• 디자인학연구
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• 제15권4호
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• pp.347-358
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• 2002

건축드로잉이 미래의 지어질 건축을 예상하기 위해 필요한 단순히 기능적인 그래픽이라는 전통적인 개념에서 변화하고 있다. 특히 해체주의 건축가들 사이에서 개성적인 그래픽 요소들은 그들의 자기표현적인 스타일을 실현시키는데 큰 기여를 하고 있다. 오로지 미학적인 이유에서 그래픽이 필요한 경우가 있는 반면에 몇몇 경우는 드로잉이라는 작업 자체가 보다 근본적인 자기탐구과정의 성격을 갖기도 한다. 다니엘 리베스킨트의 건축드로잉이 그러한 경우로서 타이포그래피적 성격은 그의 작업의 큰 특징을 이룬다. 타이포그래피적 요소를 그의 드로잉 전반에 걸쳐서 추상적 상징주의 표현의 메티포로서 즐겨 사용함으로써 보다 본격적인 타이포그래피적 접근을 가능성을 제기한다. 이러한 맥락에서 본 연구는 타이포그래피 요소들이 어떻게 그의 건축드로잉에서 해석될 수 있는가에 주목하고 어떤 상호연관성이 이질적인 두 영역 사이에 개입되는지, 또한 보조적 수단으로서가 아닌 적극적인 역할로서 그의 실제 건축에 반영되는강에 대해서 분석하고자 한다. 더불어 활자 그 자체가 서로 다른 매체를 만나서 상징화 과정이 부여되는 유형적 분류들을 통해서 리베스킨트 건축드로잉의 해석에 대한 다양한 가능성을 제기하고자 한다.

• 한국실내디자인학회논문집
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• 제17권1호
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• pp.30-38
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• 2008

Borrowed landscape is an Oriental gardening method to draw inside external natural landscape, and borrowed landscape of Japan has a different characteristic from that of Korea or China nature is manipulated and re-interpreted by human will in the course of applying it to architectural space. In other words, not the original scenery, but manipulated one appears which is cut, reduced, or deleted by architectural elements such as wall, window, or fence. Therefore, this study examined how architectural structure of Ando Tadao symbolizing modernist architecture understood and adopted Japanese traditional views on nature, that is, borrowed landscape. To this end, on the basis of the understanding on 'polymerization of abstraction and form' he mentioned, his geometric architectural principles are discussed, since this serves to be an important beginning of architectural concretization by the concept of 'form' experienced and perceived by human being through geometric means called architecture 'abstraction.' The findings of this study are as follows: first, it was found that Ando Tadao generates borrowed landscape effects by polymerizing and manipulating his simple and geometric structures with each other and thereby editing natural scenery, while Japanese traditional borrowed landscape introduces source scenery inside, through condensation and symbolization. Second, the results of this study revealed that his architecture functions to transcend external and internal realm of a space, which is also observed in Japanese traditional architectural borrowed landscape. Therefore, this study is considered significant in the sense that it proved that Ando Tadao's architectural language is based on borrowed landscape as a specific Japanese traditional element, going beyond the scope of previous studies focusing simply on the introduction of natural elements.

• 한국환경과학회지
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• 제17권2호
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• pp.177-183
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• 2008

Characteristic of wastes in a unsanitary landfill at the residential development site in H city, Kyunggi-do was investigated for the disposal of huge amount of wastes. The total amount of wastes was estimated at 117,000 ton and construction solid wastes and municipal solid wastes were detected together. The portion of combustibles was very low and soils, concrete wastes, and pebbles were the major components in landfilled wastes. Because the site was the residential development site, the landfilled wastes should be removed immediately for the construction. Therefore the way that the unsanitary landfill was excavated and the wastes were sorted into three categories such as soils, noncombustibles and combustibles was selected as the best method. Soils and noncombustibles could be recycled and sorted combustibles could be re-landfilled in a smaller area or incinerated.

• 복식
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• 제40권
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• pp.137-147
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• 1998

Fahion as the form construction of decon-structivistic architecture was analyzed by dividing it into the intrinsic aspect and the formal aspect through an introduction of three characteristic architectural principles into fashion. Intrinsic deconstructivistic fashion as the construction of architectural form has the mixurte of genders both in a form of transvestic and in a form of genderless look as dualism, and can be characterized by pluralistic nationlism with the emergence of the Third World alienated from the international society, and so forth. Difference and the prefixes of dis-and de- are schizophrenic mystic illusionism, chance effect and the differance of space and time and is supporting Jacques Derrida's chiasmus that is the perspective of collage in painting and the multiple observation of collage in painting and the multiple observation point as the play of borrowing the surrealistic technique. The formal construction of deconstructivistic fashion the construction of architectural form has intertextuality material, hybridization of items and the blending of modes and another sphere. Trace as icon deconstrucion attains historical analysis. Dis and de in fashion are showing the retrogre-ssion of gravity through decomposition, decon-tinuity and disjunction emerge nonstructural silho-uette, juxtaposition, inversion and replace- ment of underwear and outer garments. Their decentring expression emerged as construction through mixture and repetition as well as overlapping of planes or spaces. And their disjuctive representation appeared in the form of mutual juxtaposition and substitution with the double-side of formal construction in functional terms.

