• 한국의류학회지
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• 제34권8호
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• pp.1265-1276
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• 2010

The carelessness of basic design form in education can result in a lack of creativeness and critical thinking ability that will decrease adaptability in a rapidly changing fashion industry. If the fashion education just repeats the previous education of basic form of design, it will be impossible to create original value in fashion design. It is necessary to re-establish the characterized program of the basic form of design education. This study develops concrete educational contents of the basic form of design that can be applied to fashion design through the study of the fundamentals and the concepts of the basic form of design. This study is the basis for the cultivation of talented designers with creativity, forming ability, problem solving skills, and critical thinking ability. The research method is the fundamentals, specialty publications, and designs studied. As a result, an education program for the basic form of design to be used in fashion design education was developed. The development of education contents of the basic form of design has been developed as the plane form that aims the perceptual and emotional effects through the expression of the objects, through the use of dots, lines and planes that are the basics in forming practice and the expression of the abstract images. This suggests subjects composed of the various progressive forming conditions with the abstract dots and lines. In this subject and during the process of the idea, development, and fashion design, the overall unity, harmony, and the theory of gestalt (closure, proximity, and similarity) has been obtained. As a result, the content of the subjects was developed from the perspective that comprehensive decision making skills made from the process can lead to an improved sense of the fashion design.

• 대한조선학회논문집
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• 제45권4호
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• pp.455-461
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• 2008

This article describes a part of collaborative research between industry and academy to develop an initial hull form of 46 feet motor yacht. Hydrodynamic performances such as stability, resistance and seaworthiness were estimated after completing the procedure of hull form design in the initial design stage.

• 대한조선학회논문집
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• 제55권3호
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• pp.196-204
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• 2018

Present paper shows the basic design procedure for platform support vessel operating in open sea, and hull form development process. General design concept considering the operating mission, operating sea condition and shipping freight, etc. is explained shortly. For the hull form design, the initial hull form was designed based on the reference PSVs. The resistance and propulsion test results for the initial hull form with twin Azimuth thruster were analyzed and a few items for improvement were derived. At the next stage, main parameters including Length, Cp-curve, Cb, Lcb, etc. were changed totally for the hull form improvement. Furthermore, 3 different bulbous bows for the fore-body design to reduce the wave resistance and after-body design to reduce the residual resistance were carried out. The best hull form among the 3 fore-bodies with same after-body was selected through the comparison of wave resistance calculation results. Twin ducted Azimuth thruster with the smaller propeller diameter than the former were adapted to increase the propulsive efficiency. The final hull form with the twin Azimuth thruster was evaluated to satisfy more than the target design speed 14 knots in sea condition with sea margin 15% at the 5,000kW BHP through the model test in KRISO.

• 대한조선학회논문집
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• 제33권1호
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• pp.182-188
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• 1996

선형 설계는 concurrent ship design의 첫단계로서, 조선 CIM 시스템 구축을 위해 매우 중요하다. 본 논문에서는 이러한 인식하에 CIM 개념에 입각한 초기 설계 단계에서의 선형 설계 업무와 기능에 대하여 정리하였다. 그리고, 상용 3D-CAD 시스템을 이용한 선형 설계 시스템(DWHULL)을 개발하였다. 결론 부에서는 향후 개발 방향 및 시스템 보완 사항을 제시하였다.

• 한국실내디자인학회논문집
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• 제14호
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• pp.10-18
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• 1998

This study aims to make clear visual quality of organic form and structural order that is immanent in nature about a form as formative principles of architectural space design the significanced of this study is to prove the application possibility in to functional form architectural space design. All organic forms in nature has a unique shape and pattern in structure to be self-controled and good in order. Such an order in nature comes from regular construction and ratio principles which has aesthetical order by mathmetics. The specialty of beauty in nature can be revealed not only visual form but also the ratio balance and rhythm of structural principles. As we examine the aesthetic source embodied some object can be developed in to basic principles. Furthermore through this study we can find out that the form construction theory in nature forms share the quality attribute with geometrical form to be shown in architectural space design. Natural forms are ultimate visual expression of power that effects on the architectural space design. The rule of power in nature as nature formal characteristics have a direct influence and can be also applied to architectural construction. Therefore I expect that this study will be linked and continued to another structural view.

