• Digital Contents
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• no.12 s.127
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• pp.106-109
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• 2003

영상물의 연령등급을 심의하는 영상물등급위원회(영등위)에 온라인게임이 연신 두들겨 맞고 있다. 관련업계는‘중세 마녀 재판이 재현되고 있다’고 강하게 비판하고 있고, 영등위는‘청소년보호’를 대의명분으로 내세우며 눈도 깜짝 안하고 있다. 대표적인‘메이드 인 코리아’상품으로 우뚝서야 할 때 빨간불이 켜진 것이다. 영등위 파문과 관련된 양측의 의견을 들어 보고, 온라인게임 등급분류제도의 문제점은 없는지 짚어봤다.

• The Science & Technology
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• v.34 no.3 s.382
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• pp.16-17
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• 2001

스위스에서 가장 아름다운 도시 루체른은 중세의 문화와 자연미 그리고 21세기 문명의 이기가 잘 결합되어 있는 천의 얼굴을 가진 매혹의 도시이다. 이곳에 있는 루체른 교통박물관은 중기기관차와 등산전차 외에도 자동차, 비행기, 버스, 배 등 모든 교통수단이 생생하게 전시되어 과거ㆍ현재ㆍ미래의 교통통신 발달사를 한눈에 볼 수 있으며 매년 60만명의 관광객들이 찾는다고 한다.

• 발명특허
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• v.5 no.6 s.52
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• pp.20-22
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• 1980

아랍사람들은 완전한 야만 유목민은 아니었지만 잡다한 종교를 가진 부족들로 이루어져 주목을 끌지 못했었다. 그러나 모하메드(570-632)가 이슬람교를 가지고 통일에 성공한 뒤 그들은 7세기에서 8세기사이에 피레네산맥에서 중국국경에 이르는 방대한 제국을 건설했다. 서구가 캄캄했던 중세초기에 아랍사람들은 그리스과학을 보존, 소화하고 발전시켜 서구에 넘겨 주는 중요한 역할을 수행했다.

• Defense and Technology
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• no.3 s.229
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• pp.72-79
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• 1998

포병이 없는 전쟁이란 생각할 수 없을 정도로 포병은 중세 이래 각종 전쟁에서 중요한 역할을 해왔다. 제2차대전 이후 항공기나 전차에 밀려 전장에서 위상이 다소 밀리는 듯했으나 항공기가 할 수 없는 고유한 역할이 인정되면서 현대까지도 화포만의 화력지원이라는 고유영역을 유지하고 있으며 포탄의 현대화로 점목표사격이 가능해지면서 공격무기로까지 변신하였다.

• Journal of the Korean housing association
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• v.24 no.6
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• pp.133-140
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• 2013

This study is to clarify the form of window and door of medieval times house which are no longer in existence, by comparative analysis between literature materials and architectural remains of united Silla and Goryo period. Particularly the window and door form change process of was analyzed, in connection with the change of term which are recorded in literature material. The form and the composition of window and door are the elements which determine the elevation design of architecture and concerned with interior environment. Therefore this study is significant in the sense that it could be used as base data for the study on the reconstruction and interior space of medieval times house. There were ho (戶) and moon (門) as door, and chang (窓) for lighting and ventilation as window. Among these, the window can be divided into fixed and openable. There were two kind of fixed window. One is called chang (窓), and it was covered by silk or paper for lighting. The other is called ham (檻), it was the form of vertical bar window and lighting and ventilation was available. And there were two kind of openable window. One is called ho (戶), which had wooden plate window leaves. And the other is called changho (窓戶), lighting was available in the condition of closing.

• Journal of the Korea Fashion and Costume Design Association
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• v.9 no.1
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• pp.71-87
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• 2007

Main role to expand the fashion in the middle age was played by aristocracy and knight. They contributed to the fashion of the middle age regardless of aesthetic sense. First, in any age, there was a self-display design using splendid decoration or material in the costume of high-class people. Aristocracy, especially, knight in the middle age classified themselves from others by wearing the costume suitable for their statuses. Second, the Crusade knight appearing all over the cinema gathered various peoples and caused acute optic angle about specialty of costume. Therefore the trend preferring foreign costumes was changed to new fashion while it was connected to desire searching for a change. Third, although armor of knight was created because of protection in the war, in the 13th century, its character of motion and defense was emphasized and it became splendid style. More over, the costume of knight was developed to more emphasize masculine beauty with heavy upper body and light lower body so it caused sexual difference of costume in the middle age. Fourth, As knight searched effective defensive weapon, chain mail was relegated by plate armor. The order of armor that the hight wore in 1350 was as follows. First, he wears adhesive shirts, braies, hose and wears metal protector on arm and leg. He wears padded undercoat called gambeson, hauberk, plate armor and surcoat on them.

