• 복식
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• 제58권4호
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• pp.47-57
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• 2008

Funology is a compound word with fun and technology which means the products or activity carrying fun and technology at the same time. This is one of the key words that can explain the culture of post-digital generation amongst the post-digital age. The purpose of this study was to provide the creative ideas to develop the fashion designs showing funology concept for the 21st century. As a background of funology trend, general ideas about the post-digital age and the post-digital generation were reviewed. First, funology designs among the industrial products and the funology concepts in the advertisement were examined. And the ways of expression and the meanings of funology fashion designs were extracted by analyzing funology fashion between 2000 S/S and 2008 F/W. The external expression ways of funology fashion in the post-digital age were as follows: parody of popular images, inharmony by the exaggeration or transformation, trompe l'oeil, mixture of the styles shown in the children's wear and the objects of children, patterns with childlike or animation characters, and the graffiti art. The internal meanings contained in the funology fashion were 1) fantasm showing surrealistic funology that was based on the people's pursue of fantasy free from the everyday's severe routine 2) memorism showing nostalgic funology that was based on the pursue of vanishing fear of reality and going back to the childhood. To sum up, fashions showing funology were expressed in various ways in the post-digital age. This will provide the great inspirations for creating the new coming fashions and efficient healing contents for the cold-hearted emotions of nowaday's people.

• 한국연극학
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• 제48호
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• pp.51-84
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• 2012

In Korea, historical plays took an epoch-making turn from the previous historical plays in terms of approaches to topic and material and methods of rewriting history in the 1990s. Historical plays became dehistoricized with individual, everyday life, and faction emerging as major codes of historical plays according to mistrust in history and grand narrative as the original and disappearance of trust in the growth and totality of history. A new trend became dominant of presenting fictionality prominent instead of reproduction of history and freely playing with history outside the context. While modern historical plays were subject to the content of history, post-modern historical plays sought after new history writing to tell a new story on history within a framework of fiction. Focusing on some of the trends in post-modern historical plays since the 1990s, which include play with history, daily life-style history writing, and reproduction patterns of colonial modernity, this study examined the goals, representations, and text strategies of new history writing in three historical plays, Generation After Generation(2000) by Park Geunhyung, The Mercenaries(2000) by Park Sujin, and Chosun Detective Hong Yunshik(2007) by Sung Giwoong. In Generation After Generation, the author adopts a plot of starting with the present and tracing back to the past, breaking down the myth of racially homogeneous nation. At the same time, he discloses that the colonial history is not just by the oppressive force of Japan but also by the voluntary cooperation of Korean people. That is, we are also accountable for the colonial history of the nation. The Mercenaries contrasts the independence movement during the colonial period against the modern history developed after Liberation, thus highlighting the still continuing coloniality, namely post-colonial present. The past is presented as the "phantom of history" making its appearance according to the request of the present hoping for salvation. The author politicizes history and grants political wishes to history by summoning the history by personal memories such as fictional diaries and letters with Messiah-like images opposed to the present of collapse and catastrophe. In Chosun Detective Hong Yunshik, the author makes an attempt at the microscopic reproduction of daily life by approaching the 1930s as the modern period when capitalist daily life started to take root. The lists of signs comprising daily life in colonial Gyeongseong are divided between civilization and savagery and between modern and premodern. With the progress of narrative, however, they become mixed together and reversed in the representation system in which the latter overwhelms the former.

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2000년도 추계학술대회 논문집
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• pp.763-766
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• 2000

Rapid Prototyping(RP) techniques have their unique characteristics according to the working principles: stair-stepped surface of parts due to layer-by-layer stackin, low build speed caused by line-by-line solidification to build one layer, and additional post processing to improve surface roughness, so it is required very high cost to introduce and to maintain RP apparatus. The objective of this study is to develop software for automatic generation of unit shape part (USP) for a new RP process, Variable Lamination Manufacturing using linear hotwire cutting technique and expandable polystyrene foam sheet as part material (VLM-S). In order to examine the applicability of the developed software to VLM-S, USP's of general three-dimensional shapes, such as an auto-shift lever knob and a pyramid shape were generated.

