• 한국실내디자인학회논문집
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• 제16권2호
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• pp.270-277
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• 2007

Postmodern designers freely used historical motifs as symbolic expressions or ornamentations. Historical references often became a key to express their ideal against modern standardization. Among the historical references, Art Deco style was frequently appreciated by postmodern furniture designers from the 1960s throughout postmodern era. This study is Intended to explore the way of incorporating Art Deco in postmodern furniture design. Rational Italian designers in Anti-design Movement began to adapt historical motifs and Pop, and this spread out throughout to other Postmodern designers. The research explored how Art Deco and postmodern design are related and what the examples of Art Deco revival in the postmodern era we. In this sense the research mainly covered from the exhibition catalogs from the 1960s to 1990s. As a result of stylistic, symbolic, methodological analysis, Art Deco revival in postmodern era was an essential method to express anti-modern characteristics of postmodernism. In postmodern design, Art Deco was one of historical styles that surpass the limitation o( modernism, at the same time decorative style that express the postmodern ideal.

• 한국실내디자인학회논문집
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• 제32호
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• pp.13-20
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• 2002

This study is purposed to find fundamental characteristics in Grassi's architecture which has architectural principles in architecture itself and in the general frame of the historical facts of architecture. His architectural theories can be explained for rationality, historicity, universality. The method of architectural composition can be divided into urban morphological characteristic and compositional characteristic of architecture. The characteristics of the former are the reconstruction of the urban structure by the readjustment of an urban axis which is based on historical continuity of the city, the open court which is a passage transformed from colonnade that is the historical vernacular type and the respect for the city-line which goes with historical context. The characteristics of the latter are the use transformed of nine square which gives consideration to centrality and typology at the same time and the hierarchic division of the principal space and the subordinate space for the functional typical purpose. This analysis shows that Grassi's architecture is on the base of historical continuity and urban reality and for him architectural work is mental work which conflict with the real world for the reconstruction of the city.

• Asian review of World Histories
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• 제4권1호
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• pp.3-34
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• 2016

This introduction is both a statement of a research problem and an account of the first research results for its solution. As more historical databases come online and overlap in coverage, we need to discuss the two main issues that prevent 'big' results from emerging so far. Firstly, historical data are seen by computer science people as unstructured, that is, historical records cannot be easily decomposed into unambiguous fields, like in population (birth and death records) and taxation data. Secondly, machine-learning tools developed for structured data cannot be applied as they are for historical research. We propose a complex network, narrative-driven approach to mining historical databases. In such a time-integrated network obtained by overlaying records from historical databases, the nodes are actors, while thelinks are actions. In the case study that we present (the world as seen from Venice, 1205-1533), the actors are governments, while the actions are limited to war, trade, and treaty to keep the case study tractable. We then identify key periods, key events, and hence key actors, key locations through a time-resolved examination of the actions. This tool allows historians to deal with historical data issues (e.g., source provenance identification, event validation, trade-conflict-diplomacy relationships, etc.). On a higher level, this automatic extraction of key narratives from a historical database allows historians to formulate hypotheses on the courses of history, and also allow them to test these hypotheses in other actions or in additional data sets. Our vision is that this narrative-driven analysis of historical data can lead to the development of multiple scale agent-based models, which can be simulated on a computer to generate ensembles of counterfactual histories that would deepen our understanding of how our actual history developed the way it did. The generation of such narratives, automatically and in a scalable way, will revolutionize the practice of history as a discipline, because historical knowledge, that is the treasure of human experiences (i.e. the heritage of the world), will become what might be inherited by machine learning algorithms and used in smart cities to highlight and explain present ties and illustrate potential future scenarios and visionarios.

• 한국조경학회지
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• 제44권2호
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• pp.130-142
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• 2016

2005년 도시공원법 개정 이후 국내에는 역사유산의 보전은 물론 도시민의 휴식과 교육을 함께 도모할 수 있는 역사공원이 등장하였다. 이제는 역사공원의 운영 실태를 통해 국내 역사공원의 특성을 알고 그에 따른 제도적 보완을 모색할 때이다. 본 연구는 주요 국가의 역사공원 제도의 특성과 국내 역사공원의 지정 및 조성 경향을 분석하여 역사공원의 기능과 역할을 점검하고 향후 대응 방향을 마련하고자 하였다. 연구는 문헌고찰을 중심으로 하되, 역사공원 현황과 조성 과정을 관계 공무원과 전문가에게 전화 및 이메일로 확인하였다. 연구 결과, 역사자원은 주로 조선시대 유적에 집중되어 있지만 인물, 사건, 장소 등의 유산도 포함되며 근대기 유산도 증가하는 추세를 보였다. 역사공원은 기존도시와 신도시, 대도시와 지방도시 사이에 차이가 있으며 지방도시는 최근 경제 활성화와 정체성 강화를 위한 중요한 자원으로 역사공원을 이용하는 경향을 보였다. 또한, 공원의 종류를 역사공원으로 변경한 경우, 기존 기능과 일부 상충하는 문제가 발생하였다. 국내 역사공원은 역사유산공원, 역사기념공원, 역사주제공원과 역사적공원의 네 가지 유형으로 구분할 수 있었다. 이러한 세부적 유형분류는 향후 역사유산의 보전과 활용을 위한 전략적 토대가 되며 역사공원의 구체적인 운영 방향을 제시하는 기준이 될 수 있다.

