• 제목/요약/키워드: Architectural Form and Materials

검색결과 135건 처리시간 0.145초

복식의 자연주의 양식에 관한 연구-90년대 현대 복식을 중심으로- (A study on naturalism style of fashion-concentrating on the 1990s-)

  • 이경아;전혜정
    • 복식
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    • 제37권
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    • pp.253-273
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    • 1998
  • The culture reflects the ideology of a particular period in time and such values change according to the needs and requests of that time which eventually becomes an important factorin forming the exterior. The clothing is part of a way that composes and expresses the inherent substance of society and culture. Also, the clothing itself manifests the artistic values and behavior of mankind as an external structure maintaining its place as a big part in culture. The purpose of this study are to elucidat the concept of naturalism, which is discussed in many facets in the modern era; I studied the concept as well as the history of naturalism in order to manifest the meaning of clothing in the context of culture and I explained the concept in terms of the modern era. On such ground, I explained the naturalism expressed through clothing and characterized the exter-nal form of clothing. Also, in order to know the stream of naturalism in the modern context, I referred to the Vogue magazine of the 90s, using Delong's ABC method. Naturalism, in the context of modern fashion is a way to express the nostalgia of nature's vi-ability and purity of ecology apart from the artificial and structural appearance that resulted form scientific enhancement and hence, the ecological crisis. Naturalism pursues the soft- ness and comfort of the natural silhouette, color and material of the human body and it can be said that naturalism emphasizes the mix-ture of three substances : human, nature and clothing. The naturalism can be characterized by the factors expressed in clothing as follows. First, the naturalism shown in the form it-self draws the beauty of the bodyline without any reduction nor exaggeration. Without any distorttion of the human bodyline it shown the curve as one moves along, using the soft material. Second, the naturalism shown in color most-ly uses the natural tone with added white color and other color low in intensity and value like the receded colors of the earth that could be compared to the beauty of ecru. Third, the naturalism shown in the material is thin, light and soft in texture. In order to bring out the most natural curve of the human body, the natural fiber becomes the main material, sometimes, using crude materials. Due to the lindustrial improvement, softness and elasticity is added to the natural fibers giving them an important role as materials. Fourth, the naturalism shown in textile depicts the real natural objects in life. According to my study, the personality of naturalism in modern clothing was shown to be most strong in material and then in the order of form, texture and textile. The material com-posed of the natural silhouette and natural fibers were used to make soft color. In form, Paul Poiret made appearance expressing the natural beauty of the human body without the corset ; it continued with the inner lining making the clothing hard but in the 90s, lining-less, extremely exposed clothes and knit wear is used to emphasize the natural beauty of the body. In color and textile, the tendency spok-en above is not as strong but in color, instead of high intensity or value, the usage of neutral colors with added white color or ecru color, ear-th tone is increasing. In textile, the usage of flowers as natural material is seen frequently. As a whole, naturalistic trend in the 90s is increasing and the modern fashion is breaking out from the artificial and architectural form and conforming to a form that can realize the natural beauty of the human body. And the natural color and textile that conforms to such ideas are being used to pursue the human oriented trend that has appeared due to the increase in usage of soft natural fiber. Nowadays, the idea of returning to nature, defying the artificiality, desiring the leisure and psychological abundance that can be explained as naturalistic way of thinking is necessitated in this modern era as long as humans coexist with nature, this tendency will continue in clothing.

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거푸집 패널이 부착된 1방향 중공슬래브의 구조 성능 (Structural Performance of One-way Void Plywood Slab System with form work Pane)

