• 복식
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• 제61권7호
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• pp.80-100
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• 2011

The purpose of this research is to classify that fashion and art in the twentieth century broadened the creative field by individually applying each other's ideas or through collaboration. This paper analyses the work of individual artists and fashion designers who created work on the boundaries of fashion and art. These samples are selected to extract features related to specific periods as it is proposed that contemporary creation has been developed from a combination of fashion and art, sharing their distinct concerns. Accordingly, this research will focus on the collaboration between fashion and art in the twentieth century from the aspect of 'fashion into art'/'art into fashion' in order to analyse the historical flow, and thereby examine the relationship between fashion and art. The cross-fertilization between fashion and art was initiated as an imitation of form in the early twentieth century, and led to a 'new cross-disciplinary form' which exists on the boundary of fashion and art. This paper considers the relationship between fashion and art from the perspective of sharing intrinsic concepts and the creation of a new creative sphere. It analyses the characteristics of the works of fashion designers and artists whose works lie on the boundary between fashion and art.

• Advances in aircraft and spacecraft science
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• 제8권4호
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• pp.273-287
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• 2021

Model-based, data-driven and physics-based approaches represent the state-of-the-art techniques to estimate the aircraft flow angles, angle-of-attack and angle-of-sideslip, in avionics. Thanks to sensor fusion techniques, a synthetic sensor is able to provide estimation of flow angles without any dedicated physical sensors. The work deals with a physics-based scheme derived from flight mechanic theory that leads to a nonlinear flow angle model. Even though several solvers can be adopted, nonlinear models can be replaced with less accurate but straightforward ones in practical applications. The present work proposes a linearisation to obtain the flow angles' closed form solution that is verified using a flight simulator. The main objective of the paper, in fact, is to analyse the estimation degradation using the proposed closed form solutions with respect to the nonlinear scheme. Moreover, flight conditions, where the proposed closed form solutions are not applicable, are identified.

• 한국콘텐츠학회논문지
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• 제9권12호
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• pp.212-221
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• 2009

본 논문에서는 인터랙티브 아트 작품의 효율적인 분석과 창의적인 제작을 위한 효율적 의미 분석 체계를 위해 참가자와 작품 간의 상호작용에 필요한 직관 및 상식과의 합치, 자기 주도적 능동성, 제어요소의 다양성이라는 3가지의 정성적 필요 요소를 제안한다. 필자가 제작한 작품들을 비교 분석하는 과정을 통해 본 논문에서 제안하는 상호작용의 3가지 정성적 필요 요소들이 인터랙티브 작품의 효율적 의미 전달에 대한 매우 유용한 정성적 평가 요소임을 보인다. 분석 실험에서는 작용과 반응의 1회 피드백에 소요되는 시간, 작품의 감상 소요시간, 그리고 서로 다른 형태의 상호작용의 가지 수를 조사하였다. 본 논문에서 제안한 정성 평가 요소들은 기존의 작품들에 대한 평가 체계로 사용될 수 있을 뿐만 아니라 새로운 인터랙티브 작품을 구상 및 설계하는데 있어 설계 모델로 사용될 수도 있을 것으로 기대한다.

• 문화기술의 융합
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• 제8권1호
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• pp.261-269
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• 2022

코로나19로 인한 팬더믹 시대의 도래는 개인과 조직, 사회와 국가의 모든 영역에서 새로운 변화를 야기하고 있다. 미술시장에도 개인의 지역, 국가 간의 이동 제한 및 사회적 거리 두기의 영향으로 위기를 맞이하게 되었으며, 작품의 내용, 작품의 거래 방식, 구매자의 성향 및 특성까지도 변화를 일으키고 있다. 이러한 미술시장의 변화 요구는 디지털 전환과 온라인 미술시장의 확대, 가상현실과 증강현실 기술을 이용한 가상공간으로의 확대, 블록체인 기술을 바탕으로 한 대체불가토큰(NFT)을 통한 디지털작품의 거래 영역 확대로 새로운 변화의 기회를 가속화시키고 있다. 본 연구에서는 팬더믹 시대가 가져온 미술시장의 변화 흐름을 디지털 전환의 관점에서 분석한다. 미술시장의 디지털전환의 다양한 유형에 대한 정리와 디지털 전환 및 NFT 도입에 따란 인식조사를 통해 미술시장에 대한 디지털 수용도에 대해 파악한다. 미술시장에서 블록체인 기술을 기반으로 한 NFT의 도입에 따른 주요 법적, 경제적, 사회적, 거래적 이슈와 대응책을 논의한다.

