• Journal of the Korean Society of Clothing and Textiles
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• v.30 no.12 s.159
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• pp.1690-1696
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• 2006

The purpose of this study is to provide the basic data useful in designing apparel patterns for aged abdominal obese women. The body measurements of 318 women were taken at random, whose ages were over 60 and fields of action were colleges, sports centers, or business sites in Seoul and the neighboring districts. A total of 33 features in the upper body and lower body were used fer the anthropometric measurement and analysis using anthropometry. The collected measurement data were processed statistically using the SPSS 12.0 program for technical statistical analysis, t-test, frequency analysis, correlation analysis. The results of the study are as follows. 1. Subjects were classified into two groups as a result of analysis for measurement data. It was revealed that 251(about 79 percent) women of total subjects(n=318) have a characteristic of abdominal obese body type and elderly women of these group usually had big abdomen rather than hip. The criteria of abdominal obesity based on waist-hip ratio, WHR(=0.85). 2. Aged abdominal obese women have shown much larger size in most body measurements except items of some vertical length, such as bust ponit-bust point, font interscye, back interscye with circumference and depth of armscye, bust, waist, abdomen and hip while showing no difference in height, biacrominal breadth, hip width, neck shoulder point to breast point, crotch length. 3. Vervaeck index(=100.1) and Rohrer index(=1.7) indicated that the abdominal obese women were fat in overall body. And aspect ratio of waist(=0.86), abdomen(=0.92) and hip(=0.75) also appeared high that the shape of cross sections in those regions was similar to a figure of circle 4. In view of the correlation coefficient between hip circumference and the rest measurement items, and between hip circumference inclusively of the abdomen protrusion and the rest measurement items, there were found some differences for each group. In case of Group (abdominal obese group), the former is smaller than the other. 5. In case of Abdominal obese women, hip circumference inclusively of the abdomen protrusion is more mutually related to the rest items related to make apparel pattern as waist circumference, depth of armscye and so on than what hip circumference is. This result indicated which must be considered hip circumference inclusively of the abdomen protrusion to make apparel patterns for abdominal obese women unlike women of common body types.

• Journal of the Korean Society of Clothing and Textiles
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• v.19 no.6
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• pp.984-994
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• 1995

The dimensional structure of impression formed of a female figure in specific attire was identified and significant influence of skirt length and suit color on impression formed of figures in suits were researched in the part I of this study. In part ll, the effect of identical elements of apparel design on impression formation of a female figure in dress and pants- blouse were studied. The experimental matirals consisted of two sets of stimuli and 7 point semantic differential response scale developed in part 1. Each set of stimuli was composed of 20 drawings representing female figures in each attire. Three independent variables, which were the length of bottom, color of dress or pants and collar type of blouse, were manipulated in each stimulus. The experiment was arranged by 3 factorial design, and the data were analyzed by 3-way ANOVA and by Multiple Classification Analysis. To summarize, in impression formation of figure in dress, the most dominant design element was identified as bottom length and the second most dominant one was color of dress. In contrast, in perception of figure in pants-blouse, the most important design element was color of pants and secondly important one was bottom length. The collar type of top didn't have critical effect on impression formation of figures in both type of attire.

• Conservation Science in Museum
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• v.2
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• pp.9-17
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• 2000

This is a case study of conservation treatment of the textiles and costumes excavated from Soonchun Park's tomb in Eumsung, North Chungcheong province. When excavated, the objects were found fairly wet and badly smelled since they decayed in wooden coffin. They were wet-treated with deionized water to remove dirt and dried at room temperature, during which the objects were blocked and flattened to keep them in shape. Silk crepeline was under-layed and stitched to the damaged areas with silk-hair threads. Each costume was individually stored in a tray made of paulownia wood and flat textiles were rolled up in paper cylinders with 6 and 10 cm in diameter. Thymol was used to prevent microorganisms.

