• 한국문헌정보학회지
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• 제38권1호
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• pp.173-197
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• 2004

대학도서관의 조직과 인원이 이용자와 서비스를 중심으로 바뀌어 가는 과정에서 나타나기 시작한 주제별 자료실 조직구조는 국내 185개 대학도서관중 56개 도서관(30.2%)이 채택하고 있는 것으로 조사되었으며 지속적으로 그 수가 늘고 있는 것으로 파악되었다. 이에 따라 보다 한국적 상황에 맞게 적용시키고 효과를 극대화하기 위해서는 자관의 현실과 상황을 고려한 체계적인 절차와 과정을 통해 준비되어져야 할 필요가 있다. 또한, 적용모델에 있어서는 국내 대학도서관 현실과 물리적 지원의 한계를 고려할 때 도서관의 전체적인 조직구조에 있어서는 기존의 기능별조직을 유지하고 자료구분 및 참고봉사를 포함한 이용자 서비스 부분만을 주제별조직구조로 유지하는 혼합형 구조가 바람직하며 인적요소와 조건이 충족될 경우 일체형 구조를 지향하는 것이 바람직한 것으로 파악되었다.

• 복식문화연구
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• 제7권3호
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• pp.50-57
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• 1999

Folk belief, which originated with the rise of human existence is a fundamental and comprehensive mode of living that reflects sociocultural conditions. Adherents of folk belief accept a certain thing to be true and real without scientific authority and absolute certainty. Taboo can be seen as a king of folk belief. The object of this study is to examine the taboos in relation to the manufacturing process and the quality of the shroud and to shrouding customs. I will also try to find out the meaning and significance in this. Through this task, I hope to contribute to the enhanced understanding of the cultural characteristics, the spiritual life, and the views on after life of the Korean people. In Korea, it is considered to be propitious to prepare the shroud on the intercalary month of the leap year , as it allows one to enjoy longevity healthy and sound. Moreover, as this belief gives credence and repose while preparing for the “final departure”, this custom is relatively well observed. From the taboo concerning leap months, we infer that death as viewed as a commencement of a new life, which reveals a positive view on afterlife. This can be seen as a return to the origin of anti-universal space in this “bonus” month of anti-universal time. Taboos on the manufacturing process of the shroud is related to the belief that it allows the deceased to go the nest world without any hesistation or disturbances. This symbolizes the immortality of the human soul: I. e. that the human spirit does not end in this world but continues on to the next. Taboos concerning the preparation process of the shroud as well as various other taboos are related to the belief that preparation for the shroud should be done in sincerity and secredness with a thoughtful consideration for the deceased. This can be perceived as an implication to sanctity for the dead.

• 대한수학교육학회지:수학교육학연구
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• 제16권1호
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• pp.79-94
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• 2006

본 연구는 10명의 초등학교 5-6학년 수학영재들이 평면과 공간의 최대 분할이라는 과제를 해결하면서 보여주는 정당화 유형을 분석한 것이다 우선 문헌 연구를 통해 본 과제의 해결 과정에서 영재들이 보일 것으로 예상되는 정당화 유형 분석의 틀을 마련하고 실제로 초등 수학영재들이 자신의 능력에 따라 보여주는 정당화 과정의 특성을 분석하였다. 연구 결과, 초등 수학영재들 사이에도 정당화 수준에는 상당한 차이가 있는 것으로 나타났다. 초등 수학영재들에게서 외부적 정당화는 거의 나타나지 않았으며, 귀납적 정당화를 시도한 학생은 소수 있었다. 초등 수학영재들에게서 가장 많이 나타난 정당화 유형은 포괄적 정당화였으며, 형식적 정당화 수준에 이른 초등 수학영재도 일부 있었다. 이러한 결과는 초등 수학 영재들에게 패턴 찾기 탐구 주제를 제시할 때에 귀납적인 사례를 조사하도록 이끄는 방식이 그다지 적절하지 않으며, 일반화된 식의 산출보다는 정당화에 좀 더 초점을 맞춘 학습 지도가 필요함을 시사한다.

