• 제목/요약/키워드: Yellow gold

검색결과 77건 처리시간 0.023초

황화 스트라이프 대륜계 호접란 신품종 '옐로우 크림' 육성 (Development of a Phalaenopsis (P. Blume) Cultivar, 'Yellow Cream' with Striped Yellow Flower)

  • 빈철구;김진기;김수경;노치웅
    • 화훼연구
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    • 제19권3호
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    • pp.177-180
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    • 2011
  • 경남농업기술원 화훼육종연구소에서 1997년부터 교배조합 육성을 위하여 국내의 재배농가와 종묘업체로부터 유전자원을 수집한 후, 2000년부터 2006년에 걸쳐 교배 및 계통선발육종을 하였다. 2006년부터 2008년까지 3회의 특성검정을 거쳐서 호접란 신품종 '옐로우 크림'을 개발하였다. '옐로우 크림'은 황색스트라이프 대륜계 꽃을 가진 품종으로 설판은 적색을 띤다. 꽃 크기가 10.3 cm 이상이 될 정도로 꽃이 큰 편이며 대비품종에 비해 화형은 둥글고 립이 붉으며 꽃잎의 모양이 반원형으로 아름다운 모양을 가지고 있다. 또한 꽃배열도 우수하며 꽃수도 많은 편이다. 엽색은 연한 녹색이며 생육속도도 빠르고 재배하기가 용이하다. 평균 꽃 수명 또한 55일 이상으로 길다. 소수의 품종만이 시장에 나와 있는 황색 스트라이프 계통의 신품종으로서 국내외 시장에서 기호도가 높을 것으로 판단된다.

삼국사기의 복식연구 IV -색복의 부인 복색을 중심으로- (A Study on Women′s Costume Colors in the Sumptuary Laws of Silla in Sam Guk Sa ki(三國史記))

  • 김진구
    • 복식문화연구
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    • 제6권2호
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    • pp.36-44
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    • 1998
  • The purpose of this study was to identify and to classify the names of costume colors of women of Silla. The results of this study can be summarized as follows; Until now scholars and researchers interpreted nine colors in Sam Guk Sa Ki as nine colors explained in the dictionaries. However, term, nine colors in the contexts did not refer to the literary meaning of nine colors such as blue, red, yellow, white, black, green, purple, pink, and navy blue as explained in the dictionaries. 'Nine colors' of Silla were women's costume colors which were specified in the royal edict in the texts. Thus, 'nine colors' of Silla had a specific meaning rather than literary meaning. 'Nine colors' of Silla women's costume were identified as red( ), yellow(黃), purple(紫), purplish pink(紫粉), gold powder(金屑), pink(紅), yellow powder(黃屑), dark pink(緋) and dark purple(滅紫). These 'nine colors' were actually prohibited colors in women's costume in the royal edict. Women from true bone, the highest class, were prohibited the use of tow colors of red and yellow out of nine colors. While women from four du pum and common class were forbidden the use of nine colors out of total of nine colors. Kinds and numbers of colors of costume were used as a means of differentiating the social class and rank of women in Silla. Also it was found that women of Silla favored red purple, pink tones and yellow color in their costume and these colors were fashionable colors among women of Silla. These fashionable costume colors of Silla women seems to be influenced by fashions of women of T'ang dynasty of China. Red, purple, pink, yellow and green were favorite colors of women of T'ang dynasty of China.

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Feasibility Study for Detection of Turnip yellow mosaic virus (TYMV) Infection of Chinese Cabbage Plants Using Raman Spectroscopy

  • Kim, Saetbyeol;Lee, Sanguk;Chi, Hee-Youn;Kim, Mi-Kyeong;Kim, Jeong-Soo;Lee, Su-Heon;Chung, Hoeil
    • The Plant Pathology Journal
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    • 제29권1호
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    • pp.105-109
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    • 2013
  • Raman spectroscopy provides many advantages compared to other common analytical techniques due to its ability of rapid and accurate identification of unknown specimens as well as simple sample preparation. Here, we described potential of Raman spectroscopic technique as an efficient and high throughput method to detect plants infected by economically important viruses. To enhance the detection sensitivity of Raman measurement, surface enhanced Raman scattering (SERS) was employed. Spectra of extracts from healthy and Turnip yellow mosaic virus (TYMV) infected Chinese cabbage leaves were collected by mixing with gold (Au) nanoparticles. Our result showed that TYMV infected plants could be discriminated from non-infected healthy plants, suggesting the current method described here would be an alternative potential tool to screen virus-infection of plants in fields although it needs more studies to generalize the technique.

