• Journal of architectural history
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• v.1 no.2 s.2
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• pp.9-38
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• 1992

In the study the documents in Ryu Hee-Choon's diary (Miahm-Ilgicho) from Oct. 29th 1575 to Feb. 9th 1577, for Kaeg-Chung(客聽) are arranged and analized. Ryu, Hee-Choon (Mi-ahm) was a civil minister in the era of Myung-Jong to Sun-Jo of the Chosun dinasty. This study would be one of the basal material for actually inquiring into the character of houses for the gentry in the late 16th century. Above all, the significance of this is that it study could show the details of the architectural economy, the organization of architectural society and the process of the supply of architectural material at that time. Craftsmen devoting themselves to this work are carpenters, artisans making roof titles, roofers and artisans constructing walls. And the content that are craftsmen of monks(僧匠), artisans of commoners(私匠) and slaves belong to government(官奴) is noticeable thing. In this construction work, monks in temples of the region and laboures commandeered by the government office are mainly mobilized. Except of them, private slaves and commoners mobilized by government office also devoted themselves to this work. But, it required more research whether this aspect could be the general character of the construction work of the gentry in the late 16th century. Architectural material, in the case of wood was cut and transported mostly from islands like Jin-do by labourers commandeered by the head officer of the region and monks. Superintendents seemed to come be non-specialists of noble families of the ruling class. So, it is thought that they managed mainly the manpower supply and administration. And some architectural ironworks, much provisions and marine products for labourers and craftsmen were proided by the government office of the region. This could be understood in the same context as above that goverment office of the region contributed to commandeering labourers and supplying architectural material in some degree. Carpenters and roofers took wages that is, about 7.7 pils(匹) of cotton cloth for each carpenter and 5 pils of cotton cloth and some provisions for each roofer. This would be a noticeable thing for researching wages of craftsmen at that time

• Journal of the Korean Society of Costume
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• v.51 no.1
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• pp.5-20
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• 2001

The purpose of this study suggest the fashion of communication for 21th century fashion. Especially, Memphis fashion have the possibility of communicating through objects. The results of this study are as follows : First, Memphis idea is to make design into a sophisticated, conscious instrument of communication. As the Memphis fashion points out : design is an extraordinary tool for communicating because its intrinsic characteristic is the fact that it is used and distributed anyway, even without communicating anything. The Memphis fashion is trying to connect design and industry to the broader culture within which fashion moves. Second, Using different materials provides not only new structural Possibilities. but - above all - new semantic and metaphoric possibilities, order modes of communication, another language, and even a change of direction, broadening of perspective, appropriation and digestion of new values and the concomitant rejection of traditional structures that renewal always Involves. The memphis fashion works on the fabric of contemporaneity (lurex yarn, latex, chrome metal and steel) and contemporaneity means computers, electronics, a new awareness of the body. mass exercise and tourism. Third, color in Memphis has never been an ideological vehicle. As with decoration it is born tilth the design, forming an integral part of the structure. It alters the objects molecules. It works as a mass, as an intrinsic feature of a certain form and volume. The Memphis fashion was realized the introduction of ultramodern science into such experimental and creative implementation as optical motive, brilliancy of colour of electronic medium in audition to metallic fabric and high technical synthetic fiber. A color tilth pop culture connotations that weaver between technological allusions and Mcdonald's.

• Journal of the Korean Society of Costume
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• v.50 no.3
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• pp.13-30
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• 2000

The purpose of this study was to analyzed the types of Deformation dipicted on the late 1990s western costumes. The late 20th century cultural experience or lifestyle is interpreted with 'popular culture' ,popular culture is described as cultural phenomenon in postmodern condition. Contemporary popular culture may no longer be strictly 'working-class' as the idealistic purists of political formalism would like to , but does emerge from subordinate cultures, from the inventive edges of the consensus, and from the previously ignored and suppressed. It gestured through a widening democratization of styles, sounds and images, to an important remarking , to new possibilities , new perpectives, new projects. The growing importance of popular culture as a source for change of expression in the art, expecially new desire and will of artists has been caused lots of ' Deformation' in their works. Deformation, doesn't mean to represent object faithfully as it were seen through the artist's eyes. In a sense it implies that artists deform it with conscious or unconscious form. So in this study , the phenomenon of the postmodern western costumes is to describe ' formative language' called 'Deformation.' and it is classified three types, that is, 'Deformation of human-body image.' , Deformation of silhouette.' 'Deformation of detail.'. First , Deformation of human-body image is represented by deconstructive , subversive image in western costumes, a lot of costumes types of deconstruction have been shown by fashion designers are emphasized empathy with Deformation of human-body image. Second, Deformation of silhouette is also represented subversion of traditional manner and ultiity, underwear and outwear structure and ugly image. parody image of postumodernism , and so on. Above all, the late 1990s western costumes with Deformation of silhouette was an infinitely larger and more complex world than it appeared from outside and has expressed as a rejection against the values which traditional aesthetic concept had pursued, And parody through the change of internal meaning is to bring about parodox, irony, contempt, satire , unexpectedness by applying the original to inapproporate subject through its substition, inversion. Third, Deformation of detail is represented overdecoration, exaggerative distortion of for , overlapping and fetish image, parody image, kitsch image, and so on , Once fetish achieve a certain' style factor' among trendsettler, they are picked up by internationally famous fashion designers, The characteristics of kitsch are overdecoration , unfitness , imitation , used western costumes.

