• Conservation Science in Museum
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• v.18
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• pp.19-34
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• 2017

Analysis of the species of wood in the wooden materials and the chemical composition of the fabric of the clothing excavated from the tomb of Yi Jing (1580-1642) has determined that the wooden materials, including the coffin (內棺, naegwan), burial chamber(外棺, oegwan), chilseongpan(七星板, bottom-lining board), and fan-shaped slats were made of pine(Pinus densiflora). The analysis of the fabrics suggested that the cloth attached to the fan-shaped slats, the funeral banner with inscriptions, and the five pouches for the corpse (五囊, onang) were all made of silk. The jacket was made of plain-weave cotton, while the inner and outer cloth of the socks were made of cotton and hemp, respectively. Among the silk items, the pouches for the left and right feet (constituting the five pouches for the corpse) were made from a satin-weave figured silk, while the other silk items were made of ju(紬), or plain-weave silk fabric. Infrared analysis revealed that the fan-shaped slats were decorated with cloud patterns across the entire surface, while the funeral banner and the five pouches for the corpse bore ink inscriptions.

• Conservation Science in Museum
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• v.14
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• pp.81-89
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• 2013

This study concerns UV-Vis spectrophotometry and 3D-fluorescence spectrophotometry analysis of textile parts of blue and green tones dyed with indigo of blue tone and turmeric, gardenia, goldthread and amur cork tree of yellow tone. In order to verify whether the kinds of textiles affected analysis result of each dye, silk and cotton textile samples were produced. According to the analysis of the degree of reflection of UV-Vis spectrophotometry, unique reflection spectrum of indigo appeared regardless of the kinds of textiles when they were dyed with indigo. As for textiles of green tone, the 3D-fluorescence spectroscopic analysis result showed that unique spectrums of yellow dyes, turmeric, goldthread and amur cork tree appeared regardless of the kinds of textiles but the fluorescence spectrums of gardenia and indigo did not appear.

• Conservation Science in Museum
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• v.14
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• pp.61-67
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• 2013

Lacquerware of Goryeo period was variously developed from the early 10th century to the 14th century and became lacquerware inlaid with mother-of-pearl which shows creativity with splendid heyday. For characteristics, splendid and close mother-of-pearl. Characteristic of decoration method is to use gold painting method, Tortoise shell and metal line. Drawing is done with gold dust and gold painting method decorating lacquerware are very splendid from an artistic and decorative aspect, but gold painting is easily lost. So, it's currently difficult to find in relics succeeded. Therefore, there are domestically insufficient studies on gold painting method in Goryeo period, so this researcher intended to observe gold painting of lacquerware excavated in Goryeo period through the microscope, investigate characteristics, mixture, etc. of gold dust and provide data of studies on the recovery of ancient technology. As the result, gold dust particle has various shapes such as irregular square, polygon and triangle under the size from 2 ㎛ to 20 ㎛. The end of gold dust is rolled and overlapped and irregular particle seems to be similar to the shape of crumpled paper. This research showed that gold dust used in gold painting of Goryeo period had used gold dust made by grinding gold leaf to gold painting.

• Conservation Science in Museum
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• v.14
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• pp.69-79
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• 2013

The area of conservation treatment of the bronze helmet of the ancient Greece, treasure No. 904, which Sohn Keechung (1912 to 2002) received as an extra prize for his winning the marathon in the 1936 Berlin Olympics deteriorated and as a result crack and discoloration occurred. Its nose guard hung downward due to the crack of the bonded area of upper end. Therefore, conservation treatment of the helmet was conducted again. The nose guard was separated from the body. Stabilization and consolidation treatment of them was made and then they were joined again. The cracked and missing areas were reinforced with woven glass fibers, and the nose guard was reinforced with woven glass fibers and Ti plate after the bonding. The joined area of the nose guard was carved with the same pattern as that of the surrounding area and its color was adjusted to be the same as well.

• Conservation Science in Museum
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• v.24
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• pp.75-80
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• 2020

X-ray computed tomography (X-ray CT), which is often applied to the investigation of the interior structures of cultural properties, is very useful for studying production methods used in lacquerware that would otherwise be difficult to observe with the naked eye. Lacquerware inlaid with mother-of-pearl is an important subject in the study of traditional Korean craft. However, it can be a challenge to specify the production methods used in the framework of a lacquerware item unless the object has been structurally damaged. Studies of lacquerware inlaid with mother-of-pearl have thus far focused on the techniques of lacquering and of inlaying the mother-of-pearl. Production methods for the framework of lacquerware has received little academic attention. This study conducted X-ray CT on a lacquerware item from the Joseon period to reveal the materials and woodworking techniques used for the framework. The study revealed that softwood was used for the framework, and the post (gidungmok) and apron (soemok) were joined using a three-way miter joint (sambang yeongwi jjaim). Other pieces were joined with nails.

