• 한국주거학회논문집
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• 제20권5호
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• pp.61-72
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• 2009

The purpose of this study was to examine how the interface between "place of work" and "place of living" in the housing sphere has changed, and to understand its social background. During the korean modernization period, changes in economic structure toward industry has an influence on many aspects of modem life in addition to occupations. The traditional mixing of heterogeneous activities in the home-such as between reproduction and household affairs, first changed into a coexistence of two spaces with different functions within the boundaries of home, and finally into a spatial separation between functions in an urban dimension. As a result of this process, the primary role of the modem home is as a place for relaxation without work. One important kind of home, in which a retail shop is integrated with it, was researched as a transitional form. Its spatial layout showed a various combined usage of both spaces. In conclusion, changes in relevant macro-social aspects are very concretely reflected m the function and spatial organization of the home.

• 수완나부미
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• 제13권1호
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• pp.135-159
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• 2021

Thơ mới (Vietnamese New Poetry, 1932-1945) is a literary movement in colonial Vietnam that is broadly considered to have marked the modernization of Vietnamese literature. This paper examines depictions about natural disasters, ecological wounds, and about relationships between humans and nature in New Poetry, asking how those descriptions reflect social and political issues in colonial Vietnam. The paper argues that ecocriticism, developed in Western academy, brought to the New Poetry Movement new meanings, associated with a material world. That is the specific reality of colonial Vietnam in the early twentieth century, when the colonial modernization resulted in natural and social collapses in the area. This approach is especially significant, given that New Poetry is largely seen as the embodiment of the expansion of Western romanticism by Vietnamese scholars. Moreover, in examining Thơ mới (Vietnam) from perspective of ecocriticism, this paper extends the ecocritical approach to non-Western literatures. Specifically, although ecocriticism developed in the West, particularly in United States and England, it has become an effective approach to non-Western literatures, particularly since the early twentieth first century. In this context, Asian literatures, particularly Southeast Asian literatures, potentially offer ecocriticism new meanings, many of which are associated with local social and political conditions and histories.

• 한국주거학회논문집
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• 제15권1호
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• pp.63-74
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• 2004

Since the Japanese colonization,\ulcornerThe Architectural Association of Chosun(AAC)\ulcornerwas founded by the Japanese architects residing in Chosun. It is necessary to study the house related activities of this AAC as the process of modernization of Korean houses. As research materials,\ulcorner Chosun and Architecture\ulcornerwas used and the main concern of this research was based on competition of house design which were published in the magazines. There were four competitions which reflected the activity background of AAC with the social circumstances at that time and the research was done especially on the definite situation of the competition of house design. Also, the prize winning works were analyzed accordingly.

• 농촌지도와개발
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• 제3권2호
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• pp.285-297
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• 1996

One of the characteristics of the last four decades after 'World War II', was the 'discovery of famine' in the underdeveloped country, like Korea. A flurry of activities followed this sad discovery. Countless organizations and programs were set up to fight poverty and to combat famine in rural sector. In these days, the dominant development theory was 'modernization theory' which have gratuitously assumed that third world countries are like western countries are, and respond to the same stimuli as western countries do, although third world countries have completely different cultures, traditions, and mentality from western countries. Among the many problems caused by 'modernization theory', this research focused on the noel environmental problems. In the West the discovery of nature and its progressive control by means of science and technology are phenomena. Modem progress born in the West and carried to the rest of the world is not integrally positive and therefore can't be identified with the internal development of man and nature. As a result, the so-called modernization of Korea and other countries is contributing to the degradation of the nature and environment. It is important to give up the illusion that the fight against famine is a simple matter that could be solved through the imitation of western countries. It is also necessary to abandon the belief that the earth as a reservoir of unlimited resources, there to be exploited ad hoc for mankind's survival. Man-environment relationship must, essentially, be one of mutualism and not a case of survival of the fittest: In other words, man's survival is directly related to the survival of the earth and its resources.

