• 건축역사연구
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• 제23권6호
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• pp.21-26
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• 2014

The purpose of this study is to retrospect the establishment process of specification of modern factory-made traditional Korean roof-tile. Its another purpose is to analyze the specification of watong(瓦桶, a wooden molding frame for roof tile making) which is recorded in the literature of Joseon dynasty. The results of this study are as follows. : First, the specification of modern factory-made Korean roof-tile that currently used was established in 1978. And it did not succeed old traditional specification. Second, in case of construction or repair of main building of palace, it was a principle to use Daewa(大瓦, the big size roof-tile). And Sangwa(常瓦, the ordinary size roof-tile) was used when needed. Also, Jungwa(中瓦, the middle size roof-tile) was used regardless of the size of group building. And Sowa(小瓦, the small size roof-tile) was used in house and wall of royal tomb. Third, it is needed to establish a specification of traditional handmade roof-tile based on the specification of watong through research of the litterateur. So, a standard draft for this was proposed. Finally, one can find the significance that this study has tried to find a specification of traditional roof-tile that can be applied to construction or repair of cultural heritage.

• 한국의상디자인학회지
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• 제7권3호
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• pp.53-61
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• 2005

With the acceptance of western culture, our traditional culture is in the crisis of disappearing. This is especially evident in the clothing and textile field. Therefore it seems essential to apply the traditional Korean aesthetics to our clothing. The purpose of this study is to reconstruct the types of design and analyse the characteristics of patterns expressed in traditional roof-tile. This study attempted to use the roof-tile patterns as motive for all tapestry and fashion design work to realize a creative expression of formative world through on-screen restructuring. The traditional roof-tile patterns were selected for this study because they must be the products created with our ordinary aesthetic values and techniques, and thus may represent our people's unique culture. After all, the expression for a work should be based not on simple representations of a given object but on restructuring of diverse unique forms according to worker's subjective senses. A piece of clothing with the expression of traditional and formative must combine traditional aesthetics of tradition and form. The application of traditional and formative value of Korean pattern in clothing made to be adaptable for wear in our everyday lives. Today there various attempts to combine traditional aesthetics with modem design. Also, the development of unique Korean design aesthetics within the clothing will allow for a distinct elegance that can be recognized by the world know about the Korean culture through the high standards of our clothing.

• 한국건축시공학회지
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• 제20권5호
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• pp.425-432
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• 2020

전통한식 점토기와는 외관이 미려하고, 내수성 및 내화성, 내구성이 우수하나 높은 소성온도를 요구하여 경제성과 중량문제 등으로 인하여 전통양식의 기와를 사용하기 보다 기존의 공법을 사용하고 있는 것이 현 추세이다. 이에 본 연구에서는 우리나라의 산청에서 생산되는 고령토와 점토의 기와 소재에 나노알루미나실리케이트를 첨가하여 1,000℃ 이하의 저온소성하면서 전통한식 점토기와로서의 요구되는 물성을 만족하는 최적배합과 재료의 공정을 설계하고 이를 통해 나노코팅 전통한식 점토기와 소재개발에 관한 특성은 연구하고자 한다.

• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2014년도 춘계 학술논문 발표대회
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• pp.186-187
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• 2014

The principal government building of Kyungsanbuk-do was designed to show korean traditional architecture with tile-roofed house to reflect the image of Kyungsangbuk-do as the province of traditional culture. The roof of korean traditional architecture is the most importanat part that distinguishes the design character of a building and is important to determine degree of completion. As this is so, in the design phase, we reviewes the design documents about the proportional and slope of the roof, durability and sizes of component material and the structure of eaves. In the construction phase, it was required to cooperated with specialists of traditional architecture for realization of traditional beauty of the buildings as designed.