  • 허무원;채경훈;황규석;윤성호;박태원
    • 한국구조물진단유지관리공학회 논문집
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    • 제25권1호
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    • pp.7-15
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    • 2021
  • 이 연구에서는 기존 중공재의 형상을 개선한 거푸집용 중공슬래브를 개발하였고, 개발된 VPS를 활용하여 휨 및 전단 실험을 수행하여 그 성능을 평가하였다. VPS의 휨 성능 실험 결과, FPS 계열 실험체의 경우 항복 하중 값은 FPS-00 실험체 대비 약 97.5%를 나타내고 있어 항복하중 값에는 큰 차이가 없는 것으로 나타났다. 또한, FNS계열 실험체도 FPS-00 실험체 대비 약 97%를 나타내어 휨 성능에는 중공재에 의한 영향이 거의 없는 것으로 나타났다. 따라서 슬래브 시스템을 VPS로 슬래브 설계에 적용할 때 건축구조기준의 설계식으로 적용하는데 문제가 없을 것으로 판단된다. VPS의 전단 성능 실험 결과, SS-00 실험체 대비 약 92%로 나타나 SS-00 실험체에 비하여 다소 부족한 것으로 나타났다. 이는 전단강도 식이 콘크리트에 의한 전단력과 철근에 의한 전단력의 합으로 표현되는 설계 식에 따라 중공재에 의하여 콘크리트 단면이 삭제되었기 때문인 것으로 판단된다. 하지만, 휨설계와 동일하게 전단설계에 적용되는 구조체의 내력도 최대하중 값을 기준으로 하는 것이 아니라 항복 하중 값을 기준으로 설계에 적용하게 된다.

시각적 질감을 중심으로 한 한국 전통소재의 체계적 분류 (A Classification of Korean Traditional Materials Focused on Visual Texture)

  • 박영순;김영인;이현주;신인호;최선미;최희승
    • 디자인학연구
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    • 제14권2호
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    • pp.197-207
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    • 2001
  • 디자인된 사물은 형태, 색채, 소재를 통해 그 의미나 이미지를 전달한다. 이 세 가지 요소 중에서 소재는 촉각적·시각적 특성을 함께 지님으로써 디자인 작업에 있어서 좀 더 독특한 영향을 준다. 한국에서는 전통적으로 생활용품의 고안에 있어서 색채나 장식보다 소재 자체의 특성이 더 중요하게 사용되어왔으며 이에 대한 현대적 활용이 탐구되어야할 필요가 있다. 본 연구의 목적은 한국 전통 생활환경에서 사용된 소재를 수집하고, 그 표면에 나타난 질감적 특성에 의해 이를 체계적으로 분류하려는 것이다. 이 연구를 위해 민속촌 둥의 현장조사와 더불어 문헌고찰을 통해 한국 전통소재가 표현된 사진들을 수집하였다. 수집 대상은 전통건축 및 실내, 가구, 의복 및 직물소재, 예술 및 공예품, 생활용품 등 생활의 각 분야가 모두 포함되도록 하였다. 수집된 소재의 총 사례 수는 543개였으며 이는 금속재, 토재, 석재, 지재, 목재, 초재, 섬유재 둥 7가지로 나눌 수 있었다. 각 소재들의 사례 수는 금속재가 59개, 토재 115개, 석재 62개, 지재 73개, 목재 80개, 초재 47개, 섬유재 97개, 기타 10개였다. 각 소재들은 표면의 질감적 특성에 의해 성형방법과 표면장식으로 나누어 정리 되었다. 본 연구를 통해 한국에서 전통적으로 사용되어온 각 소재들은 그 성형방법과 표면장식이 다양하고 독특함을 알 수 있었다. 또한 각 소재별로 개발된 가공방법들에 의한 다양한 질감은 오늘날의 디자이너들에게도 풍부한 정보와 아이디어를 제공할 수 있을 것으로 전망한다.

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탄소계 나노소재를 적용한 시멘트 페이스트 복합체의 유변학적 특성에 대한 연구 (Experimental Study on the Reological Properties of Carbon Nano Materials as Cement Composites)

