• Proceedings of the Costume Culture Conference
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• 2004.04a
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• pp.34-36
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• 2004

인간은 원시 시대부터 현대에 이르기까지 자신의 신체를 장식함으로서 많은 것을 표현하여 왔다. 신체장식은 미를 추구하고자 하는 인간의 본능적인 욕구에서 비롯되며 개인의 자의식을 표현하고 미적 경험과 심리적인 욕구를 충족시켜줄 뿐만 아니라 한 시대의 사회와 문화의 반영으로서 각 시대에 따른 다양한 상징적 의미와 내적 가치를 내포하고 있다. 과학의 비약적인 발달로 소외되고 혼돈에 처한 현대인들은 그 탈출구를 ‘원시로의 회귀’에서 찾고자 한다. (중략)

• Proceedings of the Costume Culture Conference
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• 2003.09a
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• pp.102-103
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• 2003

의복 장식은 인류 역사와 함께 인간의 표현 욕구를 위한 매개체로서 의복을 보충해 주거나 독립적인 형태로 존재하면서 발전해 왔으며, 인간을 아름답게 하려는 목적으로 피부 및 의복에 부착되는 각종 소도구들로서 기능적인 면에 치중하거나 장식성을 추구하기 위해 사용된다. 현대 복식의 형태는 활동하기 편리하도록 단순화되고, 다목적에 사용되는 경향이 늘어나고 있으므로 의복 장식의 비중은 점차 확대되고 있다. (중략)

• Proceedings of the Korea Society of Costume Conference
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• 2003.05a
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• pp.36-36
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• 2003

인간의 사회문화 속에 신체장식은 과거 원시사회 부터 오늘날에 이르기까지 다양한 표현기법으로 발전되고 있으며 특정 나라의 국민성 및 전통적 양식이 담겨있다. 신체장식은 정형적, 무형적 가치를 지니며 사람의 내면 속에 잠재된 본질적 욕구의 표출이라고도 할 수 있다. 최근의 현대 사회에서 이러한 신체장식 표현을 잘 볼 수 있었던 계기는 세계적 축제로 알려진 2002년 FIFA 한·일 월드컵이었다.

• Journal of the Korean Society of Clothing and Textiles
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• v.33 no.12
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• pp.1883-1896
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• 2009

This paper explores the use of Korean wrapping cloths (bojagi) in the late Joseon period and the types of decorations applied to them. Korean wrapping cloths called bojagi are pieces of cloths used by households of all social classes for practical purposes such as wrapping presents and covering food. In addition to the basic purposes, the making of bojagi was also an activity to express the down-to-earth wishes and the satisfaction of creation by the designer. With regard to the decorative feature of Korean wrapping cloths, five types of, patchwork, embroidered, painted, printed, and oiled-paper wrapping cloths, were examined. The patchwork wrapping cloths (jogakbo) show the frugality of Joseon women in addition to the well-developed composition skill of lines and colors. The embroidered wrapping cloths were prepared for special rituals and ceremonies such as weddings. Painted wrapping cloths were decorated with a Chinese-colors technique (called dangchae) or sometimes with black ink painting. For printed wrapping cloths, various sizes of woodblock printings and roller printings were used. Although monotone black ink was the main color applied to the printing, there was also wrapping cloths made from chintz having brilliant fast colors. Oiled-paper wrapping cloths called sikjibo were in use only for covering food. Cut-out work was employed to decorate it.

• The Journal of the Korea Contents Association
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• v.20 no.12
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• pp.460-470
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• 2020

In modern life, interior decoration has been transformed into a psychological synergistic effect of space, greatly affecting human sensibility. The main point of view in this paper is to study the discovery of new decorative effects and the possibility of products that can replace imported tiles, which account for more than 60% of the walls of indoor spaces closely related to daily life. The solution is to create point tiles using color glass plaster techniques developed in 2018 and to explore the possibility of decorating art walls to meet consumers' purchasing needs using simulations. The four patterns applied to the a paintbrush, resist printing, cutting technique, and inlaid patterns, and the traditional color development effect of the medium color suited to our sensibilities was studied. In addition, through simulation, art walls and acrylic using color glass styles were also used in the kitchen, living room and empty space of the bathroom. Based on this research, ceramic point tiles with a new perspective will be explored and the interior using walls will be activated.

• Journal of Korean Ophthalmic Optics Society
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• v.13 no.4
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• pp.13-17
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• 2008

Purpose: Study the method to attach to traditional pattern for the demands of eyeglasses' function which is becoming extended to cultural psychological and social aspects. Methods: To understand the symbolic characteristic of traditional pattern, especially through using palmette, embroidery, and practicing it on glasses' temple and cleaner. Results: Globalization stimulates crossing-consumption cultural trend rapidly. Thus, new glasses pattern involving Korean ethnic feature is a new source that could well adapt to this tendency. This report presents new aspect which corresponds to the demand of modern consumers. By modernizing Traditional pattern and method, we could discover the cultural value of glasses design. Conclusions: Glasses imply social position of users and became a measure that reveal a part of style that presents modern psychological language. Thus, the glasses design using traditional pattern makes a chance to change the beauty sense from western style to oriental one. And it achieves the desire of cultural consumption through glasses design.

