• 대한지리학회지
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• 제39권3호
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• pp.321-343
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• 2004

이 글은 내포지역의 읍성 연구를 사례로 음성취락의 사회공간적 재편과 근대화에 접근한 것이다. 한반도의 서 남해안 일대는 방어상의 이유와 넓은 하안 충적평야, 해안 저지대의 농경제적 가치 때문에 다른 지역에 비해 우선적으로 읍성 축조가 이루어졌다. 내포지역은 그러한 대표적인 공간이다. 내포지역의 읍치경관 원형은 방위와 길흉의 연관성에 대한 전통적 관념이나 권력의 자연화 전략을 반영하며 일정한 원칙 하에 조형되면서도 국지적 단위의 시 공간성을 반영하고 있었다. 조선시대동안 초기 읍성이 지닌 공간성은 군사적 공간으로부터 점차 정치 행정적 중심지로 변화하여 갔다. 일제강점기가 되면, 전통시기의 읍치가 통치 행정 치소로서의 기능을 넘어 자본 축적의 중심, 경제와 교육의 거점, 촌락 공간의 중심지로 변모하기 시작한다. 내포지역에는 개항지가 설치되지 않았음에도 불구하고 일본인의 읍성안 토지 장악은 주요 개항지의 그것보다 훨씬 더 전면적이었다. 더욱이 읍성 공간을 천한 공간으로 여기던 전통적 인식은 조선인들의 신속한 읍성 이탈을 부추긴 반면, 읍성 공간이 갖는 정치, 경제, 사회적 중심성과 서비스업에 종사함으로써 얻은 풍부한 자본력은 일본인들의 광범위한 토지 점유를 가속화한 흡입 요인으로 작용하였다. 이미 1920년대부터 구읍성 일대는 통치 기능 외에 금융, 상업, 교육, 교통 기능의 중심지이자 새로운 도시 문제의 발원지로서 이전과는 다른 새로운 공간성을 갖게 된다. 이와 같이 일제강점기 동안의 경관 변형은 기존 거주민(조선인)에 의해서가 아닌 대체 거주민(일본인)을 통해 주도되었고, 결과적으로 그것은 형태와 기능상의 변혁이었음은 물론이고 매우 급격한 사회공간적 재편이었다.

• 한국전통조경학회지
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• 제28권4호
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• pp.14-27
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• 2010

본 연구의 목적은 전통마을에서 공동체적 문화가 행해지던 공간의 문화경관적 해석을 통하여 전통마을에서 면면히 이어져 온 선인들의 지혜를 이해하는 계기를 마련하고자 하였으며, 나아가 마을단위의 주거단지 계획시 공동체적 공간을 설정, 활용하는 간접적인 실마리를 찾아보고자 하였다. 연구를 진행하기 위한 사례연구지는 역사, 문화, 예술적으로 전승가치가 있으며, 전통문화를 잘 보존, 전승하고 있는 18개의 전통마을을 대상으로 하였고, 연구의 방법으로는 예비조사와 본조사를 바탕으로 도출된 결과를 토대로 각 마을별 공동체 공간을 장소의 활용과 기능에 따라서 사회적 영역과 의식적 영역으로 분리하여 고찰하였다. 또 의식적 영역을 유교적 의례공간과 민속적 의례공간으로 나누어 분석하였다. 세부적으로는 각 조사대상지의 공동체 공간요소의 위치를 파악하여 공간의 이용주체와 공간의 장소적 특성을 고찰하였다. 공동체 공간의 요소별 분석으로 근대 이후 건립된 공동체 요소는 현재적 기점에서, 그리고 과거 조성되어 소실 등의 이유로 장소성이 상실되거나, 기능이 상실된 공동체 공간의 경우는 회고적 기점에서 고찰하였다. 연구의 결과 전통마을의 공동체 공간에 내재된 문화경관은 마을 주민들의 사회적 관계의 영향으로 형성되어 있음을 확인하였는데, 주민들의 공동체 공간이 단지 개별적인 독립된 계층에 의해 점유된 공간이라기보다는 공간의 사용유무에 따라 다의적인 장소로서의 활용이 가능하였다. 또한 남녀노소의 사용계층에 따라서 공간의 점유가 분리되고 차별화되어 있지만 서로 간의 암묵적인 소통을 통하여 서로를 이해하고 존중하고자 하였다.