• 대한치과보철학회지
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• 제38권3호
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• pp.310-320
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• 2000

Statement of the problem. The record base in fabricating procedures of the complete denture, as a temporary form for reproducing denture base, is used to record upper and lower jaw relation and to align artificial teeth and try-in it in the mouth. The accuracy of jaw relation record is affected by the accuracy, stiffness and stability of the record base. So, the accuracy of record base is the most important requirements of jaw relation records. Purpose of study. The purpose of this study was to evaluate the gap that occurred over the palatal area of a maxillary record base fabricated with autopolymerizing resin and light-curing resin. Methods/material. The maxillary record bases were fabricated out of autopolymerizing resin that is used the most frequently in clinics and light-curing resin that attracts special attention for its several merits. The light-curing resin was made by two kinds of polymerization methods, which are one step curing method and multiple step curing method. All record bases were cut in certain positions of the master cast 1 hour and 1 day later after fabrication and the accuracy of the master cast was measured and analyzed with a microscope. Results. A pattern of gap formation between the record base and the maxillary cast was observed in all specimens. According to kinds of resins, autopolymerizing resin was significantly more accurate than light-curing resin. There was no statistical difference according to time lapse, and in all three groups, the maximum discrepancy occurred at the posterior border in the mid-palatal region. Conclusion. The autopolymerizing resin is better than light-curing resin, and multiple step curing method is more accurate than one step curing method when using light-curing resin.

• 대한지리학회지
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• 제43권6호
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• pp.1002-1015
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• 2008

이 논문에서는 기상관측소의 기온 및 강수 관측치를 이용한 공간적 분포도 작성에 수치표고모델(DEM)과 다변량 크리깅의 적용 가능성을 검토하였다. 기온 및 강수와 상관성을 가지면서 연구지역의 모든 지점에서 값을 제공하는 고도자료를 분포도 작성에 이용함으로써, 미관측 지점에서의 정보 부재 효과를 완화하면서 지형효과를 잘 반영하는 분포도를 작성하고자 하였다. 제주도 지역의 2005년 1월, 4월, 8월 및 10월의 월평균기온 및 월강수량 분포도 작성 사례 연구를 통해, 고도자료를 공동 크리깅에 의해 통합하였을 때 평활화 효과를 완화하면서 지형효과를 잘 반영하는 기온 및 강수 분포도 작성이 가능하였다. 또한 단변량 지구통계 기법인 정규 크리깅과 비교하였을 때, 보다 향상된 예측 능력을 나타내었다. 부가적으로 고도자료와의 상관성이 높을수록, 상대적 너겟 효과가 적을수록 예측 능력이 향상됨을 확인할 수 있었다.

• 한국지구과학회지
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• 제25권6호
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• pp.495-501
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• 2004

AGN(Active Galactic Nuclei)의 핵과 BLR(Broad Line Region) 영역의 변광 연구를 위해, 밝은 Seyfert 1 은하들에 대한 밝기 변화 감시 캠페인들이 있었다. 이러한 노력은 주로 지상 관측과 IUE 관측을 통해서 이루어졌으며, 가시광에서 감마선까지 모든 파장영역의 동시 관측도 시도되었다. 우리는 IUE를 이용한 주요 모니터링 대상이었던 NGC 4151과 NGC 5548에 대한 관측자료를 정리하여, 이들 중 SWP(Short Wavelength Prime), 저분산, 대구경 슬릿, 분광 관측 자료들을 분석하였다. Si III] 1892와 C III] 1909의 플럭스비를 통해 BLR의 전자 밀도를 구하였고, C IV 1550 와 C III] 1909 비를 통해 BLR의 온도와 이온호 정도를 가늠하였다. NGC 4151과 NGC 5548의 밀도 변화 폭은 각각 4배, 8배 정도로 작은 변화만을 보여주었다. 이들의 변화를 조사하여 BLR의 물리적 조건과 블랙홀 주위 활동성과 기하학적 특성 파악을 시도하였다. BLR 크기와 C III] 선폭으로부터 구한 중심 블랙홀의 질량은 모두 107 $M_{\odot}$ 정도로 추정된다.

• 한국의상디자인학회지
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• 제14권3호
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• pp.147-160
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• 2012

The costumes as an expression system in film are inserted intentionally for a particular purpose. Costumes in film, namely the cinematic dress code, and that in reality are dissimilar in meaning structure. The costumes in film perform a role of a complicated eye-catcher in correlation with the other filmic factors. But the previous studies on the costumes in film are focused on the keywords 'fashion style', 'fashion trend', or 'PPL (product placement)'. In film studies, however, the costumes should be observed from the point of view as semiosis, not as fashion, in other words, from the angle of symbol, icon and index. And the meaning and the process of the communication, which that produce, should be pointed out. It could expose, that costumes play one of the key roles for the developing of narratives and the creating of characters in film. Therefore, this study's aim is to examine the semiosis of costumes in film and to analyse the dress code, dress plot, and dress message in (1990) by Garry Marshall. But this work does not try to indicate the problems of the film-semiotics or to intensify the concept of the semiotic terminology. Thus, this study attempts to approach the theme of costumes in film from the perspective of the semiosis and its meaning process. With this, it has been proved, that semiotic systems are in hiding beyond the conventional forms of cinematic costumes and its natural harmony with characters.

