• 제목/요약/키워드: Ordinary meaning

검색결과 117건 처리시간 0.019초

중세(中世)와 르네상스 극장(劇場) 무대공간(舞臺空間)의 미디어적 특성에 관한 연구 (A study on Media Characteristics of Stage Space in Middle Age and Renaissance Theater)

  • 김성기;박언곤
    • 건축역사연구
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    • 제15권1호
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    • pp.61-76
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    • 2006

  • The stage is ceremonial and legendary space unlike the ordinary world. Performance is not simply scrip-staged, but spatial art based on tempo that transmits extreme condition. The stage art is a visual art combined with stage settings, lighting, customs and the like. I exemplify the stage of Middle Age and Renaissance in the history of the art of public performance and so I review that what meditative functions each stage perform and that as what pattern of media it can be conceptualized. In this thesis, I divide the places of public performance Into the spaces of proscenium and polygon and also set up the concepts of hot and cool that McLuhan presents for each space. So, the degree of participation could be different according to the distinction of quantity of information, which is communication following the patterns of spaces. The basis of public performance might be the communication between co-actors and audiences. Since the sense of the art of public performance is the art in the process of establishing the meaning based on the communication with co-actors, it is not a confirmed and fixed one, but rather a reflexive one that can be created and changed continuously. Therefore, audiences should be regarded as the subjects, who are making the art of public performance with co-actors.

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렘 콜하스의 뉴욕 프라다 에피센터 분석을 통한 건축, 패션, 그리고 확장된 자율성의 관계성 탐구 (Exploring the Relationship Between Architecture, Fashion, and an Extended Autonomy through Rem Koolhaas' Prada Epicenter in New York)

  • 백승한
    • 한국실내디자인학회논문집
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    • 제25권1호
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    • pp.47-55
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    • 2016

  • This article explores an extended sense of autonomy in contemporary architecture activated through the practice of fashion, by taking architect Rem Koolhaas' work Prada Epicenter in New York as a case. In doing so, it argues that throughout the work Koolhaas sets up a world in which the corporate and the individual are entangled together in complex ways. Instead of considering Prada Epicenter to be the exemplar illustrating that the global company-Prada-institutionalizes the designed commercial space in a top-down manner, this article claims that such a space imbricates a multiplicity of meaning that is generated at the intersections of the local and the global, the ordinary and the spectacular, and the individual and the institutional. In this respect French philosopher Gilles Lipovetsky's fashion theory works as a critical point: his claim that the ambivalence of fashion-both as corporate power and individual freedom-is a threshold encouraging us to better understand the operativity of late capitalism in daily life is extended to Koolhaas' case. In other words, Koolhaas' Prada Epicenter brings forth possibilities that the ostensibly technocratic and institutionalized space in fact works as a resillient field where senses of individual autonomy arise in the aid of corporative practice of branding.

  • https://doi.org/10.14774/JKIID.2016.25.1.047 인용 PDF KSCI

뇌성마비 아동 어머니의 학업과정 지지 경험 (Learning Process Support Experience of Cerebral Palsy Children's mothers)

  • 백경선
    • 동서간호학연구지
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    • 제7권1호
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    • pp.48-60
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    • 2002

  • This study was conducted to understand and analyze experience of learning process support toward mothers of children who suffer from Cerebral Palsy, to generalize and structurize the meaning of practical learning process support, and to use the study results as basic materials for development of support model. Study subjects were 12 mothers who have Cerebral Palsy children attending an ordinary school and a school for handicapped children. Data were collected from November 10, 1999 to December 29, 2000 and from January 20 to March, 2001, for 2 months. Data were collected from un-structural and open questions. And the collected data were analyzed with the phenomenological analysis method proposed by van Kaam(1969). Study results obtained from this report were as follows; As for original materials about learning process support experience of cerebral palsy children's mothers, 48 technical expressions were derived from 97 pieces of original materials, they were categorized into 10 common elements. Those common elements were , , , , , , , , , . Based on the above results, it is suggested that the concept of learning process support toward children suffering from Cerebral Palsy should be structureized, and proper models should be developed.