• Water Engineering Research
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• 제6권4호
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• pp.169-178
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• 2005

Comprehensive assessment of ecological riparian zone is to analyze and evaluate the status of riparian zone ecosystem. The existing problem of the ecosystem can be found through the assessment. The AHP-FUZZY method used in the assessment is based on the hierarchy model of index, grade model of object, and attribution degree of index. Accordingly, the four models have been discussed and presented from the aspect of the stability, landscape, eco-health and eco-safety of riparian zone.

• 한국농촌건축학회논문집
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• 제10권2호
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• pp.1-8
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• 2008

This paper is aimed to clarify the conservation and reuse of historic areas in modern ages, especially focused rural settlement Honbul village, Namwon city. Honbul village has modern historic areas as well as the korean traditional head houses, and so many narratives. There are old Seodo station building and the other facilities centered on these areas. And so this paper is to conserve and reuse not only this station but also traditional head house as modern cultural assets for revitalizing Honbul village. This study has been done by the field survey and interviews on the basis of the blueprint and its conditions. Through these modern historic areas, it would be for visitors experiencing the sustanable living condition from now on, excellent landscape of Honbul village. And also development of agricultural products and brand naturally increase incomes of farm families, and finally it will go far toward solving the rural problems.

• 한국조경학회지
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• 제34권4호
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• pp.1-17
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• 2006

This study emphasizes users' participation, a living-transforming visuality, as users have appeared to be a central element of landscape design but ignored before. Also this study tries to propose meaning of extended visuality in contemporary landscape design on the basis of visual criticism on simple perception-and contemplations convention-based landscape design. For these purposes, this study reviews characteristics of visual changes appeared in modern reductionist paintings. In other words, arts can be interpreted in polysemous ways through bodies' experience. Deconstructive concepts derived from the theoretical reviews can be categorized into three including the participation of the users' bodies from a contemplative point of view, textuality and intertextuality, and experiences from works. Those concepts were used to criticize the previous discourse on landscape designs and to analyze various issues in the theories, themes and techniques in contemporary landscape design. The significance of the expanded visuality in contemporary landscape design is that it brings the users' voluntary participation. This structure can serve as a tool to obtain the users' perceptive effects. At the same time, it can be regarded as a process of establishing the relationships between the users and the works. Thus emphasis is placed not only on the influences of the effects structure of the works themselves, but also on the many different dimensions related to the users' bodies. It implies that the meaning of design is not determined by the designer but a product resulted from the voluntary relationships between users and works. These findings lead to ambiguous distinctions between arts everyday life, and eventually to the end of the concepts of formative dichotomous aesthetics and their effectiveness. Finding of this study call for not only redefining the space where landscape design is created and communicated, but also reconsidering the concepts of landscape design and its ontological meanings.

• 한국농촌건축학회논문집
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• 제20권1호
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• pp.37-44
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• 2018

The purpose of this study is to know how to make common space, find a type of it, and build a village landscape with it in countryside. There are five types of village including suburban according to typological locality in rural area. Each of them have remarkable common spaces that are combined with community identity and usage. They usually are located along with the street and lane of the village. Most of the villages I surveyed have common places for residents to rest, share, and meet together. Representatively, pavilion with symbolic tree we call Jeonja is very popular place to them, and village people also require public parking or pocket park in their modern life. I researched common places in ten communities in rural area so that I can suggest a way of community design through them. According to this research, there are three results. First, the common space of the village is placed to motivate emotional and attractive community design in the village. Second, the common space has an identity and landscape architectural relationship to build sustainable community. Third, countries' streets that I surveyed have four types, which are liner, tree, loop, and radiate patterns of lane. In line with those types, each one makes different and historical community landscape.

