• Journal of Korean Library and Information Science Society
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• v.32 no.3
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• pp.117-147
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• 2001

This study researches to prove the character of the bottom book of the 'Tripitaka Koreana'and its carved book. From the research, it is Proved that the First Tripitaka 51books and the new Tripitaka that is the second Tripitaka collected in the Holim museum are the overtum cared books or the contracted overtum cared books of 'Tripitaka keybo'. And finds out some outline on the bottom and compared book used when published the new Tripitaka by comparing it by Sugi Buddhist priest: he published the new book using the Songbon(宋本) at first as the bottom book and compared it with the Kookbon(國本) and Danbon(丹本) and contracted it based on them. This corrected Songbon was used once more as the bottom book of the new Tripitaka. And It is grasped that some Tripitaka containing some serious mistakes and missed in Songbon was corrected based on the Kookbon and Danbon and caved it or made a new carved book to insert or substitute it to the new Tripitaka. study researches So this study concludes that such differences showing in these two books are on the bases of the gaps in time and space between them.

• Journal of Korean Library and Information Science Society
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• v.37 no.1
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• pp.405-428
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• 2006

The purpose of this research is to establish the classification system of Chojo Tripitaka Koreana, and analyze the contents of its print held by Horim Museum. Major discussions included are as follows: First, the characteristics and significance of Chojo Tripitaka Koreana are examined. Second, based on Taejang Mongnok, which is the Bibliography of Tripitaka Koreana, the classification system of Chojo Tripitaka Koreana is established. Third, by closely examining 10 titles and 21 volumes of Chojo Print from the collection of Horim Museum, it is proved that its contents and sequences in scriptures of Chojo Print are the same as those of Taejang Mongnok and therefore the classification system in this research is adequately established. Fourth, it is found that in the Avatamska Sutra held by Horim Museum, five volumes of the Avatamska Sutra which originally consists of fifty volumes, are included. And it is also found that in Chaejo Tripitaka Koreana, the Avatamska Sutra, which consists of sixty volumes, were inserted in their place.

• Journal of the Korean Wood Science and Technology
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• v.24 no.3
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• pp.80-89
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• 1996

Tripitaka Koreana was made during Koryo Dynasty from 1236 to 1251 A.D. Buddhist scriptures were engraved on 81.340 wooden plates. This study was made to identify species in these archaeological wooden plates using light and scanning electron microscopes. The results were as follows more than 62% of whole specimens investigated was Prunus sp., which was used in wooden plate 64% and wooden plate edge 56%, Pyrus sp. was used 13% of whole specimens and 31% of wooden plates. Therefore, 75% of whole Tripitaka Koreana was made by these two species. Acer sp., Betula sp., Machilus sp., Cornus sp., Daphnilhyllum sp., Prunus sp. were also identified but extreamly rare. Especially Machilus sp. and Daphnilhyllum sp. originally distributed in subtropical zone of west and south coast in Korea were identified, suggested strongly another engraving place of Tripitaka Koreana, Namhae bunsadogam.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.22 no.1
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• pp.27-46
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• 2011

The present paper is focused on Korea's inscribed heritages, digitization of the Tripitaka Koreana & miscellaneous buddhist scriptures, and public uses of the digital properties in order to describe the Digitization & Popularization of Printing Woodblocks of the Tripitaka Koreana and Miscellaneous Buddhist Scriptures, Memory of the World. The Goryeo Daejanggyeong or the Tripitaka Koreana and miscellaneous Buddhist sculptures refer to printing woodblocks of the Tripitaka(National Treasure No.32), and repositories (National Treasure No.52) where the woodblocks are stored. The woodblocks numbers 1,514 types/81,350 blocks/162,700 pages. Haein temple has worked the digital Tripitaka project 2009-2010 and The project for 2010 will focus on DB correction and modification, improvement of homepage that was made in 2009. For this, the focus was especially put on investigating current status and development plans of the digital Tripitaka project. In popularization of the digital Tripitaka, this study examined the Korea's utilization policy and current situation of knowledge resources about culture, successful cases of digital Tripitaka projects, and popularization strategies. This research can contribute to digitization of other cultural heritages and related researches in the future.

• Journal of Korean Library and Information Science Society
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• v.35 no.2
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• pp.73-94
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• 2004

This study is made of proofreading some documents about ‘Tripitaka Koreana’, which was unknown and not noticed quite well until now and is also for montemplating the features of ‘Qidanzang’ that were accepted in ‘Tripitaka’. By all the researches the following facts were found out. First, ‘Qidanzang’ included in ‘Tripitaka’ were all 18 cases. Second, ‘Qidanzang’ that were corrected and accepted into ‘Tripitaka’ were 42cases. Third, ‘Qidanzang’ that have errors at comparing documents were all 11cases. Fourth the sutra that were accepted in the comparative book were all 57 cases. Fifth, unaccepted sutras , which were found out at comparative documents, were 4cases. At last, from the analysis abouve, we notice that most of the ‘Qidanzang’, not part of it, were accepted into ‘Tripitaka Koreana’ and like the previous viewpoint, ‘Qidanzang’ was an excellent book but it also had a few mistakes.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.7 no.1
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• pp.103-146
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• 1994

