후원의 석계는 비교적 개방된 형태로 관리되면서 주변 건축물을 왕래할 수 있는 공간으로도 기능하였다. 하지만 1980년대 후반에 대규모 식재공사가 이루어지면서 주합루 후원은 화계와 같은 형태로 정비되었고, 다수의 화관목이 식재되어 폐쇄적인 공간으로 변모하였다. 넷째, 규장각과 개유와처럼 서고(書庫) 기능을 가졌던 영화당 남행각은 1900년대 후반 무렵에 멸실되어 본래 모습을 파악하기 어려운 건축물이었다. 본 연구에서는 근대기 사진과 스케치 자료를 토대로 영화당 남행각의 배치축을 확증하고, 형태와 의장적 특징을 확인하였다. 또한 기초자료 구축 차원에서 「동궐도」와 「동궐도형」을 참고한 추정복원도를 제시하였다.

• 한국시조학회지:시조학논총
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• 제25집
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• pp.5-27
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• 2006

고시조와 60년대 이전의 시조, 중국동포 시조. 2,000년대 발표된 현대시조를 문장구조의 측면에서 시적 의미를 어떻게 나타내고 있는가를 살펴보았다. 첫째, 고시조나 60년대 이전의 시조 나아가 중국동포 시조에서는 가급적 수식어를 배제한 간결한 문장으로서 의미 해석이 쉽게 되어 있었다. 그러나 2,000년대 발표된 현대시조(이하 현대시조) 중에는 수식어가 복잡하게 읽혀 있는가 하면 수식어가 남용되는 경우가 있었다 둘째. 고시조나 60년대 이전의 시조, 나아가 중국동포 시조에서는 의미파악이 수월하고 주술관계가 분명하게 나타나 있다. 그러나 현대시조 중에는 주술관계가 불분명할뿐더러 암시성이 보이지 않는 비유어의 남용으로 인하여 의미해석이 어렵게 나타난 경우가 있었다. 셋째, 고시조나 60년대 이전의 시조, 중국동포 시조에서는 각 장의 의미가 독립되어 이것이 유기적으로 결합하여 시조작품을 이루었는데, 현대시조에서는 초, 중장이 종장의 수식어로 전락하여 장으로서의 독립성을 확보하지 못하는 경우가 있었다. 넷째, 시조 형식과 거리가 있는 작품을 시조답게 장 구분을 하여 시조라고 우기는 경우가 있었다. 정형시는 그것이 문자로 표기되어 있다고 해도 음성에 의해 정형으로 확인되어야 하는 시다. 시조가 정형시인 바에는 정형시답게 읽혀져야 하고 이것을 들어서 이해가 수월해야 하는 것이다. 그렇다면 난해한 표현은 애초부터 시조와는 거리가 먼 것이다. 현대시조가 너무 안이한 표현, 주제의식의 단순성을 극복해야 한다면 의미해석을 방해하는 문장구조로서가 아니라 간결한 문장으로 참신한 비유, 선명한 이미지. 신선한 주제 등을 통해서 창작되어야 할 것으로 생각된다.

• 복식
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• 제58권3호
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• pp.49-62
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• 2008

The purpose of this study was to analyze the signification system between color and clothes systematically in black and white clothes. For this purpose, after examining the images of black and white clothes, we selected 55 clothes that represented as black and white and analyzed their meanings and the sources using semiotic framework, based on the work of Saussure and Barthes. The results as follows: First, the meaning in black and white clothes was generated from original color image. White clothes of religious person like Virgin Mary, Angel expressed pure and sacred color image. And black clothes like funeral dress expressed grief and death. Next, the meaning of black and white clothes was regenerated into modern color image by new environment. After industrial revolution, black was considered as a traditional men's fashion color. With diverse leisure activities, white sports wear appeared as active and clean image. Finally the source of the meaning of the clothes was the designer or the wearer. A little black dress by Chanel who was interested in simplicity and function represents an ideal of simple and sexy object. The situation is complicated by the fact that these three kinds of explanation may be found singly or mixed together.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제10권8호
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• pp.3701-3727
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• 2016

