• 품질경영학회지
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• 제35권4호
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• pp.67-77
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• 2007

We tried new interpreting about the work of art in this paper. The work of art respects the intention of the artist to make it and interprets intention until now. After critics distinguish by a period, an area that they set to philosophical thought which is the time and interpreted. We set to each one subjectivity and interpreted between artist to make the work of art and appreciator. But in this paper, we tied various criteria which appreciates the work of art. We tried so that we presented the intimacy each other newly. Otherwise we tied with the subjectivity of the individual and are the try to be an objectification low through statistical technique. We looked into the culture and art in the introduction and explain the discussion about the work of art interpreting which the main subject. We set the category 6 area, and explain an each criteria explanation and assessment method. We tried to propose new interpreting as the intimacy to be multi-variate data analysis result of the assessment analysis.

• 한국정보과학회논문지:소프트웨어및응용
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• 제31권6호
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• pp.817-828
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• 2004

본 논문에서는 몽타주 기법과 음영합성 기법을 이용한, 디자이너(예술가)의 감각을 살린 벡터 기반의 얼굴 생성 시스템을 제안한다. 제안하는 시스템은 사진으로부터 얼굴의 특징정보를 추출하여 사람의 얼굴과 유사한 얼굴을 자동으로 생성해 주는 시스템이며, 윤곽선만을 사용하던 기존의 얼굴 생성 시스템과 달리 컬러 기반이며, 음영을 사진으로부터 추출하여 이를 이목구비 이미지와 합성하여 생성하는 방식이다. 따라서 실사형에 좀 더 근접한 얼굴을 생성할 수 있다는 장점을 갖는다. 또, 벡터를 기반으로 하기 때문에 사이즈에 제한 얼이 자유로운 변형이 가능할 뿐만 아니라 디자이너 또는 그림 작가의 느낌을 결과물에 그대로 유지할 수 있도록 한다는 점에서 타 접근방식과의 차별성을 갖는다. 또, 2D 아바타에 자유로운 표정을 적용하는 데에도 쉽게 적용이 가능하다.

• 한국콘텐츠학회논문지
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• 제13권12호
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• pp.585-594
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• 2013

본 논문은 비언어커뮤니케이션의 분류방법을 사용하여 인터랙티브 미디어아트를 분석하고 관객, 작품, 작가간의 커뮤니케이션 방법에 관하여 연구하였다. 비언어 커뮤니케이션 분류방법 중 기호 및 의미 분류방법[1]을 기반으로 4가지 유형을 분석하고 인터랙티브 미디어아트 작품 분석에 적합한 오감, 몸짓, 단서, 상호작용의 기준으로 재 분류를 시도하였다. 이를 통해 각 유형에 상응하는 인터랙티브 미디어아트 작품을 분석하여 유형별 특성을 도출해 내었다. 또한 작품들이 각 유형에 중첩되는 영역을 분석하고 상호작용하는 대상을 분류한 결과, 작품에 포함되는 커뮤니케이션 방법이 다양한 비언어 커뮤니케이션의 유기적 접목에 의해 관객과 작품을 연결하는 요인으로서 작용한다는 사실을 도출하였다. 본 연구는 비언어 커뮤니케이션의 분류방법을 사용하여 인터랙티브 미디어아트 분석을 통해 관객, 작품, 작가간의 커뮤니케이션 방법에 대한 새로운 접근 방법 제시한다.

• 한국콘텐츠학회논문지
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• 제14권8호
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• pp.374-381
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• 2014

본 논문에서는 기업이 아트 콜라보레이션을 진행할 때에 있어서 협력 작가의 국적 선택에 영향을 미치는 요인에 대해 연구하였다. 국내에 보도된 2005-2013년에 발생한 137개의 아트 콜라보레이션 사례를 바탕으로 분석한 결과 국내 기업은 일반적으로 동일한 국적인 국내 작가와의 아트 콜라보레이션을 선호하며, 그 중 내구재 제품에 대한 아트 콜라보레이션은 외국 작가의 비율이 유의하게 높은 것을 발견하였다. 즉 내구재일 경우 제품의 명성이 중요해지기 때문에 협업 과정의 어려움에도 불구하고, 통상적으로 높은 명성을 가질 확률이 높은 외국 작가와의 아트 콜라보레이션을 선호하는 것으로 나타났다.

• 복식
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• 제38권
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• pp.159-178
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• 1998

Genres of the modern arts are expanding the overlapping area between the arts ; ceramics and weaving considered as crafts are devel-oped to the ceramic art and the fiber art, re-spectively. This trend has been also applied to the clothing part, which produced several new terms such as‘art to wear’,‘unwearable art’,‘clothing sculpture’and so on. As following this tendency, the unwearable art is dwelling on the boundary of painting, fiber art and scul-pture, and the clothing sculpture comes from the combination of fiber art and sculpture. While Issey Miyake's dress made of bamboo and Foltuny's pleats dress associated with Greek stone-column introduce the sculpture to the functional fashion design, the works of clothing sculpture become the arts by applying the sculpture to the non-functional unwearable art. Although the clothing sculpture is an interesting subject to be studied continuously for its effect on the contemporary clothing part, it is valuable enough as an unwearable art and sculpture respresenting the artist's concept under the circumstance that the boundary between arts and design is no longer clear, i.e., the clothing and the sculpture come across their regions each other. Furthermore, the clothing sculpture has its own value as a metapor exposing idea, feeling and spirit of the artist in the genre of the unwearable art. With a view point of the abstract clothing concept, the clothing sculpture has been taking the role expanding the clothing to the world of fine art.

