• 한국콘텐츠학회논문지
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• 제10권7호
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• pp.179-186
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• 2010

헨리셀릭은 동화적 세계관을 기초하여 이원화된 상황 설정으로 주인공을 현실과 가상세계의 혼돈영역에 위치하게 만든다. 이러한 두 공간의 역할에 따른 초현실주의 이미지의 재현이 애니메이션의 표현기법을 확장해주고 있으며, 동시에 프로덕션 디자인의 새로운 가능성을 제시해준다. 디테일한 프로덕션 디자인작업으로 유명한 애니메이션 감독 헨리 셀릭의 작품들을 분석 연구하고, 그의 작품 속에 초현실주의의 데페이즈망 기법이 어떻게 반영되어있는지를 알아본다.

• International Journal of Contents
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• 제9권4호
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• pp.60-66
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• 2013

Purpose: This study was intended to develop and evaluate the cancer prevention education for general population with different educational media such as booklets, cartoons, web frame comic strips, web flash animation and flash animations on personal digital assistants (PDA). Methods: A total of 125 subjects were divided into 5 groups, each group having 25 members and assigned a different educational media. An educational media was assigned to each group to evaluate the effect of education in the first intervention. In the second intervention, 4 other media, excluding the previously used one, were used to educate the subjects and find out the preferences of educational media. Results: Knowledge about cancer increased significantly after cancer prevention education. They preferred animations on the internet to other media, the highest. Conclusion: Educational programs with various media should be developed for subjects to choose based on their preferences.

• 만화애니메이션 연구
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• 통권9호
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• pp.220-234
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• 2005

이 논문에서는 애니메이션에서 리얼리티의 문제를 살펴보았다. 초기 애니메이션은 판타지를 기반으로 형성되었다. 디즈니는 애니메이션에 실사영화의 내러티브 구조와 스타일, 연기 등을 과감히 도입함으로써 실사에 근접하는 하이퍼 리얼리티한 애니메이션의 기초를 닦았지만, 그 결과 자유스러운 이미지의 실험을 통해 환상성을 창조하던 여타의 애니메이션 장르들은 주변화되고만다. 디즈니의 하이퍼 리얼리티한 세계관과 이후 발전한 3D 컴퓨터 애니메이션 기술의 결합은 가상의 공간, 가상의 인물들을 진짜보다 더 진짜같이 만들어내기에 이르렀고, 원본없는 복제물인 시뮬라크르의 매트릭스를 창조해가고 있다.

• 만화애니메이션 연구
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• 통권11호
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• pp.169-177
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• 2007

이 논문에서는 방송법 중 현행 국내제작애니메이션 판정지침의 내용과 개정중인 내용을 중심으로 연구하였다. 판정지침의 판정목적, 판정대상, 판정절차, 심사제한, 세부항목별판정기준, 의결절차 등을 분석하여 문제점을 제시하고 한국의 방송용 애니메이션창작을 진흥육성하기위한 판정지침의 개선안을 제시해보았다.

• 게임&엔터테인먼트 논문지
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• 제2권1호
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• pp.27-34
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• 2006

본 논문에서는 완성된 수묵화나 여러 회화적 효과를 지닌 그림을 가지고 그곳에 있는 라인 패턴을 자동으로 추출한 후, 자동으로 스케치에 그 라인 패턴을 입혀주는 방식을 연구하였다. 이를 이용해 전체 프레임 중간에 애니메이터가 완성한 키 프레임을 받고, 다른 프레임들과의 대응 라인을 찾은 후 패턴을 자동으로 입혀 중간 프레임들을 얻어내는 결과를 보여준다.

• International Journal of Contents
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• 제11권1호
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• pp.15-20
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• 2015

The purpose of this research is to study methods for performing transition that have visual representation of corresponding animations with no bounce in subsequently recognized user information when attempting to interact with a virtual 3D character in real-time using user motion. If the transitions of the animation are needed owing to a variety of external environments, continuous recognition of user information is required to correspond to the motion. The proposed method includes linear interpolation of the transition using cross-fades and blending techniques. The normalized playing time of the source animation was utilized for automatically calculating the transition interpolation length of the target animation and also as the criteria in selecting the crossfades and blending techniques. In particular, in the case of blending, the weighting value based on the degree of similarity between two animations is used as a blending parameter. Accordingly, transitions for visually excellent animation are performed on interactive holographic projection systems.

• 만화애니메이션 연구
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• 통권6호
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• pp.116-131
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• 2002

Character plays an important role not merely in animation but also in the modern image industry. From this perspective a new academic approach to and an analysis of character seems of much significance. With this in view this study carried out an elucidation of the basic factors and concept of plasticity for the creation of animation character on the basis of animation structural elements. Furthermore, an inquiry was conducted into fundamental requirements and factors of animation characters, human anatomy serving as the basis of forms for animation character modelling, the characteristics and techniques for creating animation cubic character, and then suggested a method of creation. In this process it was revealed that integral cubic character was applied to diverse animations, that character of high density was prerequisite for the creation of creative and effective animations, and that cubic character plasticity played a catalytic role in activation popular sympathy and the character industry.

• 대한가정학회지
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• 제49권3호
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• pp.67-77
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• 2011

The purpose of this study was to clarify the symbolic meanings of the beautiful girls' character fashion in modern Japanese animations. This study investigated the currency and characteristics of the beautiful girls' characters from the 80's to the present. The fashion style of a beautiful girl's character was categorized into four styles: trendy style, adult style, Lolita style and fantasy style. These fashion styles were analyzed, and as a result, three symbolic meanings of the fashion style of a beautiful girl's character are discussed. Firstly, these occidentalized body styles represented idealized body images that are not traditionally Japanese. Secondly, the adult style (growth) represented coming out, i.e. the desires to develop from a child into an adult. Thirdly, the adult (transformation), Lolita and fantastic styles appealed to maniac consumers, having a "Moe" feeling.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2005년도 추계 종합학술대회 논문집
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• pp.461-465
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• 2005

애니메이션에서 움직임의 표현은 작품을 형성하는 가장 중요한 요소 중의 하나이다. 동작표현과 타이밍의 상호작용은 시각예술인 애니메이션을 이해하고 창작하는 기본적인 요소이며 이때 타이밍(Timing)이란 물체나 캐릭터가 움직이기 위해 소요되는 시간의 양을 말한다. 이 논문에서는 스톱모션 애니메이션의 에서의 타이밍의 기본원리를 밝히고 실험을 동해 카메라의 각도에 따라 변하는 타이밍을 실험, 비교하여 이상적인 타이밍 방법을 제시하고자 한다.

• 한국초등과학교육학회지:초등과학교육
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• 제23권2호
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• pp.116-122
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• 2004

The purpose of this study is to investigate effects of computer animations using particulate model in elementary science classes related to air pressure. To do those, four classes of 5th grade in an elementary school located in a city were selected. As an experiment group, two classes were applied the teaching materials of computer animations developed for this study based on particulate model. The other classes as a control group were not applied these materials in science classes. The total scores of experiment group in which computer animation using particulate model was applied in science classes are higher than those of the control group in the conception test. Only in one conception related to high and low atmospheric air pressure, the scores of the two groups are not significantly different at 0.05 significance level.