• 건축역사연구
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• 제20권1호
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• pp.23-39
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• 2011

The Sungnyemun roofing tiles were twice disassembled for maintenance work, in 1963 and 1997, and modern tiles were applied in 1997. However, besides differing in visual appearance, the modern tiles had distinctly different physical properties. A study has been carried out on 22 different tiles, including original Sungnyemun tiles, modern tiles applied during maintenance, traditional tiles made by tile-makers, and others, to examine their physical properties, such as bending strength, frost resistance, absorption, whole-rock magnetic susceptibility, chromaticity, differential thermal analysis, and other characteristics. Since the method of making modern tiles involves compressing clay in a vacuum, modern tiles showed relatively greater bending strength and specific gravity, while Sungnyemun tiles and those made by tile-makers, in comparison, demonstrated less bending strength and specific gravity owing to their production method of 'treading,' in which clay is mixed by having someone tread upon it repeatedly. Over time, the absorption rate of the original tile used for Sungyemun gradually decreased from 21% to 14.7%; traditional tiles from tile-makers showed absorption rates of 17%, while the absorption rate of modern tiles was just 1%, which is significantly low. As for frost resistance, Sungnyemun tiles and traditional tiles from tile-makers showed cracking and exfoliation after being subjected to testing 4 or 5 times, while slight cracking was seen on the surface for modern tiles after 1ngy, or 3 times. In other words, no significant difference from influence by frost was found. According to the results of differential thermal analysis, the plastic temperature was shown to have been no less than 1, $on^{\circ}C$ for all types of tile, and cristobalite was measuredthrough XRD analysis from a Sungnyemun female tile applied during maintenance in 1963, which appeared to have been plasticized at between $1,200^{\circ}C{\sim}1,300^{\circ}C$. Based on these research results on the physical properties of tiles from the Sungnyemun roof, a fundamental production method for tiles to be applied in the restoration of Sungnyemun has been identified.

• 건축역사연구
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• 제8권3호
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• pp.23-38
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• 1999

The purpose of this study is to analogize the appearance of Korean Ancient Architecture in view of the Stone Remains from 3 Kingdom Period to Unificated Shilla Period. But in these period, there is no building remains but some stupas and fine arts. Especially, there are many architectural appearance and revealing signature in these Historical Stone remains. Architectural elements which are analogized by stone remains what has value as historical materials by preservation of original form from 3 Kingdom Preiod to Unificated Shilla Period are as follows : 1) Platform, the representative characteristic of Korean traditional architecture, was frame structure and accumulate structure. And circular or square footing stood a same shape column on it is put on the platform. 2) In the case of column, there used entasis column and inclined column and circular chamfer technique was applied on the top side of it. Upper side of column, capital and head pentrating tie that small bearing block was put on the center of it was joined. And longitu야nal rest(長舌) supported a cross beam. Capital and small bearing block had no bottom heel, and heel side was curved and straight. Centered bracket structure was often used, and multi bracket structure is not used yet. Inward incline technique was used. 3) Inward opening pair door which had lintel, threshold, doorjamb was usually used, Fixing stone was used for structural safety, and circular handle and lock was used for decoration. Handrail was used on the edge of wooden floor for decorative effect and safety. 4) Square rafter and circular rafter were used in the same period and so did flying rafter. Double eaves and single eave were used in the same period but, single eave was usually used. In this period, square rafter was usually used. This would be studied more by comparing with Japanese wooden architecture. 5) Hipped roof was used and half-hipped roof was not used yet. In front of th hip, there are small sculpture called Jap-Sang(雜像), and windbell was hang on the end of the hip rafter. Concave roof tile, convex roof tile, round eaver tile, decorative tile at end of roof ridge were used. Lotus style was well used on the face of roof tile for decoration. From the results of this study, wooden architecture of Unificated Shilla period was simple compare to Koryo dynasty and Chosun dynasty but, it had some brilliant character. It was hard work that analogized the form of non-existent wood architecture of Ancient Korean period by restricted stone remains. But, in addition to the results of this study and research of old documentations, more study should be go on.