  • 김원우;문재흠;양근혁
    • 한국건설순환자원학회논문집
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    • 제10권3호
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    • pp.227-234
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    • 2022
  • 본 연구에서는 탄소계 나노소재를 적용한 시멘트 페이스트 복합체의 유변학적 특성을 실험적으로 분석하였다. 탄소계 나노소재인 산화그래핀과 탄소나노튜브의 사용성을 고려하여 수용액 상태로 혼입한 굳기전 시멘트 페이스트에서 흐름성 및 레올로지를 측정하였다. 그리고 굳은 시멘트 페이스트 복합체는 만능재료 실험기를 활용하여 압축강도 측정을 검토하였다. 산화그래핀은 수용액 상태로 혼입하였을 때 혼입율 상승 시 흐름성이 감소하고 소성 점도와 전단응력이 급격하게 증가하였다. 탄소나노튜브 수용액도 동일한 경향성을 가졌으나 시멘트 중량대비 0.2 % 미만을 혼입한 경우 산화그래핀과 비교하여 상대적으로 증가율이 낮게 측정되었다. 이는 판상형 형태인 그래핀의 비표면적이 커서 시멘트 페이스트의 흐름성을 감소시키고 소성 점도와 전단응력을 상승시키는 것으로 판단된다. 탄소나노튜브 수용액은 0.2 %이상 혼입 시 소성점도가 일반배합 대비 2.16배 수준으로 급격히 상승하며 전단응력도 상대적으로 높게 측정되었다. 이는 탄소나노튜브의 혼입량이 과혼입 되면서 시멘트 페이스트 내에서 분산이 제대로 되지 않아 탄소나노튜브 간의 뭉침으로 인한 응집효과로 판단된다. 압축강도는 그래핀 혼입시 강도 상승율이 미미하였으며, CNT는 최대 약 12 %의 상승효과가 있음을 확인하였다. 따라서 탄소계나노소재 적용 시 상대적으로 CNT를 사용할 경우가 사용 가능성이 높을 것으로 판단되나 최대 혼입량 및 분산에 사용될 계면활성제에 대한 추가적인 연구가 필요할 것으로 판단된다.

콘크리트 건축물의 모놀리스적 표현특성에 관한 연구 단열경량골재콘크리트를 중심으로 (A Study on Monolithic Expression Characteristics of Concrete Buildings With focus on insulated lightweight aggregate concrete)

  • 원경섭
    • 한국산학기술학회논문지
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    • 제19권12호
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    • pp.363-373
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    • 2018
  • 오늘날 다변화된 사회에서 어떤 스타일의 건물이 동시대를 대표하는 건축적 양식인지 알기 어렵다. 그 중에서 모놀리스적 스타일의 건물에서 드러나는 단순함은 현대의 지극히 복잡한 사회구조와 대칭점을 이루며 그 가치를 인정받을 수 있다. 본 논문에서는 21세기 초반 단열경량골재콘크리트가 사용된 건물의 분석을 통해서 모놀리스적 표현에 대한 개념정의와 그 특징들이 공간 및 형태 그리고 건축구법에서 어떻게 표현되고 있는지에 대해 연구하였다. 여러 재료가 층을 이루어 구성되는 다층적 방식의 외벽시스템과는 달리, 단열경량골재콘크리트에 의한 외벽은 단일재료로서 콘크리트를 사용하여 거푸집을 빈틈없이 채워서 만들어진 덩어리 형태이며 그 자체로 모놀리스적이다. 이러한 점은 동일한 재료에 의한 내외부공간의 동질성, 고형(固形)으로서 표면의 연속성, 스테레오토믹적(stereotomic) 구축방식의 공간적 특성, 노출콘크리트사용에 의한 물질성의 표현, 덩어리와 공간 사이의 대비적 특성을 가진 공간을 만들어 낸다. 그리고 현대건축의 다층적 외벽 방식의 모놀리스적 건축에 대한 담론을 외부로 드러나는 형상적 특징과 더불어 구조와 재료, 그리고 그것이 공간에 끼치는 영향에 까지 논의의 범위를 넓힐 수 있는 기회를 제공한다.

에틸렌 글리콜법을 이용한 전기로 환원슬래그의 Free CaO 정량 평가에 관한 연구 (Quantitative Evaluation of Free CaO in Electric Arc Furnace Reduction Slag using the Ethylene Glycol Method)

  • 권성준;임희섭;이한승
    • 한국건축시공학회지
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    • 제18권4호
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    • pp.321-327
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    • 2018
  • 본 논문은 한국 철강 생산업체에서 발생되고 있는 ERS의 free CaO를Ethylene glycol법을 이용하여 정량 평가하였다. ERS 생산업체 2곳을 선정하여 ERS의 물리적 특성 및 화학성분 분석을 비교하였으며, Ethylene glycol법을 이용하여 생산업체별, 입경 차이(size), 야적 위치(IN, OUT), 에이징 기간(1day, 7days, 14days, 21days, 28days)에 따른 분류로 free CaO 정량 평가를 진행하였다. 본 연구의 실험결과 ERS의 생산업체별 화학 성분이 일부 차이를 나타내고 있었으며, 야적 위치별, 입경, 에이징 기간에 따른 free CaO의 함량 차이가 나타남을 확인하였다. 이는 free CaO가 비정질 물질로서 에이징 기간이 증가하여도 결정화 되지 못한 것으로 사료된다.

