• Title/Summary/Keyword: 의미의 불확정성

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A Semantic Analysis of the Indeterminacy in Contemporary Fashion - Focusing on Fashion Since 2000 - (현대 패션에 나타난 불확정성의 의미해석 - 2000년대 이후 패션을 중심으로 -)

  • Hwang, Hye-Jin;Kim, Min-Ja
    • Journal of the Korean Society of Costume
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    • v.62 no.5
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    • pp.1-15
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    • 2012
  • In a fast changing postmodern society, contemporary fashion is becoming more complicated and ambiguous along with other genres of art than ever before. This phenomenon reigning as a sociocultural paradigm can be defined as 'indeterminacy' and it means 'undecidability'. The purpose of this study is to clarify and analyze the indeterminate characteristics of contemporary fashion reviewing the theoretical background and the architectural formativeness as a comparative research. The core idea of deconstructivism dismantles a causal relationship between function and form in fashion and the conventional notion about clothes. Complexity theory, which is the study of chaotic dynamical systems, suggests the creative idea and concept of infinite possibilities on a formative method. Meanwhile, catastrophe theory of discontinuous change can be used as interpretative strategies for the process of deconstruction and reconstruction. As a result of this study, the indeterminacy of fashion can be analyzed into five semantic categories: irregularity, immateriality, randomness, complexity and changeability. The intrinsic value of the indeterminacy in contemporary fashion is the interaction with a sociocultural ideology and a technological environment as well as an expansion of formative expression. To conclude, it can be said that the indeterminacy in fashion is a new interpretation of the relationship among body and space, clothes and society.

The Expressional Characteristics and Meanings of Indeterminacy in Fashion Illustrations (패션 일러스트레이션에 표현된 불확정성의 특성과 의미)

  • Kim, Soon Ja
    • Fashion & Textile Research Journal
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    • v.17 no.5
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    • pp.691-703
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    • 2015
  • Indeterminacy maintains that the simultaneous measurement of object location and speed is theoretically impossible. This study present indeterminacy as a theoretic tool to interpret a variety of expression characteristics that seem disorderly in recent fashion illustrations; in addition, it analyzes the characteristics and meaning of indeterminacy as expressed in fashion illustrations. This study reviews concepts and related theories on indeterminacy to examine characteristics of indeterminacy expressed in the arts and fashion; subsequently, indeterminacy characteristics found in fashion illustrations are analyzed. In expressing the fashion figure, indeterminacy finds expression in a distorted figure transformations that include a hybridized combination of heterogeneous forms that dismantle and reconstruct the human body. The hybridized body of combined machines, animals and plants indicates an indeterminate body endlessly transforming itself. Indeterminate space expression finds expression in space expression by projection with the overlapping and juxtaposition of irrelevant constituent elements as well as a space expression from the insertion of unexpected images. An unclarified inconclusive open space provides space with fluidity, causes space expansion and conveys inconclusive meaning. Indeterminate expressions found in fashion illustrations reveal the ambiguity and complexity of a post-modern society with polysemous aesthetic values and the expanded visual concepts of fashion illustrations.

Is Feelings Enough For Meaning. (느낌 만이 뜻인가?)

  • Lee, Gun-Won
    • Korean Journal of Cognitive Science
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    • v.2 no.1
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    • pp.167-192
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    • 1990
  • It is undeniable that the meanings usedinpractice are agreed feelings in the limited universe of discourerse of among the cognators of the linguistic expressions.The fact that the feelings are relative can be shown indirectly in terms of the indeterminacy of translations,because the feelings are not the physical object which can be visible or audible.However the agreed feelins also are not the absolute meanings,therefore these agreemnts are also relative depending on the situations used.

A Study on Commercial Film Narrative based on the theory of Gerard Genette -Focused on Temporal Order- (TV 광고에 있어서 Gerard Genette 이론적 서사의 시간성 -시간의 순서(Temporal Order)를 중심으로-)

  • Ahn, Sang-Hyuk
    • Archives of design research
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    • v.18 no.1 s.59
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    • pp.245-252
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    • 2005
  • In this paper, I am going to analyze a commercial film narrative focused on a temporal order through the theory of narrative discourse by Gerard Genette. Advertisements has a special quality or feature to be convertible into mythological hyper reality to advertise an product effectively. In this process, narrative in a commercial film has visual variations using a temporal order to show an glamorously advertisements in television. The reason that narrative in a commercial film is subject to variation with a temporal order, duration, frequency is to get some aesthetic effect for making sure people see them. Under the influence of postmodernism, image making like a pop-art became the first consideration in a commercial film with the consequence that representation as a signifier came to be more important than object as a signified. As a commercial film have more sensational image as a result of visual variation, images in a commercial film became vague so that it does not explain or express an advertising concept dearly. However, those aspects have assets that it gives the TV audience a room for interpretation in advertisements by themselves.