• 한국전통조경학회지
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• 제37권4호
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• pp.1-10
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• 2019

본 연구는 과거 전통조경공간의 설계 및 시공과 오늘날 이를 유지 계승하기 위한 문화재수리 및 정비 등의 시공방법을 임원경제지 섬용지와 문화재수리 표준시방서를 토대로 서술방식, 전통조경 분야 관련 공정 추출, 시공방법을 상호 비교하였으며, 그 결과는 다음과 같다. 첫째, 임원경제지 섬용지와 문화재수리 표준시방서의 서술방식 및 전통조경 분야 관련 공정을 살펴본 결과 임원경제지 섬용지는 생활공간 전반의 시공방법을 집대성한 백과사전서로 구성요소별 시공방법의 사용처, 효과, 장·단점을 서술하고 구체적인 수치를 제시하여 전통조경공간 시공의 제도의 보급을 목적으로 삼았다. 문화재수리 표준시방서는 문화재 수리의 공정 전반을 제시하였으며, 문화재 수리 현장에서 참고할 수 있는 일종의 지침서 역할을 하고 있다. 이중 기초공사, 지붕공사, 조경공사, 담장공사 등이 전통조경분야에 적용될 수 있는 주요 항목으로 도출되었다. 둘째, 전통조경공간 시공방법을 기초공사와 지붕공사, 조경공사, 담장공사 등의 공정으로 구분하여 분석해보면, 기초공사는 지반을 다지는 과정을 반복하는 방식이다. 지붕공사 중 기와지붕 조성은 서까래 위에 산자를 설치하고 기와를 쌓았으며, 초가지붕은 볏짚을 여러 다발로 묶어 차례로 지붕을 덮었다. 석판지붕은 기와 대신 얇고 넓은 돌을 사용하였으며, 너와지붕은 나무판자를, 굴피지붕은 건조시킨 굴피를 여러 겹으로 깔아 조성하였다. 조경공사는 주로 잡석다짐을 통한 포장기법과 여러 단을 조성하고 상부에 석물이나 화초나 관목 등을 식재하는 화계 시공이 주를 이루고 있고 담장공사는 쌓는 재료에 따라 흙을 다져 쌓은 토담, 돌과 진흙을 사용한 돌담, 기와로 무늬를 만든 영롱담, 널판을 벽면으로 사용하는 판장 시공 등이 도출되었다. 셋째, 임원경제지 섬용지와 문화재수리 표준시방서의 시공방법을 비교해보면, 임원경제지 섬용지는 전통공간의 신규 조성을 위한 시공방법의 표준화에 중점을 두고, 문화재수리 표준시방서는 문화재 수리 현장의 다양성을 고려한 전반적인 시공 절차를 제공하여 시공의 범위 설정에 차이가 있다. 또한 과거 전통조경공간은 일상거주공간이었으나 오늘날에는 문화재로 지정된 곳으로서 기 구축된 시설의 유지관리 공정이 이루어지며, 관람환경 조성을 위한 시공방법이 추가되었다. 전통지식의 계승 차원에서 과거의 시공방식은 오늘날 문화재 수리에도 일정 부분 유사한 방법들이 확인되며, 일부 소재나 배합방식, 후대 추가된 시설의 구분, 효율적인 시공방식의 도입 등 전통기술을 재구성한 사례도 확인되었다.

• 한국전통조경학회지
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• 제41권1호
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• pp.21-34
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• 2023