• 예술경영연구
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• 제49호
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• pp.37-63
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• 2019

본 연구는 미술관 전시장 내에서 사진 촬영이 관람객 체험 만족도에 어떠한 영향을 미치는지를 파악하기 위한 목적을 가진다. 이를 위해 전시장을 방문한 관람객들을 대상으로 설문조사를 실시하였다. 셀피, 작품사진 촬영이 관람객의 체험 만족도에 긍정적으로 작용하는지를 알아보기 위해 일원분산분석을 하였고, 관여도 및 나르시시즘 성향에 따른 조절효과와 몰입의 매개효과를 검증하였다. 분석결과, 첫째, 사진 촬영과 만족도의 관계에서, 사진 촬영은 했지만 셀피 촬영을 하지 않은 집단은 전시장 내에서 사진과 셀피 촬영을 모두 하지 않은 집단에 비해 관람객의 만족도가 높게 나타났다. 이 결과는 작품에 대한 사진 촬영은 관람객들에게 체험을 통한 만족감을 주지만, 셀피 촬영을 한다고 해서 만족감에 긍정적으로 작용하는 것은 아니라는 것을 보여준다. 둘째, 몰입도는 전시장 내에서 사진과 셀피 촬영 유형과 관람객의 체험 만족도의 관계에서 매개역할을 할 것이라는 가설은 모두 기각되었다. 셋째, 전시장 내에서 사진 촬영은 했지만 셀피 촬영은 하지 않은 집단과 전시장 내에서 사진과 셀피 촬영을 모두 하지 않은 집단에 따른 체험 만족도 차이에서만 관여도의 정(+)의 조절효과가 나타났다. 이는 셀피를 찍는 관람객들은 미술에 대한 관여도에 따라 만족도가 영향을 받지 않는 것을 의미한다. 본 연구의 결과는 미술관의 전시장 내 사진 촬영의 허용에 대한 정책을 결정하는데 도움이 될 것으로 기대한다.

• 한국실내디자인학회논문집
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• 제13권3호
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• pp.61-68
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• 2004

Contemporary Architecture stands on the basis of the influence of the formative arts, and it carves out a new field of architecture through various technical or material expressions. Herzog ＆ de Meuron, whose has been recognized internationally, are one of few artists following this Contemporary architectural flow. This thesis analyzed his work of art by the trend of times, and base on the results, tried to find his architectural language. Three points have been concluded through this architectural thesis. The architectural language does not deal with our monotonous environment, but deals with it technically. It's expressed all the architectural factors that we already know and used through new ways, so that, finally, it makes people feel the work of art in different point of views. I desire more future researches will focus on the many types of architectural and interior design languages that the Contemporary society craves.

• 조형예술학연구
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• 제9권
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• pp.49-87
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• 2006

Narrative has broad domains. So it is related to the everything man faces in his daily life and also performed in various modes. Narrative is revealed through all media including a character, which is also applied to plastic art. And narrative objects formed beyond the differences in media aid forms of expression are commonly based on a language. The study on such objects which created a new conceit of narratology can be said to be a spiritual trend by which to understand the world and man from the viewpoint of a 'story'. Plastic art took high interest in narrative in the same period as the rise of postmodernist art in the latter half of the 20th century, which was also applied to sculpture. The researcher, therefore, investigated through the history of sculpture in the 20th century the process in which narrative was denied under the value system of modernism and reappeared with the quickening of postmodernism. And as a result this period could be briefly characterized by 'return to figure' and 'reappearance of narrative'. The is, such flow means that late sculpture converted its center of interest from simple geometric abstract forms to irregular, figurative images. The researcher chose as the subject of his study the work of Louise Bourgeois, who was judged to have performed narrative positively and successfully among a great number of performed narrative positively and successfully among a great number of postmodernist sculptors who adopted it as their own strategy of expression. As the central artist of postmodrnist sculpture, She expressed human desire and condition as sexuality through the introspection of her own personal experience in contrast to the character of pop art sensitive to external world. The researcher borrowed narrative semiotics as a method of analyzing more elaborately the problem about the generation of narrative shown in her works. For it, he selected as the sample work for analysis Bourgeois's , which were judged to contain narrative most abundantly and as the metaphor of a gaze and recollection presented a new woman self that sublimed love, hatred, and loneliness. The narrative in her works are characterized by introspection questioning one's own trauma. It has independent domain and characteristics and clearly reveals narrative and content-centered characteristics, which are commonly discovered in postmodernist sculpture. The researcher could more concretely and definitely understand the characteristics of narrative through figurative images by analyzing the sample work. The researcher wanted to call your attention to the fact that the sculpture in the late 20th century contained narrative commonly and uniformly despite being characterized by various expressions and modes. And the focused on highlighting the fact that the narrative was more effectively revealed through figurative images of human body and simultaneously analyzing the formalizing process and structure for narrative. Besides he wanted to argue that the position of narrative defining the characteristics of sculpture should be valued more justly. Also, such acceptance of narrative, which is discovered in the sculpture, will have to be understood as the characteristics of the period reflecting the cultural aspect of the present time.

