• 한국실내디자인학회논문집
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• 제27권1호
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• pp.109-116
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• 2018

Prairie style houses in first stages of Frank Lloyd Wright's architecture activity pay a leading role in the process of house modernization as reflecting social and economic circumstances of the time based on traditional house style of the States. Wright's first work after retiring from L. Sullivan's office, Winslow house in 1983 is pioneering work predicting prairie house. This is because this house has only one modern architecture language of Wright and follow no style prevailing of the time. So, a researcher analyse Winslow house within the framework of functional thinking and new formative value creation in the modernization process of western house. Through this, The goal of this study is to find out modern characteristics and the meaning of Winslow house in modernization process prior to the 1900s. Firstly, the followings are modern characteristics of Winslow house. First, Winslow house has original planning breaking from custom based on modern functional and reasonable thoughts, and has practical space reflecting resident's inner demand. Second, Winslow house has modern new plastic value through original exterior breaking from custom and integrated shape of inner-outer space and structure. Secondly, the followings are the meaning of Winslow house in modernization process prior to the 1900s. First, Wright intend to suggest directions of residence modernization through Winslow house before designing Prairie style houses in earnest. Second, mixing of modern vocabulary and eclecticism show a sign of residence modernization process on the time. Third, inner-outer flowing space, opening space concept of Winslow house has innovative meanings predicting spacial characteristics of modern architecture.

• 한국산학기술학회논문지
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• 제21권5호
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• pp.656-663
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• 2020

본 연구는 본격적인 작품이 이루어지는 1940년 전·후(탈리에신 웨스트를 기준)하여 라이트의 건축적 디자인 개념과 구성요소들이 어떻게 변화했는지를 조사·분석하였다. 분석 결과 라이트는 프뢰벨과 일본의 영향 외에도 고대 마야문명의 영향도 받았고 이를 탈리에신 웨스트 작업실을 시작하게 된 계기를 만들어 준 빌트모어 호텔에 직접 실현시켰다. 이후 라이트의 건축 디자인 구성요소들이 변화됨을 알 수 있었다. 특히 탈리에신 웨스트 작업실이 위치한 애리조나의 지역적 특성, 사막 기후를 고려했을 뿐 아니라 그 지역의 식물인 오코틸로 선인장 색인 체로키 레드를 자신의 상징적인 색으로 적용하였다. 그리고 1940년 이전과 비교하여 변화된 디자인 개념을 정리하면 1) 1940년 이전의 공간형성을 위한 정(방)방형의 모듈에서 이후에는 원과 나선형이라는 디자인 개념으로 변화하고 2) 단순히 수직성을 강조한 기둥의 형태가 다양한 모습으로 변화하였고 3) 라이트가 건축 초기 시절에 사용한 박공지붕이 1940년 이후에는 하늘을 향해 솟아나는 다양한 형태로 변화하였다. 이런 변화는 이전에 실현되지 못한 잠재된 자신의 다양한 경험들이 누적되어 나타난 결과임을 알 수 있었다.

• 한국정보과학회논문지:소프트웨어및응용
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• 제30권12호
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• pp.1185-1192
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• 2003

소프트웨어 아키텍처기반의 컴포넌트 조립 및 합성기법에서 기존의 아키텍처 기반 조립기법인 ACME, Wright 등은 커넥터의 Role을 통하여 컴포넌트들 사이의 직접적인 연결구조에 의한 선요구 선처리로 운용된다. 그러나, 커넥터에서 운용되는 선요구 선처리 기법은 각 특성을 달리하는 컴포넌트들의 비동기적인 요구 발생시 효율성이 낮은 컴포넌트가 요청되어 처리가 할당되면 효율성이 높은 컴포넌트의 처리를 위해서는 단순히 순서를 기다려야 하므로 컴포넌트들의 요구처리에 대한 효율적인 처리 및 운용이 어렵다. 따라서, 조립 컴포넌트들의 운용성 향상을 위하여 커넥터에서 각 호출 컴포넌트들의 특성을 고려한 우선순위에 따라 요구에 대한 할당처리가 필요하다. 본 연구에서는 기존의 Wright명세를 기반으로 커넥터부분을 다중 연결구조에서 사용 가능하도록 확장하였으며, 컴포넌트로부터 요청된 서비스처리를 위하여 조립 컴포넌트들의 효율성 요소 중 CPU사용율, 빈요구 처리시간, 메모리 사용율에 대한 가중치를 계산하여 우선순위를 산정하여 운용되도록 설계 및 구현하였다. 이러한 적용결과로 각 효율성 특성을 달리 갖는 샘플 EJB 컴포넌트 20개를 구현하여 시험 및 운용함으로서 기존의 선요구 선처리 기법 대비 481ms의 소요시간 차이를 보이고 있으나 효율성이 높은 컴포넌트의 요구부터 먼저 처리됨으로서 전체 시스템의 효과적인 운용이 가능하였다.