이집트 복식의 재해석을 통한 미적 특성에 따른 조형적 특성에 관한 연구 (The Aesthetic and Formative Characteristics of Egypt Retro Trends)

  • 김은실
    • 복식문화연구
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    • 제17권3호
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    • pp.383-395
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    • 2009
  • The purpose of this study was to provide a formative charateristics by analyzing aesthetic charateristics of Egypt costume expressed in contemporary fashion. The result of this study obtained through this process were as follows. Aesthetic characteristics were expressed as a primative-retro characteristics, and a erotic-retro characteristics and a decorative-retro characteristics. Based on these trends, this study analyzed formative charateristics in an aspect of form, color, material, and decoration. In the modern fashion, unlike the H-line silhouette given by a natural fit in the primitive retro, the erotic retro was characterized in the shape by a tight H-line silhouette. For the color, peach, yellow green, gold, light blue, red, and black were used as the main color. For the material, see-through, gauze, mesh, organdy, and tight vinyl were utilized to emphasize an erotic image and expose a body secretly. For the decoration, the characteristic of erotic retro using the simple or same colors frequently was the use of similar accessories colors matched with material colors. The decorative retro was characterized in the shape by a H-line silhouette connected as a part of clothing which applied passium and a greatly modified silhouette from an Egyptian simple style which was well-matched with splendid accessories. For the color, the broadest range of color changes was found from light pastel such as white, yellow, light pink, burnt orange, blue, purple, silver, gold, and red to strong vivid tones. For the material, modern materials such as organdy, tulle, leather, and furs were often used. For the decoration, passium, an eagle pattern, scarab earrings, a crown, a sneak-shaped coronet, and pictograph printed on the fabric were frequently used.

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서울 동관왕묘 소조상 채색안료의 정밀분석 및 동정 (Characterization and Analysis of Painted Pigments for the Clay Statues in Donggwanwangmyo Shrine, Seoul)

  • 이찬희;이정은;한나라
    • 보존과학회지
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    • 제28권2호
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    • pp.101-112
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    • 2012
  • 동관왕묘(보물 제142호)는 조선시대(1602)의 건축물로서 관우, 장비, 우장군, 주창 및 조자룡 등의 소조상이 안치되어 있다. 이 소조상들의 채색층은 먼지 등 무기오염물로 인해 안료의 원색이 손상되었으며, 수차례의 보수 및 덧칠로 인해 원형이 훼손되어 있다. 소조상의 채색안료에 대한 정밀분석을 위해 X-선 회절분석, SEM-EDS, P-XRF 및 색도 측정을 실시한 결과, 적색과 갈색의 안료는 진사, 석간주, 연단이며, 연적색은 석고를 첨가하여 조색하였다. 흑색과 금색은 각각 흑연과 금(Au)박이 사용되었으며, 녹색 안료에서는 공작석, 염화동 및 해록석이 동정되었다. 매우 선명하게 발색된 청색은 현대 안료로 보채한 것으로 판단되며, 백색은 백악, 석고, 연백이 모두 검출되었다. 석황과 밀타승은 각각 황색과 연황색 채색에 사용되었다.

순창 운림리 농소고분 출토 목관 칠 분석을 통한 제작방법 연구 (Lacquer Layers and Making Methods of the Wooden Coffin Excavated from the Nongso Tomb of Unrimri, Sunchang in Korea)

  • 이혜연
    • 보존과학회지
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    • 제33권5호
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    • pp.355-362
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    • 2017
  • 순창 농소고분은 적성면 운림리 일대와 내월리 농소마을을 둘러 형성된 구릉지 능선에 위치하고 있다. 고분의 토광은 비교적 깊은 곳에 조성되어 도굴의 피해가 없었으며 전체적으로 다량의 숯으로 채워져 있어 목관이 비교적 좋은 상태로 출토되었다. 고분 구조 및 매장시설, 출토 유물, 방사선탄소연대 측정 결과를 종합하였을 때 농소 고분의 축조시기는 고려시대 후기부터 조선 초기까지로 추정하고 있다. 농소고분에서 출토된 목관은 목곽과 목관의 2중 구조로 목관 외면에 두껍게 옻칠을 하고 금색 문자와 흰색 문양으로 장식되었다. 안료 분석 결과 금색 문자는 금(Au), 흰색 문양은 은(Ag)이 주요 성분으로 확인되었다. 칠 막은 안료 층, 황갈색 층, 검은 층의 3개 층으로 관찰되었다. 검은 층은 그을음과 같은 검은 물질로 목재 바탕의 밑칠로 사용되었다. 황갈색 층은 옻칠로서 정제칠로 추정된다. 목관 칠막 분석을 종합하면 칠 제작방법은 금박을 이용하는 방법과 금분을 이용하는 방법으로 추정된다. 안료 형태 및 내부 구조상으로는 금박이 유력하지만 표현된 글자의 형태를 보면 금분을 이용한 것으로 보인다. 따라서 향후 금박과 금분을 이용한 재현실험을 통하여 제작방법을 확인한다면 고분 축조 당시 칠기 제작기술을 파악하는데 중요한 자료가 될 것이다.