• 한국도서관정보학회지
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• 제41권4호
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• pp.51-72
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• 2010

플로우는 칙센트미하이가 처음 사용한 용어로 특정 활동이나 행동에 완전히 몰두할 때 느끼는 최적의 경험 상태를 말한다. 기존의 연구 결과에 의하면 플로우 현상은 암벽 등반, 예술 활동, 댄스, 모터사이클, 생산적 업무 등 많은 행동을 통해서 체험할 수 있으나 독서를 통해서 가장 많은 사람들이 공통적으로 플로우를 경험하는 것으로 알려져 있다. 이에 본 연구에서는 우리나라 초.중등학생들의 독서 플로우에 대한 성향을 파악하고, 독서 플로우에 미치는 요인을 분석하였다. 본 연구에 사용한 설문지는 독서자료, 독서목적, 독서방법 등 6개 영역의 36개 항목으로 구성하였고, 40개 초.중등학교로부터 1,836명의 학생이 참여하였다. 수집한 데이터는 SPSS18을 사용하여 카이자승, 교차분석, 요인분석을 실시하였다.

• Advances in aircraft and spacecraft science
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• 제9권2호
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• pp.119-130
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• 2022

Supersonic projectiles like rockets, missiles, or aircraft find various applications in the field of defense. The shape of the wings is mainly designed as wedge shape or delta wings for supersonic vehicles. The study of supersonic flows over the wedges and flat plate delta wings around the large scale of incidence angle is considered in the supersonic projectile. In the present paper, the prime attention is to study the pressure at the nose of the plane wedge over the various Mach number and the various angles of incidence. Ghosh piston theory is used to obtain the pressure distribution analytically, and the results are compared with CFD analysis results. The wedge angle and Mach number are the parameters considered for the research work. The range of wedge angle is 50 to 250, and Mach number is 1.5 to 4.0 are considered for the current research work. The analytical results show excellent agreement with the CFD results. The results show that both the parameters wedge angle and Mach number are influential parameters to vary the static pressure. The static pressure increases with an increase in Mach number and wedge angle.

• 한국패션뷰티학회지
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• 제5권1호
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• pp.51-55
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• 2007

These days, hair design is recognized as a kind of molding arts which peform expression skill to create personal self as well as practical skill. Recently, the efforts to express hair design sublimating it to art works have continued. For these reasons, this study had purposes as follows; First, it developed creative and original design producing works to shape the flower image that was an important material of hair design. Second, it presented the possibility to express the field of hair design with art. In the flow of age, nature has provided design with unlimited creative motive. Flowers, among various materials, show the nature's change, combination and order and impose diverse symbolic meanings. Therefore, flowers are good materials to express the works. Through the process of decolorizing and dyeing with hair, five works of nature's fragrance, hope, reed flowers, windflower, magnolia blossom had been produced. The results of the process were as follows; First, the transformation of shape through the simple process taking the image of shaping flower as subject matter could be a motive of new hair design art. Second, if the various images of flowers were expressed as hair art with three-dimensional shape, it could be works with value of beauty. Through the process of this study, it was proved that nature could be endless subject matter for art. Therefore, with continuous studies, it can be motive of developing designs in producing work activities of many hair designers. In addition, academic development will be achieved through wide and diverse studies.