• Publications of The Korean Astronomical Society
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• v.35 no.3
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• pp.43-57
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• 2020

Hong, Dae-Yong manufactured the Tongcheon-ui (Pan-celestial Armillary Sphere) with cooperating clock researcher Na, Kyeong-Jeok, and its craftsman An, Cheo-In, in Naju of Jeolla Province in 1760 ~ 1762. Tongcheon-ui is a kind of astronomical clock with an armillary sphere which is rotated by the force generated by a lantern clock's weight. In our study, we examine the lantern clock model of Tongcheon-ui through its description of the articles written by Hong himself. As his description, however, did not explain the detail of the mechanical process of the lantern clock, we investigate the remains of lantern clocks in the possession of Korea University Museum and Seoul National University Museum. Comparing with the clocks of these museums, we designed the lantern clock model of Tongcheon-ui which measures 115 mm (L) × 115 mm (W) × 307 mm (H). This model has used the structure of the striking train imitated from the Korea University Museum artifact and is also regulated by a foliot escapement which is connected to a going train for timekeeping. The orientation of the rotation of the going train and the striking train of our model makes a difference with the remains of both university museums. That is, on the rotation axis of the first gear set of Tongcheon-ui's lantern clock, the going and the striking trains take on a counterclockwise and clockwise direction, respectively. The weight of 6.4 kg makes a force driving these two trains to stick to the pulley on the twine pulling across two spike gears corresponding to the going train and the striking train. This weight below the pulley may travel down about 560 mm per day. We conclude that the mechanical system of Tongcheon-ui's lantern clock is slightly different from the Japanese style.

• Conservation Science in Museum
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• v.28
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• pp.1-16
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• 2022

Treatment was performed to conserve the Underwood Typewriter (Hangi 6863) from the collection of the National Hangeul Museum. Since the typewriter was presumably manufactured in the modern or contemporary era and bore patterns of damage such as component loss, corrosion, and paint loss, as well as being made of multiple materials, a condition survey and a scientific analysis were conducted ahead of the conservation treatment in order to carry out appropriate treatments for each material. The analysis confirmed that the typewriter was made of various materials including metal, paint, and rubber, and the conservation treatment was performed in the sequence of removal of contamination, reinforcement, and restoration under conditions where each material was stable. Conservation treatment was completed in a stable state by strengthening the layer of damaged paint and restoring the lost leg. These processes have enabled a better understanding of the materials and characteristics of typewriters manufactured in the early modern era, which is expected to provide basic data for typewriter conservation research to be conducted in the future.

• Conservation Science in Museum
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• v.5
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• pp.37-41
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• 2004

The immersed ancient wood relics excavated from the low swampy area of historic site in Shinchangdong, Gwangju are extremely weak. Since they are quickly dried inducing shrinkage when exposed to air, special preservative treatment is required to exhibit and preserve such items. In the case of the heavily varnished lacquerware such as the lacquered sheaths, in particular, it is extremely difficult to preserve them because chemicals are not easily penetrated and the coating might swell or come off during the process of coating. The lacquer sheaths have been preserved by carrying out freeze-drying after impregnating them in aqueous solution with low concentration of PEG#4000 40%.

• Conservation Science in Museum
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• v.6
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• pp.17-29
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• 2005

Excavated costumes included clothing that had been buried together with the corpse and shroud and unearthed during the excavation or the process transferring the tomb. The remains may easily get damaged under a different condition from the burial place, having gone through the deterioration process together with the corpse. In particular, since they are vulnerable to microbial propagation, suitable storage and conservation treatment immediately after excavation are required. Although more of them are unearthed in various parts of the country owing to exponential land development activities, they are rarely preserved properly due to a lack of appreciation of their value and a dearth of expert. Therefore, scientific examination and emergency preservation measures for the excavated costumes shall be described.

• Journal of Korean Elementary Science Education
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• v.26 no.2
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• pp.209-215
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• 2007

The purpose of this study was to investigate the characteristics of the contents which were presented in the physics exhibits of the following three museums; Seoul National Science Museum, National Science Museum and the Exploration Center. The main findings of this research were as follows: Firstly, it was found that 73.7% of the exhibits were composed of 'dynamic exhibits', 87.6% of the exhibits were 'active involvement type exhibits', 48.3% of the exhibits were 'interest induction type exhibits' and 42.8% of the physics exhibits were composed of exhibits related to optics. Secondly, it was found that many elementary students seemed to have difficulty in understanding and executing the activities in the physics exhibits.