• 디지털융복합연구
• /
• 제13권8호
• /
• pp.457-463
• /
• 2015

이미지 왜곡 분야는 공학 및 예술 분야에서 다양하게 연구, 응용되어져 왔다. 본 연구는 이미지 왜곡에 관한 공학기술을 이용하여 예술적 감성을 표현하기 위한 연구이다. 이를 위해 먼저, 이미지 왜곡의 예술적 표현에 대한 미학적 해석을 살펴본다. 또한 자기력을 이용한 이미지 왜곡이 예술적 표현방법이 될 수 있으며, 사용자 몰입요소를 포함하고 있음을 설명한다. 그리고 실제 Unity3D 엔진을 이용하여 구현을 보여줌으로써 자기력 기반의 이미지 왜곡이 예술적 표현의 이미지 왜곡으로 사용될 수 있는 가능성을 보여준다. 본 연구는 과학기술과 예술의 융합을 통한 창조적인 감성콘텐츠의 제작과 개발에 도움을 줄 수 있다.

• 한국멀티미디어학회논문지
• /
• 제17권9호
• /
• pp.1076-1083
• /
• 2014

We propose an emotional facial avatar that portrays the user's facial expressions with an emotional emphasis, while achieving visual and behavioral realism. This is achieved by unifying automatic analysis of facial expressions and animation of realistic 3D faces with details such as facial hair and hairstyles. To augment facial appearance according to the user's emotions, we use emotional templates representing typical emotions in an artistic way, which can be easily combined with the skin texture of the 3D face at runtime. Hence, our interface gives the user vision-based control over facial animation of the emotional avatar, easily changing its moods.

• 한국디지털건축인테리어학회논문집
• /
• 제8권2호
• /
• pp.39-46
• /
• 2008

Current architecture can receive support of and command various ways of expression by more advanced technology of the present time, this means the formation of changeable external design of building, and has the tendency to be interactive non-rheological shape. Accordingly surface of building is decorated not only by the basic function and the expression of information, but also by complex narrative image structure or text, so far as recognizes human as the subject of communication, and is trying the artistic expression interacting with the general public. In various expressive tendency of current architecture surface design, such an approach from a view of an interactive art trying the communication between architecture, art, and human has the meaning of suggesting the direction of directing emotional architecture giving a present to the morderners who are growing more and more an earnest desire for experiencing culture and art in their daily life.

• 복식
• /
• 제60권9호
• /
• pp.120-135
• /
• 2010

Since emotion, creativity, and imagination has become the source of creating added value, the purpose of this study is to grasp the concept of high concept which has appeared as a major key word of modern culture and analyze the types of emotional expression found in modern fashion. Study methods were focused on literature review and case study. The literature review was conducted by news stories at home and abroad. The examples of case study were collected in fashion collection journals and related Internet web sites with their focus on from 2000 S/S to 2009 F/W to analyze emotional expression found in high concept-reflected fashion. The concept of 'high concept' suggested by Pink, Daniel H. lays on stress on ability to creative emotional value or cultural artistic value hidden behind the functional value, to make stories, and to combine ideas which do not seem to be connected with existing things. As a result of study, The forms of emotional expression found in high concept-reflected fashion included: art collaboration and art inspiration which were expressed through cross-category of culture and art; multi-culture design which expresses a mixture between western fashion and oriental costumes; funology design which expresses efficient value by high technology and fun value through humorous elements; and emotional digital design which can be transformed in function, shape and the use of materials representing light which is effectively used for fashion to represent fantasy or illusion connected with digital technology.

• 한국게임학회 논문지
• /
• 제8권1호
• /
• pp.59-70
• /
• 2008

게임 그래픽은 컴퓨터 그래픽의 한 분야로서 비약적인 기술발전으로 끊임없는 시도와 연구를 통해 표현 기법의 다양성을 추구하고 있다. 게임 그래픽의 렌더링 방식도 크게 두 가지 분야로 구분된다. 사진과 같은 정확한 영상을 구현하는 사실적 렌더링(Photorealistic rendering)기법과, 사람의 감성과 예술성이 표현되는 비사실적 렌더링(꾜PR: Non-Photorealistic rendering)기법이다. 본 논문에서는 게임 그래픽에서 사용되는 비사실적 렌더링(NPR)기법에 대하여 각각의 제작사례에 대한 분석과 특징을 조사하였다. 그리고 게임 그래픽을 예술적인 측면으로 접근하여 다양한 효과들을 제안하였다. 이러한 연구를 통해 최근의 비사실적 렌더링(NPR)기법의 적용성과 장단점을 파악하여 좀 더 감성적이고 친근하며 예술적인 게임을 제작 할 수 있도록 하는데 목적이 있다.