• 복식
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• 제17권
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• pp.137-148
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• 1991

The use of bark cloth, made of the inner bark of certain trees, was widespread along tropical zones from the Africa to the Hawaii encompassing the globe. They include Malaysia, Indonesia, New Guinea, Polynesian Islands and South America. Among them the Hawaiian bark cloth, named Kapa(pronounced as tapa) was rated as the best quality and most admired. It has variety in designs and colors as well as the most sophistcated production methods. The distinct processes of kapa making are composed of two stages. The first is called first beating and it is a preparatory stage to beat the sea-water soaked bast. It was done with a round beater on a stone anvil. The second beating process was carried out with the squared beater and wooden anvil. The strips from the first beating was soaked again in the water and then beaten lightly to break up fibers. The craftmen laid a bundle of strips over the anvil and beat it into pieces of kapa. The second beater of Hawaii was the most characteristic one among bark cloth producing countries. On their surfaces were the engraved patterns, which were creation of theirs. These distinguished designs enabled them to produce the kapa with the thinner and finer texture and an elaboration of impressed designs known as "watermaks". The Hawaiian culture was self-sufficient one : Everything they used was of their own creation until 19th century. Among their inventions of printing designs on kapa are three most important and distinguished processes. They are the overlaying, the cord snapping and the block printing techniques. Their inventiveness as well as self sufficient environment made it possible to develop their fine art of the kapa making. It is said that the mass producing and cheap western technology of loom forced them to gradually abandon their traditional art and as a result this fine and valuable legacy of Hawaiian traditional kapa making technique is all but disappeared. However it is encouraging and heart warming to find that some of the people as well as specialized researchers pined together to form a group to try to reproduce the old kapa and study the traditional art. They consider the kapa as an expression of the ethnic identity with Hawaii's heritage as well as valuable art of human history.

• 복식
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• 제50권
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• pp.85-96
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• 2000

The study is aimed to analyse social and cultural background and to compare the changes of the cosmetic culture in Korea and the western countries accompanied by the developemnt os the cosmetic industry in the 20th century. The cosmetic culture of Korea has kept on changing adopting the new western style make up, These changes were very closely related with the current sociocultural environments and the developments of the cosmetic industry. The analysis and comparison of Korean cosmetic culture and that of Western countries can be summarized as following: Fistly the cosmetic culture of korea came out after Korean War through the improt of western movies. Secondly at the beginning of accommodation of the western concept of beauty the standards of beauty were confused with that of traditional make up. Thirdly in terms of the history of costumes in the western cosmetic culture the trend was feminine and curve lineal style in the 1910s straight and young style in the 1920s Young elegant curve lineal style and straight-line style replaced among themselves in every 10 years and the cycle became more rapid after the 1970s and there were diversity in the cosmetic culture affected by the postmodernism Fourthly the cosmetic culture of :total fashion" was taken into consideration. Fifthly the cosmetic culture of "total fashion" was taken into consideration. fifthly the make up of Korean and that of western countries are not only a way to express of aesthetic desire for beauty but sanitary management and it is a kind of an expansion of value for management for an inner self. Now is the time to refuse the attitude of accommodation of the western cosmetic culture without any consideration. We need to rediscover our traditional cosmetic culture and cultural distinctiveness and try to mix them with the western cosmetic culture in order to develop our own peculiar style which will be able to Korean design remain in the international stage and grow further.d grow further.

• 한국치위생학회지
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• 제14권3호
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• pp.431-438
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• 2014

Objectives : The purpose of the study is to investigate the recognition between laypersons and dental hygienists on expansion of health insurance of scaling. Methods : A self-reported questionnaires was filled out by 100 laypersons and 100 dental hygienists from October 7, 2013. Data were analyzed by SPSS version 21.0 program. Results : All the dental hygienists recognized the introduction of the health insurance of scaling and 71.0% of the laypersons agreed. The introduction of health insurance of scaling was responsible for the interest toward scaling in 80 dental hygienists(80.0%) and 66 laypersons(66.0%). 94% of dental hygienists answered that health insurance of scaling would prevent periodontal diseases. The expansion of health insurance of scaling revealed many periodontal diseases and 52% of laypersons answered that prevention of periodontal diseases would deprive the dental hygienists of their jobs. Conclusions : The expansion of health insurance of scaling can prevent the periodontal diseases and enhance the oral health services. So the government must try to expand the health insurance of scaling.