• 보존과학회지
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• 제33권6호
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• pp.507-518
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• 2017

Through a combination of scientific analytical methods, the coloring materials used in $20^{th}$ century paintings in historical churches of Baclayon, Dauis and Loay, which are municipalities in Bohol, Philippines, were studied. Inorganic pigments were identified using SEM-EDS and XRD. Iron-based pigments were commonly found in the paintings, yielding dark yellow and brown colors. Zinc oxide was identified as the white pigment in the ceiling paintings of Dauis Church and Loay Church, while titanium dioxide was detected in the column painting in Baclayon Church. Organic analysis showed the presence of Pigment Yellow 3, a synthetic organic pigment. Paint layers, as well as other components of the samples such as grounds and metal leaves, were examined microscopically. It was observed that different types of grounds were applied on different types of surfaces. Moreover, organic pigments were found in combination with white extender materials. Microscopic examination also revealed alterations in the artworks, such as the overpaint layer found in the samples from Baclayon Church cornice and the imitation metal leaf layers applied over the original gilt surface in the Loay Church retablo.

• 문화기술의 융합
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• 제9권4호
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• pp.351-356
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• 2023

본 연구는 영화 <자산어보>(2021)가 19세기 성리학적 질서가 흔들리며 서서히 몰락해가는 조선을 어떤 방식으로 재현하고 있는지를 분석을 통해 살펴보기 위해 기획되었다. 분석에 앞서 역사극의 내레이션 특성을 고려하여 역사극의 분석틀을 제시하였다. 우리는 역사극의 분석틀을 활용하여 <자산어보>가 유배 서사의 플롯 구조를 기반으로 정약전, 장창대가 시대의 한계와 가능성 사이에서 주체적 개인으로 자신의 삶을 살아가는 모습을 재현하고 있음을 확인하였다. 흑백과 컬러 이미지의 대비, 보이스 오버 내레이션의 적극적 활용, 한시 자막과 음악 등으로 만들어낸 중심기억과 잉여기억을 통해 영화는 주체적 개인으로 살아가기 위해 필요한 것이 무엇인지에 관한 보편적인 질문을 우리에게 던지고 있다.

• 한국수학교육학회지시리즈D:수학교육연구
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• 제8권1호
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• pp.19-30
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• 2004

This research applies the discursive approach to investigate the social transformation of students' conceptual model of differential equations. The analysis focuses on the students' use of metaphor in class in order to find kinds of metaphor used, their characteristics, and a pattern in the use of metaphor. Based on the analysis, it is concluded that the students' conceptual model of differential equations gradually becomes transformed with respect to the historical and cultural structure of the communal practice of mathematics. The findings suggest that through participating in the daily practice of mathematics as a historical and cultural product, a learner becomes socially transformed to a certain kind of a cultural being with historicity. This implies that mathematics education is concerned with the formation of historical and cultural identity at a fundamental level.

• Smart Structures and Systems
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• 제13권3호
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• pp.375-388
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• 2014

The effectiveness of using the advanced seismic protection technology based on shape memory alloy (SMA) dampers to preserve a historical minaret is investigated. The proposed studied case, the minaret of Mansourah, is a seven century old minaret located in Tlemcen, Algeria. Its original height was of 47m, while nowadays, the monument is half destructed and its current height reaches the 40m. The proposed seismic retrofit is based on the technique that utilizes SMA wires as dampers for the upper flexible part of the minaret. The effectiveness of the proposed technique is numerically evaluated via non-linear finite element analysis using the structural software ANSYS. The effectiveness of the proposed device in mitigating the seismic hazard is demonstrated by the effective reduction in its dynamic response.

• Earthquakes and Structures
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• 제10권2호
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• pp.483-494
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• 2016

Historical structures that function as a bridge from past to present are the cultural and social reflections of societies. Masonry bridges are one of the important historical structures. These bridges are vulnerable against to seismic action. In this study, linear and non-linear dynamic analyses of historical Nadir Bridge are assessed. The bridge is modelled with three dimensional finite elements. For the seismic effect, artificial acceleration records are generated considering the seismic characteristics of the region where the bridge is located. Seismic response of the bridge is investigated.

• 복식
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• 제60권5호
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• pp.35-50
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• 2010

The purpose of this study was to know how helmet and armor was reinterpreted in historical play by considering general concept and type of old helmet and armor from the aspect of costume history and comparing the helmet and armor types of TV historical plays, Yeongaesomun and Taewangsasingi, whose historical backgrounds were based on the age of Goguryeo. The helmet and armor type shown in Yeongaesomun was reinterpreted as the one, which is close to historical investigation, by reappearing lamellar armor and jongjangpanju(helmet made of slim, long plate) shown in Goguryeo wall painting. The helmet and armor type shown in Taewangsasingi expresses fantastic helmet and armor by adding fantastic factor regardless of historical investigation. The study result reveals that there are several common characteristic factors between the helmet and armors of two historical plays. First, there was a classification in the display of character and story. The helmet and armor type shown in Yeongaesomun classified color and detail design depending on lamellar armor or character. In Taewangsasingi, the helmet and armor was manufactured depending on character's nature and the chain armors, which are lighter than existing helmet and armors, were usual. Second, they escaped from the historical investigation about traditional helmet and armor. In Yeongaesomun, myeonggwangae(a type of armor), which might be popular, was not expressed and Taewangsasingi is free from an imperative idea of historical investigation by manufacturing helmet and armor referring to that of ancient Rome age. The modern sense was reflected to increase dramatic effect. The helmet and armor of Yeongaesomun provides modern feeling by using stainless steel material and modern color arrangement and that of Taewangsasingi is designed in modern, splendid way as it aimed at game development from the planning step.