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The Deconstruction Trend Expressed in the Works of Jean Paul Gaultier - Focused on Designs from 2001 to 2006 - (장 폴 골티에(Jean Paul Gaultier)의 작품에 표현된 해체주의 경향 - $2001\sim2006$년을 중심으로 -)

  • Chu, Mi-Kyung;Hong, Jeong-Hwa;Choi, Kyung-Ok
    • The Research Journal of the Costume Culture
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    • v.15 no.2 s.67
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    • pp.326-338
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    • 2007
  • This paper examines the works produced from 2000, the first year of the new millenium, to the late 2006 with a focus on those of Jean Paul Gaultier, a representative designer of deconstruction, in an effort to determine the aesthetic characters of deconstructional fashion. In this context, this paper deals with the theoretical study on the concepts and features of deconstruction as a part of analysis into its fashion using the works of Gaultier as a major source viewed to typically demonstrate the deconstructional characters of fashion. For this purpose, a survey was conducted to 155 works of Gaultier featured from 2001 to 2006 mostly in Vogue, the popular and influencing magazine of the USA(39 pieces in 2001, 30 in 2002, 29 in 2003, 23 in 2004, 12 in 2005 and 22 in 2006, respectively). In particular, 106 fashion pictures were put to analysis as they seemed to represent deconstruction intensively. The deconstructional characters of his works were examined in the categories of difference, inter-meaning, inter-textuality and decomposition on the basis of preceding studies, which resulted in the following outcomes: First, difference was found in 38 works out of 106 images, accounting for 36%, the biggest frequency; Second, inter-meaning accounted for 33% with 35 pieces, most frequently next to difference; Third, inter-textuality followed inter-meaning with 17 images or 15% in terms of frequency; Fourth, decomposition was revealed in 16 images in the same ratio of 15% as inter-textuality.

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A Highly Robust Integral Optimal Variable Structure System (고 강인성 적분 최적 가변구조 제어기)

  • Lee, Jung-Hoon
    • Journal of IKEEE
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    • v.9 no.2 s.17
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    • pp.87-100
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    • 2005
  • In this paper, a design of an integral augmented optimal variable structure system(IOVSS) is presented for the prescribed output control of uncertain SISO systems under persistent disturbances. This algorithm aims at removing the problems of the reaching phase by incorporating advanced optimal control theory. By means of an integral sliding surface, the reaching phase is completely removed, and the integral sliding surface can be defined from a given initial state to origin without any reaching phase. The ideal sliding dynamics of the integral sliding surface is obtained in the form of the state equation and is designed in an optimal sense by targeting the design of the integral sliding surface and equivalent control input. The corresponding control input is selected in order to generate the sliding mode on the predetermined integral sliding surface. As a result, the whole sliding output from a given initial state to origin is completely guaranteed against persistent disturbances. Moreover the prediction/predetermination of output is enabled, which helps in improving the performance over previously implemented VSS's. Through an illustrative example, the usefulness of the algorithm is shown.

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A Study of the Symbolic Meaning of a Bisexuality in Costume (복식에 나타난 양성성의 상징적 의미 연구)

  • 권기영
    • The Research Journal of the Costume Culture
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    • v.10 no.6
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    • pp.633-647
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    • 2002
  • The purpose of this study is to observe the symbolic meaning and the values of the costume which express bisexuality through the definition from a culture point of view. The research method is to contemplate the documentary records such as world history, art history and clothing history, and to recognize the symbolic meaning of a bisexuality in modern fashion design. A definition the word´man and woman´restricted the human being for a long time. This restrict is enforced by the costume, but this traditional fixed idea is retarded by the liberal sense of the human being and the design expresses a sex ambiguity This study inspects the sex ambiguity and the meaning of that through a cultural background and a historical costume. The results are as follows: The first, the cultural background about bisexuality is classified into the etymological point, the mythologic point. the art and philosophical point, the political and economic background, the mass media, and the custome and the regulation. A bisexuality is a concept in existence from ancient times. we have an open-minded attitude about bisexuality in the present than the past. The second, the function of costume is sex classification before 20th century, but since 20th century the costume expresses sex ambiguity. The third, the symbols of the bisexuality are the interminacy, the unity and the dismantling. The costume which expresses bisexuality means coexistence of male sex and female sex. this is a kind of motion to embody a ideal body of the human being. This study makes a contribution to recognize the dignity of human body and to understand the phenomenon of modern society.

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Organic Philosophy Background of Biomorphic Architecture (바이오모픽 건축의 유기체 철학 배경에 관한 연구)

  • Kim, Jung-Shin
    • The Journal of the Korea Contents Association
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    • v.14 no.5
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    • pp.436-443
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    • 2014
  • This study was begun on the premise that architecture which has the definite disposition for survival even in the urban, social structure of that uncertainty and constructs specialty is biomorphic architecture. This study was organic philosophy background analysis of Biomorphic architecture occurrence, through meaning inherent analysis in Biomorphic architecture, which going to be deployed atypical and new shape one. Biomorphic architecture is organism shape of structure of autonomous survival, which is shaped the potential of biological phenomena. Theoretical analysis of the Biomorhpic architecture characteristic was analysed. Factor in the occurrence of Biomorphic architecture based on an objective analysis of the research is characteristic analysis. Which is reason as the 'create', the science of complexity and emergent System. The generation causes of biomorphic architecture are an organic philosophy. Biomorphic architecture makes the realization of simile form using the procedural principle represented by in natural phenomena.