조선후기 궁중의례에 사용된 보계(補階)의 유형과 세부 구조에 관한 연구 (A Study on the Types and Detail Structures of the Stylobate(補階) used in Royal Court Ceremonies of the Late Joseon Dynasty)

  • 석진영;한동수
    • 건축역사연구
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    • 제27권2호
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    • pp.89-100
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    • 2018
  • The stylobate for expanding the external stage area was the most frequently installed installment out of the installments installed for royal court ceremonies. The stylobate was installed for various ceremonies such as funeral rites, ancestral rites, customary formalities, state examination, feasts for celebrating a honored guest of the court, queen's silkworm cultivating ceremony, heir appointment, the presentation of honorary titles for the king or queen in honor of their merits, and entertainment of foreign dignitaries. The exact period stylobates came to be used for the play stage. The stylobate consists of the 紅座板, 屯太木, 竹欄間, 足木, and the 層橋. Depending on the 足木, the substructure of the stylobate, the stylobate could be divided into the 長足木, 中足木, 短足木, 平足木 type. The detail structure of the stylobate changed in form from the jokmok and duntaemok that appeared until the time of King Seonjo, into the 長屯太木, 短屯太木, and the 短短屯太木 during the time of King Heonjong. With the introduction of the 中足木, materials began to become more segmented and the structure stronger. According to existing records, while the height of the stylobate was not significantly high prior to King Seonjo's reign, the 十四層雲橋 and the 十三層層橋 introduced during the time of Emperor Gojong was designed to reflect his rank in external ceremonies while the eight story step bridge was exhibited in internal ceremonies to reflect the rank of Queen Mother Sinjeong. From here, we can deduce that the fourteen and thirteen story cloud bridges representing the king was of a higher grade than the eight story step bridge which represented the queen mother. Finishing by adding boards to the lower part of the stylobates began to appear in the time of King Seonjo. During King Heonjong's reign, the lower finish became gentrified with a thin board called 修粧板, and yeomupan 廉隅板 for decorating the edges of the stylobates were installed. Such style of finishing the lower part of the stylobate with boards mostly appeared in elaborate feasts 進饌 and celebrations 進宴 within the royal court 內宴. The stylobates appeared to have served not only practical purposes such as expanding the stage area, but also as installments which realize the authority and prestige of the royal crown. They were installed according to the purpose of the ceremony and the rank of the participant. In short, stylobates became established during King Seonjo's reign, became segmented and gentrified during King Heonjong's reign, and began to take height variations during Emperor Gojong's reign to reflect the rank and authority of the king and queen mother. As such, it can be considered another characteristic of Joseon Dynasty architecture.