• 한국식생활문화학회지
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• 제33권6호
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• pp.489-500
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• 2018

Since the late 19 century, the Choseon dynasty forcibly opened the door to western countries, including Japan. In addition, cultural propagation called 'modernity' caused subtle changes in dietary life. Based on the theory of colonial dual society, this study examined the dietary modernity in Kyungsung (mid 1930s~early 1940s) when 50 years had passed since the Open-Door policy. Three films, (1934), (1936) and (1941) (those made in 1930s~1940s) were analyzed. Twenty six scenes [14 scenes from , five scenes from , and seven scenes from ] related to the dietary life from films were chosen and classified according three criteria (degree of modernization, main influential countries, and benefit groups from modernization). The degree of modernization of all films was more than 80%. The average proportion of the countries that affected modernization were western (35%), western-Japan (28%) and Japan (20%). Approximately 33, 53 and 14% of the upper, middle, lower classes, respectively, benefited from diet modernization. The main places where modernized dietary culture could be enjoyed were cafes, western restaurants, tea rooms, and hotels. The main food or beverages that were considered as modernized dietary culture were liquor (especially beer), coffee, and western meals. People in Kyungsung in the mid 1930s~early 1940s experienced modernity in dietary life differently according to the social classes and these culture changes were generally accepted as a symbol of modernity.

• International Journal of Costume and Fashion
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• 제11권1호
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• pp.15-33
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• 2011

The late $19^{th}$ and early $20^{th}$ centuries of Korea were the times when the Confucianism (牲理學) ideology was shaken heavily under the influences of modernism and capitalism by Western and Japanese military and political-economic forces. Under such circumstances, alteration of clothing was much influenced by ideologies than changes in social structure or technological advance. In this study, an ideology was defined as "the force which drives people into a particular social order". Ideologies were postulated as an ongoing process of socialization with dialectic features rather than being a static state. Comparative analyses on conflict structures and different clothing patterns symbolizing the ideologies of the Ruling (支配) and the Opposition (對抗) were conducted. Investigating dresses as representations of ideologies is to reconsider the notion of dichotomous confrontation between the conservatives (守舊派) and the progressives (開化派) and a recognition of Koreans' passively accepting modernity during the Japanese occupation. This may also have contributed to enlightening Koreans about modernization. Here are the results. First, the theoretical review found that ideologies were represented by not only symbols of discourse, but also dresses, and that dresses embodied both physical and conceptual systems presenting differences between ideologies and their natures, Second, during the late 19th century Korea, conflict between conservatives' Hanbok (韓服) and progressives' Western suits (洋服) was found. Moderate progressives showed their identity by "Colored Clothing" (深色衣), and radical progressives by black suits with short hair (黑衣斷髮) or by western suits (洋服). The ultimate goal of both parties was a "Modern Nation". With these efforts, pale jade green coats and traditional hats symbolizing the nobleman class was eliminated within 30 years from 1880 to 1910, and then simple robes and short hair emerged. However, the powerful Japanese army had taken over the hegemony of East Asia, and Korea was sharply divided into modernization and pro-Japanese camps. Third, during the time of Japanese colonial rule, the dress codes having set by the modernization policies during the time of enlightenment were abandoned and colonial uniforms for the colonial system was meticulously introduced. During this period, Western or Japanese-style uniforms were the symbol of the ruling ideology. In the mean time, Hanbok, particularly "White Clothing (白衣)", emerged as a representation of the opposition ideology. However, due to Japan's coercive power and strong zeal for "Great orient (大東亞)", white clothing remained as a mere symbol. Meanwhile, Reformists (實力養成論者) movement toward improving quality of life followed a similar path of the Japanese policies and was eventually incorporated into the ruling ideology. Fourth, dresses as representations of ruling ideologies were enforced by organizational powers, such as organizations and laws, and binding policies, and changes in such dresses were more significant when the ruling ideologies were stronger. Clothing of the opposition ideology was expressed as an aggregation of public consciousness. During the period, the subjects of ruling ideology and the objects who were granted modernization benefits were different although their drives for colored clothing with short hair (色衣斷髮) for modernization were similar.

• 한국콘텐츠학회논문지
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• 제20권10호
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• pp.57-75
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• 2020

본고는 1960년 동시대 제작된 한국영화 두 편 <하녀>와 <마부>의 이미지를 바탕으로 계층에 따라 근대화 전이과정에서 나타난 교차징후의 상징성에 관해 탐구하였다. 이에 표현방식과 주제를 다루는 부분에서 사회적 계층의 확연한 차이를 보이는 <하녀>(1960)와 <마부>(1961)를 대상으로 영화가 재현하고 있는 근대화 전이과정의 혼재된 양상은 어떠한 형상을 취하고 재현을 통해 영화가 던져주는 당시의 메시지를 살펴보았다. 영화 <하녀>는 새로운 계층으로 등장한 중산층의 내면을 관찰자의 시선으로 바라보며 억압과 욕망으로 인해 해체양상을 드러낸 집단의 이면을 상징적으로 표현하면서 새로운 인식을 만들었다. 반면 <마부>는 사실적 묘사를 바탕으로 빈민층이 겪는 고단한 삶 속의 고통과 희망의 충돌을 보여주면서 주체성을 상실한 구성원들에게 새로운 인식으로 표현했다. 결국 두 편의 영화는 당시 근대화의 유입에 따른 혼재된 상황, 즉 구질서와 새로운 질서 사이에서 발생하는 충돌적 징후들로 인하여 생산되는 사회적 모순에 의한 사회문제에 대하여 우리에게 재인식의 기회를 제공한다고 볼 수 있다.