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전통 어린이 복식을 응용한 원피스 디자인 연구 (Study on one-piece design using traditional children's wear)

  • 김월계
    • 패션비즈니스
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    • 제14권1호
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    • pp.106-115
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    • 2010

  • This study's purpose is to, first survey the traditional children clothing, clothing which doesn't get studied mostly. Second, to choose the factor that can modernize. Third, to design the present one-piece dress. Fourth, to gather an understanding about traditional children clothing and make a chance for children to wear the clothing that has a traditional factor. Traditional children clothes have a same shape with adults' clothes they use five primary color and use a pattern of a symbolic meaning which means healthy and long life. For ordinary wears there are Chimajogori and Bajijogori and for ceremonial dresses they wore Durumagi, Sagyusam which are Po and Dangui and headdress was added. The shape was considered by the children growth condition so the Gorum got longer. The dragon, cicadas, butterfly, phoenix and lots of flower pattern was used by the difference with the class. 5 one-piece design adapted Jogori, skirt, Dangui, Sagyusam, Magoja and used the traditional fabric by mixing the five primary color and the five secondary color was used to make traditional color. This study expects for a chance of children to wear traditional Hanbok or Hanbok-adapted clothes.

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얀 슈반크마이에르의 <쾌락의 공범자들>에 나타난 에로티즘 (Eroticism in Jan Svankmajer's Conspirators of Pleasure)

  • 박재윤
    • 만화애니메이션 연구
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    • 통권16호
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    • pp.245-256
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    • 2009

  • 본 논문에서는 얀 슈반크마이에르의 <쾌락의 공범자들>에 나타난 에로티즘에 대해 분석하였다. <쾌락의 공범자들>은 얀 슈반크마이에르가 1996년에 발표한 그의 세 번째 장편영화이다. 이 작품에서 그는 여섯 명의 남녀의 비밀스럽고 도착적인 성적 쾌락의 탐닉에 대해 집요하게 묘사하고 있는데, 작가 자신은 이 작품을 '쾌락원칙' 과 '에로티즘'을 통해 표현된 자유와 해방에 관한 영화라고 밝히고 있다. 본 연구에서는 <쾌락의 공범자들>을 중심으로 작품 안에 나타난 성적코드들을 에로티즘 과 결부 시켜 분석하고 슈반크마이에르가 나타내고자한 '자유와 해방'의 의미를 밝혀보고자 하였다.

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사용자 질의 의미 해석을 위한 온톨로지 지식 기반 검색 (Ontology Knowledge based Information Retrieval for User Query Interpretation)

  • 김난주;표혜진;정훈;최의인
    • 디지털융복합연구
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    • 제12권6호
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    • pp.245-252
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    • 2014

  • 시맨틱 검색은 논리적으로 표현된 지식 베이스를 사용하여 현재의 키워드 기반 검색보다 더 정확한 결과를 제공할 수 있다. 그러나 일반 사용자는 지식 기반의 복잡하고 정형화된 질의어와 스키마를 잘 알지 못한다. 그래서 검색 시스템은 사용자 키워드의 의미를 해석할 수 있어야 한다. 본 논문에서는 멀티미디어 콘텐츠의 시맨틱 검색을 위한 사용자 질의 의미 해석 시스템을 설명한다. 제안한 시스템은 도메인 온톨로지 기반으로 구축된 지식 베이스의 정형화된 구조에 의미 해석 과정이 통합된 온톨로지 지식 베이스 기반 검색 시스템이다.

  • https://doi.org/10.14400/JDC.2014.12.6.245 인용 PDF KSCI

현대패션에 나타난 너드시크룩 (A Study on Nerd-chic Look in Modern Fashion)

  • 이진민;이정호
    • 한국의류학회지
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    • 제42권1호
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    • pp.58-73
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    • 2018

  • This study examines the socio-cultural background of a Nerd-chic look, establishes a conceptual foundation for Nerd-chic look and examines its aesthetic characteristics in order to understand the latest modern fashion phenomenon. Nerd-chic look is a combination of 'nerd' as a popular collective style and 'chic', which refers to the aesthetic value of a costume style. It is a look that is expressed in fashion that reflects the contemporary aesthetic desires based on a nerd's external features and inner values. The aesthetic characteristics of the Nerd-chic look are as follows. First, the Nerd-chic look express the aesthetic characteristic of bricolage that transforms the familiar meaning of an outdated nerd style to 'chic' image by the rearrangement of the typical nerd style and retro fashion elements. Second, the Nerd-chic look express the aesthetic characteristic of supernormal, as a plain, restrained beauty based on the Normcore fashion mood, disassembly and recombination of ordinary items, fit-free styling, and asexual styling. Third, the Nerd-chic look expresses the aesthetic characteristics of deluxe poor, which rejects stereotypical and expensive luxury and presents a more contemporary and futuristic spirituality. It is expressed in oversized shapes that are not intended to fit the body and show incompatibility between fashion items or way of dressing.