• The International Journal of Costume Culture
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• 제8권2호
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• pp.105-110
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• 2005

This paper documents a dress design process to demonstrate the theory that form follows intent. It includes a statement of the design context as a venue where the conceptual intent originated. The dragon icon became the subject, form, and content of the design project. The author's designerly endeavor is discussed with focus on reconfiguration of formal characteristics shown in the visual reference of the eastern dragon symbol into a dress design with the consideration of utilitarian, expressive, and symbolic issues. Throughout the process, the author was an active agent who created formal characteristics, manifested a thought into an object, and imbued a meaning to the dress, demonstrating the notion that form follows intent.

• 한국실내디자인학회논문집
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• 제14권3호
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• pp.36-45
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• 2005

The aim of this study is to understand the meaning of Form drawing in which Louis 1. Kahn's principal thought is immanent through the detail analysis on design process of the Phillips Exeter Academy Library, based on his sketches and writings. The basic form is composed of three different space: one where students come together in the presence of books, another for the storage of books, and a third for reading in the light. Through the design process in the Exeter library, the basic form is maintained and it is derived from the consideration of the human activities in the library Particularly, the basic form is shaped around the idea that learning necessarily Involved two complementary activities: on the one hand, the quiet introspective act of reading, and the other, the interpersonal exchange of ideas. And the basic form plays an important role in controlling the relationship between program requirements and formal transformations in the design.

• 대한조선학회지
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• 제24권2호
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• pp.20-28
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• 1987

In general, preliminary hull form design is performed by changing a parent hull form using a computer to satisfy given requirements, e.g., principal dimensions, displacement, $L_{CB}$, and etc. Principal dimensions, $C_b,\;L_{CB}$ and midship sections are the only parameters to be modified in the traditional hull form variation methods available for preliminary design. In this paper, a method is presented in which local cross sections as well as principal dimensions and midship sections are modified according to design requirements. The method gives hydrostatic curves of modified hull form simultaneously. An optimization technique to satisfy the constraints of hydrostatic characteristics such as maximizing KM as a design requirement is also considered.

• 디자인학연구
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• 제17권3호
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• pp.91-100
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• 2004

자연은 끊임없이 신비한 산물들을 대량생산해내는 만물의 공장이며, 그 산물들은 끊임없이 변화하고 있다. 또한 자연은 인간이 살아가는 환경을 둘러싼 미적 아이디어를 끊임없이 제공한다. 그러므로 인간은 자연을 대상으로 시각적 관찰을 통해 표현하고자 하는 자연스런 충동에 따른 조형을 추구하게 된다. 자연에 대해 인간이 얻을 수 있는 미적 체험은 그 대상에 대하여 시각적으로 연구할 때, 연상에 따른 형상들을 의식적으로 떠올릴 수 있게 해주는 미학적 변형의 원천인 것이다. 수없이 변화된 자연물과 마찬가지로 의식적으로 경험되는 인 공의 산업 생산물은 자연물과 구조적, 형태적 질을 공유하며 조형적 균형을 위한 의미를 갖게 된다. 자연을 관찰하여 질서나 원리를 통해 디자인에 적용시키고자한 시도는 바우하우스 이후 디자인의 한 방법으로서 부분적으로 실천되어 왔지만, 자연에 대한 연구과정이 서로 분산된 영역에서 진행되어왔다. 최근에 이르러서 이러한 연구는 관련 분야간에 복합되는 입장에서 매우 중요시되고 있다. 따라서 자연유기체의 다양한 범주들을 본 연구에서는 단지 부분적으로 제품디자인 측면에서 고찰하지만, 종합적으로 디자인학적 조형성과 자연유기체의 조형학적 접근은 기본적으로 중요한 것이라 생각하여 본 소고에서 고찰해 보고자 한다.

• 한국해양공학회지
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• 제12권3호통권29호
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• pp.103-111
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• 1998

This paper describes the initial hull form design process which generate a hull form using a neurofuzzy modeling. Neurofuzzy system is to combine the merits of fuzzy inference system and neural networks. Therefore it has structured knowledge representations as well as adaptive capacities. Initial hull form design stage is the process which generate an adoptable hull form from the limited design information and multi-decidions condidering correlations with design factors. It can be assidted efficiently by neurofuzzy system. This paper suggests two methods of an initial hull form generation using the neurofuzzy modeling and B-spline theory. and examines the usefulness of suggested method through its application examples.