• Proceedings of the Korean Information Science Society Conference
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• 2002.10e
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• pp.637-639
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• 2002

현재 인터넷은 저렴한 사용료와 정보에 대한 욕구를 충족시키는 방대한 공개 자료를 바탕으로 그 규모를 더욱 확대하여 가고 있으며, 이러한 인터넷 사용자의 확대는 새로운 서비스에 대한 요구를 창출하게 되었다. 이러한 저렴하고 규모가 큰 인터넷을 이용하여 기존의 통신망을 대체하는 연구가 활발히 이루어지고 있으며, VoIP(Voice over Internet Protocol)가 인터넷의 대표적인 서비스로 등장하고 있다. VoIP 서비스에 대한 연구는 IETF와 ITU가 중심이 되어 이루어지고 있으며 IETF에서 제안한 MGCP, SIP 와 ITU에서 제안한 H.323 과 같은 프로토콜을 기반으로 VoIP 서비스를 위한 다각적인 접근과 연구가 진행중이다. 본 연구는 VoIP 서비스를 위한 여러 프로토콜 중 IETF가 주관하고 있는 MGCP(Media Gateway Control Protocol ) 스팩에 따라 MGCP를 이용한 ADSL-VoIP Gateway를 개발하여 보다 효율적인 망 자원 활용을 가능하게 하며, 향후 제공될 다양한 음성／동영상 서비스에 대한 기반을 마련하고자 한다.

• The Optical Journal
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• s.98
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• pp.42-49
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• 2005

89년 첫 전시회 이후 해를 거듭할수록 사진인들의 물적, 인적교류의 장으로 거듭나고 있는‘2005 서울국제사진영상기자재전/ 디지털영상전’이 지난 5월 26일부터 29일까지 코엑스 태평양홀에서 성공적으로 휘날레를 장식했다. 미국‘PMA 2005’와 일본 동경에서 열린‘Photo Imageing Expo 2005’에서 선보인 최첨단사진영상기기들의 여세를 몰아 이번‘2005 서울국제사진영상기자재전/디지털영상전’에서는 18개국 200여 업체가 참가했으며 지난 전시회보다 한 층 더 보강된 신제품과 신기술로 5만명이 넘는 관람객의 발길을 사로잡았다. 이번 전시회에서 주목할 점은 디지털카메라의 보급으로 디지털사진 및 관련 업계에 대한 일반인의 관심이 집중되면서 일반 참관객들의 적극적인 전시회 참여가 돋보였다는 점이다. 또한 디지털포토 및 배경, 의상, 앨범, 액자, 스튜디오기자재, 조명기기, 기타 액세서리 등에서도 소비자들의 변화된 구매 욕구를 충족시켜줄 수 있는 각 종 아이템들이 선보여 국내외 바이어들과 전문가, 일반인들에게 사진시장의 확대와 가능성을 엿볼 수 있었던 전시회로 평가된다.

• Journal of the Korean Society of Costume
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• v.51 no.5
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• pp.157-173
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• 2001

In fashion, there are various cultural aspects that exist in complexity, where according to the era, even fashion items newly develop and prevail into various designs in the organic function with reality of related cultural phenomenon and aesthetic aim. Among the fashion items, the shoe is historically considered as the shield from lust and also the provision of praise against the most emotional incitement. Mankind has started wearing shoes out of the functional purpose of protection since the ancient Egyptian times. Thereafter humankind has been creating shoes artistically in respect to shape, color, and quality of material, etc, as an expression of aesthetical awareness and introspective desire for beauty. As modern fashion increasingly regards the total fashion image much more important than each items consisting the whole outfit, the role of shoe became essential more than ever. Contrary to its relative importance, little academic attention was given to this area yet, while prestigious museums and galleries in Europe and the USA have held exhibitions of shoes in view of both historical and artistic aspects. This study aims to make a historical inquiry of western shoes. through which their aesthetic values can be drawn. Literature on this subject including aesthetics, history of costume and arts were referred. Fashion magazines and catalogues were investigated for additional information. The process and results of this study are meant to be a suggestion not only to further studies but also to artistic and creative shoe design. Originated for the functional purpose, shoes have evolved in various shapes with different meanings attached to it. When the technological development made the satisfaction for functional needs possible, the intrinsic attribute, the aesthetic value was pursued. The historical contemplations of shoes from Egyptian times to the 1990's led to the results that the intrinsic aesthetic value of shoes can be summarized as follows: 1) protection and extension of body, 2) need for decoration, 3) erotic expression, 4) symbol of dignity and class, 5) fashion.

• Journal of Digital Convergence
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• v.12 no.10
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• pp.525-530
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• 2014

Unique and variety designs are required in the contemporary society as the design has predominant power. National character and identity of traditional culture support it, and it is far more important to reinterpret, succeed and develop unique traditional beauty as the contemporary continues globalization and informatization. Among the accessories of women in Joseon, hair accessories accounted for the majority, and hair style and hair accessories were developed by their status and social hierarchy. But, due to social norm, they were reserved for luxurious accessories and expressed their aesthetic desire with refined and simple accessories. The current period requires cultural identity. In this sense, this study is expected to give a new awareness of our unique identity, new concept of the traditional culture and spreading beauty of Korea by means of new conceptual accessories that can be connected with the preference of the contemporary with the creation of Korean style image.