  • https://doi.org/10.5850/JKSCT.2018.42.1.58 인용 PDF KSCI

최적화알고리즘과 열해석을 통합한 위성방열판 설계의 최적화 방법에 관한 연구 (Spacecraft Radiator Design Optimization Approach of Combining Optimization Algorithm with Thermal Analysis)

  • 김희경
    • 항공우주기술
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    • 제12권2호
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    • pp.24-29
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    • 2013

  • 위성방열판은 내부의 부품유닛에서 발생하는 열을 외부우주로 방출하는 열전달경로를 확보하기 위해 적용되는 열제어방법 중 한 가지로서, 이것의 최적설계는 효율적인 위성 열설계의 한 방향이 될 수 있다. 본 연구는 위성 열제어 개발에서 활용하는 위성 열해석과 최적화알고리즘을 결합한 통합해석을 통하여 위성열모델 노드기반의 방열판설계최적화 접근방식을 제안하였다. 이 방법은 위성열해석과 최적화알고리즘의 해석소프트웨어의 종류에 상관없이 적용가능한 개념이며, 일반적인 위성열모델을 사용한 방열판설계의 개념을 그대로 유지하면서 최적화를 할 수 있기 때문에 위성설계에 실제적으로 사용할 수 있다. 또한, 두 해석소프트웨어를 결합하는 전체적인 해석구조와 본 방열판 설계 최적화문제에 대한 정식화를 제시하였다.

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코드와 변위 벡터를 이용한 프랙탈 변형 (Fractal Deformation using Code and Displacement Vectors)

  • 한영덕;김기옥
    • 한국콘텐츠학회논문지
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    • 제7권12호
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    • pp.322-332
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    • 2007

  • 프랙탈의 특성에 알맞은 변형 방법을 고려하였다. IFS 프랙탈에서 점의 위치 특성은 공간적 좌표뿐만 아니라 코드에 의해서도 표현된다. 코드는 프랙탈 내에서의 점의 주소로 볼 수 있는데, 코드값을 바꾸어 생기는 점의 이동에 프랙탈적 특성이 있으므로, 코드의 정보를 이용한 세 가지 변형 방법을 제안하였다. 즉, 한점의 이동에 사용될 벡터로서 1) 코드 변환을 통해 얻어지는 다른 점에서의 벡터장 값을 이용하는 방법과 2) 코드 정보를 활용하여 변위 벡터를 정하는 방법을 구현하여 본 결과, 연속적 변형의 특징과 프랙탈적 특징을 모두 갖는 변형을 얻을 수 있었다. 또한 3) 변형이 가해질 영역을 코드를 활용하여 제한함으로써, 고사리의 경우, 보다 자연물에 적합한 변형을 얻을 수 있었다.

  • https://doi.org/10.5392/JKCA.2007.7.12.322 인용 PDF

근대 사회사업의 성립과 발달사적 구분에 관한 연구 (A Study of the development of Social Work and historical division during the Korean Modern Times)

  • 홍금자
    • 한국사회복지학
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    • 제40권
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    • pp.226-269
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    • 2000

  • The objective of this study is to investigate the process of development of social work and divide it historically during the Korean Modern Times. At first, I investigated this period's "societal" situation (political, economical, social situation) which is closely related to social work and made a historical division. And I wrote down the social welfare policy and social services concretely and I interpreted this period's historical meaning. At the end of the Cho-Sun dynasty, although a modern social work movement had come about naturally in the Korean peninsula, it was nearly destroyed by the Japanese aggression. However, it could have expanded consistently and come to maturity because of a national self-awakening and peoples' vigorous participation after the 3 1 national movement. But unfortunately, as the social work come to be exploited by the Japanese Imperialist powers, it lost its purity its essential purpose and was changed. After World War II, no one was made to take responsibility for those historical facts, and under the name of Social Welfare many ordinary citizens became scapegoats, and passed silently over to the period of American military occupation which was another time of transition in the Korean peninsula. There have been few studies undertaken concerning social welfare during the Japanese occupation. These studies will help to indicate what influence the Japanese had on the development of Korean social welfare after the Japanese occupation. I anticipate many studies on this subject will follow.

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