• 만화애니메이션 연구
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• 통권31호
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• pp.249-266
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• 2013

본 논문은 컴퓨터 게임에서 보여지는 게임 그래픽 유저 인터페이스의 미니멀리즘 사례를 연구하는 것을 목표로 하고 있다. 게임 그래픽 유저 인터페이스의 미니멀 경향을 분석하기 위해 분석대상으로 삼은 컴퓨터 게임들은 페르시아의 왕자, 미러스 엣지, 스플린터 셀, 기어즈 오브 워, 콜 오브 듀티4, 메트로 2033, 크라이시스2이며 위의 게임들은 미니멀리즘의 특성을 활용한 독특한 형태로 게임 그래픽 유저 인터페이스의 영역을 확장하고 있다. 1960년대 시각예술 분야에서 출현하여 예술전반에 다양한 영향을 끼치며 발전한 미니멀리즘은 시대적 요구에 부응하며 다양한 스타일로 표현되어 왔다. 따라서 본 연구에서는 미니멀리즘을 통해 게임 그래픽 유저 인터페이스에서 나타나는 최소화 현상을 바탕으로 미니멀리즘의 대표적 표현경향인 '단순성'과 '최소성'을 중심으로 게임 그래픽 유저 인터페이스에 나타나는 미니멀리즘의 영향력을 고찰하고자 한다.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2000년도 추계 학술발표대회 논문집
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• pp.102-103
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• 2000

디자인은 사회ㆍ문화의 산물로 기술의 발달과 가치관의 변화에 따라 그 조형적 특성들이 변화되어 왔다. 최근 제품을 비롯한 건축, 공예 등 조형분야에서 두드러진 특징은 미니멀리즘 (Minimalism)의 강세를 들 수 있다. 예술사 전체를 조망했을 때, 미니멀리즘은 현대미술에서 새로운 미술 운동으로 한 축(헐)을 형성하여 왔다. (중략)

• 한국실내디자인학회논문집
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• 제14호
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• pp.74-81
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• 1998

It is character of Minimalism that representation as a simple shape extremely & objective acess that start from movement of visual art and part of music that began mainly at New York City in America at the end of 1960 period. Then in processing of development of Modernism Art it can be said that Minimalism reach the top of Modernism with that it carried out such character of formed Purity Doctrine of Modernism Art extremely and realized self-restorational character of Minimalism at the pictures that Minimalism is characterized by objectional clearness conceptual strictness reality and simplicity at the picture and by simplicity singularity uninterality and enviromentality at the sculpture. If we analyze Minimalic character in Interior design dividing into the density of space the principle of compound performance of touch and detail those are moderated and simple space simple and repeated compounding of geometrical line and shape the pure techniques of expression and the simplity of pure srtuctural -beauty in detail.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 춘계학술발표대회 논문집
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• pp.197-201
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• 2006

Following to current interior design that becoming more varied and composite, minimal tendency has also been changed. Furthermore, according to the lapse of time, minimalism, a space design, has been developed in a new look among such complex trends. Therefore, in this study, changes of tendency into a style of minimalism and characteristics thereof shown in interior design amid current of times were carefully reviewed, and local and foreign artists together with their works were investigated and analyzed having focused on the inclination of minimalism displayed in interiors of commercial spaces, especially before or after 2000s by dividing them into distinctive features in connection with space, material and type. It is thought that the interior space under the concept of minimalism will be changed and developed further in a variety of shapes to suit the environments in the current era getting rid of simple physical characteristics.

• 한국실내디자인학회논문집
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• 제37호
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• pp.71-79
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• 2003

Architecture is changing rapidly with contact of various cultures and development of modern technology and it is also becoming Polycentric. We can look at the tendency of deconstruction that denies logical rationality of modernism and minimalism that is known as a vertex of modernism. This kind of flow appears to be one of tendencies of interior design. Therefore, to satisfy the residents with the interior design, our study proposes a better space improving monotonousness of the existing apartment through case study. Through the case study, if we analyze the tendency applied to the characteristics of minimalism, we can divide into shape and space. Minimalism space says that the resident can build his/her own space according to the characteristics of the object. Also, it has an advantage of the resident being able to bring in furniture or decoration to change the characteristics of the space. With more accurate understanding and borrowing, we should do multilateral study to research the mixed loading and uncertain minimalism through the case study of apartment space.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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• pp.109-114
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• 2006

The world has become one united world so that it is worthless to divide it into two; the East and West. In the 20th century, eastern perspectives proliferated in western science involving theology, philosophy and psychotherapy. In this time of various trends of ideas emerged minimalism, artistic and cultural current seeking simplicity and conciseness. This current of idea appeared about the time of World War II in visual art, and then expanded to other fields like music, architecture, fashion and philosophy in diverse forms. Minimalism is also presented in interior space with extreme form of simplicity and detail, revealing parts of the space as delicate and pure style with emphasis on purity of the space itself. In this research, demonstrate clear features of eastern view of space appeared in minimalism of interior design mainly in America. The reason the scope of study is limited to America is that America is the origin of minimal art and has been hub of modern design since the 1930s. The research, first, finds out the origin and conceptual idea of minimalism and features of eastern view of space. Based on this understanding, further study has been carried to discover relation of minimalistic interior space to eastern view of space and to analyze eastern characteristic expressed in minimalistic space by examination of cases pertaining to commercial space.

