• 대한인간공학회지
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• 제9권2호
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• pp.3-9
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• 1990

The paper concerns with the visual illusion strength for the static and dynamic figures which are generated on computer CRT. The Vertical-Horizontal, Ponzo, and Muller-Lyer illusion are studied under various conditions of type, size, and background angle of figure. And the results are obtained through the Multivariate Analysis of Variance (MANOVA). This paper concludes that the size and background angle of figure generally effect on the visual illusion, and there is a significant difference between figure types. These results can be applied to eliminate the visual illusion in real design.

• 복식
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• 제60권3호
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• pp.1-9
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• 2010

The purpose of this study is to develop Blue-Jean Design for Ideal Body Shape. The final aim of Fashion design is looks beauty of people by optical illusion. This study is based on Gestalt therapy and, is blue jeans design using optical illusion of vertical line for ideal beauty body image. Optical illusion for blue-jean design effect to achieve the ideal body shape. We can accumulate the preceding study for modern clothing from design and the related optical illusion effects. Vertical line stitches have all the advantages especially in pants design. I design blue jeans using optical illusion theory. The results of this study are as follows: First, Vertical line helps that jean has the long body shape effectively. Second, Jeans which have two or more vertical lines is more effective than simple Jean in order to make slim body shape. Third, Appropriate position of horizontal lines can be effective to make long body shape. Fourth, Top stitch, pin-tuck and pleats can be applied to vertical or horizontal lines instead of cutting lines.

• 융합정보논문지
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• 제7권1호
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• pp.43-48
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• 2017

디자인 트렌드는 시대에 따라 변해왔으며, 최근 21세기의 디자인 트렌드는 환경 친화적인 디자인이 대세이다. 특히 디지털 컨버전스 시대로 불리는 최근에는 옵티컬 일루젼 디자인이라는 새로운 디자인 트렌드가 부상하고 있다. 본 논문에서는 환경 친화적인 UV 경화성 수지를 이용하여 가구용 옵티컬 일루젼 패턴을 디자인하였다. 디자인된 옵티컬 일루젼 미세 패턴을 포토리소그라피 반도체 미세패턴 공정으로 제조된 마이크로 몰드를 이용하여 제조하였다. 옵티컬 일루젼 미세 패턴은 PET 필름 위에 UV 경화성 수지와 롤투롤 공정으로 제조되었다. 제조된 옵티컬 일루젼 미세패턴 PET 필름은 홀로그램 효과를 나타내었으며, 필름 배면에 실시한 디지털 프린팅으로 금속 질감을 나타내었다. 제조된 옵티컬 일루젼 디자인 패턴을 이용하여 emotional furniture로 부르는 새로운 디자인 개념의 가구를 제작하였다. 가구 제작에는 다양한 옵티컬 일루젼 디자인 패턴이 적용되었다. 이러한 UV 몰드에 의한 옵티컬 일루젼 디자인 패턴은 인테리어 디자인 소재의 새로운 트랜드가 될 것으로 전망된다.

• 패션비즈니스
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• 제7권6호
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• pp.57-66
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• 2003

With the occurrence of interest in image-presentation that helps express one's individuality in several place in our society, it has affected make-up field. Now, make-up is getting to be recognized as a key role player that reflects our social and cultural concerns not only by presenting a appropriate one that is proper when to use and what for, but also presenting individualistic images that are able to express one's attractiveness free from a last plain concept that meant merely applying cosmetics to one's face is makeup. Like above, the reason that a change for consciousness of the function of make-up was possible is a noticeable outcome that results from the difference before and after make-up. In other word, with the help of Corrective Make-up that makes use of optical illusion, the analytic research for features could have been carried out systematically, therefore, women get to present their beauty of innate facial shape and features at their pleasure. The basic principles of the Corrective Make-up, which was introduced to satisfy the purpose of the existing make-up take advantage of lines and colors that are part of the optical illusion. The nature of direction and movement was expressed by the direction and angle of lines and the colors are also able to induce the variation of images depend on the whole color around them or contrastive color around. This thesis is mainly about optical illusion through lines that are part of elements that induce the optical illusion and deals with phenomena that occur when we apply lines that are part of design into the make-up. And this is written for the purpose of establishing the last basis of make-up more scientifically and systematically through the research for the variation when we apply the nature of lines into our features and deriving facial image variation from it. This is also for study into the role of make-up as for psychological effect that is able to make facial images look different when the optical illusion with possible visual errors is applied into it. In conclusion, we can say "Make-up is optical illusion through visual elements such as lines, surfaces, books, touch and so on."

• 한국의류학회지
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• 제21권8호
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• pp.1287-1296
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• 1997

The purpose of the study is to make experimental whether three-dimensional body (especially face) has illusion based on theoretical background of form dimensions and color bright among precedent multi-form illusion, using the function of computer simulation. To investigate illusion that factors of clothing design(line, color, material) effect face, as the following is tried to solve giving change to neckline, collar, scarf which is believed to influence near face. How to make experiment as follows watching in order 13 scenes of a pair of with basic design and experiment design. Then the data were subjected to analysis of variance and Duncan's multiple range test. The result of this studying as follows, 1. Face looks larger in complex neckline than simple neckline. The larger collar is the larger face looks. 2. In white jacket, illusion(the lower luminosity of scarf color gets, the brighter face brightness gets) is shown. In black jacket, also illusion(the higher luminosity of scarf color gets, the darker face brightness gets) is shown. 3. In experiment on hardness and softness of face impression according to the material of collar, collar of knit and fur gives us assimilation illusion bring softer impression of face.