• 한국콘텐츠학회논문지
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• 제22권5호
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• pp.518-526
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• 2022

현대화에 따른 평균수명의 연장은 노년기 돌봄과 질병에 있어 수혜 시간의 연장을 의미한다. 그러나 노인 증가에 비해 자녀들의 부모부양책임에 대한 태도는 점점 약화되어 가고 있다. 이러한 사회현상은 노년기 삶에 소외, 절망감, 스트레스를 가져다주고 이로 인한 무망감으로 자살 생각이나 의도적인 죽음(자살)을 불러오는 요인이 되어 사회문제가 되고 있다. 노인의 의도적인 죽음(자살)은 주변에서 흔히 일어나는 사회현상으로 영화를 통해서도 그 실상을 알 수 있다. 본 연구에서는 영화 '죽여주는 여자'에 등장하는 주인공 '소영'과 주변 인물인 '송 노인', '종수', '재우' 등의 대화 속에서 노인 문제와 죽음 요인에 해당되는 내용을 매트릭스(Matrix) 분류체계 방법으로 정리한 후, 임병우(2019)가 정리한 '현대화에 따른 노인 문제 발생 흐름도'에 적용하여 의도적 죽음(자살) 요인을 탐구하였다. 분석 결과 4명의 노인들은 질병, 소외와 고독, 빈곤, 상실 등 노인 문제에 노출되었으나, 현대화로 인한 지위 하락과 부양의식 태도 변화로 인한 돌봄 부족의 스트레스가 지속되자, 삶에 대한 절망감에 빠져 의도적 죽음(자살)을 선택한 것으로 분석되었다.

• The Journal of Asian Finance, Economics and Business
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• 제7권6호
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• pp.127-131
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• 2020

In today's financial industry, Fintech (financial technology) has showed its role of an innovation-driving area, which can bring outstanding changes to the traditional financial market. This article will briefly introduce Fintech as well as its development in Vietnam. Besides, the research also provided a survey on experts' opinions on the challenges to the promotion of Fintech application for the modernization of the banking-finance system in Vietnam. The survey results of 40 experts in banking with knowledge of Fintech identify five challenges faced by Fintech companies in Vietnam: (1) legal corridor; (2) infrastructure; (3) Fintech companies; (4) customers; and (5) human resources. From these five challenges/barriers, there are 14 detailed aspects. The results of the expert survey using descriptive statistics show that all five factors are assessed to be low and need to be better addressed in the future. The authors suggest several solutions for further development of Fintech to support the modernization of the banking-finance system in Vietnam: (1) quickly complete the regulatory framework; (2) introduce policies on tax exemption; (3) promote research and application of the benefits of block-chain technology; (4) utilize the abilities of the human resources; and (5) actively promote and popularize knowledge about Fintech.

• 기호학연구
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• 제57호
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• pp.177-210
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• 2018

본 연구는 우리 사회에서 벌어지고 있는 기념일을 둘러싼 갈등과 투쟁에 주목해 기념일에 관해 라캉과 알튀세르적 접근을 시도했다. 연구대상으로는 8.15, 한국전쟁, 3.1절, 임시정부를 선정했으며, 이들에 대한 기념 투쟁들의 양상과 그 변화 과정을 살펴보았다. 연구방법으로는 라캉과 알튀세르의 이론과 개념 등을 활용했다. 연구결과는 기념투쟁이 19세기말 진행된 근대화 초입을 그 기원으로 삼는 것으로 분석되었다. 즉 일제강점에 의해 강압적으로 이루어진 근대화가 우리 사회에 외상과 균열을 냈으며, 이는 이데올로기 및 환상과 접합되어 사회적 갈등의 형상을 취하게 되었다. 그것이 수렴되는 지점이 바로 기념일이다. 기념일과 기념투쟁이 과거에 대한 사회적 기억의 현상으로서 존재할 수 밖에 없는 것이라면, 이들은 분열된 과거의 회귀가 아니라 내일을 향하는, 균열을 메우는 사회를 만들고자 하는 의지를 되새기는 날이 되어야 할 것이다.