• KOREAN POULTRY JOURNAL
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• v.5 no.8 s.46
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• pp.100-101
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• 1973

다음은 지난 6월 15일 대한 양계협회와 현대양계사가 공동주체한 일본 오사까(대판) 대학의 나이또 박사의 학술 강연회의 내용을 강원대학의 김우호 박사가 초역한 것이다.

• Korean Architects
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• no.2 s.262
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• pp.56-66
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• 1991

• Korean Architects
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• no.5 s.265
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• pp.64-75
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• 1991

• The Journal of the Korea Contents Association
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• v.17 no.8
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• pp.130-143
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• 2017

This study examines the theoretical framework of "B" local union, which conducts "class-oriented" labor movements in contemporary Japan. "Class-oriented" labor movements are active, while they have been residual on the margins of Japanese society and the country's labor movement situation. This research examines a theoretical framework for "class-oriented" labor movements and investigates Williams' "structure of feeling." First, the "structure of feeling" concept is examined. Second, the study compares several theories on the working class of Marxism and alternative subjects of "linguistic turn." Third, this study redefines the "structure of feeling" in terms of the case of "B" local union. The results show that "collective workers-individualize workers" and "workers-non-workers" of "B" local union establish their own labor movements on the material or immaterial space and consider their "structure of feeling" as the "negotiation and contradiction on the class-orientation." Consequently, this study offers a model of their "structure of feeling."

• Archives of design research
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• v.21
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• pp.195-204
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• 1997

This study is the comparative analysis of the image structure young korean and Japanese on the present day consumer goods. Korean young men and women have image structure with 3factors of "minute-simplicity" , "practical-nan-practical ", "light-heavy", Japanese young men have those with, "light-heavy", "gay-quiet", "graceful-unstylish". And Japanese young women have those with, "gay-quiet", "light-heavy", "graceful-unstylish". Korean men and women have the same image structure. While Japanese men and women have different image structures. Korean young men and women are sensitive to decoration elements of consumer goods. Japanese young women are also sensitive to the decoration element. Korean young men and women and the Japanese young women seem to grasp their image on the consumer goods at the level of recognition, However, Japanese young men seem to grasp their image on the consumer goods at the level of sense of value.er, Japanese young men seem to grasp their image on the consumer goods at the level of sense of value.

• Journal of the Korea Construction Safety Engineering Association
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• s.22
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• pp.68-76
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• 1996

대부분의 건설현장에서 채택하고 있는 안전시공 사이클(안전시공일과)활용에 대하여 보다 더 나은 효과를 얻기 위하여 그 정확한 내용을 소개하고자 한다. 이 기법은 일본에서 80년대부터 적용을 시작하여 지금 현재 일본의 전 현장에서 활용되고 있고 이로인한 재해예방 효과도 큰 기법이다. 현대 일본에서의 건설업재해예방을 위한 운동은 크게 3가지로 볼 수 있는데 첫째는 안전시공 사이클운동이고, 둘째는 3대재해(추락, 토사붕괴 및 건설기계 재해)감소운동, 셋째는 안전교육 추진운동이다. 안전시공 사이클 운동은 이 3기둥 중 하나인 것이다.

• Journal of the Korean Institute of Landscape Architecture
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• v.23 no.1
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• pp.189-214
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• 1995

본 연구는 미국의 건축 및 조경공간 형성에 미친 일본문화를 파악하기 위한 기초연구로서, 일본문화 및 공간디자인의 특성과 미국건축 및 조경에 나타난 그 면모에 관한 것이다. 1853년 미국과 일본의 문화교류를 시작으로 일본의 예술과 건축이 미국에 소개되었고, 특히 1893년 Chicago에서 열렸던 Wor1ds Columbian Exposition에서 선보인 일본의 건축물은 당시 미국의 건축가들에게 영향을 주었다. 그후 일본의 공간디인은 건축뿐만 아니라 조경분야에도 영향을 미쳐 현재 미국의 공간디자인을 구성하고 있는 특성 가운데 하나로 자리잡고 있다. 필자는 미국의 공간디자인에 영향을 준 일본문화의 실재를 파악하기 위하여 한국과 중국의 문화와 구별되는 일본만의 독특한 문화적 특성을 고찰해보고, 미국 현대건축의 선구자인 Frank Lloyd Wright, Greece and Greene, Philip Johnson, Richard J. Neutra의 작품 및 조경디자이너인 Ethelbert E. Furlong, James C. Rose의 작품속에 나타난 일본식 공간디자인의 면모를 살펴보았다. 장래 이 분야의 연구에서는 미국문화의 특성이 고찰되어 미국과 일본의 두 문화가 비교 파악되기 위한 개념적 근거가 마련되고, 일본식 공간디자인이 미국에서 어떻게 이해되고 해석되어졌으며 미국식 공간 디자인으로 전환되었는지 살펴보며, 어떤 이유에서 일본의 공간디자인 양식이 미국의 건축 및 조경분야에서 문화적으로 일본보다 오랜 역사를 지닌 한국과 중국의 공간디자인 양식보다 커다란 영향을 주고 있는지에 관해 이해를 구하는 방향으로 연구가 수행되어야 함을 제안한다.

• Korean Institute of Interior Design Journal
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• v.22 no.2
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• pp.39-47
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• 2013

The purpose of this study is to search for values and meanings of everydayness as a design concept by organizing concepts of 'everydayness' shown in contemporary architecture and systematically describing its characteristics through various analysis methods. 'Eerydayness' shown in contemporary architecture is defined and the criteria of case study are suggested, so that characteristics of everyday can be identified by systematically classifying and analyzing the Japanese cases in order to find the values and meanings of everydayness. The findings of this study are as follows: first, materials that show users' everydayness has indefinite potential as an element of architecture concept, and they play the role of communication and sympathy between architecture and users; second, implementation of everydayness leads to design emergence; third, everydayness can be widely applied to architecture; fourth, everydayness can be implemented regardless of architecture uses. In conclusion, the value of everydayness in contemporary architecture is that it draws user-based diverse and fresh architectural expressions that lead to opulent designs. To users, everydayness improves satisfaction of life gained from architecture and provides rich life environment because it changed common human life to a form of art.

• The Journal of the Korea Contents Association
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• v.16 no.11
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• pp.574-583
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• 2016

This study discussed how the Moo-hyup prototype that has been formed from novels and comics was applied to TV drama in modern form beyond martial art movies, historical TV series and games by exploring Japanese TV drama . This study showed that follows the Moo-hyup prototype such as imaginary space and violence, the relationship between characters with the spirit of Moo-hyup, and the structure of Moo-hyup story rather than a story of teenagers' growing-up. This study is ultimately expected to reveal the possibility that the Moohyup prototype can be applied to the TV drama in modern form as well as historical stories.

• Korean Institute of Interior Design Journal
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• no.17
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• pp.223-233
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• 1998

We intend to illustrate how contemporary architects have conceptualized spaces with words. Language practice is so much important work for the contemporary architects as designing realistic building (material practice) As this point of view we need to interest in theses of architects which contains their unique ideas an characters. The purpose of this study is for understanding how contemporary japanese architects embody through special conception when day design the mixed wooden construction and for looking for the possibility of the development of it. As a result the mixed wooden construction candy understood as an expression form how an architects things about relationship between parts and parts, parts and the whole and the character of materials that consist it and such relationship is determined by the requirement of space.