• Journal of the Korean Home Economics Association
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• v.19 no.3
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• pp.33-40
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• 1981

The purpose of this research was to see through the special qualities and prospects I different localities as to compare the actual conditions of clothes for everyday wear of the city with the town. The results investigated the style of dress in Deajeon city and youseong town throughout Winter, Spring, and Summer were as follows: 1) In hair style, commonly throughout Winter, Spring, summer, permanent style was superior in number as compared with the chignon In youseong, throughout Winter and Spring, chignon far out-numbered permanent one. 2) In winter, while citizens wore more half coats than long ones, the townsfolk had long coats on as many as that. In Spring and Summer, people dressed in blouse were shown aplenty both Deajeon and youseong and it was the latter that became more and more conspicuous I Summer. The degrees of wearing korean clothing were shown at a high rate in youseong I Spring. In both regions, throughout the year, adjusting themselves forward was of frequent occurrence. 3) In Winter and Spring, both of them put long skirts on and in Summer put normal skirts to frequent use respectively. jean pants were shown in Daejeon remarkable in spring, while the townsfolk wore Mon-pae and korean clothing. 4) throughout Spring and Summer, slippers were frequent use commonly in both regions. And in Spring, people put on more Ko Mu, sin than shoes, especially in youseong. The downward-phase shoestype has been shown markedly in both regions but Daejeon has shown a sharp contrast to youseong.

• Journal of the Korean Society of Costume
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• v.36
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• pp.139-148
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• 1998

In order to know what sorts of features of neck form may be required to make plans for tight collars, the neck form of young japanese women were measured three demension-ally using GRASP(Grating Projection System for Profiling) and plaster torso. By the BASIC language in NEC computer and EXCEL program in MACINTOSHI computer, it became possible to draft a number of neck surface auomatically, therefore, we got analysis of a mass of subjects. Thed following results were obtained: 1. There was a large individual difference in the shape of neck, in particular, on the front and side curves of the neck base line, where the undulation of clavicular part of neck and inclination of shoulder are refracted. 2. When designing a stand collar, from the viewpoint of clothing strcture, it is important to grasp exactly the shapes of the neck, such as the line of the neck base, the neck gradient, back neck length, back neck width & girth. 3. According to the somatotypes(turing-over, standard, bending type), there were different the method of the basic collar pattern making.

• Fashion & Textile Research Journal
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• v.10 no.1
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• pp.68-75
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• 2008

Demands and attempts to express Korean traditional beauty are increasing. Some schools choose the uniform in designs expressing the image of Hanbok, but recently there is a few increment of wearing the uniforms. For the improvement of the uniforms, first of all, the shape and the clothing materials of the uniforms should be considered. We have compared and analyzed the shape and the clothing materials of the uniforms reflecting the image of Hanbok, according to seasons and clothing items. The uniforms reflecting the image of Hanbok were worn in eight schools and all of them are Saenghwal Hanbok style. The shape of Saenghwal Hanbok school uniforms showed both Korean style and western style characteristics. Korean style characteristics were expressed through the appearance-related parts while western style characteristics showed through the performance-related parts such as open/closure method, armhole pattern and straight sleeve line. It was shown that girls' uniforms are more diverse and similar to the western style uniforms than boys' uniforms. It was found that most of the clothing material were synthetic fiber or mixture of natural/synthetic fiber, and polyester was shown to be used most.

• Journal of the Korean Society of Costume
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• v.62 no.3
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• pp.120-136
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• 2012

The purposes of this study is to analyze the formative relationship between artistic eye-makeup and clothes design by focusing on the period from 2000 to 2010 and to find out the development direction of the next makeup design. This study considered formative theory to analyze the formative relationship between artistic eye-makeup and clothes design of $Marian$ $L.$ $Davis$ and $Marilyn$ $R.$ $Delong's$ theory, and analyzed the formative relationship between artistic eye-makeup and clothes design in an aspect of line and form, color and material, The results are as follows: First, the shapes of the artistic eye-makeup such as tear drops, and rectangular paisleys were similar with the form of clothes such as the hourglass, cylinders and mix-types. Second, monotonic color coordination mainly appeared and sometimes contrast color coordination that induced complex contrast coordination were apparent as well. Third, the objects of the artistic eye-makeup such as glitter papers, spangles and beads had similar features as the material of clothes such as silk and spangle, and contrast was partially used like colors. The results suggest that artistic eye-makeup and clothes have an organic relationship, and artistic eye-makeup is changed with formative elements of clothes.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2009.05a
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• pp.123-126
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• 2009