• 혜화의학회지
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• 제9권1호
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• pp.661-689
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• 2000

We came to the conculsion after considering all of information from many kinds of books on the cause, pathogenesis and treatment of Flaccidity-syndrome. The results were as follows : 1. Flaccidity-syndrome means limb-relaxation due to muscle atony that isn't able to constraction. It's begun as mild degree from extremities, in some cases ended to quadriplegia or expire. 2. Cause factor and pathogenesis of Flaccidity-syndrome is various. After Lung fluid consuption caused by heat-evil was refered in The Yellow Emperor's Canon of Internal Medicine. They were refered as cause factor that Main channel asthenia, excess of sexual intercourse, wetness-evil, heat-evil gets into the interior, asthenia of the spleen and stomach. Since Ming Dynasty, It's classified to wetness-heat evil, wetness-phlegm, deficiency of vital energy, deficiency of blood, deficiency of yin, blood stasis and indygestion, etc. 3. In the view of treatment of Flaccidity-syndrome, Yangming was selected in The Yellow Emperor's Canon of Internal Medicine, and it's been mean to clear away wetness-heat evil located at Yangming. In the method of acupuncture it was same on the base, and many skills have been used that electronic acupuncture, point-injection theraphy, acupuncture point block, catgut implantaion at acupuncture point, cutaneous acupuncture, auriculo-acupuncture and head acupuncture by the through post generation. 4. Flaccidity-syndrome was defined to weak, disuse and non-pain. Beacause it was non-pain, so medicine to expel wind-evil was prevented to use. But through post generation Flaccidity-syndrome has been treated that is able to cause pain or numness as arthralgia-syndrome. Therefore there is tendency that medicine to expel wind-evil is capable within pathological basement of Flaccidity-syndrome in recent. 5. In the view of west-medicine, Flaccidity-syndrome is diplegia or quadriplegia with sensory disorder, muscle atropy in some cases. And there are spinal disease, peripheral nerve disease, muscular disease, nerve-muscle copula disease. The symptoms are able to amyotomia, numness, sensory disorder, pain.

• 한국콘텐츠학회논문지
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• 제17권7호
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• pp.358-370
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• 2017

이 글에서는 중국의 스파이 소재 주선율(主選律) 드라마의 분석을 통해 오늘날 중국 사회에서 새롭게 부상하고 형성되는 가치체계와 정서구조들에 대해 논의하였다. 2000년대 중국의 스파이 소재 주선율 드라마에서는 오늘날 중국인들이 느끼는 일상의 불안과 초조의 정서를 서사 구조 내로 투영하며 훨씬 더 서민적인 얼굴의 다양한 캐릭터들을 통해 시청자들과의 공감대를 형성하고 있다. 주인공들은 더 이상 사회주의 이념과 집단주의 사상으로 무장한 혁명적인 인물들이 아니라 개인의 생각과 취향, 가치를 중시하고 스스럼 없이 드러내는 인물들로 그리고 있으며 기존의 '주선율' 드라마에서 부정적으로 그려지고 배척되었던 개인주의와도 다양한 방식으로 타협해 수용하고 있다. 또한 드라마들은 궁극적으로 공산주의의 우월성을 이야기하지만, 그 과정에서 다양한 가치와 신념에 대한 개인의 선택에 대한 재현은 보다 긍정적이고 유연한 방식으로 이루어지고 있다. 주선율 드라마는 국가와 정부의 관리 감독 아래 만들어지는 것이라 할지라도 사회의 변화에 따라 시장과 국가, 드라마 텍스트, 시청자가 상호 영향을 미치면서 타협하고 변화해가는 관계 속에서 존재한다.

• 한국의류산업학회지
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• 제2권4호
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• pp.317-324
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• 2000

Pluralistic and diverse values exist in the realm of post modernism society. In this context, one particular outlook does not have the same meaning across the whole society. The creation and sharing of a new meaning do not necessarily need the consent of every member of the society. There have been a few attempts to delve into the relationship between sociocultural phenomenon and fashion trends in the pluralistic cultures. However, there has been little research on the theoretical framework in order to analyze a pluralistic phenomenon itself. The purpose of this study is to provide the theoretical paradigms to analyze and interpret various pluralistic phenomena in postmodernism fashion. Theories developed by Gilles Deleuze have been utilized to analyze and interpret the duct tape fashion which is in vogue among the young generation in the USA. The analysis based on the paradigm of Gilles indicates that the duct tape fashion shows pluralistic features of as in the other postmodern cultural activities.

• 수산해양기술연구
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• 제36권4호
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• pp.347-353
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• 2000

The construction and ability of CAE program are presented. The merit and ability of MATLAB which is widely using in the field of recently engineering and natural science are also introduced. Also, analysis program of frame structure used the MATLAB language which is divide in 4th generation language is presented. In this paper, the proposed program using MATLB language to be based upon the composition of general CAE program is composed to preprocess, solver and post-process procedure. And it is able to carried out the static and eigenvalue analysis of truss structure and two dimensional frame structure. Also, for the sample pre-processing and post-processing, it is used the characteristic of input window and plot window to be made of the various GUI function. Each finite elements to be required for analysis is formulated by the Galerkin's method, as a kind of weighted residual method. For check of the results of calculation for program used in this paper, the results to be calculated using program to be developed by the author was compared with its of ANSYS code for general structural analysis about two dimensional truss and frame structure.

