• Proceedings of the Costume Culture Conference
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• 2004.04a
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• pp.92-94
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• 2004

본 연구에서는 이상 제기한 연구 문제를 해결하기 위해서 미학 및 사회학 등에서 논의되어 온 문화 꼴라쥬 현상에 대한 개념과 사회적 등장 배경 등에 대한 이해를 바탕으로 문화 꼴라쥬 현상에 대한 내적 가치를 파악하고자 한다. 남성 패션에 표현된 문화 꼴라쥬 현상의 외적 조형성을 분석하기 위해서는 시각적 자료로 남성 패션 스타일 선도자로서의 역할을 해온 The Face, i-D, view와 해외 collection 지 등의 잡지를 분석한다. (중략)

• Journal of the Korean Society of Clothing and Textiles
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• v.48 no.6
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• pp.1081-1095
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• 2024

This study explores the imagery of fashion images, drawing from French imaginary research. French anthropologist Gilbert Durand's "anthropological structure of the imaginary" and sociologist Frédéric Monneyron's fashion image theory lay the foundation for a fashion image hermeneutic that emphasizes the connection between imagination and image expression. This study, through extensive literature research and a review of case studies from 1960 to 1999, ultimately creates a table of isotope taxonomy of imaginary fashion. This table is a professional tool that analyzes the symbolic expressions and meanings contained in fashion images to reveal deep social meaning. As a result, it was found that the fashion images of the times have a certain regularity within the same structure as the form of the system, reflecting both the fashion and social aspects. In addition, fashion images can be interpreted methodologically, which enables us to categorize visible expressions in fashion and explore the concept of imagination. Furthermore, beyond the simple aesthetic appeal of fashion images, they not only provide deep insight into our complex inner world and society but also allow us to explore the influence of fashion images that reflect social change.

• Archives of design research
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• v.20 no.1 s.69
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• pp.143-154
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• 2007

The purpose of this study is to investigate fashion product image evaluation according to life-style groups of middle-aged women. The subject of investigation was 352 middle-aged women from 35 to 59 living in Daegu by random sampling method in April and May, 2005. The investigation was carried out by questionnaires which were composed of 3 sections: Fashion product image measure, Life style research and demographic variables(age, academic background, occupation, monthly clothing allowance, monthly income). The statistical methods to analyze the data were frequency, percentage, average, factor analysis, cluster analysis, ANOVA, Duncan's multiple range test. The results are summarized as follows: 1. As a result of factor analysis for fashion product image, the four factors including noble image, bold image, practical image, female image were extracted. 2. Middle-aged women were classified into four life-style groups including tradition oriented group, negative oriented group, activity oriented group and appearance oriented group. 3. Significant differences in fashion product image preferences according to life-style groups were found. Tradition oriented group preferred noble image and practical image. Negative oriented group tended to pursue practical image. Activity oriented group pursued a bold image. Appearance oriented group liked a noble image the best and then noble image, bold image in order.