최근 생체 신호 센싱 기능의 의류가 연구 개발되어 왔으나, 생체 신호 측정 시 착용자의 동작에 의한 치명적인 잡음이 발생하는 문제가 지속적으로 보고되어 왔다. 이에 본 연구는 심전도 센싱 의류를 기반으로 생체 신호 측정의 정확성을 향상시키기 위하여 착용자의 동작에 의한 영향을 최소화할 수 있는 심전도 센싱 스마트 의류의 모형을 개발하고자 하였다. '일자형 절개 타입', '십자형 절개 타입', '엑스형 절개 타입', '곡선 엑스형 절개 타입'의 총 네 가지 타입의 생체신호 센싱 스마트 의류의 시안을 설계하고 제작하였다. 디자인 시안은 민소매 형태의 남성용 티셔츠로 신축성 있는 소재를 사용하여 인체 굴곡을 따라 의복과 전극이 밀착될 수 있도록 하였으며, 트랜스미터를 이용하여 메인 컴퓨터로 데이터가 무선 전송되게 하였다. 본 연구에서는 개발된 4 가지 의류 타임을 기반으로 인체의 정지 및 동작 상태에서의 심전도 센싱 성능을 평가하기 위해 동작에 따른 전극의 변위를 측정하고, 심전도 측정 평가를 실시하여 SNR을 분석하였다. 본 실험 곁과를 반영하여 의류 디자인 시안의 수정 및 보완 과정을 거친 후, 최종적으로 동작 잡음을 최소화하는 생체신호 센싱 스마트 의류 디자인 모형을 제시하였다.

• Journal of the Korean Home Economics Association
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• v.36 no.12
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• pp.43-54
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• 1998

From the viewpoint of clothing construction, it is necessary to grasp exactly the shapes of the neck and the shouder, such as the line of the neck base, the neck gradient, the shoulder gradient, the shape of the scapular, and the shape of the breast. In this report, factor analysis was applied to 39 items of neck & shoulder level measurements, including stature, weight, but grith, waist girth, to demonstrate the most relevant measurements for collar and bodice pattern designing, and to classify the neck and shoulder level shapes. The subjects investigated were 126 women of the age 20-29. The main results are follows : 1. For factors of body form were extracted by the factor analysis. The 1st principal component can be interpreted as "size" component, the 2nd-3th principal component is "shape" component relating to neck and shoulder level, and the 4th principal component is "shoulder shape" component. 2. With regard to factor loadings, we were able to extract the most relevant measurements for collar and bodice pattern designing. M16, M22, S26, S30, S34, S35, S36, C37, C38, C39.

• Journal of the Korean Society of Costume
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• v.59 no.8
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• pp.66-81
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• 2009

The purposes of this study were to analyze the formative relationship between Surrealistic clothes and hat with the focus on the period from the 1990's to 2008 and to find out the development direction of next hat design. The method to analyze the relationship between clothes and hats was the formative analysis by Marian L. Davis and Marilyn R. Delong. Hat design of surrealism was cylindrical or tear drop in a shape according to the principle of $D{\acute{e}}paysement$ and Trompe l'oeil, and was similar with the Form of a jacket, a sleeve, or a skirt. In color, accent color coordination mainly appeared and sometimes contrast color coordination induced illusion effect. In material, a variety of materials were used according to the principle of $D{\acute{e}}paysement$ and Trompe l'oeil, and contrast was widely used like color. In Decoration, the decoration or pattern of clothes was intactly applied to hats. The results suggest that clothes and hat have an organic relationship, and a hat style is changed with formative elements of clothes.