DEVELOPMENT OF BUILDING INFORMATION MODEL FOR RESOURCES OPTIMIZATION IN CONSTRUCTION PROJECT

  • Gopal M. Naik;Rokhsareh Badamahgan
    • 국제학술발표논문집
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    • The 5th International Conference on Construction Engineering and Project Management
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    • pp.634-639
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    • 2013
  • The aim of the study is to develop the 3D visualization of Building Information Model and integrated 4D model for optimization of resources in the construction project. This study discuss the process of methodology and creation of 4D model of the project and simulate it to monitor the workflow at the site. Different stages of the construction process and activities are generated by using Revit and MS Project. MS project has been used for creation of the schedules and these are linked with the Revit for 3D modeling. The time used as the fourth dimension and 4D model created by using Navisworks Time liner software. Narges shopping center is presented as a case study to realize the actual uses and benefits of Building Information Model (BIM). Narges shopping mall is located in Tehran, Iran. As a part of Hekmat master plan, Narges shopping center is an 11 stores building with a total area of 30000 Sq.m. This shopping and entertainment center is comprised of 150 retails and two multi-use public halls with a capacity of 400 persons each and underground parking with total 400 parking space. The main purpose of architecture was to create an urban public center along with its revolving, spiral like form and an ever changing continuous façade by means of different colors, materials, which is in harmony with the other building of the master plan. The approximate cost of the project is $17 million and duration of the project schedule is 30 months. The developed Building Information Model enabled us to identify the potential collisions or clashes between various structural and architectural systems. 4D model has been used for limiting the interaction between subcontractors installing the different systems so rework could be avoided and productivity maximized. It is also observed that the utility of BIM for construction stimulation and clash detection is the best suitable method. Clash detection before the implementation of work is highly recommended to avoid rework.

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현대건축에서 나타나는 복합적 외피의 표현적 특성에 관한 연구 - 헤르조그 & 드 뮤론의 건축물을 중심으로 - (The Study on the Expressive Characteristics of Complex Surface in Contemporary Architecture - focused on of Herzog & de Meuron's Architecture -)

  • 김정곤
    • 한국실내디자인학회논문집
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    • 제21권5호
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    • pp.3-11
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    • 2012
  • The first visual contact in architecture happens in surface, and it could be significant object as well as the starting point to recognize the essence and perceive the buildings. Architecture surface could not get out of the restriction of structures and materials that support buildings for a long time in the past. Architecture surface in the past should fulfill the structural role to form are appearance of buildings and support buildings at the same time, so it was difficult to get out of logic for material and thickness of walls, arrangements and sizes of windows. However, since the modern age, architecture surface came to be freer according to the development of building technology, and development of technology changes shows tendencies to express role of new design factor as an architectural element emphasized expression and autonomy,s which was escaped from the subordinate relationship that the surface of building must do the structural function. In this study, it would be examined the expressive characteristics of various epidermis that are expressed in architecture of Herzog & de Meuron since the end of 20thcentury focused on comprehended and analyzed results of changes and characteristics of contemporary society. Through this, it would be comprehended the epidermis of architecture that has particular character expressed in modern buildings of Herzog & de Meuron, and it would be composed a certain linkage between this and characteristics of contemporary society and it would be investigated that the establishing process of inner spaces. Identification through case analysis for this would perform a role of catalyst for the new possibility and development of contemporary architecture's surface expression in the future.

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F. L. Wright의 주택특성과 실내디자인 요소분석에 관한 연구 (A Study on the Characteristics of Interior Elements of Frank Lloyd Wright's Residential Design)

  • 서수경
    • 한국실내디자인학회논문집
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    • 제5호
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    • pp.45-52
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    • 1995
  • Frank Lloyd Wright, a master of the 20th Century Ar-chitecture, contributed tremendously in creating a wholly new form of American architecture called Prairie Style. His idea behind the development of the building structur-al system, organic relationships between inner and outer space, horizontal vertical lines, and idea of extending and expanding interior spaces came from nature. He had completed over 390 projects throughout his life and 90% of those projects were residential design. The most typical characteristic shared by many of his residential design was that each design element, whether it is functional or aesthetical, has close relationship to or-ganic nature, human scale, theoretical floor plants, and maximum emphasis on horizontal lines in respect to na-ture. His concept of "flow of spaces" reformed common the-ory of room next to room in a enclosed space. His sense of "wall" was no longer the side of a box. Careful selec-tion of finishing materials, colors, and natural images en-hance the design as well. F.L. Wright was an artist, designer, and architect who believed the exterior space should have direct relationship to the interior space. His architectural philosophy was not only to design exterior of architecture but also to ful-fill his space through the careful development of interior elements such as furniture, and lighting fixture. Even the patterns for leaded glass windows were designed to have unified appearance from outside to inside of the house. The objective of this study was to analyze floor plans, spatial organizations, and interior design elements of the houses which represent the best of F.L. Wright's design principles and philosophy behind Prairie Style. The meth-od used to collect informations for this study was based on books, articles, journals, and actual site visits. actual site visits.

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