• 한국실내디자인학회논문집
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• 제41호
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• pp.246-255
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• 2003

All art forms are the results of the artist's response to the philosophical, sociological, and cultural tendencies of the period in which the artist lives. Post-modern period differentiates itself from Modern period in many aspects. One of these is the emphasis on phenomena which are ephemeral and changing. This paper looks at the perceptive and cognitive bases of these expressions of change in space design and their affordances on human behavior The first chapter provides the purpose and the background of the research. It studies the philosophical, sociological and cultural characteristics of the Post-modern era which bring forth expressions of time ＆ change in space design. The second chapter explains two basic approaches which can be applied to the perception and cognition of the environment. The third chapter deals with the perceptional and cognitive bases, and the human affordances of the expressions of change in space design. Finally this paper will analyze the types of space design which show this tendency : change by the technology, change by the participation of viewers, and change by the natural and chance. In each type, there will be analyses of examples. this will lead us to the understanding of how the space design including time & change expresses the spirit of the age and how it can play positive roles in human psychology.

• 셀메드
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• 제10권4호
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• pp.28.1-28.2
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• 2020

The purpose of this study is to find out why Whitney Houston gave healing to people around the world based on Shin Jae-hyo's gwangdaeron (clown theory). In Korean music, gwangdae (廣大, the title of clown) is a nickname dedicated to outstanding artists. Not only is it a clown that cannot be a person, but it does not give a clown a nickname for doing art activities. This is why Shin Jae-hyo, a pansori (Pansori epic chant) theorist and critic in the late 19th century of the Joseon Dynasty, presented the virtues of outstanding artists. There are four outstanding clown conditions claimed by Shin Jae-hyo: appearance (人物), words (辭說), perfect vocal music (得音) and wonderful movements (neoreumsae). These conditions show how difficult it is to be a gwangdae (a prominent artist), or an accomplished artist. We think Whitney Houston is a famous singer who fits these conditions. In her heyday, she was optimized for Shin Jae-hyo's clown theory, while her post-2007 moves are regrettable. However, it is clear that he is a singer who fits well with the title of America's greatest clown. In conclusion, I felt that the best emotion through music was the best healing, and that the best singer was becoming the best healer.

• 디자인학연구
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• 제16권1호
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• pp.199-208
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• 2003

The Israel-born Ron Arad is one of Britain's "superstar" designers, an it has been said that he is Britain's answer to Philippe Starck. Arad is a highly individualistic designer whose ideas stem from a mental process that has more in common with that of the fine artist than of the jobbing designer for industry. His imagination expresses itself in the form of things. By the early 1990s he had become internationally recognized for his "ready-made" work. His furniture and lighting designs required extremely costly labour-intensive techniques to produce. As his work was highly evocative, suggesting a post-industrial world in which the urban landscape was characterized by materials in a state of decay. More recently, through collaborations with Italian and German manufactures, his work has reached a new level of sophistication and finish, which differentiates it from the earlier designs. As Arad reputation as a designer of workshop-based furniture came to an end and the era of "democratic" Arad furniture came into being. By middle of the decade he had become one of the most-discussed designers of the day. The spirituality that emanates from all his work is a product of his particular vision of the creative process, far removed from the typical, stereotyped trends in the sphere of modern industrialization. He goes one step further in his work by attempting to restore aesthetic dignity to the objects of daily life, in a search for beauty within the immediate environment.hin the immediate environment.

• 디자인학연구
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• 제15권1호
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• pp.5-14
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• 2002

Fractal which was named by Mandelbrot in 1975 and its theory have been taken notice of many fields of scholarship, namely mathematics, physics, geography, architecture, art, philosophy and so on. If we approach Fractal on the basis of the designing cogitation, it can be used not only as one of materials to take a crease thinking in design, also as a due of the methods to assess the design problem with a new point of view. Based on above background, in this study, it was studied on the graphic artist, Morits Collelius Escher who has been well known as the great artist of illusion," and on the attributes of Fractal which were contained in his various work\ulcorner As a reset, the four attributes, namey ′fractal dimension′, ′self-similarity, ′recursiveness′and ′infinity were founded in his works. Also, it was founded that Escher had employed the attributes of Fractal in his almost works for "the representation of the condition of unified-duality," that is to say, for the union of two different dimensions. After this, it is expected that this study shoed be extended to the development of the principle of Fractal-Design on the basis of ′Fractal which can be defined as the phenomenon of repetitious pattern between chaos and order and′the formative beauty of Fractal′.

• 패션비즈니스
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• 제5권4호
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• pp.101-117
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• 2001

Artist's creative works is accomplished in the very complicated network being in fluenced each other, getting celebrate from surround and center, and showing repetition and change. It took an important role of 1920's culture with new social and mental feature generated by revolution. It also has been influenced on an intellectual paradigm and artistic tendency. According to the feather the Art to Wear of Constructivism, at first, design as absolution of folk art in Russia prior to the concept is coming up to systematic design and useful article's performance. Courageous arrangement of color and rhythm is unique. The second is a tendency clothing design of productirism. It is connected with material culture and artists insisted creature of productive material that is a essential in life than Arts in museum. The third, tendency clothing design of minimalism emphasis functional aspect that is produced industrial aesthetics. The examples are simply designed and functional cloths for sorking uniform. This thesis is studied about clothing and textiles of major artists, formative property, and international reflection from October revolution in 1917 that is strengthen a system by introducing a new economic policy to a five year plan.