• 환경위생공학
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• 제15권3호
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• pp.15-23
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• 2000

This study's purpose is the investigating the created liquid post-acid fermentation of usability of denitrification as exterior carbon sources by loading capacity of Organic matters. The time of acid fermentation of food waste, the slower loading capacity of organic matter, the faster decomposition fate, but the density of generation $VFA_S$ was weak and, $SBOD_5$ : ST-N rate and $SBOD_5/SCOD_{Cr}$ rate was low. Between TS and VS, VS was decreased to 6th day rast, and then was decreased slowly. Two days after stating the experiments, $SCOD_{Cr}$, $SBOD_5$, STOC and $VFA_S$ was decreased or increased slowly, and then increased fast. And after showing the highest density, it was tended to decreased fast. About 5 days after, because about 5 days later $CH_4$ bacteria activity due to the accumulation of $VFA_S$ was limited, $CH_4$ density was weak. When highest density in the acquisition of VFA, $R_1$ was $10,120mg/{\ell}$, $R_2$ was $11,380mg/{\ell}$, $R_3$was $13,720mg/{\ell}$. So $R_3$ only cut was highest generation. At the time of $SBOD_5$ with the highest density, at $SBOD_5$ : ST-N ratio, $R_1$ was 243:1, $R_2$ was 278:1, $R_3$ was 293:1. All of these were high $SBOD_5$ : ST-N ratios. And $R_3$ was the highest. After studying $SBOD_5$ : ST-N ratio and $SBCD_5/SCOD_{Cr}$ ratio, as a carbon source of biological denitrification it was profitable composition ratio.

• 한국콘텐츠학회논문지
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• 제14권6호
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• pp.34-43
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• 2014

중국 수용자들은 아이치이, 유쿠, 러스왕, PPTV 등 온라인 동영상 서비스 같은 미디어 환경의 변화로 여러 채널을 통해 한국, 미국, 일본, 영국, 태국, 인도 등 다양한 국가의 드라마, 영화, 오락 프로그램 등을 선택, 시청할 수가 있다. 최근 다양한 장르의 한국 대중문화가 중국에서 인기를 끌고 있는데, 이러한 현상은 중년 여성을 중심으로 한 드라마가 인기였던 초기 한류 시기(1997-200년대 초)와는 달리, 현재는 드라마뿐만 아니라 K-pop, 오락 프로그램 등 다양한 장르로 퍼져나갔고 인터넷 동영상 서비스를 통해 한국 대중문화를 접할 수 있게 되었다. 본 연구는 중국 80-90호우(后)의 외국 대중문화 수용태도를 파악하고자 한국, 미국, 일본 대중문화의 선호 장르와 이유, 선호 대중문화 및 국가 이미지를 비교분석하였다. 분석결과, 국가별 선호 장르와 이유에서의 유사점과 차이점을 발견할 수 있었으며, 선호 대중문화와 국가 이미지와의 밀접한 관계를 파악할 수 있었다. 본 연구의 결과를 통해 중국에서의 한류의 지속가능한 발전 모색을 위한 기초자료로 사용하는데 기여하고자 한다.

• 융합신호처리학회 학술대회논문집
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• 한국신호처리시스템학회 2000년도 추계종합학술대회논문집
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• pp.93-96
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• 2000

본 논문에서는 2D 자연영상을 MPEG-4의 메쉬 구조로 압축/저장하기 위한 메쉬 구성(meshgeneration)의 전처리에 사용될 수 있도록, 특징점들을 블록기반의 웨터쉐드 영역분할과 다각형 근사화를 통해 추출하는 방법을 제안한다. 우선 2D 자연영상을 8$\times$8 또는 4$\times$4 블록 패턴분류를 이용한 웨터쉐드 분할을 이용하여 영역별로 분리해 낸다 이렇게 분할된 영역의 구분선을 이루는 화소들은 영상의 특징을 나타내며, 이들은 폐곡선을 이루게 된다. 이들 폐곡선 위의 연속적인 화소들을 다각형 근사화와 중복 정점을 제거하는 후처리를 이용해 특징점으로 얻어낸다.