• 대한수학회논문집
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• 제38권2호
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• pp.461-468
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• 2023

This paper attempts to investigate a new subfamily 𝓢𝓣_𝜗,𝜎 (𝛼, 𝛽, 𝛾, 𝜇) of spirallike functions endowed with Mittag-Leffler and Wright functions. The paper further investigates sharp coefficient bounds for functions that belong to this class.

• 한국주거학회논문집
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• 제17권2호
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• pp.1-10
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• 2006

In the resultant period of architectural transition and a tendency towards unthinking formalism, it is all the more important for designers to question the meaning of their actions and their role in society. Modern architects were convinced that their visions were reality, their ideas truth. Yet this assumption is was the fundamental issue, for what reality and how is it perceived? Harries argues a rediscovery of a language of natural symbols, which might help create buildings that are experienced as necessary rather than arbitrary. These symbols are said to express the essential patterns of human existence in the world. In the Frank Lloyd Wright's works, the uniqueness of his architecture lies in its expression and interpretation of nature and people's existence in the world. This study is intended to be an investigation of the nature of physical expression and perception of the reality known, and to seek to present Wright's philosophy of house design in relation to nature and non-arbitrary architecture. Finally this paper concludes that the architectural expression of expressions of Wright's houses are timeless and full of lift, and these built qualities are necessary and could not readily be otherwise.

• 대한건축학회논문집:계획계
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• 제34권8호
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• pp.31-41
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• 2018

This research examines pioneering works of two representative Western modern architects which played a significant role in constructing modernity in the early 20th century: Frank Lloyd Wright's Florida Southern College and Ludwig Mies van der Rohe's Illinois Institute of Technology. These two campuses were constructed and developed at the similar period by two named architects, and these were considered the collections of iconic modern buildings in the States. However, design approaches and principles of these buildings were totally opposite ways: Frank Lloyd Wright's Florida Southern College was in the roof of organic architecture drawn from a great Chinese sage, Laotze, which have more five hundred years history. On the other hand, Ludwig Mies van der Rohe's Illinois Institute of Technology was well embodied the International Style which originated from European tradition in the early 20th century, and Mies was one of the leaders of the International Style. These different approaches could be understood in the discussion of the meaning of the Greek concept of paradoxa which was mentioned by a German philosopher Martin Heidegger. Comparing the paradoxical gestures of these two campuses can reveal the truth of each campus master plans and expand the discourse of modern architectures.

• 한국실내디자인학회논문집
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• 제23권2호
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• pp.12-20
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• 2014

The purpose of this study is to analyze the general patterns of the floor plans and space of Usonian house which designed by Frank Lloyd Wright. this thesis can be summarized as follows : 1) F.L.Wright's houses mostly used simple geometric shapes as the basis for most of his architectural designs. In his early works, his typical floor plans were square or rectangular shapes, which gradually were transformed into various kinds of shape to make the adjustment of location of the site and shape. 2) The general patterns of floor plans of his U-houses were L-shaped or straight shaped using a $4{\times}4$ grid system. Most of U-houses consisted of 3 space: living room, workspace(Kitchen) & dining, and bedroom. Among them, a workspace worked as core role in each house. 3) Even though solid wall is the opposite concept of the transparent glass but most U-houses were designed to have solid walls on one side to provide a gallery space(to secure habitability of resident) and transparent glass walls used on the other side to connect between interior space and natural space of exterior. 4) The cantilever have not been used before Usonian house but F.L.Wright used it which take charge of functions as transfer space between inside space and outside space. 5) F.L.Wright saw the nature as a truth, so he thought the interior space would be natural and all houses must be able to adjust to the natural environment.