한국 전통 자수의 색채와 배색에 관한 연구 (A Study on the Coloring and the Arrangement of Colors of Korean Traditional Embroidery)

  • 윤지영;하지수
    • 복식
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    • 제56권8호
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    • pp.95-112
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    • 2006
  • This study examines the Korean traditional and characteristic coloring through the color of Korean traditional embroidery. This research gives the chance to establish the cultural identity of Korea and presents the aesthetic standard of color images. Also, practical use of Korean traditional colors through this study provide opportunities which develope cultural merchandise in the world. were chosen as the references to analyzed the Korean traditional colors through gungsu: court embroidery, buddhist embroidery, everyday embroidery and clothing embroidery. Because this book published in commemoration of '20th General Conference and 21th General Assembly of ICOM' in 2004, which presented excellence of Asian culture. The color of these works were divided by 'Pantone Solid Color Chips' which organized by CMYK color system and categorized by Obangsaek. 'Gungsu' had vivid and splendid color sense which used strong and bright colors and 'buddhist embroidery' had mild and mysterious feelings which used low saturation.'Everyday embroidery' used the red color group frequently and 'clothing embroidery' had brighter colors comparing to other embroidery groups. The 'Chung(blue)' group had diverse color tone rather than one-tone color. This means that Koreans prefer the 'Chung' and used it regularly, also this color symbolized the racial characteristics. Even though 'Whang(yellow)' was prohibited because the color for emperor, in the case of embroidery, there were a variety of yellow colors from 'gold' to pale yellow and grayish yellow. The arrangement of colors in 'gungsu', tone on tone, complementary and bicolore coloring was used mostly which presented a strong and elegant color sense. On the other side, 'buddhist embroidery' used tonal coloring which gave gentle and noble feeling. 'Everyday embroidery' presented separation and accented coloring which was the example of common people's humor and originality. In the case of 'clothing embroidery', there was dominant lightness, separation, tone on tone and camaieu coloring which added gorgeousness in Korean traditional clothing.

경복궁 근정전 단청안료의 성분분석 (The composition analysis of Danchung pigments at Geunjeongjeon Hall in Gyeongbokgung Palace)

  • 조남철;문환석;홍종욱;황진주
    • 보존과학연구
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    • 통권22호
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    • pp.93-114
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    • 2001
  • The composition analysis of Danchung pigments at Geunjeongjeon Hall in Gyeongbokgung Palace were carried out by FXRF and MXRD. The analytical result of the inside pigments at Geunjeongjeon showed that these painted in use the mineral pigments. Gold pigment was pure gold(Au).The main composition identified in green pigments were chalcanthite($CuSO_4$.$5H_2O$) and celadonite($K(Mg, Fe, Al)_2$.$(Si, Al)_4O_10(OH)_2$ ). Red pigments werecinnnabar(HgS).The analytical result of the outside pigments at Geunjeongjeon revealed that these applied to the artificial synthetic pigment. Yellow pigment was chromeyellow($PbCrO_4$). The main composition identified in red pigments were red lead($Pb_3O_4$)and hematite($Fe_2O_3$). Green pigments were emeral green($C_2H_3A_s3Cu_2O_8$) and chromegreen($Cr_2O_3$). Blue pigment was lazurite($Na_6Ca2Al_6Si_6O_24(SO_4)_2$), titanium dioxide($TiO_2$) of white pigment.

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일장 및 온도조건에 따르는 잎담배 품종간 반응 (Varietal response in tobacco under photoperiodic and temperature Conditions)

  • 허일;이용득;이은웅
    • 한국작물학회지
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    • 제8권1호
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    • pp.111-115
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    • 1970
  • 1) 본 실험은 Y.S.A. Gold leaf, oxford 1, Awha Yungzung, Samsun, Maruha, Hatano, 등 8개 품종을 온도와 일장 반응으로 본 것이다. 2) 온도는 저온을 야외(10~$20^{\circ}$) 고온을 온실($20^{\circ}C$~$35^{\circ}C$)에서 맞추었으며 일장은 8.10.12.14로 처리했다. 3) 이를 요약하면 1) 단일 조건에서는 고온보다 저온에서 장일조건에서는 저온보다 고온에서 개화가 촉진되었다. ii) 대체로 고온 장일에서 보다는 저온 단일에서 다소 개화가 촉진 되었다. iii) 그러나 위와 가튼 경향은 품종간에 많은 차이를 볼 수 있다.

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