• Korean Institute of Interior Design Journal
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• no.29
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• pp.67-76
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• 2001

This Study is about the tradition of Organic Medievalism expressed in Modern Architecture. The concept of Medievalism is an attitude to revive the social and physical settings on the Middle Ages. The Organic Medievalism in Modern Architecture was to be explained as the two tendencies; one was toward the rational structural logic of the medieval architecture being re-interpreted into the Modern Architecture and the other was toward the organic and fantastic shape of the Modern Architecture, closely connected with nature-friendly and organic shape of medieval city and buildings. The structural logic of the medieval architecture became systematized by the French architects, Viollet-le-Duc and Auguste Choisy. The principle has been applied to the design of the Art Nouveau, Louis Kahn and so-called the High-Tech Architecture creating the aesthetics of its own by exposing the building structure. The other was used as the elements to represent the characteristics of the Art Nouveau architects, and then served as the background of the creation of the avant-garde architecture of Germany. The ideal has been serving as the great idealistic fundamentals by the so-called Archigram and Deconstruction at the late half of the 20th century.

• Journal for History of Mathematics
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• v.22 no.2
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• pp.53-68
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• 2009

From ancient Greek times, the infinite concepts had debated, and then they had been influenced by Hebrew's tradition Kabbalab. Next, those infinite thoughts had been developed by Roman Catholic theologists in the medieval ages. After Renaissance movement, the mathematical infinite thoughts had been described by the vanishing point in Renaissance paintings. In the end of 1800s, the infinite thoughts had been concreted by Cantor such as Set Theory. At that time, the set theoretical trend had been appeared by pointillism of Seurat and Signac. After 20 century, mathematician $M\ddot{o}bius$ invented <$M\ddot{o}bius$ band> which dimension was more 3-dimensional space. While mathematicians were pursuing about infinite dimensional space, artists invented new paradigm, surrealism. That was not real world's images. So, it is called by surrealism. In contemporary arts, a lot of artists has made their works by mathematical material such as Mo?bius band, non-Euclidean space, hypercube, and so on.

• Journal of architectural history
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• v.15 no.1 s.45
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• pp.61-76
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• 2006

The stage is ceremonial and legendary space unlike the ordinary world. Performance is not simply scrip-staged, but spatial art based on tempo that transmits extreme condition. The stage art is a visual art combined with stage settings, lighting, customs and the like. I exemplify the stage of Middle Age and Renaissance in the history of the art of public performance and so I review that what meditative functions each stage perform and that as what pattern of media it can be conceptualized. In this thesis, I divide the places of public performance Into the spaces of proscenium and polygon and also set up the concepts of hot and cool that McLuhan presents for each space. So, the degree of participation could be different according to the distinction of quantity of information, which is communication following the patterns of spaces. The basis of public performance might be the communication between co-actors and audiences. Since the sense of the art of public performance is the art in the process of establishing the meaning based on the communication with co-actors, it is not a confirmed and fixed one, but rather a reflexive one that can be created and changed continuously. Therefore, audiences should be regarded as the subjects, who are making the art of public performance with co-actors.

• Journal of the Korean Society of Costume
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• v.64 no.5
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• pp.168-183
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• 2014

When expressing Jesus Christ visually in the medieval Christian paintings, the most important issue was portraying Christ's divinity and humanity in a balanced manner; showing both attributes as Son of God and a human being. The purpose of the study is to examine both the formative and the symbolic characteristics of divinity and humanity on Christ's clothes in the Medieval paintings, Baptism of Christ. In the paintings, there are iconographical devices to show His divinity including God, Holy Spirit, the Trinity and the Jordan River. But Christ's body is definite evidence to show his humanity. In connection with the body, the clothes reveal Christ's humanity and divinity as well. Through this research, the study found that the divinity and humanity on the Christ's clothes in the baptism of Christ were as follows: Blue, gole, purple, and white are the emblem of divinity, while the colors red and white stand for the humanity of Christ. In addition, the divinity of christ is expressed through the decoration on the clothes, while the humanity of Christ is shown through the structured drapery and transparent material.