• 한국농촌건축학회논문집
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• 제22권3호
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• pp.25-32
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• 2020

The purpose of this study is to understand what Le Corbuiser has intended on a panoramic landscape view through his modern architectural design. This paper is willing to improve that he considered both natural and local landscape scenery, when he designed architecture with drawing images. He designed various ways to see outside scenery and community culture through ribbon windows, piloti, architectural promenade, picture frame, and rooftop garden as the angle of view inside the building, 'designed landscape panorama' from his architecture. Therefore the contents of the study include the analysis of the local landscapes shown through his architecture by photograph, drawing of a real scenery, and his sketches with biology to find what he has intended. The following conclusions have three points. First, Le Corbuiser has a basic idea to bear a natural and local scenery from his architecture through five points of new architecture. Second, pilotis, ribbon windows, and roof garden with picture frame and architectural promenade are pathways of his architecture to see 'designed landscape panorama'. Third, it comes from his early architecture like Villa Savoye in 1920s to Couvent de Sainte Marie de la Tourette in 1950s, but Ronchamp church converts his idea on previous thoughts.

• 한국환경과학회지
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• 제26권3호
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• pp.281-287
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• 2017

The main task of landscape architecture is to create a higher quality of the environment by utilizing resources or to provide effective stewardship for the preserved environment. These outcomes enhance the correlation between humans and the environment. Landscape architect deals with direct use of market economic goods in private property resources such as capital, land, plant, structure. But it also has indirect use of non-market economic goods in public resources like scenic view from the forest, sea, urbanscape, and refreshing atmosphere. At this point, landscaping products should have a role of public goods, and even these attribute to individuals or certain group. From the results of neo-liberalism regime in modern era such as guarantee of private property, deregulation for free market, and reduction of social welfare, minority has getting less opportunity to enjoy the quality life in ecotop and social welfare. With all future, landscape architecture should have the role of social infrastructure through planning concept that ensures public interests first. The virtuous functions of Green Infrastructure is a proper tool in realizing environmental justice in that it efficiently protects environment, and distributes fair benefits to all people.

• 한국조경학회지
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• 제24권3호
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• pp.79-95
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• 1996

The traditional gardens of China were constructed on the basis of the common aesthetic consciousness between designers and users. As designers and users communicated each other through the medium of garden, they give suggestions to our design and appreciation of modern landscape architecture. The traditional gardens of China pursued to reach the state of Yi Jing(意境), and this state formed the keynote of the whole field of Chinese culture. Yi Jing is the aesthetic theory originated in Pre-Qin Era, and established in Tang-Dynasty. After this, this theory become the very important aesthetic category of Chinese aesthetics. Yi Jing is the process from conception to appreciation, and requires the three parts of designer, a work of art, and appreciator. To reach Yi Jing, designers must be well grounded and persevere in their efforts. They also had to have the ability of corresponding the inner order of environment and landscape, and expressing their own feelings and emotions into gardens. So ultimately, they were in pursuit of constructing the gardens as if something naturally created. The garden itself is the meeting place of designers and users. The space in which users can think of life, nature, history, and cosmos. In order to do this, designers design the real landscape and non-visual landscape. This design can give appreciators more fertile imagination. Appreciation perfects the Yi Jing of gardens. Yi Jing is created by co-work of artist and appreciator with common aesthetic consciousness and sense. Therefore, it is subjective, and it may be vary with man and time.

• 대한건축학회논문집:계획계
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• 제36권1호
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• pp.81-92
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• 2020

The purpose of this study was to examine the selection process of the marathon course and the progress of the related urban landscape design projects. The study revealed that the initially selected course of the downtown Namdaemum changed to the riverside course that runs around Gangnam and Han river. This change implied that showing the developed landscape of Seoul was much more considered than showing the traditional landscape of Seoul. The urban design plan had changed in 1986 after the marathon course was finalized. The development project of downtown was changed to Gangnam area including Teheran-ro. The city also redeveloped the substandard housing zones around the Olympic facilities. As a result, developed areas and modern apartments of the riverside was emphasized in international TV game broadcast. This embedded the industrialized and modernized image of Seoul to foreigners. Also, Koreans started to recognize the Han river as Seoul's representative landmark. Accordingly, Seoul succeeded in creating a modernized urban landscape image through the Olympic marathon course.