• 한국콘텐츠학회논문지
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• 제7권10호
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• pp.175-182
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• 2007

본 논문은 현대장신구속에 나타난 미니멀리즘의 성향을 분석하고자 하였다. 이를 위해 장신구의 특성을 파악하고, 이들 장신구속에 나타난 미니멀리즘의 개념적, 형태적 그리고 조형적 성향을 연구하였다. 미니멀 아트는 시각적 단순함을 선호하는 사람들에게 새로운 감흥을 주었고, 이는 '장식'에 치중해 왔던 기존의 디자인의 개념을 변화시키는 데에 많은 영향을 주었다. 따라서 본 연구에서는 이러한 미니멀리즘의 특성과 장신구에서 나타나는 미니멀리즘의 성향을 파악하고, 이를 활용한 다양한 디자인의 개발에 도움이 되고자 한다.

• 복식
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• 제62권8호
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• pp.100-117
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• 2012

This research aims to study comparatively on the aesthetic characteristics of minimalism and maximalism in the 2000s fashion, based on the previous studies in art and design. For this purpose, literature survey and demonstrative analysis of fashion collection photographs were performed. The scope of this research is from 2000 to 2010. The results are as follows: First, the formativeness of minimalism fashion in the 2000s is analyzed as understatement, simplicity, non decorativeness. The internal meanings are reduction, purity, asceticism, transcendence and practicality. Second, the formativeness of maximalism fashion in the 2000s is analyzed as enlargement, fusion, decorativeness, luxury and avant-garde. The internal meanings are pluralism, open mind, sensibility, fun and materialism. Third, minimalism and maximalism fashion in the 2000s are opposite when compared to each other. While minimalism pursues the nature of human being by ascetic approach, maximalism does it by immersing in human affairs. Within the spectrum of these two opposing ends, there are different degrees of expressions. Also these two trends fuse with other styles. As these trends express and pursue the nature of human being, they are expected to exist incessantly in the future.

• 한국의류학회지
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• 제37권3호
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• pp.247-259
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• 2013

This study conceptually approaches and clearly compares the similarities and differences of fashion and architecture through a focus on their correlations. This study identifies the conceptual definitions of functional minimalism by an examination of function that represents the largest similarity between architecture and fashion. This study classifies the nature of functional minimalism and studies cases for each architectural classification in the areas of: the simplicity of a structure, unitarity pursuit of economic value, repeatability in an efficiency unit, reducibility stressing property, and multi-functional spatiality. The characteristics of functional minimalism fashion are distinguish as: simplicity in a structure that highlight structural lines in non-decorated design, unitarity pursuit of economic value represented in united process and pattern for its economic effect, repeatability in an efficiency unit represented through the repeated decoration of a functional unit, reducibility stressing a property that emphasizes property with a dominant design element through a highlight of the characteristics of materials and multi-functional spatiality that represents variability in clothes through an expansion of limited spatial function. This study approaches each discipline with a clear understanding of the differences between the two and suggests standards for a comparative study of architecture and fashion.

• 한국콘텐츠학회논문지
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• 제8권5호
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• pp.145-154
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• 2008

모더니즘의 끝자락이자 포스트모던의 출발점 사이인 미묘한 시점의 순수예술에서 시작된 미니멀리즘은 Fine Art에서 그치지 않고 건축, 의상, 디자인 등 전반적인 조형분야와 다양한 분야에 그 영향을 끼치게 되었다. 이러한 미니멀리즘과 최근 디지털 디바이스 환경에서 이슈로 떠오르고 있는 사용자 경험 디자인을 역사적, 이론적으로 비교 고찰해 봄으로써 디지털 환경의 사용자 경험 디자인 프로세스가 단순히 실용적인 디자인 테크닉에 머무르지 않고 보다 체계 있는 학문적 이론으로 거듭날 수 있도록 연구하였다. 그 결과 사용자 경험 디자인의 프로세스와 미니멀리즘의 속성 및 사조에서 매우 유사한 동질성을 발견 하였고, 그 동질성을 바탕으로 미니멀리즘과 사용자 경험 디자인의 학술적, 이론적 정리를 진행하여, 향후 디지털 디자인 프로세스의 학문적, 철학적 인프라를 구축할 수 있는 계기를 마련하고자 하였다.