본 연구는 13개 마을 옛 담장의 국가등록문화재 지정 당시 사용된 재료와 축조법을 파악하고, 현장조사를 중심으로 정비에 따른 옛 담장의 구조별 변화 양상을 고찰하였다. 연구의 결과는 다음과 같다. 첫째, 옛 담장은 토석담 10개소와 돌담 5개소로 구성되었으며, 지정 당시 자연석 메쌓기로 막쌓은 돌담은 비슷한 형태를 유지하는 비율이 높았지만, 토석담은 사용한 돌과 줄눈 및 맞댄 면 축조법에 따라서 담장별로 다양하게 변형되었다. 둘째, 옛 담장의 정비로 인해서 변화된 구간을 추출하고 재료의 대체와 첨가, 축조법의 변형 양상을 파악하였다. 지붕부는 내구성과 가격의 효율이 높은 시멘트 기와나 석면 슬레이트로 대체되고, 우수 유입을 막고자 한식 기와에 와구토가 첨가되었다. 벽체부의 자연석은 시공 편의에 따른 발파석, 마름돌, 가공 석재로 대체되고, 보수에 시멘트 블록, 시멘트 벽돌이 사용되었으며, 시멘트 모르타르가 도포되었다. 토석담의 막쌓기가 빗쌓기로 변형되고 찰쌓기는 메쌓기로 바뀌어 경관적, 구조적 문제를 야기하였다. 또한 기초부에 시멘트 모르타르층이 시공되어 자연석 메쌓기로 유도했던 우수의 흐름을 막아버렸다. 셋째, 이러한 정비 양상은 주거공간에 배치된 옛 담장의 속성상 소유주가 일상적 훼손에 대한 비전문적 보수를 반복하고, 문화재 지정으로 인하여 정비를 담당한 수리업체가 지역 재료를 수급하기 어려우며, 옛 담장에 대한 차별성있는 수리시방서가 적용되지 않는 환경에서 기인한다고 판단된다.

• 건축역사연구
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• 제21권1호
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• pp.171-186
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• 2012

The objective of this study is to find out the recent trends of hanok design based on 58 hanoks appeared in architecture magazines in the last 10 years. The cases are analyzed in terms of location, size, building form, spatial organization, material, roof form, and the ceiling form of living room. The consequences of this study is as follows; Most of the recent hanoks are built in rural area (91.4%), which shows the hanok is not accepted as an urban house type. Hanoks tend to be built in 2 stories whose 2nd floor is smaller than the 1st floor. (34.5%) The preferred size is total floor area of $99.2{\sim}165.2m^2$ (62.0%), 3 rooms (46.6%) with a traditional ondol room (60.3%). The buildings with ㄱ-shape (43.1%) and linear-shape (27.6%) are preferred, and the compact plan type similar with apartment house appears (13.8%). In the roof design that greatly influences the appearance of building, the traditional design factors such as half-hipped roof (55.2%), double eaves (27.6%), and eaves curve tend to be sustained. In terms of spatial organization, most of recent hanoks have double-layed plan (74.2%). The living room mostly has separately defined space. (82.8%) The indoor and outdoor tend to be connected by a narrow wooden veranda (39.7%), while some cases don't have any wooden floor space (48.3%). The entrance is adopted as an important spatial element in front part of building (75.9%), and it influences the appearance of building. The living room, the counterpart of the wooden floor hall in traditional hanok, and kitchen tend to be interiorized. In terms of material, the cement roof tile and red clay brick are preferred. Consequently, the walls of recent hanoks have the image of brick structure rather than the wooden frame structure of traditonal hanok.

• 보존과학회지
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• 제22권
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• pp.15-30
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• 2008

공주 단지리 3지구 출토 와관묘를 구성하는 기와와 고토양을 대상으로 재료과학적 연구방법을 적용하여 기와의 제작기법 및 원료의 산지추정을 통해 와관묘의 성격을 검토하였다. 기와는 모두 암키와로서 백제기와의 특징을 가진 연질 및 경질 기와이며 표면과 단면에 유상조직을 가지고 있다. 또한 기와의 광물학적 및 지구화학적 분석 결과, 태토는 주변토양을 이용하였으며, 제작과정에서는 토양의 거정질 석영 등을 제거하여 정제된 상태의 태토를 사용하였을 것으로 추정된다. 소성온도 추정결과, 일부 경질 기와는 $940{\sim}1,020^{\circ}C$에서, 연질 기와는 $700{\sim}900^{\circ}C$에서 소성한 것으로 판단된다. 기와들은 오랜 기간 매장환경의 영향을 받아 유기물 함량이 높고 인체조직의 필수 미량원소들이 토양에 비해 농집되어 있다. 따라서 이 기와들은 시신을 직접 매장하는 일차장으로서의 역할을 수행하였을 것으로 판단된다. 또한 건물지에 사용한 기와와 크기, 형식, 제작방법이 유사하여 당시 사용되던 암키와를 매장용으로 사용하였을 것으로 해석된다.