• 한국실내디자인학회논문집
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• 제22권2호
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• pp.31-38
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• 2013

In this study, we selected 12 typical traditional restaurants in Korea and China and analyzed their application of traditional design approach. Through this analysis, we tried to explore similarities and differences of Korean restaurants and Chinese restaurants in order to determine the preferable way to express their own traditional design. We categorized traditional design approach as cultural elements, designing method, coloring and materials. The results are as follows: First, following a tradition and interpreting a tradition are considered as compelling design methods to express traditional culture. However, when combining a traditional and a modern design approach, it is important to either strongly emphasize traditional design elements or use small number of traditional design elements as focal points in modern design restaurants. Second, when designing a traditional restaurant using modern design elements with traditional focal points, it is more desirable to follow and/or to interpret a traditional elements, rather than experimenting an excessively unconventional design. Moreover, the design elements of exterior of a restaurant shows the identity of the restaurant. Therefore, using traditional elements in the exterior helps recognizing the traditional characteristics and culture. On the other hands, for the interior of the restaurant, it is better to use modern design method and materials for the practical reasons, such as construction cost reduction and ease of construction. We also discovered that it is more effective to use traditional elements to the pattern and color. The results of this study will set a foundation for further research of developing a design guideline for traditional restaurants.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 2부
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• pp.210-215
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• 2008

기술의 발전과 급속한 세계화가 이루어짐으로 인하여 시장이 확대되면서 디자인이란 영역은 다양한 매체를 통하여 시대의 핵심 역량과 가치를 창출할 수 있는 분야로 화두가 되고 있다. 과거 디자인이 '미적인 아름다움', '장식', '감성의 만족'들을 추구했다면 이제는 시대와 기술의 변화에 따라 또한 다양한 문화를 배경으로 한사용자를 중심으로 분명히 다른 가치가 존재하며 그에 따른 다른 방법들이 필요한 시점이 되었다. 이러한 필요에 따라 최근 상품 개발 과정이나 평가 과정에서 주로 사용되고 있는 포커스 그룹 인터뷰 방법론과 같은 문화적 기반의 명확한 사용자의 니즈(needs) 파악이 가능한 방법에 대하여 구체적으로 연구될 필요가 있다. 따라서 본 연구에서는 이러한 다양한 문화의 배경 및 개인의 기질에 따라 결과가 달라질 수 있는 포커스 그룹 인터뷰를 중심으로 문화적 특성이 커뮤니케이션 방식에 어떠한 영향을 미치는지에 대한 연관성을 밝히고자 한다. 또한 문화적 특성은 개인 기질에까지도 영향을 미치기 때문에 문화적 특성과 개인의 기질을 근간으로 MBTI에 나타난 결과에 따라 대조군을 설정하고 문화적 특성에 따른 커뮤니케이션 방식의 차이를 검증하기 위한 실제적인 분석 방법론을 수립하였다.

• 한국의상디자인학회지
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• 제16권1호
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• pp.27-39
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• 2014

The purpose of this study is to investigate the formative characteristics and the aesthetic values of denim dresses from the 19th century until the $20^{th}$ century and analyze those changes shown in Paris Milan London New York collections from 2001 S/S to 2013/14 F/W. The results of this study are as follows; 1) In the mid-$19^{th}$ century, the denim pants were working suits. In the 1920's, they started to be recognized as ordinary clothing and they were supplied to women in World War II. In the 1950's, denim pants stood for youth and resistance, and they became popular among teenagers. In the 1960's, hippies who protested against the Vietnamese War would wear worn-out denim pants symbolizing peace and freedom. As they became more common in the 1970's, people all around the world wore the clothes. In the 1980's~90's, the waves of high class brand fashions brought in sensualism, extravagance, reactionary tendency, and so forth. Consequently, the aesthetic values of denim dresses have connotations of practicality, resistibility, ornamentation and femininity. 2) Practicality in recent collections is represented in classic fashion which features typical details and raw denim and modern fashion which is made with glossy denim and minimized details. Resistibility is represented in avant-garde fashion which features deformed or over-layered jackets and pants with damaged denim and vintage fashion which is made with wash-out and wild stone denim. Ornamentation is represented in ethnic fashion which is made with wash-out denim and ethnic prints and romantic fashion which features details such as ruffle, frill and shirring as well as lace and flowery decorations. Femininity is represented in sexy fashion which designs to expose or to focus in women's body and elegant fashion which is made with soft and glossy denim and hourglass silhouette.

