• Title/Summary/Keyword: Musical Instrument

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COMPARISONS OF DENTAL ARCHES AND CROWDINGS BETWEEN MUSICAL WIND-INSTRUMENT PLAYERS GROUPS AND NON-WIND INSTRUMENT PLAYERS GROUP (관악기연주군과 비관악기군의 치열궁 및 Crowding에 관한 비교연구)

  • Lee, Won You
    • The korean journal of orthodontics
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    • v.17 no.2
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    • pp.289-297
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    • 1987
  • For the comparisons of dental archs and crowdings between musical wind instrument players groups and non-wind instrument players groups, 64 male wind instrument players and 31 non-wind instrument players group were selected. The results of the measurements were as follow. 1 Upper intercanine widths, upper basal arch widths, lower basal arch widths were statistically significant between musical wind instrument players groups (Class A, Class B) and non-wind musical instrument players group. 2 The mean value of upper intercanine width m Class A ($373{\pm}2.3mm$) was greater than than in Class B ($362{\pm}17mm$) and non-wind musical instrument players group($360{\pm}16mm$) 3 The mean value of lower basal arch width m Class B ($422{\pm}25mm$) was greater than that in non wind instrument players group ($395{\pm}28mm$). 4 The differences in the mean values of crowdings between Class A and Class Band non-wind instrument players group were not statistically significant.

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Musical Instrument Recognition for the Categorization of UCC Music Source (UCC 음원분류를 위한 연주악기 분류에 대한 연구)

  • Kwon, Soon-Il;Park, Wan-Joo
    • The KIPS Transactions:PartB
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    • v.17B no.2
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    • pp.107-114
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    • 2010
  • A guitar, a piano, and a violin are popular musical instruments for User Created Contents(UCC). However the patterns of audio signal generated by a guitar and a piano are too similar to differentiate. The difference between two musical instruments can be found by analyzing the frequency variation per each band near signal peaks. The distribution of probability on the existence of signal peaks based on Cumulative Histogram were applied to musical instrument recognition. Experiments with statistical models of the frequency variation per each band near signal peaks showed the 14% improvement of musical instrument recognition.

Consideration of Korean Ajaeng and Chinese Yazheng Based on Organology (한국 아쟁(牙箏)과 중국 알쟁(軋箏)의 악기학적 고찰)

  • Lee, You-Jung
    • Journal of Korea Entertainment Industry Association
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    • v.14 no.7
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    • pp.217-226
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    • 2020
  • Ajaeng is the bowed string instrument among zither instruments in East Asia, which has a circular form to date, and it has established itself as an important instrument in today's creative Gugak along with traditional music. Looking at previous prior studies, musical instrument studies have not been actively conducted due to insufficient data from musical history studies, and this study looked at the origin, form of musical instrument, and performance methods of zither bowed string instrument through historical records of Chinese Yazheng and music drawings. The analysis of various documents showed that Ajaeng originated from an ancient Chinese traditional musical instrument called Chuk. In terms of the performance style, the Chinese Yazheng had different musical forms depending on the purpose and location of the performance, and there was a method of standing up and fixing the musical instrument horizontally to the ground. Ajaeng in Korea has been handed down without much change in the form of musical instruments introduced in China during the Goryeo Dynasty and the way they sit on the floor and play on a pedestal. Through this study, we hope that it will help to preserve and develop traditional music and Korean traditional musical instruments by enhancing understanding of musical.

A Study on the Musical Iconography Consideration of Yanggeum (양금의 음악도상학적 고찰)

  • Lee, You-Jung
    • Journal of Korea Entertainment Industry Association
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    • v.14 no.2
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    • pp.85-95
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    • 2020
  • An Instruments are not only for musical usage, but also for historical, social and cultural contexts. The yanggeum instrument began to be played in Persia before the 10th century and is played in various parts of the world in the 21st century. It has been handed over for many years and played creatively beyond the boundaries of the region. In this paper, we will learn about the meaning of Korean traditional yanggeum, which preserves its original shape without any change in form or technique, through a method of musical iconography. As a method of musical Iconography for the musical instruments, we examined the data on the drawings and compared it with the literature, focusing on the origin, form and performance of the instruments. I hope that this study will not only provide a new perspective on instrument research, but also help understand the historical, social and cultural implications of the instrument. It is hoped that research on musical instruments will be done in many different ways and that the realm of musical science will be approached widely.

A Study on the Design of Digital Sound Processor for Music using Equal Power Density Envelope Generator and Transform Coder (균일전력 밀도의 엔벨로프 발생기와 변환 부호화 방식의 정보량 축소를 이용한 음원 전용DSP설계에 관한 연구)

  • Koo, Jae-Ul;Pang, Hyo-Chang;Kim, Jong-Han;Kim, Won-Hoo
    • The Journal of the Acoustical Society of Korea
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    • v.14 no.3
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    • pp.14-27
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    • 1995
  • This paper presents the digital music sound DSP by using ADPCM and Perceptual Transform Corder in MPEG to compress sound data and minimize the quantization noise for musical instrument. these method are utilized to develop algorithm of equal power density envelope. And these results are applied to examine the specific characteristics of musical instrument and determine the compression method. The design of new RISC DSP which generates 32 voices of musical instrument simultaneously and the coding of 200 musical instrument sound data in 1MByte memory shows that these algorithm is very useful to regenerate musical sound by using the minimum size of memory.