• Journal of the Korean Society of Costume
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• v.52 no.1
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• pp.145-158
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• 2002

The so-called 'Bustle'which was a support put on waist to heave the side the buttocks means the grandiloquent style to express to ideal body. Bustle style. one of the outstanding and remarkable fashion trends in the late 20th century, has significant meaning in fashion history. This is because not only the style has the longest history, but also it has been periodically repeated every end of a century from the 17th to the 20th century. To analyse to cause the Bustle style was shown, I studied first the sign of forthcoming activity of the Bustle style, the change of the Bustle style shown In the times at the end of century and feature of the Bustle style. Based on the previous reasons of appearance of the Bustle style In the history. there are two similarities. First. reaction led to an occurrence of the reactionary tendency, the Bustle style as they were eager for the past because of a feeling of uneasiness about a coming century. Second, the principle of retrogression led to an occurrence of the Bustle style craving for new style. This Bustle style welch was reaction from being tired of the former fashion appeared to expression a desire for new style. In short, Bustle style was an intermediation between different histories and the basis for continuous development of new eras. rather than lust a part of classicism.

• Journal of the Korean Society of Costume
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• v.59 no.8
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• pp.49-65
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• 2009

As basic materials in this research, 874 pieces of engraving that recorded the garment produced by diverse authors in the 17-18th century were collected among the collections of male and female garment in the engraving kept by National Library of France and 216 pieces of engraving were classified among them to observe justaucorps as stated in the materials. Since type of justaucorps in the 18th century can be classified by difference in shape and change through the above engraving materials in large quantity and the shape and composition can be compared and analyzed with other materials such as picture, stored garment, written materials without difficulty, the chronology can be composed by single type of justaucorps. Intending to understand the change in composition caused by type classification and pattern making as per analysis of type property of justaucorps, the men's upper garment in France in the 18th century. Checking change in design per from and materials, justaucorps of 1680-1700s was in silhouette where waist in the length above knee was adhered and slightly spread to lower part. In the type of 1710-1750s, waist adhered remarkably and many pleats were made under waist to produce volume of form that spread to lower part like skirt. In the type of 1760-1780s, straight silhouette was attached to whole body and end of front adjustment in slant line turns to rear part. The developmental aspect of construction can be checked by making pattern. Changing the cutting line of body plate to smoothly connect section and to try to adhere to the body, the development of simpler and delicate pattern production technique was confirmed.

• KOMUNHWA
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• no.59
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• pp.64-87
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• 2002

The Burial of the living with the dead in Yeongnam Region began to appear between the late 3rd and the early 4th centuries when dramatic social changes, such as the emergence of fortresses, stoneware, and the division of Gyeongju style and Gimhae style ou

• Proceedings of the Korea Water Resources Association Conference
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• 2010.05a
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• pp.1862-1866
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• 2010

기후변화에 관한 정부간 협의체(International Panel on Climate Change, IPCC) 4차 보고서에는 21세기말 지구의 평균기온이 최대 $6.4^{\circ}C$ 까지 더 상승할 것으로 전망하였다(IPCC, 2007). 지구의 평균온도는 지난 100년 동안 $0.74^{\circ}C$ 상승하였으며 그중 0.45%는 최근 25년간 상승한 것이며 이것은 지난 100년 보다 2.4배나 빠르게 상승하고 있는 추세이다. 우리나라의 경우 기온이 전 지구평균기온에 비해 2배 이상 높은 $1.5^{\circ}C$정도 상승 하였다. 또한 온실가스 증가 속도는 다른 나라에 비해 빠르게 진행되고 있으며, 1990년에서 지난 2001년간 다른 OECD국가들과 비교했을 때 가장 빠르게 증가하고 있을 뿐 아니라($CO_2$배출량은 OECD국가 중 10위) 현재와 같은 에너지 다소비형 산업구조와 소비패턴으로는 온실가스 배출량이 감소할 가능성은 낮은 것으로 분석된다. 따라서 우리나라의 경우 다른 국가에 비하여 기후변화에 취약한 위치에 있고 민감하게 반응함에 따라 미래 기후변화에 대한 영향은 우리나라 농업수자원에 큰 영향을 미칠 것으로 판단된다. 본 연구에서는 기상청에서 제공하는 MM5 기상자료를 이용하여 농업용저수지 필요저수량 변화를 예측하였다. MM5 기상자료는 충남 서산관측소 과거 관측자료를 이용하여 편의보정을 거쳐 재추출하였다. 생성된 자료는 물수지분석 입력 자료로 구축하여 충남에 위치한 고풍저수지에 대하여 필요저수량변화를 예측하였다. 그 결과 기온상승으로 인한 실재증발산량은 676mm에서 717mm로 41mm가 증가하였으며, 소비수량 또한 1,617mm에서 1,659mm로 42mm 증가하였다. 유효우량은 2020s는 520mm 이였으나 2080s는 533mm으로 13mm 증가한 것으로 분석되었다. 본 자료를 이용하여 고풍저수지의 필요저수량을 분석한 결과 2020s, 2050s, 2080s 각각 31.2%(3,538.9천$m^3$), 16.0%(1,489.7천$m^3$), 26.6%(2,834.5천$m^3$)가 부족한 것으로 예측되었다. 이는 강우량은 증가하나 기준년도에 비하여 5월 8월이 낮게 예측된 것이 가장 큰 원인으로 분석되었다. 따라서 소비수량은 증가하지만 유효유량의 부족으로 필요저수량이 부족한 것으로 예측되었다.

