• 철학연구
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• 제116권
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• pp.59-78
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• 2010

이 논문의 주된 목적은 경험주의적 언어관을 지탱해 왔던 '언어-경험 대응'이라는 가정이 근원적으로 그릇된 것이며, 그 가정에 근거한 문자적 의미 또한 공허한 이론적 가정의 산물이라는 점을 밝히려는 것이다. 필자는 체험주의적 시각에 의존해서 언어가 기호의 체계이며, 따라서 그 의미 또한 기호적으로 주어질 수밖에 없다는 점에 주목했다. 기호적 경험의 구조에 대한 체험주의적 해명에 따르면 기표의 의미는 그것에 기호적으로 사상되는 경험 내용이다. 나아가 기호적 사상이 본성적으로 부분적이라는 것은 기표와 사상되는 경험 내용 사이에 본성적 괴리가 존재한다는 것을 의미한다. 이러한 괴리는 일대일 대응의 원천적 불가능성을 의미하며, 그것은 문자적 의미의 불가능성을 의미한다. 이러한 새로운 구도 안에서 언어적 의미에 대한 해명은 기호적 경험에 대한 해명의 일부가 되어야 한다. 여기에서 객관주의가 가정했던 객관성은 발견되지 않을 것이다. 그러나 언어는 여전히 소통 가능한 정도의 안정성을 드러내며, 우리는 그 안정성의 근거를 신체적이고 물리적인 경험의 공공성에서 찾을 수 있을 것이다.

• 한국의류학회지
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• 제38권4호
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• pp.495-505
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• 2014

This study investigated the type of fashion brand concepts and derived the components of fashion brand concepts. A total of 125 brand concept texts of women's wear brands were collected from "2012/2013 Korea Fashion Brand Annual" (S. M. Kim, 2012). A qualitative research method was employed. To investigate the types of fashion brand concepts, the texts were classified into three types such as functional, symbolic, and experiential concepts, and four complex types such as functional/symbolic, functional/experiential, symbolic/experiential, and functional/symbolic/experiential concepts. Open coding and axial coding provided the components of fashion brand concepts. The results were as follows. First, an investigation of the types of fashion brand concepts indicated differences in the types of fashion brand concepts and the types of general product brand concepts. One content of a fashion brand concept could be interpreted as more than two concept types; consequently, many fashion brand concepts did not fit the notion of the types of general product brand concept. Most fashion brand concepts simultaneously encompassed more than two types of brand concepts at once. Second, the components of fashion brand concepts consisted of 55 subjects, 7 sub-categories (physical/intrinsic product characteristics, symbolic/conceptual product characteristics, target demographics, target consumer behavior, brand capability, brand values, and brand management/marketing) and 3 categories (product, target consumer, and brand).

• 한국콘텐츠학회논문지
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• 제13권11호
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• pp.79-86
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• 2013

일반적으로 애니메이션에서 표현된 음식은 문화의 정서를 상징적으로 나타내는데, 음식에 대한 상징적 해석은 문화기호학적 측면에서도 다양한 연구가 이루어지고 있다. 본 연구에서는 미국과 일본의 애니메이션에 표현된 음식 장면에 초점을 두어, 1980년대 미국의 대표적인 가족 구성 애니메이션 "심슨(The Simpsons)"과 2002년 TV아사히에서 방영되어 2009년까지 일본 가족의 소소한 이야기로 큰 공감대를 형성하여 큰 사랑을 받아 온 "아따신찌(あたしンち)"를 대상으로 비교분석 하였다. 본 연구를 통해 애니메이션 제작 단계에서 인지적 작용의 중요한 요소가 되는 문화적 배경에 대한 이해와 애니메이션 표현의 상징적 속성에 대한 비교사례로서 작품 제작에 있어 하나의 기준으로 적용되기를 바란다.

• International Journal of Costume and Fashion
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• 제14권2호
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• pp.33-50
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• 2014

Investigations on the symbolic role, spiritual health benefits and efficacy of the clothing items of the Ga wolomo (chief priest) have received little attention. Highlighting the relevance of these clothes, this paper focuses on the chief priest's dress code for his appointment, confinement, ordination, ceremonial and daily life activities. Data were collected through content analysis, participant observation and interviews with people from selected Ga communities, such as La, Teshie and Ga Mashie. The findings revealed that the selection of the chief priest is confirmed with a special clothing item. His traditional clothes and adornment also have meanings, importance and symbolic interpretations; explained in their uses, colour and style. As the spiritual head, the role of the chief priest's costume is very distinguished and symbolic in executing his duties; protecting, strengthening faith, confidence and assurance during spiritual healing, and when solving pertinent problems in the community. The paper concludes by recommending further research and documentation on other aspects of the Ga clothing culture, such as hand items and hair styles from the pre-colonial period to the present.

• International Journal of Costume and Fashion
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• 제10권2호
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• pp.1-13
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• 2010

The purpose of this study is to investigate the behavioral complexities frequently arising in married couples with respect to clothing choices. Symbolic interaction theory was used to understand how spousal influence affects clothing selection after marriage. A convenient sample of nine married couples was interviewed for the data collection. A content analysis revealed how marriage affected their clothing choices, types of communication conveyed with their spouses about clothes and shopping patterns. The primary result indicated that individuals take their spouses' clothing preferences into consideration. Couples exhibited varying frequencies of communication about clothing choices and developed a variety of shopping patterns. As a result of the findings from this study, future research directions are suggested.