• 한국농촌건축학회논문집
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• 제18권4호
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• pp.1-8
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• 2016

This study is to investigate the meaning and value of Usonian Automatic House System(UAHS) of Frank Lloyd Wright in his later period, focused on materials, methods, and his thoughts. The results of this study are follows. UAHS was the outcome of moderate cost and prefab house which Wright had successively attempted after the early Prairie period. The construction was simple and comparatively cheap, but subsequent automatics were difficult and expensive to build. Nevertheless, it was sufficiently flexible to support a rather wide range of house designs. Concrete was the inert mass and a plastic material. Wright saw a kind of weaving coming out of it. He also saw a kind of concrete masonry, steel for warp and masonry units for woof in the automatic concrete block. The reinforced bars in hollowed joints of concrete block increased the safety factor and affected the expression of the construction through the stabilization they provided. But they did not give concrete block the capability of structural span. Standardization as the soul of the machine might be seen in UAHS. The concrete blocks were more cheap, lighter, and larger hollowed plain than textile blocks in 1920s. But the variety of pattern and different block types in the UAHS were achieved at some sacrifice of standardization. The repetitive nature of production was compromised for artistic goals. The sense of compromise was not maximized, however, because the units as installed looked far more repetitive than they actually were.

• 한국실내디자인학회논문집
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• 제25권2호
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• pp.163-174
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• 2016

The purpose of this study is to reveal the space composition of fireplace and common features of both Prairie and Usonian House found within Wingspread House. This house is the last and largest Prairie house and zoned house built in a Usonian period. However, this house is not an independent work, but rather Wright's evolutionary experiments of fireplace from his early works and his pursuit of Usonian ideal. This paper can be summarized as follows: 1) Living room has been transformed to allow spatial continuity towards exterior view and access and between neighboring rooms by removing doors and inglenook. At the Wingspread house Wright has introduced a freestanding fireplace in a living room with higher and prominent roof structure, therefore the space became a focal point as well as the central space of the entire house. 2) Wingspread and Coonley house have gallery space in common, but they have different settings in the living room composition. Also the living room and gallery space of Wingspread and Usonian houses have prospect and refuge principle by expansion and compression. 3) Wingspread house is a successful combination of Prairie and Usonian style to meet client's requirements in space composition and Wright's technology and economical experiments. This study is intended to reevaluate the significance of this house bridging his two great residential periods.

• 한국실내디자인학회논문집
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• 제5호
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• pp.45-52
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• 1995

Frank Lloyd Wright, a master of the 20th Century Ar-chitecture, contributed tremendously in creating a wholly new form of American architecture called Prairie Style. His idea behind the development of the building structur-al system, organic relationships between inner and outer space, horizontal vertical lines, and idea of extending and expanding interior spaces came from nature. He had completed over 390 projects throughout his life and 90% of those projects were residential design. The most typical characteristic shared by many of his residential design was that each design element, whether it is functional or aesthetical, has close relationship to or-ganic nature, human scale, theoretical floor plants, and maximum emphasis on horizontal lines in respect to na-ture. His concept of "flow of spaces" reformed common the-ory of room next to room in a enclosed space. His sense of "wall" was no longer the side of a box. Careful selec-tion of finishing materials, colors, and natural images en-hance the design as well. F.L. Wright was an artist, designer, and architect who believed the exterior space should have direct relationship to the interior space. His architectural philosophy was not only to design exterior of architecture but also to ful-fill his space through the careful development of interior elements such as furniture, and lighting fixture. Even the patterns for leaded glass windows were designed to have unified appearance from outside to inside of the house. The objective of this study was to analyze floor plans, spatial organizations, and interior design elements of the houses which represent the best of F.L. Wright's design principles and philosophy behind Prairie Style. The meth-od used to collect informations for this study was based on books, articles, journals, and actual site visits. actual site visits.