A study on the moral instruction as a poetic act (시적 행위로서의 도덕과 수업)

  • Song, Young-min
    • The Journal of Korean Philosophical History
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    • no.31
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    • pp.87-111
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    • 2011
  • In moral instruction, one of the important purposes is cultivate students' meaningful moral knowing. To obtain this purpose, generally systems approach has been adopted and used in moral instruction. Systems approach has emphasized efficient designs which do not occur incidental learning that does not contribute to obtain learning objectives. However, moral meaning may occur to the subject of knowing, then occurrence of coincidence can not be excluded. If we approach to moral instruction with operative and engineering ways, we may convey the learning object but it won't be received meaningfully. Because of such problem, moral instruction has been required an alternative perspective contrary to the systems approach. Above all we need to reconsider the logic of explanation based on the systems approach. Because the moral instruction is understood that it is a systematic and operative act according to the logic of explanation. According to the logic of explanation, education is an act that conveys the teachers' knowledge to students who have inferior knowledge to teachers'. During this process, students' interpretation has been overlooked. In moral instruction, the teachers' interpretation of moral meaning can occur and extend by students' interpretation. When we understand moral instruction as the course of alliance between interpretation, it could be stood out that teaching as a symbol, constitution of teaching text as a vacuum, learning as a coincidence. When we stand out these aspects, the moral instruction could be understand as a poetic act. And based on such understanding, we can abstract specific resemblances between the poetic act and the moral instruction. There are semantic invariants and semantic variants in the teaching text of moral instruction. The semantic variants premise uncertainty. The limitation, that is, semantic invariants and the openness which is possible within semantic variants are changed to the moral instruction by students' response. It is essential that a selective attention as esthetic transaction that could be changed from text to poet. Like this, we need to take notice of instructive aspects not to means for reaching learning objectives but to act for being possible disinterested experiential learning.

Semantische Unbestimmtheit der Skalaradjektiven (척도형용사의 의미적 불확정성에 대한 연구)

  • Chung Dong-Gyu
    • Koreanishche Zeitschrift fur Deutsche Sprachwissenschaft
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    • v.10
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    • pp.277-296
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    • 2004
  • Ein sprachlicher Ausdruck ist in verschiedenen Situationen in einer Vielzahl unterschiedlicher Lesarten oder $Pr\"{a}zisierungen$ verwendbar, und zwar mil dom Grad an $Pr\"{a}zision$, der den jeweiligen kormmunikativen Erfordernissen angemessen ist. Sokommt Vagheit/$Ambiguit\"{a}t$ in sprachlichen Ausdrucken fast $durchg\"{a}ngig$ vol. In der vorliegenden Albeit wird die $M\"{o}glichkeit$ der semantischen $\"{U}bersetzung$ der Skalaradjektiven($gro{\ss}$, klein, $hei{\ss}$, kalt, schwer, leicht, schnell, langsam usw.) untersucht, die eigentlich die Vagheit als eine der konstitutiven Eigenschaften haben. Den Schwerpunkt $daf\"{u}r$ bildet die semantische Analyse $\"{u}ber$ die Graduierbarkeit und Vergleichbarkeit der Positivformen der Adjektiven, die vol allem M.J.Cresswell 1976 in seiner Albeit formuliert hat. V(pos) is the function $\eta$ in $D_{{\lll}{0,1}>,<{0,1}{\gg}.{\ll}{0,1,1},>,<{0.1}{\ggg}$ such that where ${\xi}{\in}D_{{\ll}{0,1,1},><{0,1}{\gg}$,$\eta({\xi})$ is the following function: For any ${\omega}{\in}D_{<0,1>$and a ${\in}D_1$ and w$\in$W, w${\in}{\eta}({\xi})({\omega})$(a) iff w ${\in}{\omega}$(a) and there is exactly one b such that ${\xi}({\omega})$(a,b); and for that b, b=$\gg$(for some > and u ${\in}{ \scr}{Z}(>))$ and u is toward the top of the scale determined by > when restricted to those v such that for some c, w${\in} {\xi}({\omega})$$(c,{\;} and w${\in}{\omega}(c)$. (Cresswell, 1976: 272) Obwohl sein Verfahren anhnd von dem semantischen Symbol eine methodische und theoretische $Ad\"{a}quatheit$ erf\"{u}llt$, bleibt der Vergleichwert noch unterspezifiziert. Fur die Behandlung dieser semantischen Unterspezifikation ist eine neue Semantik erforderlich, die den Wahrheitwert fur die $Zugeh\"{o}rigkeitsgrade$ der Skalaradjektive $einschlie{\ss}t$.

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