• 한국수학교육학회지시리즈A:수학교육
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• 제45권2호
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• pp.177-189
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• 2006

This study focuses on the analysis of prospective elementary teachers' representation of trapezoid area and teacher educator's reflecting in the context of a mathematics course. In this study, I use my own teaching and classroom of prospective elementary teachers as the site for investigation. 1 examine the ways in which my own pedagogical content knowledge as a teacher educator influence and influenced by my work with students. Data for the study is provided by audiotape of class proceeding. Episode describes the ways in which the mathematics was presented with respect to the development and use of representation, and centers around trapezoid area. The episode deals with my gaining a deeper understanding of different types of representations-symbolic, visual, and language. In conclusion, I present two major finding of this study. First, Each representation influences mutually. Prospective elementary teachers reasoned visual representation from symbolic and language. And converse is true. Second, Teacher educator should be prepared proper mathematical language through teaching and learning with his students.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2004년도 ICEIC The International Conference on Electronics Informations and Communications
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• pp.427-434
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• 2004

In this paper, we present a overview of content-based image retrieval (CBIR) systems: its results and its problems. We propose our CBIR system currently based on color and texture. From the CBIR systems. we discuss the way to add semantic values in image retrieval systems. There are 3 ways for adding them: concept definition, machine learning and man-machine interaction. Along with this we introduce our preliminary results and discuss them in the goal of reaching semantic retrieval. Different result representation schemes are presented. At last, we present our work to build a complete annotated image database and our image annotaion program.

• 복식문화연구
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• 제29권2호
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• pp.289-306
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• 2021

The study aims to define the Korean Wave as global attention to Korea's unique culture and consider the specificity of traditional Korean fashion images in Korean Wave content. The research method of this study is a case study through literature research. In order to collect Korean Wave content on YouTube, 24 channels with the highest number of views were selected from among content uploaded from 2018 to the present through keyword search, and up to two channels with high views showing traditional Korean fashion images. As a result of selecting the analysis target, 41 Korean Wave videos and 368 costumes were selected and analyzed based on fashion style elements, including item, color, detail, motif, styling, silhouette, and accessory. As a result of the study, music, broadcast, fashion, and other content were found in the Korean Wave content fields in which Korean fashion style appeared, and the characteristics of each field were derived. Music content was characterized by fashion style excluding stereotypes about traditional Korean costume, broadcast and fashion content was characterized by fashion style inherited from traditional costume, and other content was characterized by symbolic fashion style of traditional culture. This study is meaningful in revealing the formative characteristics of traditional Korean design elements recently shared online through the study of Korean traditional fashion images in Korean Wave content.

• 복식
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• 제54권7호
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• pp.41-54
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• 2004

This study purposed to apply function form content, the three concepts that have been discussed by many philosophers since ancient times, to fashion design. Specific research goals are : first, to define fashion design based on the three concepts : and second, to examine how each of the three concepts function-oriented, form-oriented and content-oriented design have been expressed in women's fashion in the $20^{th} century. For these purposes. the author considered Morris' semiotics, which is the theoretical background of the three concepts, reviewed previous researches in design area, and applied the findings to fashion design. According to the result of applying the threefold structure of semiotics. which is the theoretical background of the three concepts, the pragmatic dimension of fashion design comprehends all functional rules related to the use of dress such as body motion and protection, health and safety. air flow and durability, and its syntactic dimension comprehend all the formal elements of visual design such as the structure, shape, line, color and material of dress. The semantic dimension of fashion design includes the symbolic meanings of dress expressed by emotion, sentiment and images. The three dimensions exist interdependently with one another. According to the result of considering the characteristics of the three concepts in the scope of women's fashion in the $20^{th} century. function-oriented design is characterized by practicality and simplicity, and has been expressed as the fashion of functionalism in the 1920s, that of minimalism in the 1960s, and the basic style from 1970s to 1980s, 1990s and the present. Form-oriented design has pursued aestheticism, putting stress upon form, and has been expressed with organic shapes imitating patterns found in nature in the 1950s and with optical art fashion in the 1960s. Content-oriented design attaches importance to transmission of delicate meanings related to the mental world of human beings, and is represented with symbolic forms. Such a characteristic has been expressed in fashion in the early 20th century influenced by surrealism and, with various types of design breaking established forms as well as metaphors and humors that characterize design in the late 20th century.

• 디자인학연구
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• 제16권3호
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• pp.143-150
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• 2003

방향이나 목적, 기준 따위를 나타내는 표지의 역할로 웹 사이트에서 활용되는 아이콘은 사용자가 정보 분류에 따른 정보, 이른바 콘텐츠를 찾는데 가장 중요한 수단이 되고 있다. 사용자는 아이콘의 시각화가 콘텐츠의 내용을 정확히 담고 있을 때 인터넷 사용의 만족을 얻게 된다. 따라서 보다 사용자가 원하는 콘텐츠를 찾는데 있어서 빠르고 편리한 기능을 수행하게 되는 아이콘의 시각화는 그 중요성이 매우 높다. 이에 본 논문은 웹 사이트에서 공통의 콘텐츠를 지칭하고 있는 아이콘의 표현방식을 조사하여 무형의 콘텐츠와 유형의 콘텐츠로 나누고 그 사례를 기호적 입장에서 분석, 유형별로 가장 적합한 시각화의 방법을 제시하였다