Recently Service Function Chaining (SFC) is promising to innovate the network service mode in modern networks. However, a feasible implementation of SFC is still difficult due to the need to achieve functional equivalence with traditional modes without sacrificing performance or increasing network complexity. In this paper, we present a configurable network service chaining (CNSC) mechanism to provide services for network traffics in a flexible and optimal way. Firstly, we formulate the problem of network service chaining and design an effective service chain construction framework based on integrating software-defined networking (SDN) with network functions virtualization (NFV). Then, we model the service path computation problem as an integer liner optimization problem and propose an algorithm named SPCM to cooperatively combine service function instances with a network utility maximum policy. In the procedure of SPCM, we achieve the service node mapping by defining a service capacity matrix for substrate nodes, and work out the optimal link mapping policies with segment routing. Finally, the simulation results indicate that the average request acceptance ratio and resources utilization ratio can reach above 85% and 75% by our SPCM algorithm, respectively. Upon the prototype system, it is demonstrated that CNSC outperforms other approaches and can provide flexible and scalable network services.

• 펄프종이기술
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• 제46권4호
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• pp.44-53
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• 2014

This research were aimed at developing starches which have high preservability and high bonding strength from corn starch, modified cationic and oxidized corn starches, as compared to the fermented wheat starch. On the lining that attaching the base paper on the back of the work with paste, the coating weight was determined by the solid contents of the paste rather than the viscosity of paste. Adhesive strength and stiffness were also determined by the solid contents of the paste. Corn starch had lower solid contents, higher viscosity, and higher adhesive strength than other starches. In the iodine stain to the surface of peeled base paper off, paste deeply penetrated into the traditional Hanji than modern Hanji. And oxidized starch paste deeply penetrated into the paper layer than the cationic starch.

• 디자인학연구
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• 제13권
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• pp.105-113
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• 1996

The great development of the modern science enables the information technology including computer to be promoted, which has the great effects on the whole design field. Most of all, the computer has the feature to express the mathmatical formular through the logic and system, which is being used very efficiently in the design work. CG application to the two-dimensional design may be limited in promoting the basic ability synthetically through the direct and molding experience for its attribute, however, it is possible to create the effects on the different level in addition to those from the traditional skill. In particular, we should keep the fact in mind that the CG application in the design field will be able to accomplish the object only under understanding the attributes and functions for it to have. We should carry out the task to agree with. First, it is necessary to develop the various study on the educational environment to make the process to solve the problems and to promote the effects of the educational media in teaching design with the CG application. This study would make plans to approach that the computer can be utilized for the main method to create design despite of being limited in some point. Moreover, it suggests the possibility for the CG application in the course of building up and motiving the models by applied the basic system, which enables the computer to be applied centering around the composition of geometry pattern of the basic course of the two-dimensional design.

• International Journal of Costume and Fashion
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• 제12권1호
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• pp.83-95
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• 2012

This study aims to develop the 21st century eco design-based fashion products by examining Taller Flora products and presenting eco design approaches. Eco design terms were examined based on literature, and Taller Flora products were explored based on literature and websites. The following research issues were discussed. First, eco design terms are totally handled, thus defining the eco design. Second, eco design-oriented Taller Flora products are examined to explore design approaches. Eco design aims to conserve and heal the global environment with focus on a greater understanding of and interest in nature. As such, eco design is based on a new modern concept of aestheticism that seeks to minimize environmental damage caused by the three processes of production and distribution use and disposal, to take social and moral responsibilities for such activities, and to avoid hurting the environment. Taller Flora brands seek to produce products by keeping close ties with indigenous communities in various nations, and by emphasizing and embracing indigenous people's craftsmanship spirit and creativity Indigenous people use eco-friendly materials and produce products with craftsmanship spirit, and their cooperation by linking different cooperative networks is a good model for strengthening fair trade networks. These addresses the problem of expanding design work through traditional crafting. Therefore, the features of Taller Flora brands presented a new method to approach the eco fashion. The research findings are expected to help develop the eco design of fashion products.