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Divine Instrument : Voice (신이 주신 악기 : 목소리)

  • Kim, Han-Su
    • Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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    • v.22 no.2
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    • pp.103-105
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    • 2011
  • The voice defines man. The voice and speech have built all of the human civilizations. Man can communicate with each other by voice and enjoy his/her spare time with singing a song. Actually the voice is the most beautiful and the first musical instrument in history. The aim of this review article is to considering the voice as a musical instrument.

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Effect of Adhesives on the Best Acoustic Radiation Ratio of Sound board for Musical Instrument (악기 향판재의 최적공진비에 미치는 접착제의 영향)

  • 이화형
    • Journal of the Korea Furniture Society
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    • v.11 no.1
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    • pp.25-29
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    • 2000
  • This study was carried out to analyze the ultrasonic properties of sound board which was glued with various adhesives and to evaluate which adhesive is the best for the acoustic radiation of the musical instrument. The results are as follows: 1. Animal glue is the best adhesive for the sound board with respect to the acoustic radiation ratio of the musical instruments. Epoxy resin and polyvinyl acetate resin are the next group, urea formaldehyde resin and Hot melt are the third group, polychloroprene(CR) resin is the lowest. 2. Epoxy resin, animal glue and Titebond(PVA) give the highest shear strength and the highest wood failure relatively Hot melt and polychloroprene(CR) resin do not meet the standard because of low wood failure.

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The Prevalence of Playing-related Musculoskeletal Disorders of Traditional Korean Musical Instrument Player

  • Kim, Jung Yong;Min, Seung Nam;Cho, Young Jin;Choi, Jun Hyeok
    • Journal of the Ergonomics Society of Korea
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    • v.31 no.6
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    • pp.749-756
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    • 2012
  • Objective: This study was performed to investigate the prevalence of musculoskeletal disorders of traditional Korean instrument player using a variety of traditional classical instruments: Gayageum, Geomungo, Ajaeng, Haegeum, Daegeum, Piri and Samul instruments. Background: A large percentage of instrument players have suffered from the musculoskeletal pain of each body parts. However, there is no research on the prevalence of musculoskeletal disorders of traditional Korean musical instrument players. Method: Through the focus group interview, a questionnaire to investigate musculoskeletal disorders was developed. The questionnaire consisted of four parts: demographic factors, performance factors, musculoskeletal disorders symptoms, musculoskeletal disorder experience. For the survey, 118 expert players participated. The data from the survey were analyzed by correlation analysis and chi-square analysis. Results: The symptoms of musculoskeletal disorders and the severe pain from musculoskeletal disorders were observed at neck, shoulder, back and knee. The musculoskeletal experience was statistically related to the factor of body height in Gayageum and Geomungo. In addition, the musculoskeletal experience in Geomungo was related to age and career. However, the musculoskeletal experience in Ajaeng and Haegeum was only related to the factor of hobby. The musculoskeletal experience in Daegeum and Piri was related to stretching. In addition, there was a statistical significance between the musculoskeletal experience and sex in Daegum. In Samul instruments, the statistical significance was observed at age, BMI, career and stretching. Conclusion: The symptoms of playing-related musculoskeletal disorders of traditional Korean musical players were prevalently observed at neck, shoulder, back and knee. In addition, these symptoms were related to the various demographic factors such as age, body height, BMI, career, sex, hobby and stretching. Application: The results of this study can be used as the preliminary data for preventing the musculoskeletal injuries of traditional Korean musical instrument players.

A Study on the Clothing Attitude and the Design Preference at Playing Costume of Classic Music (클래식 음악 연주복에 대한 의복 태도와 디자인 선호도 연구)

  • Byun Zee-Hyun;Kim Mi-Young
    • Journal of the Korean Society of Costume
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    • v.55 no.8 s.99
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    • pp.99-111
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    • 2005
  • The research analyzed the clothing attitude which it follows in type of performance musical instrument and a design preference moral difference. The result which tries to observe the clothing attitude which it follows in type of performance musical instrument and a design preference moral difference, it was visible a difference little by little. When comparison it tries the design which it prefers but consequently most in type of performance musical instrument, the big difference is not born and not to be putting the difference of the preference design which it follows in type of musical instrument specific your neck line, color, and silhouette of the vocal musician or wind music performer. When seeing whole, the clothing attitude regarding a performance luck compared to considered seriously an aesthetic pursuit and a convenient characteristic and harmonious, there design preference is the clothes which have no sleeve, neckline like camisole, black and pastel color, design with lots of decorations, princess silhouette, and they prefer the fabrics which have softness to it. Now, I want to introduce restriction of this research and proposal. First, the fundamental research of performance's clothes is insufficient with restricted point and the literature investigation is difficult, second, it was difficult to stretch the whole market for performers because of limitation for research volunteers. Only few volunteers are from college who are majoring in music.

Delay Characteristics and Sound Quality of Space Based Digital Waveguide Model (공간 기준 디지털 도파관 모델의 지연 특성과 합성음의 음질)

  • 강명수;김규년
    • The Journal of the Acoustical Society of Korea
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    • v.22 no.8
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    • pp.680-686
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    • 2003
  • Digital waveguide model is a general method that is used in physical modeling of musical instruments. Wave motion is analyzed by time or by space in digital waveguide model. Because sampling is made via time, it is general that musical instrument model is described by wave motion of time. In this paper, we synthesized the musical instrument sound by adding instrument body model to the spatial based string model. In this way, we could improve sound quality and process musical instrument model's tone control variables effectively. We explained about delay error that happens in string and body in space based sampling and showed method to process fractional delay using FD (Fractional Delay)filter. Finally, we explained the relation between tone quality and number of delays. And we also compared the result with time base digital waveguide model.