• Archives of design research
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• v.15 no.3
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• pp.201-212
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• 2002

This thesis is to study about The Issue of Treating Information, according to the circumstance of Digital Media in Contemporary Design. The Digital Design is being able to be organized by developed Science and Technology. Ultra fashionable mode of digital design is leading human life more comfortable and serviceable: and proceeded by technology aheaded by science Developed Computer will help the Space science and virtual reality. and They will lead more developed industrial culture. The design is influencing international society and economic circumstance, and it's making the changedness of product and commercial route. virtual reality and simulation made by developed science is resulting in new design revolution in our society. Especially, it is able to make more bigger result in image breaking and reassimilation. The technology of developed information treating infra is able to transmit & receive a message, which are beyond our sensual boundary and is the meaning of the human-being's progressive development of science culture. Developed information treating methodology made by technology and science of restoration will be Neo-reality for artists and are the cause of great changedness in 21st century's art & design.

• Journal of the Korean Society of Clothing and Textiles
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• v.33 no.5
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• pp.732-740
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• 2009

The purpose of this study is to discuss Joseon dynastyis first perspective on the Western-style Court Costume which was newly introduced to Joseon through the problems receiving the credential that Japan had sent in new style. For this study, the records of Joseon and Japan at that period have been analyzed. The followings are the results of this research; First, a critical argument on the Western-style Court Costume occurred just before the Port Opening because whether wearing a western costume was the key factor in Joseon dynastyis receiving the credential that Japan had send in new style. Second, Japan received western costume as its domestic courtesy system by establishing the Court Costume of Civil servants in 1872 and consequently Japan established new ceremony procedure of western-style bow in 1875. Third, Joseon dynasty officially opposed to the Western-style Court Costume when Japan sent the credential, because the western costume selected by Japan had beenregarded as that of western barbarian at that time in Joseon. Accordingly, it seems reasonable that before the introduction of western costume into Joseon dynasty, an open-door policy for the West had been a prior settlement for Joseon dynasty regardless of the details of Western-style Court Costume. And also, the pride of civilization of Joseon dynasty, which has been used to express Joseon dynastyis identity as Joseon-centrism, had to be converted before the open-door policy. Ultimately, it could be inferred that the reception of the Western-style Court Costume had been raised as the political and diplomatic problems in the circumstances when the submissive relationship in the traditional Eastern- Asia had been forced to be converted to modern sovereign international relationship.

• Korean Security Journal
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• no.42
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• pp.251-276
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• 2015

The purpose of this article is to examine Israeli intelligence activity which had contributed to the building of Israel and of its national identity. In the late 19th, the Jews scattered around the world had shared the image of victims shaped in the history of the persecution. In this process, intelligence activity was a staple factor which established the state of Israel; political and religious community. Fighting against Arabs, Israel's intelligence agents had played key role in migrating Jews to Palestine and building their own state. In other words, Intelligence activity was the instrument of implementing political Zionism, Jewish nationalism. Even after independence in 1948, despite the opposition of Arab, Israeli intelligence agencies had persuaded the United States and the Soviet Union to recognize Israel as a member of the international society. Arab countries, nevertheless, had regarded Israel as 'a state to be disappeared', and its national identity was totally denied. However, Israel officially gained recognition for statehood through Arab-Israeli war and summit talks with Egypt. Israel finally restored the 'Promised Land' that is recorded in the Bible and established its identity of a winner. In conclusion, Israeli intelligence agency played a decisive role in founding the nation and even forming the consciousness of the people.