• 한국콘텐츠학회논문지
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• 제6권5호
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• pp.76-84
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• 2006

인간은 사물에 대해 그릇된 지각을 할 때가 있는데 이를 착각이라고 하고, 시각을 통해 느끼는 착각을 착시(錯視)라고 한다. 이러한 착시를 대상으로 하는 연구와 실험은 심리학적인 측면에서 뿐만 아니라 회화, 디자인, 애니메이션 등 많은 예술의 장르에서 다른 형태로 발표되어 왔다. 본 논문에서는 회화와 디자인에 많은 영향을 준 옵아트와 착시의 일종인 잔상의 원리를 이용한 애니메이션의 기본개요를 정리하고 색의 명도와 채도 그리고 색의 대비와 밝기에 따라 나타나는 착시를 이용한 예술작품의 원리를 분석, 학생들을 대상으로 그들의 지각의 정도를 설문조사 하였다. 착시를 이용한 예술형태의 연구는 오랜 시간동안 예술의 중심장르로 간주된 회화와는 다른 그리고 애니메이션을 포함한 영상예술에 있어서 또 다른 표현양식의 길이라고 생각한다.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2003년도 춘계학술대회 논문집
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• pp.84-89
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• 2003

The virtual reality(VR) technology can provide various stimuli, including, visual and auditory stimuli, simultaneously in the virtual environment and encourage the user to interact. Virtual reality is a set of computer technologies, which when combined, provide an interactive interface to a computer generated world. In this world the subject can see, hear and navigate in a dynamically changing environment in which he participates as an active player, by modifying the environment according to his will. Moreover, the subject can get a feeling for the virtual environment in much the same way as one feels real life situations. In the real world, a plethora of information from various modalities may be in conflict, and modulate each other to form an illusion. In this study we investigated whether a tactile illusion on a real hand could be evoked by a virtual stimulus, the time required to generate this illusion and its duration. This study shows that the illusion occurred, and that was correlated with presence score in the virtual environment.

• 한국의상디자인학회지
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• 제17권2호
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• pp.145-154
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• 2015

This study aims to identify the differences of body image when the stripe direction and width change of semi-tight skirt. The semi-tight skirt pattern was made using the standard size of a women in their 20s. 12 semi-tight skirt models combining 6 kinds of stripe directions and 2 kinds of stripe widths were made using CLO 3D virtual clothing system. The data was evaluated by 126 fashion design majors. The results were as follows; In accordance with the body image factor analysis of semi-tight skirt, three image factors were identified; whole body optical illusion, calf optical illusion and hip optical illusion. Among these factors, the whole body optical illusion factor is the most important factor. The body image depending on the stripe direction and width change of semi-tight skirt mostly showed the significant difference. In accordance with the analysis on the interaction effect of body image depending on the stripe direction and width change of semi-tight skirt, the whole body, calf and hip optical illusion factors showed the significance. The interaction of body image had independent influence on all factors of stripe direction and width. In particular, the interaction of stripe direction and width had the most significant influence on the whole body optical illusion.

• 한국의류학회지
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• 제17권3호
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• pp.475-490
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• 1993

Even though modem ideal body type is rather tall and slim one, most of women don't coincide with it exactly. The objective of this research was to study the optical illusion effect of clothing design line so that average Korean women can approach the modern ideal body type. This research also tried to show the more scientific method to make stimulus by computer simulation and to present quantitative data. For the experiment, 9 design variables were selected from design principal book as follows : waistline level, skirt length, horizontal line emphasis, vertical line emphasis. princess line, vertical stripe, horizontal stripe, diagonal stripe. Each variable was divided into 4 levels so that 36 experimental designs were made. Visual stimuli which same model was wearing each design were recreated by the CAD system. These were given to evaluating panels through slide projecter. Then panels compared experimental design with basic design by 'tall effect' and 'slim effect', All the data from the experiment were analyszed by ANOVA and DUNCAN test for multiple comparison to study significance, direction(positive or negative), degree, proper extent of optical illusion effect. The result showed that some designs have optical illusion effect to make better look. In addition, it proved that the stronger design variable does not mean the more optical illusion effect and there was proper extent which produce the best illusion effect in each design variable.

• Korean Journal of Radiology
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• 제21권4호
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• pp.462-470
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• 2020

Objective: To demonstrate that human visual illusion can contribute to sub-endocardial dark rim artifact in contrast-enhanced myocardial perfusion magnetic resonance images. Materials and Methods: Numerical phantoms were generated to simulate the first-passage of contrast agent in the heart, and rendered in conventional gray scale as well as in color scale with reduced luminance variation. Cardiac perfusion images were acquired from two healthy volunteers, and were displayed by the same gray and color scales used in the numerical study. Before and after k-space windowing, the left ventricle (LV)-myocardium boarders were analyzed visually and quantitatively through intensity profiles perpendicular the boarders. Results: k-space windowing yielded monotonically decreasing signal intensity near the LV-myocardium boarder in the phantom images, as confirmed by negative finite difference values near the board ranging -1.07 to -0.14. However, the dark band still appears, which is perceived by visual illusion. Dark rim is perceived in the in-vivo images after k-space windowing that removed the quantitative signal dip, suggesting that the perceived dark rim is a visual illusion. The perceived dark rim is stronger at peak LV enhancement than the peak myocardial enhancement, due to the larger intensity difference between LV and myocardium. In both numerical phantom and in-vivo images, the illusory dark band is not visible in the color map due to reduced luminance variation. Conclusion: Visual illusion is another potential cause of dark rim artifact in contrast-enhanced myocardial perfusion MRI as demonstrated by illusory rim perceived in the absence of quantitative intensity undershoot.