• 만화애니메이션 연구
• /
• 통권9호
• /
• pp.94-111
• /
• 2005

시각은 일상생활이나 예술작품을 이해하고 표현하는데 가장 중요한 역할을 하는 신체적 기능 중의 하나이다. 우리의 오감 중 시각을 통하여 들어오는 사물 및 공간에 대한 총체적 인지의 정보는 80% 이상이다. 이는 인간의 시각적 기능이 감각과 지각에 얼마나 많은 영향을 미치는가를 입증하는 것이며, 그 영향은 사람들에게 다양한 정서적 감응을 불러일으키게 된다. 정서는 애니메이션 작품을 구성하는데 빼놓을 수 없는 중요한 요소로서 관객의 감동을 불러일으키기 위한 여러 가지의 장치를 필요로 한다. 어떠한 사건과 상황, 시간, 공간 등의 요소들은 관객의 정서적 경험을 위한 장치들이다.

• 패션비즈니스
• /
• 제14권4호
• /
• pp.74-90
• /
• 2010

The history of contemporary art in the 20th century can be said the history of changes. Today the variety of objects destroy the boundaries of each genre. This study aims to understand the relationship between fashion and art that becomes closer by examining contemporary art in the Gwangju Biennale 2008 to enlarge the range of understanding of mutual communication between contemporary art and fabrics which are the object of fashion. The research method was to investigate the characteristics and expression methods of object fabrics shown in contemporary art through the review of papers published at home and abroad, related literatures, and Internet materials. Also, the meaning, technique, and methods of fabrics were analyzed from works introduced in the Gwangju Biennale 2008. In order to achieve this purpose, fabric was examined as the object of work in Gwangju Biennale 2008. As a result, it is found that fabric plays an important role in changing environment newly with more dynamic, abundant, and comfortable and softer feeling than any other artistic materials and enlarging the boundaries of artistic materials by exploring formative possibility. Furthermore, its multi-dimensional expression characteristic presents unbounded possibility. Fabric which has long formed close relationship with human life has taken its place as one genre now. It departs from the past principles of fabric handicraft and the restriction of a classical norm and becomes characteristic of very wide-ranging selection of materials and free expression. Its soft and warm texture provides emotional stability for a human. Although the peculiarity of fabric as an active concept to human environment and new materials and technique based on the aesthetic consciousness of a human rely on the high development of industry, it is significant that artists' liberation from their concept and material sense is accompanied by the expression of freedom.

• 한국산학기술학회논문지
• /
• 제18권11호
• /
• pp.218-228
• /
• 2017

본 연구는 유아대상 동요활동의 효과성을 살피기 위해, 지난 16년 간 국내에서 이루어진 석 박사 학위논문 및 학술지 연구를 중심으로 관련된 요인에 대해 메타분석을 통해 검증하였고, 요인들의 변화추이를 살피기 위해 메타회귀분석을 활용하였다. 분석 결과 동요활동 관련 요인들의 전체효과크기와 요인군들은 모두 유의미한 효과크기를 가진 것으로 나타났으며, 사회적 요인군과 문화예술적 요인군은 큰효과크기를 보인 반면, 심리 정서적 요인군은 중간효과크기를 가진 것으로 나타났다. 사회적 요인군의 하부요인은 타인인식능력 요인을 제외한 모든 요인이 유의미한 큰효과크기를 가진 것으로 나타났으며, 그 중 자연친화적행동이 상대적으로 가장 큰 효과크기를 보인 것으로 나타났다. 심리 정서적 요인군의 하부요인 중 자기표현능력과 자기조절능력은 큰효과크기를 스트레스억제와 정서지능은 중간효과크기를 보인 것으로 나타났다. 문화예술적 요인군의 하부요인은 중간효과크기를 보인 창의적 능력을 제외한 모든 요인이 큰효과크기를 보인 것으로 나타났다. 출판연도에 따른 효과크기 변화추이를 분석한 결과, 동요활동 관련 요인들의 전체효과크기와 사회적 요인군, 심리 정서적 요인군, 문화예술적 요인군 등 각 요인군 별 효과크기 변화추이가 최근 출판물에 가까울수록 활동효과가 높아지는 것으로 나타났다. 본 연구 결과 주목할 만한 시사점은 동요활동을 통한 효과에 있어 상대적으로 미진한 심리 정서적 효과 촉진을 위한 프로그램 구성 노력이 있어야 하며, 현 유야 교육관점에 맞는 창의력 효과 증진을 위한 체계화된 동요활동 구성이 요구된다는 점이다.