• 한국의류산업학회지
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• 제16권4호
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• pp.532-542
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• 2014

This study developed a practical knitwear design with applying the pattern of Queen Yeong's pearl pouch. The ume flower pattern of pearl pouch was simplified to be one repeat pattern, and four simulated knit pattern samples of G-A, G-B, R-A, and R-Bwere made with cable, cross, and two background colors of gray and red using Texpro V.11.0. The items of design application were selected after an interview with a panel of university students in their twenties and knit samples were produced by hand knitting. The small sized G-A for the partial ornament of hat, sweater, skirt, kitchenware case and accessories; the long sized G-B for the tuck of sleeves, hem of skirt and one-piece dress, partial ornament of sweater, scarf, and curtain decoration: the small sized R-A was preferred for point ornament of pouch, boots, hat, partial ornament of children's fashion products and accessories: the long sized R-B for table runner, leg warmer, tuck of sleeves, skirt hem, necktie, and scarf. The knit samples were formulated with partial ornaments attached on dress and props or connected each other. Colors of pastel and navy were also presented to meet the demands of panels. The study placed a limit on the slight difference between the simulation samples and knit samples due to the characteristics of threads and hand tension. The color variation for multiple coordination and activation to reduce the piece rate for young customers remains to be discussed in the near future.

• 감성과학
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• 제18권3호
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• pp.71-80
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• 2015

미니멀리즘은 단순성, 명료성, 반복성, 배제성을 특징으로 장식을 배제한 절제의 미학을 의미하고, 스큐어모피즘은 복고와 기능, 그리고 감성을 특징으로 어떤 대상물을 이해하기 쉽도록 유사한 형태로 디자인한 미학적 관점을 의미한다. 모바일 플랫폼의 인터페이스는 이러한 두개의 미학적 특징을 바탕으로 개발되었는데, 본 연구에서는 이러한 미학적 특징을 갖는 대표 사례로써 애플의 모바일 운영체제인 iOS6과 iOS7을 대상으로 사용성 평가를 진행했다. 통해 이용자는 어떻게 경험하는 지를 평가한 결과, iOS6을 스큐어모피즘으로, iOS7을 미니멀리즘으로 인식하고 있다는 것을 알 수 있었다. 인터페이스 구성 요소를 변인으로 살펴보았을 때, 타이포그래피와 정체성 변인이 유의미한 차이가 있었고, 하위변인에서는 타이포그래피 변인에서는 심미성 변인만이 그리고 아이콘 디자인 변인에서는 이해가능성을 제외한 정확성, 심미성 그리고 일관성에서 유의미한 차이를 보여주었다. iOS6는 정확성에서는 더 뛰어났지만, iOS7은 나머지 차원에서 더 우수한 것으로 평가되어 연구참여자들은 iOS7에 더 긍정적인 태도를 보이는 것으로 나타났다.

• 디자인학연구
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• 제21권
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• pp.195-204
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• 1997

현대 소비재의 조형 이미지를 한국과 일본의 양국 젊은 세대를 놓고 비교 분석하였다. 그 결과로 한국 젊은 남성과 여성들은 $\ulcorner$정치(精緻)-단순(單純)$\lrcorner$$\ulcorner$실질(實質)-비실질(非實質)$\lrcorner$$\ulcorner$경(輕)-중(重)$\lrcorner$$\ulcorner$화려-수수$\lrcorner$$\ulcorner$우미(優美)-투박$\lrcorner$의 3인자의 이미지로 설명할 수 있다. 현대 소비재에 대하여 한국의 남녀는 동일한 이미지 구조를 갖고 있으며 그에 반해 일본의 남.녀는 이미지 구조에 차이가 있다. 이것은 성별에 따라 중시하는 조형요소가 다르기 때문이라고 본다. 한국의 젊은 남녀는 현대 소비재에 있어 소비재 표면에 처리되어 있는 문양, 장식, 색상의 조형요소에 민감하게 반응하며, 일본의 젊은 여성들도 소비재의 조형의 이미지를 파악할 때 한국의 젊은 남녀와 동일하게 소비재 표면에 처리되어 있는 요소에 민감하게 반응한다. 한편 일본 젊은 남성들은 소비재 표면의 요소보다는 소비재의 가치에 의미를 두고 조형이미지를 파악하고 있다.

• 한국의류학회지
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• 제35권2호
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• pp.146-155
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• 2011

This study examines the design characteristics of figure skating costumes by a content analysis of their design elements. The content analysis method for the study was used based on 185 photos of female figure skaters. A total of 218 coding units in 15 categories were used. In the category of color, unicolor costumes were the mainstay and represented 48.11% of the total costumes. Black costumes showed the highest rate (13.51%), followed by red (7.57%) and blue (7.03%). In the dual-color costumes, combinations of red and black and white and black, represented 4.32% of all costumes. A camisole was the most popular type of neckline (20.54%). Stand collars with neck decorations were found in 5.95% of the costumes. In addition, 98.2% of all figure skating costumes had decorations (crystal beads 21.86% were the most frequently used decoration type), 65.41% exposed all the shoulders and arms, 70.81% of the costumes did not have sleeves, 5.41% of the costumes had arm decorations, and 3.78% had wrist decorations. In the analysis of the hem of skirts, 32.40% had a curved line, 30.73% had a straight line, and 15.08% had an unrecognizable form. In general, the figure skating costumes have stand collars with neck decorations, arm and wrist decorations, and irregular skirt hems that are not found in everyday dresses. To emphasize and intensify a theatrical effect, the costumes were fabulously decorated with spangles, crystal beads, feathers, and lace; black, red, and blue were frequently used. The skirts had frills, fringe, flared lines, and beads on them to reflect the stage lights and emphasize movements.