• 한국실내디자인학회논문집
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• 제25호
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• pp.213-220
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• 2000

The meaning of light is not always developed aspect in process of architecture history as essence worth of the architecture. It means that architectural light is not affected simple development of civilization, but it has more complex aspect. The technology of applying architecture has continuous development of society that light is possible to extend quantity by development of technology because light is component not simple material or tools but strong worthy aspect, quality development of architecture comes true by exact understanding and application. Conversion from medieval society to modern society begins at the Industrial Revolution has new skills and materials, the architectural conform general space filled with non-characteristic light, and it gives rising to pursuit Utopia is not exist frequently. In result, light of metaphysical meaning is diminished and exterminated. In other hand light seems to be tools by development of technology in modern society, recovering its own meaning in other aspect. That light makes perfect image of architecture not by finite meaning only for simple space but by expressing strongly point that unify the whole architectural composition. Light is free from partial material of architecture. Light activates major composition through high-technology, and has possibility to carry out the essential worth animate architecture. The light expresses relative speciality for sense of place recognizes major component which the human being lives in and conform the real meaning of architecture.

• 한국실내디자인학회논문집
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• 제25권6호
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• pp.32-39
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• 2016

The purpose of this study is create a comparative analysis of the characteristics of various materials which were used on the outer wall of F.L.Wright's works. The research results will be summarized as follows: 1) Wright thought that the outer wall was not just a physical object which divides the space of a house but it includes the image of the total exterior form, as well as, the economical factors of the age. 2) He tried to sublimate architectural image of his own style with the change of time because he recognized difficulties and limitations of traditional materials and economic feasibility. 3) He used nature-friendly material like wood and brick which were used in various methods of his natural architectural concept. 4) Some of Wright's early works were acculturated by classical architectural components such as the column to emphasize verticality of architectural form. The columns play a division role in the face of the outer wall creating a dynamic image and this also controls the amount of light that enters inside the house.

• 건축역사연구
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• 제11권3호
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• pp.87-103
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• 2002

In contemporary architecture, there are developing aspects of variety design in material, image and form. These various architectural trends even change classical media and this concept is based on the background of current idea - digital, information-media, imagination with paradigm. So this study aims to show the present status of the expressions in the contemporary architecture of Korea under its media situation. Namely usual thoughts for design have to be changed because our life is surrounded by many kinds of powerful media signs and various mixed cultural circumstances. And like this, we know for study about the relation between media and current architecture, still more Korean present condition. In chapter one, the background, purpose and method of study are explained. In chapter two, the general concept of media is inquired in this study. In the process of searching for the formingbasic background, the characteristic of this study is understood. In chapter three, this study inquires the aspect of media expression in modern architecture. In chapter four, according to chapter three, this study shows the present status of media expressions in the contemporary architecture of Korea. In chapter five, a synthetic conclusion is presented.

• 한국지반공학회:학술대회논문집
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• 한국지반공학회 2010년도 춘계 학술발표회
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• pp.163-170
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• 2010

Today, In-Situ testing for measureing geotechnical characterization are divided by Cone Penetration Test, Standard Penetration Test and Dilatometer Test, and will vary depending on soil conditions have been applied (Korea Geotechnical Engineering, 2006). However, these methods can be applied on sand or soft clay soil. Now, many studies are progressing for evaluating the stiffness characteristic of rocks and IGM. and Nam moon suk(2006) did Texas Cone Penetrometer Test for designing field penetration pile intruded at rocks and IGM. but, reliability of Texas Cone Penetration Test has confidence limits because TCPT is testing in Texas centrally, and energy dose not measure Woojin Lee, etc. (1998) did calculate Standard Penetration Test Hammer's dynamic energy efficiency by using dongjaeha analyzer. this research, we installed strain gage and accelerometer for supply existing equipment, and develop MCP that can use variety soils. this thesis, we measured energy at head and tip of Rod for evaluating energy that transport at free falling. As a result, Energy differences are occurred at head and tip of Rod.

• 건축역사연구
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• 제17권3호
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• pp.45-60
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• 2008

This study lists the vocabulary of the inscriptions on SeoGwol-YeongGeon-DoGam-UiGwe(西闕營建都監儀軌 1831). This study also deciphers and explains the meanings of them. In advance, this study compares them with the vocabulary of the national language in the middle ages and in modem times. There are two important missions in deciphering a transcription marking of the architectural vocabulary of UiGwe(儀軌). One is to gain an understanding of the reading method of transcription marking and the other is an explanation of what that means. As a result, we can correctly understand the UiGwe(儀軌) written in transcription marks. If we could decipher the transcription markings of the documents as it is, we cannot only recover plenty of vocabulary related with characteristic architecture in the age of the later Joseon Dynasty, but also correct wrongly used vocabulary in the present. As a result, we can standardize and adjust the vocabulary use of Korean traditional architecture. In advance, we can correct errors of spelling and mistaken explanations in the Korean Encyclopedia.

• KIEAE Journal
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• 제9권2호
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• pp.59-64
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• 2009

The senior citizens population and welfare institution for them is increased. The senior citizens in welfare institution spend a long time in indoor and their health is greatly affected by the indoor environment. Therefore, the indoor environment of senior citizens welfare institution is very important. This study presents some primary data based on the survey of architectural conditions and the measurements of indoor air quality for senior citizens welfare institution. According to characteristic of region, six of Incheon Area's senior citizens public welfare institution are selected. An investigation and analysis into architectural conditions and indoor air quality including temperature, humidity, CO, $CO_2$, PM10, HCHO, TVOC are conducted. The temperature, humidity and $CO_2$ concentration is some high. The HCHO concentration is very high. The indoor flooring and furniture materials highly impacts on the concentration of HCHO and TVOC.