• 복식
• /
• 제51권5호
• /
• pp.157-173
• /
• 2001

In fashion, there are various cultural aspects that exist in complexity, where according to the era, even fashion items newly develop and prevail into various designs in the organic function with reality of related cultural phenomenon and aesthetic aim. Among the fashion items, the shoe is historically considered as the shield from lust and also the provision of praise against the most emotional incitement. Mankind has started wearing shoes out of the functional purpose of protection since the ancient Egyptian times. Thereafter humankind has been creating shoes artistically in respect to shape, color, and quality of material, etc, as an expression of aesthetical awareness and introspective desire for beauty. As modern fashion increasingly regards the total fashion image much more important than each items consisting the whole outfit, the role of shoe became essential more than ever. Contrary to its relative importance, little academic attention was given to this area yet, while prestigious museums and galleries in Europe and the USA have held exhibitions of shoes in view of both historical and artistic aspects. This study aims to make a historical inquiry of western shoes. through which their aesthetic values can be drawn. Literature on this subject including aesthetics, history of costume and arts were referred. Fashion magazines and catalogues were investigated for additional information. The process and results of this study are meant to be a suggestion not only to further studies but also to artistic and creative shoe design. Originated for the functional purpose, shoes have evolved in various shapes with different meanings attached to it. When the technological development made the satisfaction for functional needs possible, the intrinsic attribute, the aesthetic value was pursued. The historical contemplations of shoes from Egyptian times to the 1990's led to the results that the intrinsic aesthetic value of shoes can be summarized as follows: 1) protection and extension of body, 2) need for decoration, 3) erotic expression, 4) symbol of dignity and class, 5) fashion.

• International Journal of Advanced Culture Technology
• /
• 제10권3호
• /
• pp.174-183
• /
• 2022

The abstract should summarize the contents of the paper and written below the author information. Use the word "Abstract" as the title, in 12-point Times New Roman, boldface type, italicized, centered relative to the column, initially capitalized, fixed-spacing at 13 pt., 12 pt. spacing before the text and 6 pt. after. The abstract content is to be in 11-point, italicized, single spaced type. Leave one blank line after the abstract, and then begin the keywords. All manuscripts must be in English. When it comes to the issue of "virtual and real" in traditional Chinese painting, the first impression is to describe the problems of painting strokes and ink, layout of pictures, etc., but it runs through the initial conception of the work, creation in the middle and aesthetic appreciation of the work. It exists in the whole process of artistic creation and appreciation. In essence, it is a problem of aesthetic thinking and philosophical thinking. Because the traditional Chinese painting theory is influenced by Taoism, when the concept of "virtual and real" is implemented in the specific picture of Chinese painting, it is contained in the specific shape of "physics", that is, the painting theory research of "blank space" in the picture. Based on the traditional Taoist philosophy of China, this paper takes the "virtual and real" view in Lao Zhuang's thought as the research object, deeply analyzes and compares its relationship with the "virtual and real" in Chinese landscape painting, and finds out their artistic spirit, essential characteristics and how to present them. This paper mainly discusses the internal relationship between Taoist philosophy and "virtual and real" in Chinese landscape painting from the following aspects. The introduction expounds the origin, purpose, significance, innovation and research methods of the topic. This paper analyzes the philosophical thoughts about landscape in the philosophical thoughts represented by Lao Tzu and Zhuangzi. The development of Chinese traditional aesthetics theory is closely related to Taoist philosophy, which has laid the foundation and pointed out the direction for the development of Chinese painting theory since ancient times. It also discusses the influence of the Taoist philosophy of "the combination of the virtual and real" on the emergence and development of the artistic conception of landscape painting. Firstly, through the analysis of the artistic conception of landscape painting and its constituent factors, it is pointed out that the artistic conception is affected by the personality and the painting artistic conception. Secondly, through the Taoist thought of "the combination of the virtual and real" in landscape painting, so as to reflect that it is the source of the artistic conception of Chinese landscape painting. It is the unique spiritual concept of "Yin and Yang" and "virtual and real" that creates the unique "blank space" aesthetic realm of Chinese painting in the composition of the picture. Finally, it focuses on the "nothingness" in Taoist philosophy and the "blank space" in Chinese landscape painting. The connotation of the "blank space" in Chinese painting exceeds its own expressive significance, which makes the picture form the aesthetic principle of emotional blending, virtual and real combination and dynamic and static integration. Through the "blank space", it deepens the artistic characteristics of the picture and sublimates the expression of "form" in Chinese painting.