• 한국의상디자인학회지
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• 제14권4호
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• pp.1-16
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• 2012

This study examines the influence of women's appearance decoration on professional image, preference evaluation, and inferences about age and job. For the purpose of this study, women's appearance decoration was limited to eyeglasses, earrings, hair length, and clothing color. A quasi-experimental method was used for this study. The experimental design was a $3{\times}2{\times}2{\times}4$ (eyeglasses${\times}$earrings${\times}$hair length${\times}$clothing color) factorial design. The model of stimulus photographs was a woman in her late twenties. She wore a tailored collared jacket with a white dress shirt. The subjects were 362 female college students residing in Seoul. The results of the research were as follows. First, the woman wearing glasses and earrings was perceived as more professional than the woman without glasses and earrings. The woman with short hair was evaluated to be more professional than the woman with long hair. Light grey and dark grey jackets enhanced a professional image in the woman than red and dark red jackets. The woman without glasses was preferred more than the woman wearing glasses, and the woman wearing earrings was preferred more than the woman without earrings. Second, the woman wearing wire-rimmed glasses, earrings, and grey jacket with short hair was perceived to have the highest level of professionalism. Third, the subjects perceived the woman wearing wire-rimmed glasses as looking the oldest and the woman without glasses as looking young. The subjects perceived the woman with short hair as looking younger by 3 to 4 years than the woman with long hair. Fourth, the subjects frequently considered the woman wearing the wire-rimmed glasses, the woman with short hair, and the woman wearing the grey jacket as having a professional job.

• 한국의상디자인학회지
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• 제10권2호
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• pp.39-56
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• 2008

It is a remarkable phenomenon that tattoos has been rapidly spreading among women of modern years. The extremism of feminine ornaments, and pricking and piercing of the skin seem to have deep connection with women's consciousness changing to being independent, active and aggressive. The objective of this study is to analyze the potential quality of today's women, who appears emblematically through tattoo, and to search out the whole aspect and keynote of female tattoos. The methods of research are by examining the general characteristics including concept and history, considering the type and significance of ethnic female tattoos, and then comparing with the symbolism of today's female tattoos. The sphere is limited to women's tattoos from ancient times to today's modern lift, examined from large portions of Africa, Asia, Australasia, the Americas, and Arctic regions. As a result, the following had been reflected in female tattoos in the past. First, incantation, tribe, adult age, adornment, marital status, domestic ability and sex distinction, where among others, the incantatory, ornamental symbol, and domestic sign were representatives. Second, the most popular body parts for having a tattoo were around the lips, hands and abdominal region. Third, the more harsh the environment becomes such as tropical forests, isolated islands, and polar regions, the more number of females have tatoos. Fourth, women's tattoos were much less glamorous and smaller compared to those of men, distinguishing one's sex. On the other hand, today's female tattoos can be classified as five symbols: masculinity, independence, voluptuousness, affection, and purity. These symbols contain women's mentality to pass the limit, and to overcome social inferiority. In modern society, where women must compete with met it has become necessary for women to educe their potential masculine qualities. Being violent accessories for them, tattoos became a mark of such potential. Therefore, in the future, women's interest and demand for tattoos are expected to rise in proportion to the social demand of women's force.

• 한국건설관리학회논문집
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• 제15권4호
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• pp.95-106
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• 2014

비정형 건축물의 건설에서 가장 어려운 공정은 복잡한 디자인으로 이루어진 외장패널을 제작 및 시공하는 것이다. 설계자는 비정형 건물의 부드러운 곡면형태를 훼손하지 않는 범위 안에서 복잡한 곡면을 갖는 패널의 양을 축소하여 패널제작 및 시공비용을 최적화함이 필요하다. 특히 설계초기단계에서 다양한 건축외관을 디자인하고 각 설계대안의 예상공사비를 추정하면서 설계의도를 충족하는 적절한 대안을 찾는 것은 대단히 중요하다. 하지만 대부분의 설계사무소들은 비정형 건축물의 패널최적화에 대한 이해, 기술 및 데이터가 부족하여 초기설계 단계에서 예상공사비 산정, 설계 대안 비교를 통한 예상공사비 조정등의 업무를 효과적으로 수행하지 못하고 있는 실정이다. 본 연구는 비정형 건축물 설계자가 쉽게 접할 수 있는 범용 어플리케이션을 이용하여 비정형 건축물의 외장패널을 최적화하는 방법을 제시하며 최적화 결과와 국내 비정형 건설프로젝트의 외장공사에 대한 실적공사비를 접목하여 최적화 진행에 따른 공사비 변화정도를 산출하는 방법을 제시한다. 연구결과의 적용성을 검증하기 위해 국내에서 최근 완공된 비정형 건축프로젝트의 사례연구를 수행한다.