Koryokukshinjodaechangkyochongbyollock is an epoch-making catalogue for historical study of proofing Buddhist scriptures in Korea. This bibliography was appended to the 30 volumes which was corrected in 70 Ham, 66 scriptures, and 79 cases. Comparing the differences between the first carved Tripitaka' s texts in Korea, texts made in the Sung dynasty, and the Kitan's texts, this catalogue discovered the name of scriptures, translators, volume number, the changed am order as well as omission, defaults, mistranslation of the Tripitaka made in the Sung dynasty. From Chon-ham to Young-ham, 480 sets among Kaewon-sokkyorock and 43 sets among Chongwonrock were correctly laid. Songshinyokkyong and the Sung Emperor, T'ai Tsung's statements were excluded. Even though it was possible to get these scriptures only by import from Sung, these imported scriptures had no reason to be proofed because of their new version and the author's direct selection in Sung. Shinchipchangkyon-geumeuisuhamlock has no authentic Sung's and Koryo's text books for correction. kyochongbyollock delivered the scriptures listed on Kudaechangmoklock, which gives an important clue to research transformation from the first to the second carved Tripitaka. Through the systematic study of the transformated facts beteween the first carved Tripitaka and the second one, This study would help rebulid the original Chojodaechan-gkynng which has been not yet perfectly discovered itself.

• Journal of the Korean Society for Library and Information Science
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• v.46 no.1
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• pp.263-288
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• 2012

The purpose of this research was to examine the significance of the first edition of Tripitaka Koreana. In this research, the following were done: 1) by clarifying the place and date of praying for the engraving of the first edition of Tripitaka Koreana, its significance as "Daejanggyeong" produced to expel the Kitan was more clearly explained; 2) its physical characteristics were examined to provide evidence of the artistic and creative features of its engravings, quite different from those of the Gaebo Tripitaka made in China; and 3) its structure was analyzed from a viewpoint of a systematic bibliography. It was found that since the first edition of Tripitaka Koreana contained all the earlier lists of Buddhistic scriptures in China(and individual scriptures were thoroughly examined and included into its content since the reign of King Munjong), it had a systematic bibliographical significance demonstrated by its comprehensive and cumulative nature.

• Journal of the Korean Society for Library and Information Science
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• v.45 no.2
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• pp.75-96
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• 2011

This research investigated the facts about the place and date of praying for the engraving of the first edition of Tripitaka Koreana. Major findings are as follows: 1) The very first idea of engraving the first edition of Tripitaka Koreana was evidenced in the record of 'The beginning of Tripitaka Koreana' from 'Daejanggakpan Gunsin Gigomun' written by YiGyuBo. 2) After comparing the contents of 'Daejanggakpan Gunsin Gigomun' with the record of the third volume of 'Goryeosa Jeolyo' dated February 13, 1011, this researcher confirmed that 'Daejanggakpan Gunsin Gigomun' also recorded this historical fact. 3) In the third volume of 'Goryeosa Jeolyo' dated February 13th, 1011, it is documented that a ritual was held to pray to the gods of heaven and earth for expelling the Kitan from the country. Further, the document states that this particular ritual consisted of a ceremony of lanterns held at the temporary palace in Cheongju on February 15th, to report to the gods on 'the engraving of the first edition of Tripitaka Koreana' 4) Therefore, it is verified that the date of praying for the engraving of the first edition of Tripitaka Koreana was February 15th of the lunar calendar, 1011(the second year of King Hyunjong's reign), and the place was the temporary palace in Cheongju.

• Journal of the Korean institute of surface engineering
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• v.37 no.1
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• pp.22-27
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• 2004

Copper electroforming process has been applied to duplicate Koryo Tripitaka (Taejang'kyong), wooden printing block. Thin copper replica printing plates of 1 mm thickness was successfully manufactured from the printing face (54.5${\times}$25.5 cm) of wooden printing plate. Major processes are (1) silicon rubber replication of the master (2) silvering on silicon rubber (3) copper electroforming (4) separation of copper from the silicon mandrel (5) final coloring by brass plating and trimming. This process has various Potential applications in making thin metallic objects such as plaques, statues, bust and hollow metal objects for jewelry.

• Journal of the Korean Wood Science and Technology
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• v.45 no.5
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• pp.629-639
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• 2017

Tripitaka Koreana in Haein Temple, Hapcheon Province is the most historical and largest heritage in this country, however the species of their blocks have yet been unknown. A nondestructive test method is necessary to investigate their species. The oven-dry density of wood was measured by inversely using the principle of high frequency moisture meter. The oven-dry densities of more than 100 domestic species of specimens estimated by measurement method and high frequency moisture meter were compared and following conclusions were obtained. There was highly close correlation between the oven-dry density estimated by measurement method and the oven-dry density estimated by high frequency moisture meter. The densities of Tripitaka Koreana that was a global cultural heritage could be correctly estimated by using high frequency moisture meter and the equilibrium moisture content under which Tripitaka Koreana equilibrated, thus, it was expected to provide the key to species identification.